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Jul 15

Multi-Published Novelist Louis P. Solomon Guests with Mike Angley Today

MA: I am pleased to welcome to my blog today, Dr. Louis P. Solomon. Louis founded Life Echoes, a Family Legacy Book Publishing Service. In addition he founded Pearl River Publishing (PRP), a publishing house. He spent most of his career in the military-industrial community in government and industry. He continues to be a consultant on business, technical, and financial issues. He is technically trained with a PhD from UCLA in Engineering in 1965.

Louis has written several books including five novels: The Third Legacy, Gotcha!, Unknown Connections, Library of the Sands, and Instrument of Vengeance, and several nonfiction books: Transparent Oceans: Defeat of the Soviet Submarine Force, Teleworking—A Complete Guide for Managers and Teleworkers and the Solomon Haggadah.

You have a fascinating background, especially in the technical realm. Please tell us more.

LS: I have substantial academic technical training. I have had a varied career, covering multiple disciplines, both in government and in the private sector. I received a PhD in Engineering from UCLA in 1965, specializing in Fluid Mechanics, Applied Mathematics, and Electromagnetic Theory.

Prior to entering government service I was one of three founders of a very successful consulting firm, Planning Systems Incorporated (PSI) which grew from three to over 400 people located in several states. PSI primarily supported the United States Navy (USN) during the Cold War. After ten years with PSI I went to work for the Department of the Navy for nine years as a member of the Senior Executive Service (SES). As the Associate Director of Naval Ocean Research and Development Activity (NORDA) for Program Management I was responsible for the Long Range Acoustic Propagation Project (LRAPP).

Subsequently I worked with the DoD National Security Education Program (NSEP) in placing within the federal government over 3,000 NSEP award recipients (graduate and undergraduates in all academic fields) who lived and studied throughout the world and learned less commonly taught languages and cultures. I also served as a subject matter expert in developing The Language Corps for the Department of Defense (DoD) as a national entity to support government agencies in times of national emergencies.

In addition to PSI, I am a founder and chief executive of several firms: LPS Collaborative Group, (a very unusual technical and management consulting firm), Pearl River Publishing (a book publishing firm) and Life Echoes, (a Family Legacy Book Publishing Service). In addition, I sporadically write a blog: The Wisdom of Solomon, which focuses on subjects which are of interest to me.

MA: I can understand the technical writing you’ve done, but how did you end up writing novels?

LS: In a single sentence: My Mother made me.

I wrote many technical reports and refereed technical papers. I eventually lost interest in discussing and writing about detailed technical issues. That is work for people beginning their careers.

I had no interest in writing fiction until my Mother came to me one day and told me that she had a fiction story she wanted me to write, based upon an actual event. Being a dutiful son, I said that I would write the story and promptly did nothing. But she was a tough old lady, and nagged me about it, regularly. I continued to put her off. But I was then invited, as part of a family outing to celebrate the 80th birthday of my mother-in-law, to go on an ocean voyage for a week. I find cruise ships the height of boredom, but as a son-in-law, I was obliged to accept the invitation with good graces. I then realized this was a heaven sent opportunity. I took my Mac Power Book laptop, and spent every day from 0600 to 1800 in the ship’s library. It was a nice little quiet room, which was never visited by another single soul during the entire trip. I wrote all day long, and by the time the cruise was over, I had completed the first draft of the book. My Mother loved it, and I found it a very interesting tale. This story, The Third Legacy, was edited by Linda Jenkins, who has edited not only all my books, but used to edit all my technical documents and refereed journal articles which I wrote while I was associated with NORDA. She is a superb editor, and I always accept follow her suggestions about making changes to the documents I entrust in her editorial care.

MA: Did your professional career inspire your writing? Are any of your characters based upon real-life people with whom you’ve interacted?

LS: My professional career did not inspire my writing. It had an effect on how I write my novels, just as my technical training influenced how I write. I focus on relatively complex stories, which fit together in order and sequence. All parts of my stories hang together. The problem that I have is that I do not focus on the characters of my books. I like them all, and would associate with them in real life, if they, in fact existed. But I don’t emphasize the emotional part of my novels, nor the character interactions. To me the story is one that I tell, in detail, in what I would characterize as a somewhat laconic voice. This is, I believe, the major drawback to all my novels. If I continue to write novels, and I probably will, I will be searching for someone who is very good at constructing characters who are lovable, hate able, etc. My coauthor will probably be sought as a budding playwright.

All my characters are based, to a greater and lesser degree on people I know, or knew. The skills and capabilities of my characters are based upon real people. However, I should add that I do not pay much attention to the human characteristics of real or imaginary people. They are what they are, and that is how I deal with people in real life. I like them, or do not; and friendships develop or not. I assume they think the same about me, but this may be an inaccurate assessment. I have many long term, close friends, in many fields and areas of endeavor, but I never think about them purely in an emotional way. They are wonderful in that sense that they have great enjoyment to me, but I never analyze them.

