My guest today is Margie Church, AKA Churchlady, author of romance/thriller novels with “SASS.” She tells me that stands for Suspense, Angst, Seductive Sizzle. Margie is a married mom of two children, and a Minnesota native. He writing career began early when she published in “McCall’s Magazine” in the sixth grade. Margie describes her professions as a mother and author whose guilty pleasures are great beer, real vanilla ice cream, and lobster. I couldn’t agree more with that list! Read More
Tag Archives: weakness
MA: I’m happy today to introduce my guest-blogger, Nelson O. Ottenhausen. Nelson is a retired Army officer and an accomplished writer published nationally in periodicals and anthologies. His latest poem, Out of Sane, appears in a Siruss Poe anthology collection, Mind Mutations. His book, Flowers, Love & Other Things, released in November of 2005, is a selected collection of his own published poetry and short stories.
Several of his short stories have been published and one, A Fish Story, is included in the popular Chicken Soup for the Soul series of books, Chicken Soup for the Fisherman’s Soul, now available in book stores everywhere. His short story, Duty, appeared in the December/January 2006 issue of the Pensacola Today magazine. Feature articles of his have been published in various magazines about the USS Oriskany, an aircraft carrier sunk in the Gulf of Mexico in May of 2006 in the Navy’s artificial reef program, and Survivors a human-interest story about a Pensacola military family that survived Pearl Harbor, World War II, Hurricane Ivan and 70 years of marriage.
He has published five novels, Civil War II, (2004), The Blue Heron (2005) and The Killing Zone: Evil’s Playground (2007), Jugs & Bottles (2009) and The Sin Slayer (2010).
Nelson founded Pen WISE Poets (Writers in Service to Education), a literary arts outreach program in the schools of Northwest Florida, which he managed from 1994 thru 1998, and in 1995, he was cited by Governor Lawton Chiles of Florida for this work. In October of 1995, he received a fellowship for his writings, and in August of the same year was appointed by Florida’s Secretary of State to the Directory of Visiting Artists to lecture in Florida schools about poetry, only one of five poets throughout the state to be honored so.
He holds a Bachelor of Business Degree in Operations Management and a Masters of Business Administration Degree from Western Illinois University, Macomb, Illinois.
A former native of northwestern Illinois, he now resides in Gulf Breeze, Florida.
Okay, that was a mouthful! Tell us how you began writing novels, because it seems like you wrote a lot of poetry before this.
NO: I wrote poetry for over 7 years and had 40 poems published, 28 of them I actually received compensation, but the highest payment I ever received for a poem was $35.00. In the late-90s, I came to the conclusion I was wasting my time with poetry and began writing novels. However, the poetry writing experience taught me to express my thoughts in a more concise manner and greatly improved my sentence structuring.
MA: Tell us about your novels, and did any real-life experiences inspire them?
NO: My first 2 novels are action adventure novels with political overtones and loosely based on my military experience as an Army officer. Almost all of the main characters in my novels are based on people I know or have met in a professional working relationship in some way.
Here’s the list:
Civil War II – My first published novel, action/adventure (2004) – A story of coercion, bribery and a military coup, overthrowing a sitting President of the United States, the U.S. Congress and the Supreme Court.
The Blue Heron – An action/adventure (2005) – A story about a U.S. military covert operation and coup to overthrow the Cuban government.
The Killing Zone: Evil’s Playground – Police thriller/mystery (2007) – Police Detective Daniel Patrick O’Malley is called out to investigate the death of a young woman in what appears to be an apparent suicide, but he soon discovers she is a victim in a series of bizarre murders.
Jugs & Bottles – Police thriller/comedy (2009) – A woman deaf since birth, is targeted for murder after witnessing a Mafia style execution then identifying the two hit men to the police. She, along with her dog become involved in a series of chaotic events as two brothers attempt to silence her with their bumbling, comedic ways.
The Sin Slayer – Police mystery/suspense thriller (2010) – For thirty years, a self-ordained church leader has convinced his small congregation to secretly kill dozens of people after hearing an inner voice, whom he believes to be God, telling him to cleanse the world of chosen sinners.
Flowers, Love & Other Things (2005) – A collection of poems and short stories by Nelson O. Ottenhausen published in other media from 1994 through 2005.
MA: That’s quite an assortment! Are your heroes based upon real people you’ve known?
NO: Protagonists, as well as the main characters in all of my novels, are mirrored after someone I knew, both relatives and friends.
MA: I’m intrigued by Jugs & Bottles because your protagonist is not human. Tell us more.
NO: My hero in that story is a dog. His strong points are; he is loyal, obedient and lovable, and will face danger without hesitation to protect his charge. His biggest weakness; he tries to befriend everyone because of his lovable attitude.
MA: I take it you have many different antagonists in your stories?
NO: Each novel has a strong “bad guy” and all of them are a little whacky. In Jugs & Bottles, there are really 2 “bad guys” and 2 good “bad guys” (2 brothers wanting be major criminals, but just don’t have the smarts nor ability to become so).
MA: As prolific a writer as you are, I assume you are working on something new?
NO: I’m presently working on two novels, Black Mist of the Trinity, a story of terrorists, nuclear warfare and black OPS; and Auggie, a historical novel about a young Russian girl growing up in Japanese occupied China during World War II, based on the true life experiences of a long time acquaintance.
MA: Anything else you’d like to add?
NO: I am President and part owner of Patriot Media, Inc., a small independent publishing company in Niceville, Florida. We are a traditional publisher in the sense we do not charge authors to publish their work. We are specialized and publish only military theme books, both fiction and non-fiction. To review our titles, go to www.patriotmedia.inc.
