I am excited to post — with permission, of course — an article that Mary Deal has put together with her perspective on foreshadowing. I told her when she sent me the article that I love this particular literary device, and I’m pretty good at spotting it when I read. Because I can spot it so well, when I write my own stories, I try to use it with great subtlety. In fact, I like to sprinkle foreshadowing dust in my books, and then pull the foreshadowed hints together like a bunch of threads at the climax to the story. Read More
Tag Archives: subconscious
Years ago, I took a couple of weeks of oil painting lessons. The instructor, a world-renown artist, always said that I worked from the subconscious.
That was a compliment because she always said it in the same breath when saying I had talent. But after a while, she would pick up a brush, dip it into a color I wouldn’t think of using, and commence to leave her telltale marks on my painting.
I never understood how she could compliment me and then enhance my work with her touches and still call it my art. Soon, I left her and went on to produce paintings that sold in spite of the lack of professional input.
Yet, after all these years, her words about working from the subconscious stuck with me.
In recent times, as a writer instead of a painter, I hear writers being told to write from the subconscious. Sometime during the last two decades that I’ve written seriously, I’ve come to fully understand the meaning of that advice.
When I write, I type as fast as I can to keep up with my thoughts. I ignore any mistakes. Hand writing is much too slow for me. Those little squiggly red or green lines that pop up under words and incorrect punctuation drive me nuts, but I’ve learned to live with them because they help in the editing phase later. I just wanted to get my words and concepts committed, but it wasn’t always like that.
Several times, I also tried to create by slowing down and perfecting every paragraph, every sentence and every word before going on to the next.
Writing this way seemed very cumbersome. It stops my creative flow. If I must censure everything that comes out of my mind – correct it before I actually get the complete idea or premise written – it seems my creativity is put on hold while I detour to perfect only a portion of an idea. The whole scene needs to be gotten out of my mind so I can see it written and relate any changes to the whole.
When I know my story, even have a chapter or paragraph firmly fixed in my mind, my thoughts sometimes wander. When I look again at the screen and read what I produced, I find myself asking, “Did I write that?”
To write this way is to allow my mind to free-flow. This method allows creativity to create, without censure. This is what writing from the subconscious is all about. After all, it is the conscious mind, the left-brain that censures, edits, tears apart and reforms what it thinks we should write to suit some future reader or publisher. Creativity, from the right-brain, never cares about those aspects. It just wants to kick out the important details, the major threads, while they are hot and felt in all their strength and emotion. Once the story is written to first draft, creativity is free to do the one and only thing it should, and that is to conjure another scene, maybe another story. The conscious left-brain then perfects the written piece.
You may be one of those people who need to perfect one line before going on to the next. This may be where your strength lies, but it is all left-brain work, logical and, to me, requires little of the creative Muse.
If you wish to put your Muse to work, try it sometime. Just sit and write your story without looking at what you’ve written. If you must keep your gaze on the keyboard (I have to watch my hands a lot), then do so. You’ll find your story flowing faster than you can keep up with. Or should I say you’ll find yourself writing as fast as your mind can think. Editing after the fact is not bad at all when the whole idea smiles back at you from the monitor screen.
Writing from the subconscious definitely gives full rein to creativity to get the story out, and can cut down on unnecessary rewriting of any work you thought you had already laboriously perfected.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre.
I am delighted to welcome today’s guest-blogger, author Cynthia Vespia. Cynthia was drawn to writing at a young age. After high school she established a successful career as a freelance journalist writing everything from features and fillers, to reviews and human interest stories.
Her first novel, a medieval fiction entitled The Crescent (iUniverse), was published in August 2005. The novel was unanimously praised as “an engaging, descriptive read” which prompted a sell-out at Borders Bookstore in less than one hour during the first official signing.
A short story, a satirical look at the afterlife titled Death’s Grand Design (Utterpants), was published online shortly thereafter and once again met with reviews that honored her attention to detail and the flow of her prose.
In May of 2006, Theater of Pain (Lulu.com) was released. This suspense thriller unfolds within the eccentric world of professional wrestling where competitors would do anything to reach the top…even murder.
Most recently, Cynthia has written her darkest novel to date with the release of Demon Hunter (AspenMountainPress.com) the story about a nobody who becomes a somebody in the bloodiest of ways. Following the tradition of dark fantasy and combining the concept of high-adventure, Demon Hunter examines both the light and dark side of human nature when a man learns he is fated to hunt demons before they corrupt mankind. Read More