I want to extend a hearty welcome to thriller writer Mary Deal, my guest blogger today! Mary is a native of Walnut Grove in California’s Sacramento River Delta, has lived in England, the Caribbean, and now resides in Kapaa, Hawaii. (I’m insanely jealous). She has published three novels: The Tropics: Child of a Storm – Caught in a Rip – Hurricane Secret, an adventure suspense; The Ka, a paranormal Egyptian suspense; and River Bones, a thriller, which was a winner in the Eric Hoffer Book Awards competition. A sequel is being written. Down to the Needle, her next thriller, is due out early 2010. Mary is also a Pushcart Prize nominee. Read More
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MA: Today’s guest is Larry Moniz, an award-winning author, journalist, and publicist. His background is so varied, that I’m going to let him tell us all about it.
LM: I’m a seasoned journalist and publicist transitioning to fiction writing.
I have 14 years experience as a senior public relations executive in the development and implementation of successful, goal-oriented communications and marketing support programs for major national corporations. I wrote the first public relations program for Coleco’s Cabbage Patch Kids and that program subsequently won the Silver Anvil Award from the Public Relations Society of America. The Silver Anvil is recognized as the most prestigious award in public relations.
My public relations skills are augmented by being an experienced journalist and winner of 12-business writing awards for articles in 2000 through 2003 competitions. I was the founding editor of a highly successful new weekly newspaper, building from inception “the best newspaper to cover West Milford since the 1960’s” according to one long-time resident.
I also have 12-years prior experience as a skilled radio and daily newspaper editor and reporter for major media outlets in New Jersey, New England and Europe. I also published and edited a weekly newspaper serving Northern Ocean and Southern Monmouth Counties. Unlike many weeklies, this newspaper, The Progress, concentrated on real news, and regularly scooped far-larger dailies and weeklies with news events in the towns we serviced.
My experience also includes nearly five years as a crime and courts reporter and being a full-time sheriff’s deputy, thereby bringing a depth of firsthand knowledge about crime and law enforcement possessed by few other writers.
MA: Tell us about that transition to fiction.
LM: I’ve been an avid book reader since I was a child and always fascinated by words. I’ve been a journalist and writer for more than 45 years. Disabled due to COPD stemming from undiagnosed asthma and hence hard to hold down a full-time job, books were the logical alternative for me to keep busy and hopefully earn a living.
MA: Did your professional career inspire your writing?
LM: Yes, my career as a journalist and publisher set the stage for my creating the Inside Story: Murder in the Pinelands investigative team to investigate major crimes.
MA: Are any of your characters based upon real-life people with whom you’ve interacted?
LM: The dead sailor found in the pinelands was based on a similar situation I covered in another state. Like one of the first cops on the scene, I didn’t believe the crime was a suicide because witnesses saw him walking without a rifle yet he died before he could reach and get his rifle, the weapon that killed him. Using that isolated incident I built up a plausible story line that would explain things that were known and much else that was secret.
As to other characters, if I were a newspaper publisher today I would be very like Manny Bettencourt, publisher of Inside Story.
Murder in the Pinelands is the first in a planned police procedural series dealing with the way different ensemble members encounter various criminal, corruption and other illicit activities and bring the perpetrators to the bar of justice.
MA: How did you develop the character of your protagonist?
LM: My investigative team is loosely based on law enforcement personnel I’m met over the years. The protagonist just sprang from my brain. He and his wife were just there one day, begging to be transcribed.
My hero’s greatest strength is his conviction that his take on the sailor’s death is correct. His weakness is that the conviction becomes a compulsion that keeps him awake at night and unable to concentrate on his daytime job as a police sergeant and SWAT team leader. The stress leads to his making a mistake and his patrol partner nearly dies in a shootout with bank robbers.
MA: Do you have just one antagonist or several?
LM: Actually, there are a couple. As the book evolves, they begin to seek a shadow figure, an assassin from Saddam Hussein’s regime sent to this country to avenge the death of Saddam’s kin by this Navy sailor.
But no one can find this shadow figure until investigation in several states leads to positive proof the man exists and he’s been hiding in the U.S. with political support from entrenched Washington politicians.
MA: Did any of your real-life experiences factor in to the plot at all?