MA: Tell us more about your novels.

LS: I have already mentioned my first novel: The Third Legacy. This novel, written at my Mother’s request and prodding, was based upon the historical fact that Hermann Goering, Reich Marshall of the Third Reich, was sentenced to death for War Crimes at the Nuremburg War Crimes Trial at the end of World War II. He died a few hours before he was to be hung. How he died, and who helped him was never discovered or explained. This single event allowed me to develop a tale which explained all the facts, and hopefully was interesting as a novel.

The second novel, Gotcha! was based upon the Enron scandal and the terrible effects on the people who worked for Enron. The entire story of the Enron scandal was part of a Pulitzer Prize article from several Washington Post writers. I was infuriated by the way Enron executives handled themselves and decided that I could write a story which would have the characters, originally part of a fictional corporation who underwent the same series of events that Enron encountered. Once I had the idea of wrecking vengeance, the story was easy to develop.

The third novel, Unknown Connections was a little different. I have just finished a nonfiction book: Transparent Oceans: The Defeat of the Soviet Submarine Force. This book was written for a very select professional group of people who were familiar with the issues of naval submarine warfare during the Cold War. But several people suggested that I take the same information and create fictional characters and retell the story as part of a novel, using the same information. I did, and Unknown Connections is the result.

The fourth novel, Library of the Sands, is based upon the factual event of the destruction of the library at Alexandria in the 7th Century by the invading Arab armies. The library was itself about 1,000 years old at that time. It was the largest and most complete library in the Western Hemisphere with collections dating back 1,000 years from many sources. The librarians had a long and wonderful history in developing and protecting the collection. It was, and remains, my contention that the men and women of the 7th Century were emotionally no different than the men and women of the 21st Century; but the technology is different. If I were the Chief Librarian of the Alexandria Library at the time would I let my collection be destroyed by the invading armies? Absolutely not. So, how would I protect the collection which was in my care and my responsibility? The novel, Library of the Sands, is in fact, devoted to telling the imaginary story about how this was actually accomplished.

The most recent novel, Instrument of Vengeance, is due to my enjoyment of the assassin which was told about in the series of novels by Lawrence Block. I enjoyed them, and then, as is my habit, I asked myself how someone becomes an assassin, and how can a business which offers assassination as a service, exist in the modern world? How do you find clients? How do you stay free and not get caught by the law enforcement services? After thinking about it for a little while, and with the technical background I have, it was easy to solve the problem. So, I wrote a novel about how it could be done. All the technical details are correct, and plausible.

MA: How would you characterize the antagonists in your stories?

LS: My bad guys are really not people, but events and organizations.

MA: Will you keep writing fiction, or are you going to concentrate more on your technical writing?

LS: I will continue to write novels as ideas and events appeal to me. I can’t predict what they will be, or when they will occur. But my current focus on my firm, Life Echoes, I expect will have me encounter some interesting historical events and stories which I will use as a basis for a new novel, or series of novels.

MA: Thanks very much, Louis, for being my guest-blogger today. I encourage my readers to learn more about Louis Solomon by visiting his many websites:

www.pearlriverpublishing.net
www.lifeechoes.net
www.lpscolg.com
www.lpsseminars.com/LPSS/Presentations.html
www.tumblr.com/tumblelog/louispsolomon Read More

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Jun 03

Back for Her THIRD Visit with Mike Angley: Julie Achterhoff!

MA: Julie Achterhoff was born in Michigan, but brought up mostly in the big city of San Francisco and a small island in the Gulf of Mexico. Her imagination was sparked by experiencing these different ways of life. She grew up reading very adult horror, mystery, and thriller novels passed to her by her mother. When reading she would get as excited about the writing of the books as the reading. She ended up becoming a home birth midwife with five children of her own. Still, with every book she read there was that gnawing urge to write something of her own.

Julie – welcome BACK! This is your third visit to my blog, and while I’ve had a few authors guest with me twice, you are the first with a triple visit.

My readers can go back and read the original posts Julie did with me, first on January 1, 2010, and then again on September 10, 2010.

Please remind my readers what you did before beginning your writing journey.

JA: I was a midwife raising a family for about 17 years, but when the oldest got big and responsible enough to watch the younger ones I started taking a couple classes a week at the local college. Of course I picked writing and English classes. I didn’t even dare hope to actually write anything. It was this deep, dark secret I kept even from myself! I started getting addicted when teachers and other students told me what they liked about my writing. That gave me more confidence. I suddenly realized the authors of every book I’d ever read were just regular people like me who probably started out not knowing if they could write. So I allowed my deeply buried creativity out and gave it full rein.