MA: Nelson, thanks for your service in the Army, and thanks for being my guest today. Folks, please visit Nelson’s Patriot Media website, as well as his personal site: www.booksbynelson.com. Read More
MA: Today’s guest is Larry Moniz, an award-winning author, journalist, and publicist. His background is so varied, that I’m going to let him tell us all about it.
LM: I’m a seasoned journalist and publicist transitioning to fiction writing.
I have 14 years experience as a senior public relations executive in the development and implementation of successful, goal-oriented communications and marketing support programs for major national corporations. I wrote the first public relations program for Coleco’s Cabbage Patch Kids and that program subsequently won the Silver Anvil Award from the Public Relations Society of America. The Silver Anvil is recognized as the most prestigious award in public relations.
My public relations skills are augmented by being an experienced journalist and winner of 12-business writing awards for articles in 2000 through 2003 competitions. I was the founding editor of a highly successful new weekly newspaper, building from inception “the best newspaper to cover West Milford since the 1960’s” according to one long-time resident.
I also have 12-years prior experience as a skilled radio and daily newspaper editor and reporter for major media outlets in New Jersey, New England and Europe. I also published and edited a weekly newspaper serving Northern Ocean and Southern Monmouth Counties. Unlike many weeklies, this newspaper, The Progress, concentrated on real news, and regularly scooped far-larger dailies and weeklies with news events in the towns we serviced.
My experience also includes nearly five years as a crime and courts reporter and being a full-time sheriff’s deputy, thereby bringing a depth of firsthand knowledge about crime and law enforcement possessed by few other writers.
MA: Tell us about that transition to fiction.
LM: I’ve been an avid book reader since I was a child and always fascinated by words. I’ve been a journalist and writer for more than 45 years. Disabled due to COPD stemming from undiagnosed asthma and hence hard to hold down a full-time job, books were the logical alternative for me to keep busy and hopefully earn a living.
MA: Did your professional career inspire your writing?
LM: Yes, my career as a journalist and publisher set the stage for my creating the Inside Story: Murder in the Pinelands investigative team to investigate major crimes.
MA: Are any of your characters based upon real-life people with whom you’ve interacted?
LM: The dead sailor found in the pinelands was based on a similar situation I covered in another state. Like one of the first cops on the scene, I didn’t believe the crime was a suicide because witnesses saw him walking without a rifle yet he died before he could reach and get his rifle, the weapon that killed him. Using that isolated incident I built up a plausible story line that would explain things that were known and much else that was secret.
As to other characters, if I were a newspaper publisher today I would be very like Manny Bettencourt, publisher of Inside Story.
Murder in the Pinelands is the first in a planned police procedural series dealing with the way different ensemble members encounter various criminal, corruption and other illicit activities and bring the perpetrators to the bar of justice.
MA: How did you develop the character of your protagonist?
LM: My investigative team is loosely based on law enforcement personnel I’m met over the years. The protagonist just sprang from my brain. He and his wife were just there one day, begging to be transcribed.
My hero’s greatest strength is his conviction that his take on the sailor’s death is correct. His weakness is that the conviction becomes a compulsion that keeps him awake at night and unable to concentrate on his daytime job as a police sergeant and SWAT team leader. The stress leads to his making a mistake and his patrol partner nearly dies in a shootout with bank robbers.
MA: Do you have just one antagonist or several?
LM: Actually, there are a couple. As the book evolves, they begin to seek a shadow figure, an assassin from Saddam Hussein’s regime sent to this country to avenge the death of Saddam’s kin by this Navy sailor.
But no one can find this shadow figure until investigation in several states leads to positive proof the man exists and he’s been hiding in the U.S. with political support from entrenched Washington politicians.
MA: Did any of your real-life experiences factor in to the plot at all?
LM: Yes. I was at the suicide previously described. I also have covered politics and cover-ups for many years. Like the reporting team, I also have prior law enforcement experience as a sworn deputy sheriff.
MA: So what will be next on your fiction plate?
LM: I’m putting finishing touches to a resurrected novel involving time travel into the past by two former military special operatives endeavoring to head off the kidnapping of Thomas Jefferson before he can complete the Declaration of Independence.
I also am working on an outline for a 1930s era detective novel in which millions of dollars and an entire railroad train vanish.
MA: Oh my! They both sound interesting. Please visit Larry’s website for more information about him and his stories: http://www.larrymoniz.org/ Read More
MA: I’m joined today by author Shelley Workinger. Shelley was born in Maine, educated in New Orleans, currently resides in New Jersey, and considers all of them home. She’s here to talk about her latest release, Settling. She has a few websites I want to recommend my readers check out where you can discover more about her and her novel series.
What did you do before jumping into the world of writing?
SW: I graduated magna cum laude from Loyola double-majoring in English and Sociology – majors I initially chose to avoid math, which I detested and thankfully placed out of. However, I ended up running a small real estate office and doing all of the accounting – a job I actually loved. What I love even more is how many people think they know everything about the world, when most of us don’t even know our own selves.
MA: With a degree in English, I imagine you had a burning passion to write someday…was this a path you set out to be on some day?
SW: I would never have chosen this path! For me, writing is all-consuming; I can’t sleep, I lose interest in eating, and I can’t quiet my mind enough to ever relax. But the idea behind the “Solid” series was one I couldn’t let go of, and that, combined with my concern that early teens become so overwhelmed with required reading that many lose the love of leisure entirely, made me sit down and expand my idea into a fun, fast read that would be approachable for reluctant readers.