LM: Yes. I was at the suicide previously described. I also have covered politics and cover-ups for many years. Like the reporting team, I also have prior law enforcement experience as a sworn deputy sheriff.
MA: So what will be next on your fiction plate?
LM: I’m putting finishing touches to a resurrected novel involving time travel into the past by two former military special operatives endeavoring to head off the kidnapping of Thomas Jefferson before he can complete the Declaration of Independence.
I also am working on an outline for a 1930s era detective novel in which millions of dollars and an entire railroad train vanish.
MA: Oh my! They both sound interesting. Please visit Larry’s website for more information about him and his stories: http://www.larrymoniz.org/ Read More
MA: I am pleased to have visit with me today, Australian author Diana Hockley. Diana lives in a southeast Queensland country town, surrounded by her husband, Andrew, two 19 year old cats and four pet rats. She is a dedicated reader, community volunteer, and presenter of a weekly classical program on community radio. She and her husband once owned and operated the famous Mouse Circus which travelled and performed for ten years throughout Queensland and northern New South Wales. Now that the circus is sold, she is the mouse judge for the Queensland Fancy Rat and Mouse club shows!
Diana and Andrew also bred Scottish Highland cattle. Prior to 1995, her last occupation was medical transcriptionist specializing in Radiology at a major Brisbane hospital.
They have three adult children and three grandchildren.
Diana has had articles and short stories accepted and published in a variety of magazines, among them, Mezzo Magazine USA, Honestly Woman (Australia) the Highlander, Austin Times and Austin UK, Australian Women’s Weekly, It’s A Rats World, Solaris UK, Literary Journal of University of Michigan USA, Foliate Oak, children’s website Billabong. She was awarded Scenic Rim Art Festival prizes for poetry and fiction. Since that time she has published two crime novels, The Naked Room and The Celibate Mouse.
Now, that’s one of the most diverse – and interesting – backgrounds I’ve ever seen. How did you go from the circus to novels?
DH: I wrote a novel in 1971 which was rejected but deemed “worthy of merit.” After this, I didn’t write anything more until I attended university when I was in my 30s. Raising children was a fulltime occupation for a widow, so I didn’t write anything more until 2005, by which time I was living on a small farm in rural Australia, married again and on my own a great deal in the show season. I started off with articles about our animals – always a rich source of amusement for city magazines, then ventured some short stories and had some success there as well. It was a short step to novel writing after that.
MA: Did your professional career inspire your writing? Are any of your characters based upon real-life people with whom you’ve interacted?
No, my professional life – from which I retired in 1993 – didn’t inspire my writing, but I think some of my characters couldn’t help being heavily disguised as some people I know!
MA: I won’t ask which of them resemble rats! Tell us about your stories.
DH: My debut novel, The Naked Room, fits into the crime genre, the idea for which came to me one night when I was in the studio at the radio station. What would happen if the pianist didn’t turn up for the big concert? There would have to be a very good reason why not. So I set about creating one!
MA: How did you develop your protagonist?
DH: I allowed Ally Carpenter’s character to develop in response to her abduction and the personalities of her kidnappers. I once read that you have to listen to your characters, rather than trying to force them to do what you want (within reason of course) so that is what I tried to do and it seems to have worked.
MA: Is there a hero in addition to a heroine in your story?
DH: It’s hard to say who is the hero in The Naked Room. Is it her boyfriend who takes it upon himself to investigate the crime? Is it her father who holds himself together and works on the ransom money? Or are they both the hero? My heroine’s strength is that she refuses to give in. My hero’s strengths are neither of them are about to give up searching for Ally Carpenter.
MA: I understand you have more than one antagonist in the book. Tell us about them.
DH: Oh yes, there are three bad guys and one bad woman in this – but they too have an agenda other than money.
MA: Any real life experiences that flowed over into your stories?
DH: No, not really. I psyched myself into standing behind each character, listening to them speaking and the reaction of those around them – like reading a newspaper over someone’s shoulder. And I am sure they got a bit cranky with me sometimes (chuckling).
MA: So who migrates over from The Naked Room to your other novels?
DH: I have taken the main female detective from The Naked Room and given her the starring role in The Celibate Mouse. In this novel, the reader finds out what is happening to three of the protagonists from The Naked Room. For After Ariel, my next story, I have taken one of the characters from The Naked Room and made her the character. We find out what is going on with some of the Naked Room characters who were not in Celibate Mouse (some have moved on, it’s two years later) and Susan Prescott turns up again, now an Inspector. I don’t want to over-use the same characters beyond giving continuity to the series.
