Tag Archives: writing dialogue

Mar 30

Becoming an Actor…an Article by Mary Deal

Become an Actor
by
Mary Deal

Quite often, I hear people say that they have a lot of difficulty when writing dialogue. Here are some tips for improving dialogue and making it a snap to write:

1) Know the character you have established.

* Is your character male or female?
* In what time period is your setting?
* Is your character laid back or a Type A personality who’s always jittery?
* What is your character’s purpose in the story?

2) Assuming you know the above facts about your character, they can only speak one way.

* Write a line of dialogue.
* Then stand in front of a mirror and become an actor.
* Put yourself in that character’s mind.
* Be the character.
* Speak the line.
* Gesture when you speak.
* Use facial gestures.
* Try speaking the dialogue in difference accents or drawls.
* You already know the basics of your character and the particular scenes, so you won’t find too many ways he or she can speak.

3) As you speak, try changing the words of the sentence of dialogue.

* Try saying the same thing in a different way.

4) Act out the characters parts.

* Be one or more characters interchangeably.
* Interact and speak the lines of each.
* Your mind will automatically “round out” what is needed.
* You may decide instead of a character with stilted language, he or she becomes relaxed and easy going.
* Each state of mind produces different ways of speaking.

You may find that your character also changes in personality. Be careful here. If you’ve completed your story and then change a character’s mannerisms, which may affect personality, you may need to make a sweep through the entire story to bring that character in line with the new image you’ve created. But if that’s what it takes to make your story hum, you do it.

Chances are, you won’t make sweeping changes with this technique unless they are needed. You will simply find new ways to put some zing into the dialogue.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Oct 06

“Talk the Talk” Sage Advice from Mary Deal

Talk the Talk

Is your dialogue authentic?

I write mysteries and watch some reality cop shows listening for police techniques and jargon. It’s a way of keeping stories in the now, exciting, up to date and understandable by readers. With an open mind and ear, you can learn how to make your characters act like the police or the perpetrator. You can learn search techniques or glitches in the schemes of wrong-doers. All of this knowledge enhances the reality of the stories you write, not just mysteries.

When writing dialogue for each character, it’s important that each person in the story have their own personality. When speaking, no two characters should sound alike. So it’s important to make a cop sound like a cop and a perpetrator like a perpetrator. It’s important t make these characters sound authentic in any story.

Especially, dialogue is critical in defining character personality. Here is a piece of dialogue I heard when watching Manhunter:

“Do you have an eyeball?”

The scene was a stakeout. Lenny DePaul, on one side of the building, was asking Roxanne Lopez at the corner of the building, if she had a clear view to the doorway where the perpetrator might appear. In another show, I heard “Do you have an eye?”

A book I recommend where you can find police jargon if you’re not into scrutinizing TV shows is Cop Speak: The Lingo of Law Enforcement and Crime, by Tom Philbin.

Here are some examples from the book that can easily be incorporated into dialogue:

Flashlight roll = A police technique of rolling a flashlight across a doorway of a dark room to illuminate the interior.

Make a canoe = Do an autopsy.

Catch a stack = To rob someone who turns out to have a lot of money.

Grounder = An easy case to prosecute; also known as a ground ball.

Mutt = Police term for a person with very poor character.

Hello phones – Telephones that informants use to reach their police contacts.

Still more of the terms and definitions in this book run from hilarious to dead serious. You can find any term explained and some mean far more than you think they do.

If you want your stories, especially mysteries to sound authentic, this book or other similar ones listing terminology and definitions will greatly enhance your writing and dialogue. Make them part of your instructional library.

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