MA: I know you didn’t start writing novels right away, but you actually began with plays, is that right?

JA: My first major effort after some short stories and essays was actually a three-act play called Angel in the House. I really got excited about seeing my work performed. I eventually hoped against hope that I could work in the movie industry. But the structure used in plays and screenplays was very stilting for me. I had to pay so much attention to form that I felt it took away from the writing. I enjoyed just writing away without a care like I could with the short stories I’d written. I just couldn’t imagine putting enough words down to make up a whole darned book. But I decided to give it a try. I figured if others could do it, so could I.

MA: So how many books are you up to at this point?

JA: I’ve now written four books. I still can’t believe it, but I swear it’s true. I just kept writing and writing, and somehow the word count kept climbing until finally it was the end and I had a whole book in my hands. The first was Quantum Earth. It’s about a team of metaphysical scientists racing to find out why we’re having more natural disasters of a higher degree leading up to the end of the Mayan calendar in 2012, and if our own human thoughts are actually creating this reality. Deadly Lucidity is a thriller about a woman trapped in her nightmares and dreams. Then she meets someone who tries to help her find a way out of her own mind. He seems to be another part of her imagination, but he is also so real. Native Vengeance is a novella about a woman who meets a friend on the internet and eventually goes to visit her during the town’s main event of the year. Of course, this annual “event” isn’t what it seems. The town has an old Indian curse on it because of something that happened a long time ago. The new friend needs her so she can escape the evil that occurs each year to punish the residents of the town.

Then there’s my latest book, Earthwalker- Earth can be Hell for a Vampire. I’ve always loved vampires the most of any of the beasts around. Maybe that’s why it took me this long to write my own kind of story about them. Plus, I hate doing anything that’s “in.” So I figured I’d have to write the book so different and far from the main crowd that it would hardly resemble any vampire story from the past. I think I achieved this. Earthwalker is a book about a vampire. And there is a passionate love story. But from there on out it is different in almost every way from any past works of its kind. I think I was successful in finding a fresh new way of presenting it. It’s all in the writing, though, anyway, isn’t it? I mean if you like my writing, you’ll definitely like this book. It barely gives the reader a moment to take a breath. I write tight and lean. There’s not a lot of flowery prose or descriptive overload in my stuff. I think you learn a lot about yourself and your style of writing with each new attempt. I would call Earthwalker my dissertation.

MA: Are you the kind of writer who starts with a hero and then builds the story, or do you start with a plot and develop the right man or woman to fill the need?

JA: Whenever I begin writing a book I already have a pretty good idea of who the protagonist is. I have the framework in my mind and then let them develop and grow on the page. I say “let” them because that’s how it seems to happen. They become alive to me. I think that’s how I’m able to write a whole book at all. The characters kind of take over and tell me what could possibly happen to them that would be thrilling and exciting, but also believable to the reader.

MA: Can you give us an idea of one of your heroes or heroines?

JA: In Earthwalker, for example, Willa is the so-called heroine. In the beginning of the story she is pretty weak. She’s recently gone through some tough life situations and is worn out emotionally. But she’s basically a strong young woman with emotional reserves that she calls on from the beginning. She’s good at dealing with emergency situations, it doesn’t take much for her to catch on when something outside her past experience happens, and she has the capacity to be courageous if need be. She is also willing to sacrifice herself for a greater good. As most of us do, though, she tends to think of herself first. She does sense this about herself and ends up putting herself last. With Willa, it’s like she moves ahead two steps then one step back and so on.

MA: Where do you draw from to create your “bad guys?” I’m always intrigued by antagonists in supernatural stories.

JA: I’ve had pretty intense nightmares since I was very young, so I’ve got plenty of nasty people in my head. I actually tone them down for my books so they’re not totally evil. That would be boring. You’re always going to enjoy a story more when you can somehow relate to the bad guy/gal. It’s like your dirty little secret. It brings the reader in so they feel closer to the characters.

MA: I take it you’ve not had any real-life encounters with vampires or other such creatures, or have you (grinning)?

JA: Not at all. I like making it all up from scratch. You will probably never see a non-fiction book come out of me. The further away from reality the better. My writing is my escape. It takes me far away from this world. And that’s the way I like it!

MA: Okay, so four works of fiction down…how many more to go? Where are you headed in the near future?

JA: Just recently I had a very long and real feeling dream that inspired me to write another book. It’s been months since I’ve written anything, so it’s great to know I haven’t dried up in the writing department. The next one’s about a reporter out to research the latest drug craze. And boy is it a doozy! What a crazy dream that one was.

MA: I can only imagine! I’ve had a few intense dream in my life, so I can relate. Will your allow any characters from past books to tag along in future stories?