MA: Any last thoughts?
DH: It’s said that you should always write what you know, so my novels will always be set in small towns/rural/Australian city/UK or Wales and they will feature people whose lifestyles I understand and whose point of view I can put across. My stories will never feature high finance, spies or sophisticated political themes because I have no knowledge of these genres. I do know, however, how people keep secrets!
I tend to write my main characters in first POV and the rest in third, with the exception of The Naked Room which is very different, darker and more violent than The Celibate Mouse.
MA: Thanks, Diana! Please visit Diana Hockley’s website for more information about her writing: http://www.dianahockley.webs.com. Read More
MA: I’m joined today by author Shelley Workinger. Shelley was born in Maine, educated in New Orleans, currently resides in New Jersey, and considers all of them home. She’s here to talk about her latest release, Settling. She has a few websites I want to recommend my readers check out where you can discover more about her and her novel series.
What did you do before jumping into the world of writing?
SW: I graduated magna cum laude from Loyola double-majoring in English and Sociology – majors I initially chose to avoid math, which I detested and thankfully placed out of. However, I ended up running a small real estate office and doing all of the accounting – a job I actually loved. What I love even more is how many people think they know everything about the world, when most of us don’t even know our own selves.
MA: With a degree in English, I imagine you had a burning passion to write someday…was this a path you set out to be on some day?
SW: I would never have chosen this path! For me, writing is all-consuming; I can’t sleep, I lose interest in eating, and I can’t quiet my mind enough to ever relax. But the idea behind the “Solid” series was one I couldn’t let go of, and that, combined with my concern that early teens become so overwhelmed with required reading that many lose the love of leisure entirely, made me sit down and expand my idea into a fun, fast read that would be approachable for reluctant readers.
*In choosing to write to the tween age group, I also committed to keeping “Solid” clean – i.e., no drugs, cursing, sex, or gratuitous violence – and I’ve been commended by sites like Reading Teen and Litland for doing so.
MA: What’s your elevator pitch?
SW: The briefest synopsis is: Teens who discover they were secretly genetically altered before birth are brought together at a classified site where they forge new friendships, find love, develop “super-abilities,” and even unearth a conspiracy.
Many readers have called it an “X-men” for girls, focusing more on the relationships than the superpowers.
MA: Probably a good thing you didn’t call it “X-Girls,” then! How did you go about creating your characters?
SW: I began with a tagline – What if you discovered you were the product of a secret government experiment? – and then looked at my premise through the eyes of a 17-year-old girl to create what I felt would be a natural reaction/path.
The second layer to developing Clio’s character was my concern for her actual character values; as a mother of small children and a product of American society, I had a few “requirements” for a female character I’d introduce to young readers:
1. She had to eat real food. (No dieting, unhealthy body issues.)
2. Her life would not revolve a boy. (There is a romantic interest, but Clio can function without him.)
3. She *gasp* had to have a great relationship with her mother. (Specifically, a mutual respect.)
MA: Those seem like healthy traits, so what are Clio’s strengths and weaknesses?
SW: I believe her biggest strength is her weakness – that she is not worldly and experienced, so her actions and reactions are real and relatable. She makes mistakes, she sometimes trusts too easily, but she learns from them.
MA: And does she have to do battle with any particular bad guys or girls?
SW: There isn’t one antagonist per se; it’s really the unknown that challenges the characters. They’re trying to find answers without even knowing where to begin; the revelation of the experiment done on them before birth not only throws their entire pasts into question, but they can no longer even be sure of their own bodies. There are also “bad guys,” but the self-discovery is the bigger hurdle in book one. (There’s a killer on campus in book two, but that has not been released yet.)
MA: I understand you were a military brat (raising three of my own!). Did that experience inform your writing?
SW: My father was a career Army officer, but not in the traditional sense – we never moved. I absolutely romanticized the life of the constantly-moving Army brat since I didn’t get to experience it, so my characters are “living the dream” in that sense.
MA: So what’s next?
SW: I have two very different ideas (from “Solid” and from each other) – a futuristic dystopian YA novel and a football-related horror for adults – but I can’t put any time into those until “Solid” is complete.