*In choosing to write to the tween age group, I also committed to keeping “Solid” clean – i.e., no drugs, cursing, sex, or gratuitous violence – and I’ve been commended by sites like Reading Teen and Litland for doing so.
MA: What’s your elevator pitch?
SW: The briefest synopsis is: Teens who discover they were secretly genetically altered before birth are brought together at a classified site where they forge new friendships, find love, develop “super-abilities,” and even unearth a conspiracy.
Many readers have called it an “X-men” for girls, focusing more on the relationships than the superpowers.
MA: Probably a good thing you didn’t call it “X-Girls,” then! How did you go about creating your characters?
SW: I began with a tagline – What if you discovered you were the product of a secret government experiment? – and then looked at my premise through the eyes of a 17-year-old girl to create what I felt would be a natural reaction/path.
The second layer to developing Clio’s character was my concern for her actual character values; as a mother of small children and a product of American society, I had a few “requirements” for a female character I’d introduce to young readers:
1. She had to eat real food. (No dieting, unhealthy body issues.)
2. Her life would not revolve a boy. (There is a romantic interest, but Clio can function without him.)
3. She *gasp* had to have a great relationship with her mother. (Specifically, a mutual respect.)
MA: Those seem like healthy traits, so what are Clio’s strengths and weaknesses?
SW: I believe her biggest strength is her weakness – that she is not worldly and experienced, so her actions and reactions are real and relatable. She makes mistakes, she sometimes trusts too easily, but she learns from them.
MA: And does she have to do battle with any particular bad guys or girls?
SW: There isn’t one antagonist per se; it’s really the unknown that challenges the characters. They’re trying to find answers without even knowing where to begin; the revelation of the experiment done on them before birth not only throws their entire pasts into question, but they can no longer even be sure of their own bodies. There are also “bad guys,” but the self-discovery is the bigger hurdle in book one. (There’s a killer on campus in book two, but that has not been released yet.)
MA: I understand you were a military brat (raising three of my own!). Did that experience inform your writing?
SW: My father was a career Army officer, but not in the traditional sense – we never moved. I absolutely romanticized the life of the constantly-moving Army brat since I didn’t get to experience it, so my characters are “living the dream” in that sense.
MA: So what’s next?
SW: I have two very different ideas (from “Solid” and from each other) – a futuristic dystopian YA novel and a football-related horror for adults – but I can’t put any time into those until “Solid” is complete.
MA: I am currently waiting for the release of my third novel, Child Finder: Revelation, so I know what its’ like to write a series. I assume many of your characters migrate from book to book?
SW: Clio and her circle are the whole basis for the “Solid” series, so all of the books will revolve around them. As their “world” continues to grow, new people do come in and/or take on larger roles – book two brings in four new characters, and book three will add at least that many more. I also initially only planned this to be a trilogy, but as I work through book three, I’m starting to think I may have to write a prequel to tie up some loose ends. I’ve also just decided to re-release a slightly-extended version of “Solid” at the same time “Settling” comes out, so I’m working furiously to put that together!
MA: It sounds like you are busy – a good thing to be! Thanks for stopping by to visit with me today and for telling us all about your stories.
SW: Thank you so much for your interest in “Solid” and giving me the opportunity to speak with your blog followers; I know we all have dozens of books on our TBR lists and I am so appreciative for your consideration of mine!
MA: I am pleased to welcome today’s guest, Celia Andriello. Celia is definitely one of the more colorful authors to guest-blog with me. I will let her tell us more about her.
CA: All of my novels are based on my life experiences be it via my roots in parental abuse beyond anyone’s imagination, teaching publically and privately, building creative businesses, trafficking in various products for the benefit of mankind, providing my gift of motivational speeches to various environmental groups and “rights” movements, travel, building the first dream of microcomputers, or just sharing a war with my endearing Viet Nam survivors. Throughout my journey I have been overwhelmed with the inconsistencies of what is said and what is done. My novels are like any fiction; woven into the thread of truth.
MA: That’s quite a resume! Tell us how you began writing.
CA: It all began with “Betty Butterfly.” (Don’t laugh. It’s all true.) It was a second grade assignment that my teacher sliced and diced with her red pen. Fortunately the winds transported the prose into another teacher’s custody and I was immediately proclaimed “a singular creative writer.” I wasn’t sure what it meant, but her smile indicated that it was certainly better than the assassinating red pen.
One must grow-up, sort of, and come face-to-face with what it was that created this “gift for fiction.” There is nothing like two questionable parents to stimulate the best in their children. Therapy was my greatest teacher.
MA: Why novels?
CA: I stick to the novel format to keep from being sued. It’s as simple as that.
MA: Um, okay.
CA: All of my characters have a thread of real character in them. I have known a multitude and revere them through fiction.
MA: What genre do your write?
CA: This has been a devilish question for I really don’t know which to choose. For the sake of my sanity I have often fallen back on general fiction; but it’s more than that. Hear the Calliope: A sentimental Journey on the Earth Ride (circa 1950 – 1986) lays the foundation of betrayal; family and government, for the latter is a parental construct. Within wounds are exposed and delved into in order for the reader to comprehend the distortions in the adult character after the onslaught(s). At the same time humor is woven into the gore in order to repair the damages for the heroes to develop their own personal “more perfect union with the support of a very unique circle of friends. At the same time all previous dogma is discarded; there is no religion, there is no ethnicity, there is only human.
MA: Tell us about your heroine.