JA: I have been asked by several readers if there will be a follow-up to Quantum Earth. Unfortunately, it’s kind of a time-bound novel in that it revolves around a particular time, the year 2012. But I guess it all depends on what actually does happen in 2012 to tell you the truth. Maybe these characters will have more to say and do at that point. Who knows?

MA: Let’s hope the Mayan “prophecy” turns out to be a whole lot of nothin’! After all, the Mayans simply stopped counting days, without actually saying what would happen beyond the calendar. So much about that calendar is super-hyped. Any parting thoughts?

JA: I would just like to encourage anyone who has a desire to write not to make excuses or let your inner critic stop you from doing something that could bring you a lot of joy. Don’t let anything stop you. And don’t do it for the money or fame. Chances are that won’t happen. You just have to love it. And then just do it. Get those words down on that page! You’ve got nothing to lose and so much to gain. If you do it this way it’s gonna show in your writing. Then you’ll have something to be proud of.

MA: Thanks again, Julie, for coming back. I want to encourage my readers to check out Julie’s blog (http://earthwalker.tk) and her books’ website (http://julieachterhoff.tk).

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Jan 21

Fellow Air Force Veteran & Author, Alan Simon, Guest-blogs with Mike Angley

MA: My guest today is Alan Simon, the author or co-author of 30 books dating back to the early 1980s. His writing career began with the 1st edition of How to be A Successful Computer Consultant (McGraw-Hill) that sold approximately 200,000 copies in 4 editions over the next 15 years. He is the author of three titles in the “For Dummies” franchise series and has written extensively about technology and business topics. In 2009 Alan began experimenting in self-publishing with Blocking and Tackling Your Way to Management Success in which he set 40 fundamental management lessons against a backdrop of 40 stories from the history of his hometown Pittsburgh Steelers. In 2010, Alan branched out into fiction with the publication of his first two novels including The First Christmas of the War, set at Christmastime, 1941 – only weeks after the attack on Pearl Harbor.

Alan currently lives in Phoenix and in the past has lived in Pittsburgh, Tucson, Colorado Springs, Denver, and northeastern Pennsylvania.

Please tell me a little bit about your professional or personal background…the prequel if you would to your writing career.

AS: The best way to describe my professional background is to quote The Beatles: “The long and winding road…” I grew up in Pittsburgh, PA until my family moved to Tucson, Arizona just before my 16th birthday. I attended college at Arizona State in Tempe and then went to graduate school at the University of Arizona back in Tucson before heading off to Colorado Springs where I spent four years as a U.S. Air Force officer stationed at Cheyenne Mountain. In the Air Force I wrote software for one of the real-life “War Games” systems, referring to the early 1980s movie in which Matthew Broderick breaks into Cheyenne Mountain’s computers to play “thermonuclear war.” After my Air Force days I worked for a series of technology and consulting companies in a variety of roles, including several as a national or global practice leader in business intelligence and data warehousing. I began my own firm – currently called Thinking Helmet, Inc. – in 2006.

In many ways my writing career began as an “accident.” When I was an Air Force officer in the early 1980s I started a small computer consulting business on the side mostly so I could stay up to date with the technology of the then-brand new “microcomputers” that were very different than the old-fashioned mainframes we used in the Air Force. One day I was thinking about all of the tasks I had to do to set up my company and learn about new technology and suddenly thought there might be a book in the making there. I wrote a proposal, sent it off to McGraw-Hill, and presto! Book deal! (Little did I know the publishing game wasn’t quite that easy…)

MA: Well, I definitely have a soft spot for fellow Air Force vets, and I am very familiar with Cheyenne Mountain during my work in Air Force Space Command nearby. With such a technical and non-fiction writing background, how did you end up writing fiction?

AS: I began “dabbling” in fiction approximately 25 years ago, sequestered in a near-deserted hotel in the mountains of Colorado in late May of 1985. I had gone there to spend a week finishing up the final manuscript for my first book, How to be a Successful Computer Consultant. (Thinking back, my long-ago writing getaway in the Rockies was sort of a combination of two works from one of my favorite authors, Stephen King: “The Shining” meets “Misery” !)

Whenever I’d take a break from polishing that manuscript during that trip, I’d shift to write two or three more draft pages for an idea I had for a “potboiler” novel; something that in retrospect was heavily influenced by the writing style and typical plot lines from popular writers of the day such as Harold Robbins and Sidney Sheldon. I shelved that book for all eternity shortly thereafter, but over the next two decades spent thousands of hours – and wrote the proverbial million words of fiction – on any number of long-dormant projects, as fiction writing grew into a deep passion of mine.

MA: Speaking of The Shining, my kids and I once spent a night in the “Stephen King” room at the Stanley Hotel in Estes Park, Colorado, where King stayed and wrote the book. Sadly, nothing spooky happened during our stay there. So tell us about your novels.