MA: I am currently waiting for the release of my third novel, Child Finder: Revelation, so I know what its’ like to write a series. I assume many of your characters migrate from book to book?
SW: Clio and her circle are the whole basis for the “Solid” series, so all of the books will revolve around them. As their “world” continues to grow, new people do come in and/or take on larger roles – book two brings in four new characters, and book three will add at least that many more. I also initially only planned this to be a trilogy, but as I work through book three, I’m starting to think I may have to write a prequel to tie up some loose ends. I’ve also just decided to re-release a slightly-extended version of “Solid” at the same time “Settling” comes out, so I’m working furiously to put that together!
MA: It sounds like you are busy – a good thing to be! Thanks for stopping by to visit with me today and for telling us all about your stories.
SW: Thank you so much for your interest in “Solid” and giving me the opportunity to speak with your blog followers; I know we all have dozens of books on our TBR lists and I am so appreciative for your consideration of mine!
MA: I am pleased to welcome today’s guest, Celia Andriello. Celia is definitely one of the more colorful authors to guest-blog with me. I will let her tell us more about her.
CA: All of my novels are based on my life experiences be it via my roots in parental abuse beyond anyone’s imagination, teaching publically and privately, building creative businesses, trafficking in various products for the benefit of mankind, providing my gift of motivational speeches to various environmental groups and “rights” movements, travel, building the first dream of microcomputers, or just sharing a war with my endearing Viet Nam survivors. Throughout my journey I have been overwhelmed with the inconsistencies of what is said and what is done. My novels are like any fiction; woven into the thread of truth.
MA: That’s quite a resume! Tell us how you began writing.
CA: It all began with “Betty Butterfly.” (Don’t laugh. It’s all true.) It was a second grade assignment that my teacher sliced and diced with her red pen. Fortunately the winds transported the prose into another teacher’s custody and I was immediately proclaimed “a singular creative writer.” I wasn’t sure what it meant, but her smile indicated that it was certainly better than the assassinating red pen.
One must grow-up, sort of, and come face-to-face with what it was that created this “gift for fiction.” There is nothing like two questionable parents to stimulate the best in their children. Therapy was my greatest teacher.
MA: Why novels?
CA: I stick to the novel format to keep from being sued. It’s as simple as that.
MA: Um, okay.
CA: All of my characters have a thread of real character in them. I have known a multitude and revere them through fiction.
MA: What genre do your write?
CA: This has been a devilish question for I really don’t know which to choose. For the sake of my sanity I have often fallen back on general fiction; but it’s more than that. Hear the Calliope: A sentimental Journey on the Earth Ride (circa 1950 – 1986) lays the foundation of betrayal; family and government, for the latter is a parental construct. Within wounds are exposed and delved into in order for the reader to comprehend the distortions in the adult character after the onslaught(s). At the same time humor is woven into the gore in order to repair the damages for the heroes to develop their own personal “more perfect union with the support of a very unique circle of friends. At the same time all previous dogma is discarded; there is no religion, there is no ethnicity, there is only human.
MA: Tell us about your heroine.
CA: Marinda is a young lady who is neither black nor white, nor does she know her ethnic background. Although she was raised Roman Catholic, she has come to understand that the teachings that she tried desperately to embrace as a child never made much sense to her even though she can recite the verse. Even her name is a misnomer. In order to restructure the world to fit her and her companions’ needs she had to be a compilation of the unknown.
Her weakness is her self-doubt created at home through an abusive life style of her parents and supported by her priest. Through her torturous childhood she has come to believe that she is incapable of being loved because she deserves only pain.
On the other hand her strength is her intelligence that takes her through med studies in conjunction with her psychiatric degree. Through her wisdom she is able to re-connect all that meets because she is able to admit that she’s struggling through her traumas as well and can share with them what she’s learned from being the innocent dupe. Likewise her soul mate, Dale, a survivor of friendly fire learns and enhances her methods with his spiritual knowledge.
Within me is housed the stories of the universe for my experiences have fanned out to touch all directions. It is impossible for me to stop writing. I have tried to not avail. I recently finished KILLER: Is Suicide Painless?