CA: Marinda is a young lady who is neither black nor white, nor does she know her ethnic background. Although she was raised Roman Catholic, she has come to understand that the teachings that she tried desperately to embrace as a child never made much sense to her even though she can recite the verse. Even her name is a misnomer. In order to restructure the world to fit her and her companions’ needs she had to be a compilation of the unknown.
Her weakness is her self-doubt created at home through an abusive life style of her parents and supported by her priest. Through her torturous childhood she has come to believe that she is incapable of being loved because she deserves only pain.
On the other hand her strength is her intelligence that takes her through med studies in conjunction with her psychiatric degree. Through her wisdom she is able to re-connect all that meets because she is able to admit that she’s struggling through her traumas as well and can share with them what she’s learned from being the innocent dupe. Likewise her soul mate, Dale, a survivor of friendly fire learns and enhances her methods with his spiritual knowledge.
Within me is housed the stories of the universe for my experiences have fanned out to touch all directions. It is impossible for me to stop writing. I have tried to not avail. I recently finished KILLER: Is Suicide Painless?
MA: Thanks, Celia for that interesting interview. Folks, visit Celia’s blog for more information about her and her writing: http://hubpages.com/hub/HAUDENOSAUNEE-my-faithful-Indian-companion
MA: I’m joined today by author Ellen Brazer. Before getting published, Ellen did just about everything but write. She was in business. She worked for the State of Israel, and she was involved with the community. She actually did not begin to write seriously until she was in her forties. So tell us, Ellen, with no real writing background, how was it that you came to pen novels?
EB: I was waiting for some medical test results to come back. I was extremely successful in business when I was very young and while waiting for that phone call I asked myself what mountain had I yet to climb. The answer for me was writing a book. I have a dear friend who is a Pulitzer Prize winner. When I wrote my first draft of Hearts of Fire I pressed the Caps Lock key on the computer and wrote the entire first draft in capital letters with almost no punctuation. It was my writing friend who said, there is something here and you must keep going. That first book took me 10 years to write. The manuscript went from under the bed to the closet and then back under the bed again. A doctor friend took it on a ski vacation and he was the one that finally got me to become serious about getting the book published.
MA: I can’t even imagine going more than a full sentence with the Caps Lock Key on! Tell us about what you write.
EB: I write historical fiction. Let me tell you about Clouds Across the Sun. Before the end of WWII, Hitler charged a group of his most trusted and brilliant comrades with a mission—educate your progeny and then elevate them to positions of power throughout the world. Steeped in fact and impeccably researched, Clouds Across the Sun is the story of just one of these children.
From Naples, Florida, New York City, and Washington D.C., to Israel and then the killing grounds of Vilnius, Poland (Lithuania) this story is one of great romance, discovery, redemption, and enlightenment as Jotto Wells unravels the intrigue surrounding a plan to take over the government of the United States.
MA: How did you develop your characters? Was there a great deal of research involved into the lives of people from this era?
EB: I am not sure as writers that we develop our characters. I think they are born to the page and then they develop us. Whenever I have a new character I find myself sitting back and watching their personality emerge. Sometimes I have to rein them in when it feels like they are doing something out of character but most of the time they are in control of me. In Clouds Across the Sun I have more than one protagonist and I was always amazed that they each had their own distinct voice.
MA: More than one protagonist? Tell us about one of them.
EB: I will focus on Jo for this question. She is very independent and self-assured. As the first woman Senator from New York she is intelligent and opinionated. Her greatest weakness is that she falls prey to her family’s influence over her.
MA: Any unique antagonists, other than the obvious?
EB: I think I do bad guys really well and in this book there are some really evil people. When creating an antagonist in the Holocaust time period it is challenging to show all sides of the personality. My antagonist is a Nazi doctor from the Concentration Camps. We see him as a dangerous monster but we also see him as a loving father. The danger is constant when he comes to America after the war with one goal: placing someone under his influence as President of the United States
MA: Do your novels ever fool people into thinking more of the fiction is actual fact?
EB: I write historical fiction that is so based in fact that when people finish my book they tell me that they are chilled and always ask themselves: Could this happen? Is it happening? I talk about IBM, The Red Cross, Hitler and Henry Ford’s close friendship and how the U.S. allowed thousands of known Nazis into the U.S. in exchange for information about our new enemy, Russia.
MA: Interesting…so what’s next?
EB: I am writing an historical novel that takes place in the year 135 of the Common Era. It was a time period when the Jews believed that Shimon Bar Kockba was the Messiah. Following him, they managed to defeat Rome and for a three year period Israel was under the control of the Jews. And So It Was Written is the story of two brothers, one who becomes a famous physician in Rome and the other becomes a commander in the Jewish army. There are some very unique and controversial elements to this book that I am keeping close to the vest so stayed tuned. I am in the process of rewriting and I hope to be finished within the year.
MA: Well thank you, Ellen. I encourage everyone to visit Ellen’s website for more information: http://ellenbrazer.com/Home_Page.html Read More
MA: I’m real excited to have as my guest today, Ronnie Dauber. Ronnie is a published author and freelance writer. Her young adult adventure book, Mudslide, is the first in the Survival Series, and was published in September of 2009. She is currently writing the second book in the series called Fire Storm and hopes to have it published by the summer of 2011. She wrote her first adult suspense/thriller called Web Secrets and it was published in January of 2011, and has a second thriller started that she will finish when her series is completed. As well, she has written and published over 1,000 articles on line for several well-known information sites. Ronnie holds college diplomas in Business Administration and Common Law, and in Children’s and Adults’ literature, and is a certified court reporter.