AS: I wrote two novels in parallel with each other over a period of 6+ years; both were self-published this past year. The first is entitled The First Christmas of the War and is a family saga set at Christmastime, 1941…only weeks after Pearl Harbor. Beyond the overarching and terrifying news coming back from the war front, each family member has his or her own “mini-drama” going on, and the story interweaves the “macro” and “micro” plots in a day-by-day format beginning with the Saturday before Christmas and ending the day after Christmas.

The other novel is entitled Unfinished Business and just like The First Christmas of the War, it’s set in my hometown of Pittsburgh. I like to think of Unfinished Business as “a darker Bridges of Madison County story” that begins in flashback with a brief wartime affair that takes place in 1942. The plot of the story is based around the resumption of that affair nine years later, in 1951, when Roseanne DeMarco’s steelworker husband is called up from the Army Reserves and set off to the Korean War…just as her long-ago “friend” reappears in Pittsburgh as she’s struggling to make ends meet.

MA: I have a hard enough time writing one story, so I can’t imagine what two parallel ones must be like. Who are your protagonists?

AS: In The First Christmas of the War I’m fortunate enough to have a number of main characters who essentially are an “ensemble cast” as the book’s protagonist. The family’s patriarch – Gerald Coleman – is patterned after one of my grandfathers. He’s a shoemaker who is fortunate enough to have made a decent enough living during the Depression. His wife, Irene Coleman, is the classic homemaker of the day…she runs her household and her family and is always looking out for the best interests of every family member. The eldest son, Jonathan, is patterned after characters such as those played by Sean Penn and Nicholas Cage in the 1980s movie Racing with the Moon…he knows with certainty he’s headed off to war soon and is trying to come to grips with this sudden reality. The rest of the family members are all “demographically appropriate” for 1941 children and teenagers.

In Unfinished Business I tried my best to get inside the head of Roseanne DeMarco. Her husband is suddenly sent off to war, she has no safety net to fall back on, and in general she’s sleepwalking through life…and here comes this person from the past who was her “partner” in an illicit yet exciting brief period of her young life. Throughout the book she’s conflicted between the renewal of this excitement and her increasing guilt about what she’s doing while her husband is away at war.

MA: They both sound interesting. Who are the antagonists in the stories?

AS: The First Christmas of the War doesn’t have an antagonist…unless you want to think of Hitler and Tojo as off-the-pages antagonists who made the story (and the war) possible!

In Unfinished Business Frank Donaldson – the main with whom Roseanne DeMarco renews her affair – is very much an antagonist, but a carefully constructed one. I patterned his character after that of Noel Airman in Herman Wouk’s 1955 novel, Marjorie Morningstar. At first he seems suave, debonair, the man of Roseanne DeMarco’s dreams who has returned to her…but increasingly his fascination in the story with Jack Kerouac (then a brand new novelist) becomes symbolic of his own character flaws.

MA: How much of your real life’s story influenced your writing?

AS: When I moved from Pittsburgh to Tucson just before my 16th birthday, I was very homesick for my original city and spent many hours in the high school and public libraries reading books about Pittsburgh and its history. Since I planned to go into the military in one way or another, I was also very interested in the World War II era and the aftermath, including the boom years of the 1950s. So my fascination with mid-20th century Pittsburgh formed the foundation for both of these novels. I spent many hours researching the facts and tidbits for both stories, though when appropriate I took a bit of poetic license in the interest of moving the story along.

In both books – especially The First Christmas of the War – I did use my real-life great-grandfather’s produce business in Pittsburgh as a plot vehicle, and in First Christmas had eldest son Jonathan working side-by-side with my real-life great-uncles in a couple of scenes. I dedicated that book to those great-uncles, all of them gone now, as members of the “greatest generation” who (to use the words of the book’s dedication) “sacrificed much of their youth to the Second World War.”

MA: So what’s next for you? You are so versatile, I can imagine either a novel or some techno-geek book coming soon!

MA: The biggest challenge I have is getting my head and hands around a much-too-full list of to-be-written projects for 2011. In all seriousness, I have a list of about 15 business, technology and management topics; 25-30 ideas for novels and short stories; and another non-fiction, self-help oriented title based on my own personal close call on 9/11. (A schedule quirk put me in Pittsburgh for a speech that morning, scheduled to fly to San Francisco from there that afternoon; otherwise I almost certainly would have been on United Flight 93 since I was shuttling between projects and proposals in New Jersey and the San Francisco bay area for the consulting company I worked for then.)

MA: Wow! I’m glad you missed the original flight, and it’s nice to hear you plan to turn that experience into something good that may help others. With regard to fiction, would any of your future writing involve characters from your first two novels?