MA: Thanks, Celia for that interesting interview. Folks, visit Celia’s blog for more information about her and her writing: http://hubpages.com/hub/HAUDENOSAUNEE-my-faithful-Indian-companion
MA: My guest today is murder/mystery/adventure writer, Joyce Oroz. Welcome, Joyce. Please tell us what brought you to the world of writing.
JO: Life’s flow pushed me forward, from mother to grandmother, painter to writer, contented to jubilant. I enjoyed a long career as a professional muralist, painting walls in cities across California. At present, I am a novelist and freelance journalist and I owe it all to spell-check.
MA: We cannot live without spell-check and calculators! So why novels?
JO: The day came when tall ladders, long hours and smelly paint did not agree with me. I turned to my love of writing, took classes and jumped right into writing 26 children’s stories. When that was out of my system, I wrote my first mystery novel. What a wonderful experience—I was hooked.
MA: From children’s stories to murder and mystery! Tell us about Secure the Ranch.
JO: Josephine Stuart, an impulsive fifty-year-old widow, is blessed and cursed with an inquiring mind, a strong sense of right and wrong and a willingness to risk her life for her friends. Josephine has been hired to paint murals in the Munger mansion located at the top of a wooded mountain in Boulder Creek, California. Certain local reprobates have their reasons for wanting the Mungers to leave. Accidents, fires and the death of a forest ranger have everyone on edge. Josephine’s curiosity drives her down the mountain into a world of illegal activities and nefarious characters. Her situation becomes dire—no way to escape. One captor has a knife, the other a rifle. Josephine uses her instincts, a risky maneuver and every drop of middle-aged strength to save her friends and herself.
Even though danger follows Josephine like a rip in her back pocket, she finds time to solve the mystery on Munger’s mountain and help her employer with marital problems. Friendships evolve, what was lost is found, family values are affirmed and Josephine discovers what really matters in her own life. Secure the Ranch is the first novel in the Josephine Stuart Mystery Series.
MA: Is Josephine a lot like you? Did you impart upon her a little bit of Joyce?
JO: I didn’t understand Josephine very well until half the book was written. Turns out, she is a grizzly when it comes to injustice, she’s an accomplished painter, drives like a maniac (when necessary) and adores her basset—and the guy next door. People say Josephine is a lot like me, but I know she is younger, taller, smarter, prettier and braver than I will ever be. She happens to drive a red Mazda pickup just like mine, she paints murals for a living, but unlike me, she finds trouble where ever she goes.
MA: You mentioned the mystery series…what’s coming next?
JO: Read My Lipstick, second in the Josephine Stuart Series, came out this month. In the meantime, I write a blog http://www.authorjoyceoroz.blogspot.com and articles for local newspapers. I’m not through with Josephine yet. I think she will live on, like Nancy Drew, never getting any older. Her friends and family will always be there, new characters will be introduced and a new murderer lurks in every book.
MA: Thanks, Joyce! Please visit Joyce’s blog for more information about her and her mystery series.
MA: I’m real excited to have as my guest today, Ronnie Dauber. Ronnie is a published author and freelance writer. Her young adult adventure book, Mudslide, is the first in the Survival Series, and was published in September of 2009. She is currently writing the second book in the series called Fire Storm and hopes to have it published by the summer of 2011. She wrote her first adult suspense/thriller called Web Secrets and it was published in January of 2011, and has a second thriller started that she will finish when her series is completed. As well, she has written and published over 1,000 articles on line for several well-known information sites. Ronnie holds college diplomas in Business Administration and Common Law, and in Children’s and Adults’ literature, and is a certified court reporter.
Tell me about your journey into writing.
RD: I’ve had a passion to write poetry and stories since I was a child. In fact, I earned my first poetry award at age 12 in a regional contest about President Kennedy, and since then I’ve just kept on writing. After raising my seven kids, I returned to college for two years and then enjoyed a legal career as a court reporter for several years until I was forced to retire early to due injuries sustained in a car accident. That’s when I decided it was perhaps time to master my writing skills, so I returned to college and earned diplomas in literature. And it was through these courses that I regained my desire to do what I’ve always wanted to do, and that is to write books.
MA: I can see the passion has been there for a long time! What brought you to writing novels?