Tell me about your journey into writing.
RD: I’ve had a passion to write poetry and stories since I was a child. In fact, I earned my first poetry award at age 12 in a regional contest about President Kennedy, and since then I’ve just kept on writing. After raising my seven kids, I returned to college for two years and then enjoyed a legal career as a court reporter for several years until I was forced to retire early to due injuries sustained in a car accident. That’s when I decided it was perhaps time to master my writing skills, so I returned to college and earned diplomas in literature. And it was through these courses that I regained my desire to do what I’ve always wanted to do, and that is to write books.
MA: I can see the passion has been there for a long time! What brought you to writing novels?
RD: I write novels for three reasons. The first is because I believe that people, and especially children, need to learn the value of reading books. It develops their comprehension skills, exercises their brain, encourages their own imagination and allows them to live outside of technology, and so I want to help encourage them to read. The second reason is that I love to live the adventures that I write about. My y/a series does have some of my own experiences as well as those of my children, along with a lot of imagination. I like to write stories that keep the reader glued to the book. The third reason is because I realize that there are a lot of bad-influence books on the market today and that includes young adult books that are loaded with profanity and sexual content and void of morality and respect. I believe that books can be interesting and exciting and can captivate the reader without lowering the moral standards to what teens today feel is the norm. I want them to read books that will hold their interest, that involve things they are familiar with and yet at the same time, will help raise their own standards of life.
MA: Those are all great reasons. Tell us about your most recent novel.
RD: My latest novel is an adult suspense/thriller called Web Secrets. It’s about Madison Richards who is a young woman, insecure and dependent on her husband and friends to carry her through life’s many hurdles. When a personal issue causes her to investigate the circumstances, she begins to lose her family members and friends one at a time and finds herself being slowly drawn into a web of lies and deceit. She’s left with only one friend in cyberspace for moral support and friendship, and then as things seem as though they can’t get any worse, she discovers that she’s the target of a psychopath killer.
MA: Wow! That sounds pretty intense. Where did you come up with the idea for Madison?
RD: I got the idea for the character of Madison from the character qualities of a nurse on the television series, ER. Her actions and reactions and dependency on others made the ideal characteristics for my protagonist, and so I created Madison.
MA: She sounds like an intriguing heroine. Tell us more about her.
RD: My heroine’s most notable strength is her desire to take charge of her life, but fear has always kept her from trying. And it’s this desire in her that gives her the strength and the innocence to do the things she does to get to the bottom of her issues when there is no one to turn to for help. Her weakness is that she too easily falls into the guilt mode instead of accepting that things aren’t always her fault, and this is what has kept her from making positive decisions throughout her life.
MA: And what about the antagonist? I assume you have a pretty sinister one with a plotline like you described.
RD: There is an unknown antagonist that challenges Madison’s life and as things go from bad to worse, she must find out who this antagonist is and why this person is stalking her. Names are not revealed and the reader learns along with Madison as the story unwinds.
MA: I almost hate to find out of you’ve had any real life experiences that influenced your writing!
RD: I would have to say that this entire book comes from my imagination and that I never experienced any of the events that my protagonist experienced. However, my y/a adventure series does include some of my personal experiences.
MA: That’s good to hear! So what are you working on now?
RD: I have published the first book, Mudslide, to my y/a adventure series, and I’m currently finishing the second book to the series called Fire Storm. I have three other books to this series in my head waiting to get onto paper so I’m hoping to have them all finished by next year. As well, I have another adult thriller, Providence, that I’ve written the first four chapters to and that I want to get finished sometime next year.
MA: Will we find Madison or any other characters from Web Secrets in your future writing?
RD: That’s an interesting question and one that several people have asked me. I won’t give away the story, but some people who have read Web Secrets have given me suggestions of how Madison’s character as well as one other character could continue in future books. There is a possibility that they may have other adventures down the road.
MA: Well, we’ll all just have to wait and see! Anything else you’d like to leave my readers with?
RD: I realize that my books share two genres, that being y/a outdoor adventure and adult suspense/thriller. I enjoy writing both and I get totally caught up in writing both, as well. I’ve heard it said that writers find their particular writing niche once they’ve written in a couple of genres. I’m guess I’m not there yet because I have at least three more stories that I’m excited to write to the y/a Survival Series, and with years of movies and library books filtering through my thoughts, I also have several adult suspense stories just waiting to show themselves.
MA: Ronnie, thanks much for appearing on my blog today. I encourage my readers to learn more about Ronnie Dauber and her books. Be sure to visit her website for more details: Ronnie Dauber.
MA: Today I am pleased to welcome back not only a veteran guest-blogger, but the first author who appeared as a guest when I launched my blog two years ago. John Wills “guested” with me back in November 2009, and you can go back and read that original interview here: Fellow Writer John Wills is Mike Angley’s First Guest-Blogger! John and I are fellow, former law enforcement officers, and it was through this affiliation (and via a website called PoliceLink) that we met and networked to join the same publishing house a few years ago. John, welcome back! Please tell us about your law enforcement career because I know it has shaped your life and it has informed your writing.
JW: I spent 33 years in law enforcement, including the Chicago Police Department and FBI. That background was a natural springboard for me to write about what I had been doing most of my life. As an FBI agent, much of your time is spent writing things such as affidavits for search and arrest warrants, interviews with witnesses and informants, etc. The problem is that once you’ve created a document it has to go up the line for approval, sometimes all the way to FBI headquarters. By the time it returns to you it hardly resembles your first draft. Once I retired I felt the bonds of oversight were severed and I was free to create whatever I wanted. One caveat . . . if a former agent writes a book, the manuscript must first be approved by the FBI. Why? The Bureau must ensure that no active cases are being written about and no covert techniques or national security issues are compromised.