AS: The First Christmas of the War is actually the first of a series of four holiday-set, similarly-structured novels featuring the Coleman family. Next up is Thanksgiving, 1942, taking place – as one can tell from the title – eleven months after the initial book’s Christmas, 1941 setting. The next title is The First Christmas After the War, set at Christmastime, 1945. Finally, a concluding novel set in the 1970s takes a final holiday visit with the Coleman family.

MA: Sounds like a nice set of books. Anything else you’d like add before we wrap it up?

AS: Over the years, I’ve had many, many people ask me about the writing business and my own experiences in the context of book or story ideas they’ve had themselves. I always enjoy sharing my experiences with others and am always more than willing to help people navigate today’s publishing world, craft proposals…pretty much anything.

MA: Thanks Alan for appearing on my blog, and thanks for your military service. Please visit Alan’s websites for more information about this amazing author and his projects: www.alansimonbooks.com and www.thinkinghelmet.com.
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Jan 12

Mary Deal Dishes Up 10 Book Signing Essentials!

10 Book Signing Essentials

When I began to have my own book signings, I found it fortunate in that the larger stores, Border’s Books and B. Dalton, provided not only tables but white cloth covers as well. Not till a little later did I realize that this did not hold true for all stores. I began to make a list of essentials a writer needs in order to present themselves in a professional manner.

1) Even larger stores sometimes have no table cloths. Carry your own. One store had an ample sized table but the cloth only covered the top. I prefer to tuck my travel bag of promotional materials under the table when possible for an easy grab when I need them. Therefore, my larger cloth was thrown over what the store provided, hung all the way down in front, and I was able to keep my bag out of site.

2) Carry a letter-sized plastic picture frame with your photo and book cover for display on your table. Sometimes, but seldom, stores will have their own stand-up table sign already made. I found these to be lacking. In addition to my photo and book cover, I also include a brief Bio of two to three small paragraphs. It’s amazing how many perspective buyers like to read about the author. It seems to draw them closer emotionally. They feel they know you and didn’t have to spend time asking you about yourself. Instead, they ask about your book.

Something extra I do is put a full-sized book cover photo on the back side of the clear plastic frame as well. The book cover can then be seen from various directions.

3) Have another stand to place your book in an upright position. Books lying flat on the table top can only present their edges to viewers. You want your cover showing in all its magnificence.

4) The major book stores have their own signs made and hanging on the front of the table cover, in addition to other areas in the store. However, for those shops that do not have posters, hopefully, you will have had some made. If your book signing is in your area, take some posters to the store to have those hung at least a week prior to your arrival.

5) Postcards. You can mail postcards to friends and even store and business owners in the area where your book signing will take place. When I run out of bookmarks, I use these cards instead.

6) Bookmarks. I often run out of bookmarks because people want to take one as a reminder to buy the book later. It’s unfortunate that they don’t buy it right away, but if a bookmark helps them remember, give it freely. This has worked for me. Too, at your table, every book should have a bookmark stuck into it.

7) Business cards. Though I’m not intending to show favoritism, I use vistaprint.com for all my cards. Wherever you prefer to buy them, Kinko’s maybe, make sure to have enough. Try to put your book cover on the card. If that’s not possible, make it something related to writing or to your Web site. Have these on your tabletop too.

8) Brochures. If you have a Web site and books to sell, you might consider having some brochures made – or make them yourself. Make them professional looking and not looking like a Xerox copy of a Xerox copy. If a signing is in your area, pass them out to people you meet in your daily routine of shopping and such. Ask local stores to display a few. If in a town outside your locale, arrive early and hand out some brochures to people in the area. This works well in malls. Have some of these on your table top. People will pick up anything to learn more. That means they spend more time at your table.

9) Flyers. Store managers are grateful for any help you can offer. Ask them if they would like some flyers to display around the store. Your flyers should be professional in appearance and not something you threw together and printed out on a bad printer. No Xerox copies as mentioned in #8 above.

10) Many other items can be given away to those who purchase your books. This is a simple way of saying thank you and building rapport with a reader who potentially will look for your next book. Too, one good item is pens or pencils with the book’s title, or your Web site URL. For promoting my Egyptian suspense novel, The Ka, I purchased huge quantities of tiny hand carved Egyptian scarabs in real colored stones. I allowed those who bought books to sort through the bin to find two that would match, possible to make earrings or whatever. Giving out little inexpensive extra items produces an aura of fun too.

Any or all of the above items serve to enhance your professional appearance and express to the store managers and prospective book buyers your sincerity, intention and commitment to your craft.

In today’s economy, when people cannot afford little luxuries, even one or two of these items will serve you well. Stand up at your table and get a lively conversation going with those who come to see you. It’s amazing what a smile can do.