RD: I write novels for three reasons. The first is because I believe that people, and especially children, need to learn the value of reading books. It develops their comprehension skills, exercises their brain, encourages their own imagination and allows them to live outside of technology, and so I want to help encourage them to read. The second reason is that I love to live the adventures that I write about. My y/a series does have some of my own experiences as well as those of my children, along with a lot of imagination. I like to write stories that keep the reader glued to the book. The third reason is because I realize that there are a lot of bad-influence books on the market today and that includes young adult books that are loaded with profanity and sexual content and void of morality and respect. I believe that books can be interesting and exciting and can captivate the reader without lowering the moral standards to what teens today feel is the norm. I want them to read books that will hold their interest, that involve things they are familiar with and yet at the same time, will help raise their own standards of life.
MA: Those are all great reasons. Tell us about your most recent novel.
RD: My latest novel is an adult suspense/thriller called Web Secrets. It’s about Madison Richards who is a young woman, insecure and dependent on her husband and friends to carry her through life’s many hurdles. When a personal issue causes her to investigate the circumstances, she begins to lose her family members and friends one at a time and finds herself being slowly drawn into a web of lies and deceit. She’s left with only one friend in cyberspace for moral support and friendship, and then as things seem as though they can’t get any worse, she discovers that she’s the target of a psychopath killer.
MA: Wow! That sounds pretty intense. Where did you come up with the idea for Madison?
RD: I got the idea for the character of Madison from the character qualities of a nurse on the television series, ER. Her actions and reactions and dependency on others made the ideal characteristics for my protagonist, and so I created Madison.
MA: She sounds like an intriguing heroine. Tell us more about her.
RD: My heroine’s most notable strength is her desire to take charge of her life, but fear has always kept her from trying. And it’s this desire in her that gives her the strength and the innocence to do the things she does to get to the bottom of her issues when there is no one to turn to for help. Her weakness is that she too easily falls into the guilt mode instead of accepting that things aren’t always her fault, and this is what has kept her from making positive decisions throughout her life.
MA: And what about the antagonist? I assume you have a pretty sinister one with a plotline like you described.
RD: There is an unknown antagonist that challenges Madison’s life and as things go from bad to worse, she must find out who this antagonist is and why this person is stalking her. Names are not revealed and the reader learns along with Madison as the story unwinds.
MA: I almost hate to find out of you’ve had any real life experiences that influenced your writing!
RD: I would have to say that this entire book comes from my imagination and that I never experienced any of the events that my protagonist experienced. However, my y/a adventure series does include some of my personal experiences.
MA: That’s good to hear! So what are you working on now?
RD: I have published the first book, Mudslide, to my y/a adventure series, and I’m currently finishing the second book to the series called Fire Storm. I have three other books to this series in my head waiting to get onto paper so I’m hoping to have them all finished by next year. As well, I have another adult thriller, Providence, that I’ve written the first four chapters to and that I want to get finished sometime next year.
MA: Will we find Madison or any other characters from Web Secrets in your future writing?
RD: That’s an interesting question and one that several people have asked me. I won’t give away the story, but some people who have read Web Secrets have given me suggestions of how Madison’s character as well as one other character could continue in future books. There is a possibility that they may have other adventures down the road.
MA: Well, we’ll all just have to wait and see! Anything else you’d like to leave my readers with?
RD: I realize that my books share two genres, that being y/a outdoor adventure and adult suspense/thriller. I enjoy writing both and I get totally caught up in writing both, as well. I’ve heard it said that writers find their particular writing niche once they’ve written in a couple of genres. I’m guess I’m not there yet because I have at least three more stories that I’m excited to write to the y/a Survival Series, and with years of movies and library books filtering through my thoughts, I also have several adult suspense stories just waiting to show themselves.
MA: Ronnie, thanks much for appearing on my blog today. I encourage my readers to learn more about Ronnie Dauber and her books. Be sure to visit her website for more details: Ronnie Dauber.
Years ago, I took a couple of weeks of oil painting lessons. The instructor, a world-renown artist, always said that I worked from the subconscious.
That was a compliment because she always said it in the same breath when saying I had talent. But after a while, she would pick up a brush, dip it into a color I wouldn’t think of using, and commence to leave her telltale marks on my painting.
I never understood how she could compliment me and then enhance my work with her touches and still call it my art. Soon, I left her and went on to produce paintings that sold in spite of the lack of professional input.