MA: With such a broad LE background, you must have had a lot of experiences to draw from in crafting your fiction, right?
JW: I had thousands of stories knocking around inside my brain from my time on Chicago PD as well as with the FBI. I began writing professionally as soon as I retired, confining myself to articles on officer survival, firearms, ethics, and training. To date, I’ve had more than 100 articles published on sites such as Officer.com and LawOfficer.com, as well as several print magazines. But those articles were non-fiction; I was interested in telling some stories and giving them a twist that would engage the reader emotionally.
MA: I’ve read your first two books which I thoroughly loved, tell my readers about the series itself.
JW: I created a fictional series, The Chicago Warriors™ Thriller Series, in which two Chicago Police detectives investigate not only the violent crimes they are assigned, but often times the political machine that is part and parcel of Chicago. The books are part of the mystery/thriller genre, but with a twist. Both characters rely on their faith to see them through the challenges that big city police work presents.
MA: Now, you don’t have a single protagonist in your stories, rather, you have two. Tell us about them.
JW: The male protagonist, Pete Shannon, is an amalgamation of several cops and agents I’ve worked with through the years. The female detective, Marilyn Benson, is based on a real FBI agent who I helped train in my years at the FBI Academy. I’ve also continued to mentor her since she is still an active FBI agent. Both characters are very strong, tactically. I’ve ensured they utilize the proper firearms and street survival tactics. I think it’s important to be correct in describing police work of any kind to ensure authenticity and credibility. In terms of their weakness . . . they are both heavily invested in personal relationships, including friendships. This sometimes has a pejorative influence on how they react to certain situations.
MA: And what about antagonists?
JW: Each book in the series has its own unique bad guy, including bad cop(s). That’s how I bring a fresh perspective to each story and create a bad guy that my readers have to flesh out as the story progresses.
MA: I know from your real police work that you were involved in a whole lot of action, so how did that makes its way into your stories?
JW: Yes, I’ve been involved in several shootings, been involved in SWAT operations, execution of search and arrest warrants, and of course, experienced many of the challenges in my own life that I transfer onto my protagonists.
MA: You have a new release in the series, so please tell us about that and what else you are working on.
JW: I continue to freelance, writing articles for magazines and websites. I’ve written several award winning short stories and have had others printed in several anthologies. I’ve also contributed several stories to a daily police devotional entitled, Cops on The Street, which was released in December.
I am working on a new novel, non-fiction, entitled, Women Warriors: Stories from the Thin Blue Line. The book will be a collection of true stories, written by the women who’ve lived them. I include not only female police officers, but also corrections, dispatchers, chaplains, and prosecutors. If any of your readers know of a woman who might like to share their story in the book, which will be released sometime this fall, please direct them to my website; http://johnmwills.com/
In my latest release, TARGETED, I’ve brought the FBI into the story which may allow me to take a totally different direction in future novels.
All of my books are also available in eBook format on both Kindle and Nook.
MA: John, thanks again for coming back to my website. I wish you well with the new release and with all your writing endeavors.
MA: I’d like to welcome today’s guest blogger, K. Sawyer Paul. Mr. Sawyer is the author of the novel, No Chinook. Please tell us about you and your writing.
KSP: I think my first few stories were all plagiarisms and remixes. When I was in junior high and high school, I’m not sure I had a single original thought. I’d take characters, stories, and plots from various books and movies and video games that I’d enjoyed and play with them in different environments. It was basically the equivalent to playing with action figures from different cartoons. I didn’t know why I wrote, but I always had it in my head that I could write well if I just stuck at it for long enough. You know, the idea that perspiration would eventually lead to inspiration. So I wrote a lot. I wrote a short novella in high school, printed it out, and sold it for a couple of bucks. I sold it for a dollar if the person wanted it on a CD. I basically had my first ebook in 2000, in the form of a Word 98 file. I went to the University of Toronto and decided to take professional writing as a minor. It was a great experience, and it taught me many things about what not to do. I felt I was a little allergic to preconceived ideas of success in writing, especially Canadian writing, where the expectation is that you’ll never really make any money and you sort of make people suffer through your work. I’m very against that. If my story isn’t gripping, put it down, you know? There’s more books being published every year than anyone could ever read. Why waste time if you’re not enjoying it?
MA: Well, amen to that! Why did you choose to write short novels?
KSP: I write short novels, because I don’t like to waste people’s time, but I like novels because even if they’re short, they feel like an accomplishment to read and write. I generally hit the 50 or 60 thousand word mark in the first draft, then cut it down to 45 or so. That makes for a 200-220 page book, which I think is enough. I’m a big fan of not wasting time, wasting words. I’m a big fan of Cormac McCarthy’s style in that respect, where he purposefully leaves out areas of his stories that really could use a sweeping emotional explanation. Hemmingway, too. I like that I can go back and read A Farewell to Arms or Francis Macomber and I’m done in a weekend and better for it. There’s something really crisp and biting about a terse novel.
MA: How did you approach your two novels?
KSP: I made a really set decision when I started writing Everything We Haven’t Lost and then No Chinook to never get unbelievable, so I write about relationships because I think I know my way around them pretty well. So you can say I do romance, but if you read my books you know they’re not typical romances. The fight scenes are uglier. The sex scenes are rougher. The dialogue that connects the exposition seems pulled from real people. At least, I’d like to think so. That’s what people tell me. I want it to feel like you’re actually peering in on a real conversation between real people in a contemporary setting, and while these people are adults they still have emotional hiccups and can really hurt one another.