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Dec 17

All the Way from the UK, Mike Angley Welcomes Author Ian Barker

MA: All the way from the UK, please help me welcome today’s guest-blogger, Ian Barker! Ian has always dabbled in writing since leaving school. However, he spent almost 20 years working in IT before he discovered that writing about computers was easier than fixing them. He is now editor of PC Utilities magazine and lives and works in Greater Manchester, UK. Fallen Star is his début novel. Tell us more about your background.
IB: I was a voracious reader as a kid and have always been interested in writing. I repressed this for quite a long time, however, and it expressed itself in the odd comic poem for birthday cards but not much else. It was only once I’d turned 40 that I started to take writing more seriously and that led me to combining career and interest and getting a job on a computer magazine. The idea of writing a novel came around the same time. Maybe it comes of a desire to leave something permanent behind.
MA: Why did you choose to write novels, and not poetry?
IB: I’m not sure you ever choose to write novels. The call of the story simply becomes too strong to resist. I’d done the usual thing of writing a semi-autobiographical first novel and consigning it to the bottom drawer. The initial idea for Fallen Star I thought might make an interesting short story but it quickly turned into something bigger.
MA: Tell us about Fallen Star.
IB: It’s about the shallowness of celebrity culture, the price of fame and how, almost inevitably, we find ourselves living in the shadow of our parents and often repeating their mistakes. It’s an adult/young adult crossover – the protagonist is 21 – and at its heart it’s a love story.
Karl has been a member of a boy band since leaving school and at 21 knows no other life. When another band member dies of a drug overdose he’s forced to readjust to real life. To further complicate things he falls in love with Lizzie, but she’s the daughter of an IRA terrorist and that makes her someone Karl’s ex-soldier father is bound to hate.
All of that might sound a bit grim but there’s a lot of comedy in the book. Although it’s been described as a modern day morality tale it doesn’t hit you over the head with a message, it’s an entertaining, fun read.
MA: Where did the idea for the story come from?
IB: Appropriately enough the idea came from watching a reality TV show. Around 2003 the BBC ran a series called Fame Academy with a group of would-be pop stars trained and forced each week to ‘sing for survival’ to stay on the show. It was around the time that digital TV began to take off and this was one of the first shows to have live ‘round the clock feeds. I started to think about what would happen if you reversed the situation – what if you removed someone’s fame when they were at their peak? The story grew from there.
The terrorism angle came later but I think it adds an extra dimension to the book and makes it more relevant to today’s world.

MA: How hard did you find it to write the two main characters?
IB: I found Karl relatively easy to write. I don’t think men ever grow up much beyond the age of eighteen anyway! It was much more difficult to get inside the head of a 25-year-old woman for Lizzie’s parts. I was constantly hounding female writer friends to read sections and tell me if they rang true.
MA: How does the hero’s develop through the book?
IB: A key part of the book is Karl’s growth as a character. At the start he’s shallow, immature and somewhat vain, the world has always come to him. That made for a tricky first few chapters as in the beginning he’s not especially likeable. As the story progresses he comes to realise that he must take responsibility for his own actions and take control of his own life. He also finds that he has more in common with his father than he ever thought possible.
MA: Does Fallen Star have its own unique bad guy?
IB: Not in the usual melodramatic sense. Patrick, the closest the book gets to a bad guy character, is dishonest rather than outright bad. He’s also a rather peripheral character. His impact is felt in its effect on other characters but he only actually appears in a few scenes.
The real villain here is the way that terrorism affects people’s lives even one generation removed.
MA: Did any of your real-life experiences influence the plot?
IB: In terms of the main plot points no, but as always there are certain incidents and conversations that are rooted in things that have happened to me or to friends. There are also the inevitable snippets of overheard conversations and such.
MA: Beyond this novel what are your future writing plans?
IB: I’m working on a sequel which picks up Fallen Star’s characters a few years on from where this book ends. I don’t see it turning into a long series, however, there probably won’t be a third book on this theme. I’d like to revisit the idea of my bottom drawer novel. I think the premise – a coming of age tale set in the mid 1970s – still works but I know that I could write it much better now. One of Fallen Star’s characters does appear as his younger self in my original version though so it wouldn’t be a complete break.
MA: Would you do it again?
Yes. Writing a novel and getting it published is a long and often frustrating experience but you only appreciate that when you’ve tried it. If I’d known at the start what I know now I might have done a few things differently but it wouldn’t have stopped me.
MA: Ian, thanks for traveling so far to visit with me today (wink). I recommend my readers check out Ian Barker’s website for more information about him and his novel: www.iandavidbarker.co.uk.
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Jun 28

Romantic Mystery Author Miss Mae Swings by the Child Finder Trilogy for a Fascinating Interview!

MA: Today I have the pleasure of interviewing award-winning, best-selling author, Miss Mae. Miss Mae holds a special place in my heart because she honored me with my first guest blog as a new author when I was trying to navigate the waters of marketing and promotion!

She has a long list of books that have earned awards and special accolades. “Said the Spider to the Fly”, published by The Wild Rose Press, has consistently rated outstanding reviews and has won the esteemed title of Best Book of the Week for The Long and the Short of It Reviews and from The Romance Studio. It can be purchased both in digital format and in print directly from the publisher’s site. “When the Bough Breaks”, a young adult coming-of-age is the first from Whimsical Publications. Not only has this book generated top reviews, it’s also won a Best Cover of the Month award, and won the 2009 P & E Readers’ Poll in the YA category.

The highly acclaimed “It’s Elementary, My Dear Winifred” won a 2009 Top Ten Read at MyShelf.com. It’s slanted for a late summer re-release from Whimsical Publications, with the second in the “Dear Winifred” series planned to be finished late 2010.

She also enjoys writing humor and non-fiction articles. Besides her monthly contributions to the ezine American Chronicle, some of her publications can be found in The Front Porch Magazine, Good Old Days, and Writers Weekly.

Whew! I could go on and on…Miss Mae, welcome to my blog. It’s such an honor to have you guest with me. It’s obvious you have a love for writing, so why novels in particular? Read More

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May 19

“A Writer’s Self-Esteem” by Child Finder Trilogy Guest Mary Deal

When ego gets in the way.

My very first short story sent out received rejection after rejection. I always had faith in my writing and kept producing new pieces. Eventually, I sent out all of my stories, but they received rejections as well. I was crushed.

I began to feel that as a writer, I must not be writing anything that anyone wanted to read or know about. Maybe my writing wasn’t entertaining enough. I convinced myself that I wasn’t knowledgeable enough to have anything worth writing about to say to the world. Deflated, I set my stories aside.

After months of not writing, but still feeling the urge to do so, I received one of my SASEs in the mail. I thought sure I had already received as many as anyone cared to return.

To my surprise, the hand-written message on my cover letter, being returned, read:

“I’m sure this will fit into the issue we’re planning for next June. How does $20 for 1st Rights sound to you?”

The Senior Editor of that magazine sent a personally written note! I was stunned that my story fit in one of their planned issues. You bet I agreed. The next June was over seven months away, but that little note told me so much and plumped up my writer’s ego once again.

The story that had garnered the most rejections happened to fit into their future. So it wasn’t really a matter of whether or not my story was good enough. It simply had to fit somewhere.

I began to write again and the flood of pent up stories poured out.

I mailed them all. Christmas was quickly arriving, but I sent out a Christmas story anyway, knowing it would be too late to make it into any magazine in the next three weeks. My writing was good and I just wanted people to know it. At that point, I would have sent anything out.

To my surprise, in the second week of January of the New Year, I got a note back saying a magazine accepted it, saying:

“Thank you so much for submitting this piece far enough in advance. We’re working on this year’s Christmas issue now and would like to have it. Christmas is almost a full year away. Would you be willing to sign an agreement giving us FNASR anyway?”

Timing is everything. Not timing as in getting the stories submitted fast, but getting them sent at a time when a magazine can use them.

When I think about how my self-esteem felt squashed by rejection, how egoistic! It had nothing to do with my ego. Acceptance is about writing the kinds of stories that various magazines can use. It is about getting our stories into the right hands. Of course, the stories must be the best that we could produce, but the rejection itself is never meant to tear down faith in our abilities. Read More

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Mar 10

“Building a Story” By Mary Deal On The Child Finder Trilogy

A friend of mine—I’ll call her Judy—had written a novel and was in the process of sending it out to literary agents seeking representation. She and I knew that first-time authors typically needed to have two or more completed manuscripts in hand. Publishers do not make large profits on an unknown writer’s first book but on subsequent publications. Money is spent on publicity for the first book, to establish a reputation for an author and build readership. With these aspects already established, on subsequent books, larger profits are realized. Too, publishers were more apt to believe that a writer was capable of turning out numbers of books if they did so of their own volition. Read More

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Feb 24

“When Editing Backfires” An Article By Mary Deal On The Child Finder Trilogy

About a year ago, I edited an accumulation of short stories for a client. Last week he contacted me and asked why his writing had not been accepted anywhere. I told him to bring his CD over and let’s take a quick look at the stories again. Maybe I missed something in my edits. He arrived this morning carrying a thick folder full of rumpled and dog eared paper manuscripts. Read More

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Feb 12

Senior Sleuth Author Jean Henry Mead Shares Her Stories With Mike Angley

Author Jean Henry Mead is my special guest today. She began her career as a news reporter, later serving as a news, magazine and small press editor. The author of four novels, her latest release is a senior sleuth mystery/suspense novel, Diary of Murder. She’s also the author of eight nonfiction books. Her magazine articles have won state, regional and national awards and have appeared domestically as well as abroad. Read More

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