MA: Tell us about your hero in No Chinook.
KSP: With No Chinook, I developed Scott out of how I saw myself out of the kind of guy I saw a lot of at college: someone who’s grown in every way, but still has a few hang-ups regarding his scars. He’s not a finished adult yet, and No Chinook is in many ways him working his way out of that. So Scott is still hung up over a girl from high school, and he thinks he’s over it until she comes back into his life and they sleep together. What’s interesting about Scott is he sees how immature this girl is, and still can’t eject himself from the drama, because he’s fighting the urges of his younger self.
MA: What should we know about Scott? What makes him strong, and what makes him weak, if at all?
KSP: Scott’s big strength is that he’s a truly nice guy, who’s capable of going a long way for a friend, a lover, and even an ex-lover. His weakness is pretty well as I said above, his inability to really break free of a toxic situation. The relationship he has with Shawn is pretty toxic, and the only way he’s really capable of breaking free is by removing the love he has for this man and just using him. Basically, by figuring out how to cure himself of his biggest weakness, he has to rid himself of his greatest strength. That might seem like a convenient plot progression, but I don’t know that I’ve ever even thought of it that way until recently, now that the book has been out for two years.
MA: Interesting. And what about an antagonist?
KSP: Kate, Scott’s girl from the past, is definitely the antagonist. She’s in many ways Scott’s Tyler Durden or Ferris Bueller, a free character that helps him out of his shell. But she also crushes him over and over. Also, she never reveals where she works. Would you date someone who kept their job from you?
MA: Uh, oh…do I detect an old flame influencing the “bad girl” in No Chinook?
KSP: Yeah, there was definitely a girl I was into who didn’t like me back. But who doesn’t have that? I tapped into other people’s stories more than my own, and built conversation after conversation on the pain of my friends and colleagues. It’s a writer’s job, I think, to plaster those sorts of things together, to make sense of it.
MA: Since No Chinook has been out for two years now, what’s next on your plate?
KSP: I sent my next novel off to my editor just recently. The editorial process always takes longer than you want it to, but it’s in the pipeline. It’s called A Record Year For Rainfall. It’s about a paparazzi and a celebrity blogger who live in Las Vegas. I’m a big fan of Las Vegas, but I’m young so I’ve only ever seen the modernized Disney-like Vegas, so my characters exist in it, in 2006. It’s still sleazy, but there’s all these ironic angles where it’s family friendly now. But there’s still girls in sexy outfits everywhere, and celebrities still go there to go crazy. It’s a fun book that’s about trying to escape yourself and the things you love but not really being able to. There’s a lot of comedic violence and sex and there’s a gay governor and I think people will think the book is a lot of fun.
MA: Are your novels all standalone types, or will you write using some of the same characters in the future?
KSP: There aren’t any continuations of character, but A Record Year For Rainfall and No Chinook definitely exist in the same “universe.” You can think of it like the Kevin Smith movies or Final Fantasy video games, where there’s a new cast, but there’s a lot of familiar aspects. In Rainfall, you’ll find that Bret, the main character, used to work at a job that he’s not allowed to talk about. It’s the same place Kate from No Chinook works, but that’s not obvious from reading either book necessarily. To sum up, I guess: I don’t do sequels, but I do enjoy planting Easter eggs.
MA: I happen to love Easter eggs J. Is there anything else you’d like to add?
KSP: I think I want to talk about publishing here. There isn’t any stigma in being an independent graphic artist, an indie band, an independent charity, an independent chef, or almost any other art form or business. Lawyers go into business for themselves all the time. Doctors open up their own private practices. Soon, in less than ten years, people will absolutely not care who published your book. I don’t think readers care who published your book now. If you design a book properly, if you edit it professionally, if the package looks and smells and registers like a real book, then I don’t see the difference between an indie book and something by Harper. There’s a big difference between vanity publishing and independently publishing. Gredunza Press is a business. We publish books. I publish my books through it. Does Dave Eggers get slack for publishing his books through McSweeney’s, a press he built? The only people who care these days are authors who are more swept up in the “industry” than in writing their own books, publishers who want to stay on top, and pundits looking for a juicy story. Readers and writers don’t care, and soon enough nobody else will either. You can buy my book on your Kindle or Nook or whatever, and you can order the physical copy from me and soon from Amazon. You read it, and you’d never know I didn’t get published by one of the big guys. Not every author is capable of completely going into business for themselves. They need help editing, designing, and promoting their novels. That’s where publishers like ours come in. We offer services to authors trying to make it. We’re the future.
MA: Thanks, K. Sawyer. Folks, please visit his website and the site for his press: www.ksawyerpaul.com, and www.gredunzapress.com. Read More
MA: My guest-blogger today is Jessica Knauss. Born and raised in Northern California, Jessica has become something of a wanderer who hopes to settle down soon. She has worked as a librarian and a Spanish teacher. She lives with her husband Stanley, with whom she plans to open a soft-serve ice cream shop in the future. Jessica has participated in many writer’s groups and workshops, including the International Writers’ Program at the University of Iowa. Her nonfiction has appeared in Medieval History Magazine, Hortulus, LL Journal, and an encyclopedia entitled The World and Its Peoples. To date, she has published fiction in Bewildering Stories, Do Not Look at the Sun, (Short) Fiction Collective, Full of Crow Quarterly Fiction, Sillymess, This Mutant Life and Short, Fast, and Deadly. Her poetry can be found at Haggard & Halloo, Apollo’s Lyre and The Shine Journal. Her novella Tree/House, about a woman’s awakening through sleeping in trees, is available at Amazon. Açedrex Publishing will release her poetry chapbook, Dusk Before Dawn, in September. Get updates on her writing at her Facebook page.
You have been very busy with all your writing projects!
JK: I came out of the womb with a pencil in my hand. In grade school, I could hardly be bothered with math, but let all other experiences influence the stories that just kept coming out of me unbidden. I grew up in Northern California, close to the Redwood forests, near the foggy grey beaches, and gained a sense of awe at nature and a strong isolation from civilization that shows up in all my work. I studied a lot of subjects, mainly Spanish, because my love of Spain sprouted spontaneously one day when I was about 11. I’ve been a librarian (love those books!) and a Spanish teacher in the beautiful cities of Boston and Providence. Somewhere along the way I lost sight of creative writing, but have now taken it up again with complete seriousness. The stories and characters were patient. They knew I had to come back to them some day.
MA: Was your decision to write novels a conscious, formulated one, or did something simply inspire you?
JK: The novels chose me instead of the other way around. For me, being a writer consists of taming the wild muse and making a craft out of a formless mass of creativity I’m re-learning to tap into.
MA: So tell us about Tree/House.
JK: My novella, Tree/House, is a timeless coming-of-age story in which a woman, Emma, has made terrible decisions throughout her life, allowing herself to be led around by anyone with more force of will. When the husband who took her on dies suddenly, she slowly turns her drifting into a direction, learning some shocking truths along the way. She could not go through this process without Geraldine, a vagrant who camps on her property, sleeping not in the barn or the stable, but in the wild old trees. Geraldine is in need of some emotional rehabilitation herself, but with her assertive personality, she helps Emma see the alternatives to the passive life she has lived. The novella has a slightly nineteenth-century feel to it, because the characters write letters, build libraries, and trek through the countryside on foot, but at just 28,000 words, it’s a fast, fun read that will leave you time to read it again! It’s perfect for book clubs and discussion groups or just sharing with friends.
I also have a poetry chapbook that recently released, called Dusk Before Dawn. This is a compilation of most of my poetry from over the years, and I’ve put them together in a trajectory that addresses the nature of language, the search for love, the nostalgia of place, the creative process, and, most importantly, personal identity. Some are like stories, and others a very lyrical. They make a nice companion to Tree/House, as they address many of the same issues.
MA: Emma sounds like an intriguing character. How did you go about developing her in the story?
JK: One of the lines from what ended up being the third chapter came to me in a bolt of sheer inspiration. It’s when one of the servants on the estate is telling Emma some unsavory truths she didn’t know about Geraldine: “Do you know she killed the cat, aimed for the stable boy and slept with her boss?” The protagonist at that point was merely a receptacle for this information. Emma’s character grew out of the way she reacted to Geraldine’s extravagant style. The antagonist, Franklin, grew out of that passivity in a natural way, creating the drama organically.
MA: Would you say Emma is a strong character? Is she flawed at all?
JK: I’m afraid Emma is all weakness: confused, not confident, no direction, no definable talent, and worst of all, led easily astray. She represents any woman who finds herself at a crossroads, and I think her indecisiveness and insecurities make her very sympathetic for readers.
MA: Do you have a definable antagonist, or is Emma challenged by many characters because of her weaknesses?
JK: Franklin, who ends up as Emma’s husband (and then brutally murdered in revenge for past misdeeds) is very dangerous because he knows how to manipulate her, all while she believes she is making her own choices. His praise of Emma seems unfounded and bizarre, just like the rest of him. He seems to have sprung out of nothingness to impose an ancient order on her disorganized life. He is a jailer and a neglecter and represents every thing evil and intransigent, at the same time that he opens a new world of literature up to Emma. His gifts are awkward, beautiful only in a certain light, and I hope the reader feels as weird about him as I do.
MA: Is there any of Jessica’s real life story in Emma?
JK: Absolutely. Because of the organic development of the plot, Emma’s predicament reflects the trapped feeling and self-doubts I was going through at the time. The writing and sending of letters comes directly from my experience, and I think it increases the feeling of isolation as she’s trying to make a decision about what to do with her life. I had a terrible experience with a wrinkled wedding dress that I make Emma go through with a little more naiveté, and I had a friend in college who told me that eating French fries gave her the hiccups, so thanks for that tidbit! (I’m not sure she would want me to broadcast her name, but she knows who she is.) Franklin turned out as a Bluebeard type. He has elements from just about anything I felt stifled me in the past, including, of course, old boyfriends! I think all this leakage between life and fiction, unintentional or otherwise, helps give the story psychological realism the reader can really get into.
MA: Now that Tree/House and your book of poetry, Dusk Before Dawn, are out, what’s next on your writing horizon?
JK: I’m striking out into territory that may seem very different by writing a historical novel set in tenth-century Spain and based on an epic revenge poem. It’s full of battles, glittering armor, and exotic locales. It’s not really a departure for me because I have a PhD in Medieval Spanish, and, continuing the feminine theme of my previous work, the story has female characters who know how to manipulate the society in which they live.
I’m always working on weird short stories, and waiting for that bolt of inspiration for my next longer work.
MA: Will Emma come along in future works?
JK: Tree/House readers have said they would love to spend more time with the characters. I have considered writing the further adventures of Geraldine, or even a prequel showing how she really got to be the fascinating woman she is in Tree/House, but nothing concrete is on the writing schedule. Read More