Yet, after all these years, her words about working from the subconscious stuck with me.
In recent times, as a writer instead of a painter, I hear writers being told to write from the subconscious. Sometime during the last two decades that I’ve written seriously, I’ve come to fully understand the meaning of that advice.
When I write, I type as fast as I can to keep up with my thoughts. I ignore any mistakes. Hand writing is much too slow for me. Those little squiggly red or green lines that pop up under words and incorrect punctuation drive me nuts, but I’ve learned to live with them because they help in the editing phase later. I just wanted to get my words and concepts committed, but it wasn’t always like that.
Several times, I also tried to create by slowing down and perfecting every paragraph, every sentence and every word before going on to the next.
Writing this way seemed very cumbersome. It stops my creative flow. If I must censure everything that comes out of my mind – correct it before I actually get the complete idea or premise written – it seems my creativity is put on hold while I detour to perfect only a portion of an idea. The whole scene needs to be gotten out of my mind so I can see it written and relate any changes to the whole.
When I know my story, even have a chapter or paragraph firmly fixed in my mind, my thoughts sometimes wander. When I look again at the screen and read what I produced, I find myself asking, “Did I write that?”
To write this way is to allow my mind to free-flow. This method allows creativity to create, without censure. This is what writing from the subconscious is all about. After all, it is the conscious mind, the left-brain that censures, edits, tears apart and reforms what it thinks we should write to suit some future reader or publisher. Creativity, from the right-brain, never cares about those aspects. It just wants to kick out the important details, the major threads, while they are hot and felt in all their strength and emotion. Once the story is written to first draft, creativity is free to do the one and only thing it should, and that is to conjure another scene, maybe another story. The conscious left-brain then perfects the written piece.
You may be one of those people who need to perfect one line before going on to the next. This may be where your strength lies, but it is all left-brain work, logical and, to me, requires little of the creative Muse.
If you wish to put your Muse to work, try it sometime. Just sit and write your story without looking at what you’ve written. If you must keep your gaze on the keyboard (I have to watch my hands a lot), then do so. You’ll find your story flowing faster than you can keep up with. Or should I say you’ll find yourself writing as fast as your mind can think. Editing after the fact is not bad at all when the whole idea smiles back at you from the monitor screen.
Writing from the subconscious definitely gives full rein to creativity to get the story out, and can cut down on unnecessary rewriting of any work you thought you had already laboriously perfected.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre.
MA: I’d like to welcome today’s guest blogger, K. Sawyer Paul. Mr. Sawyer is the author of the novel, No Chinook. Please tell us about you and your writing.
KSP: I think my first few stories were all plagiarisms and remixes. When I was in junior high and high school, I’m not sure I had a single original thought. I’d take characters, stories, and plots from various books and movies and video games that I’d enjoyed and play with them in different environments. It was basically the equivalent to playing with action figures from different cartoons. I didn’t know why I wrote, but I always had it in my head that I could write well if I just stuck at it for long enough. You know, the idea that perspiration would eventually lead to inspiration. So I wrote a lot. I wrote a short novella in high school, printed it out, and sold it for a couple of bucks. I sold it for a dollar if the person wanted it on a CD. I basically had my first ebook in 2000, in the form of a Word 98 file. I went to the University of Toronto and decided to take professional writing as a minor. It was a great experience, and it taught me many things about what not to do. I felt I was a little allergic to preconceived ideas of success in writing, especially Canadian writing, where the expectation is that you’ll never really make any money and you sort of make people suffer through your work. I’m very against that. If my story isn’t gripping, put it down, you know? There’s more books being published every year than anyone could ever read. Why waste time if you’re not enjoying it?
MA: Well, amen to that! Why did you choose to write short novels?
KSP: I write short novels, because I don’t like to waste people’s time, but I like novels because even if they’re short, they feel like an accomplishment to read and write. I generally hit the 50 or 60 thousand word mark in the first draft, then cut it down to 45 or so. That makes for a 200-220 page book, which I think is enough. I’m a big fan of not wasting time, wasting words. I’m a big fan of Cormac McCarthy’s style in that respect, where he purposefully leaves out areas of his stories that really could use a sweeping emotional explanation. Hemmingway, too. I like that I can go back and read A Farewell to Arms or Francis Macomber and I’m done in a weekend and better for it. There’s something really crisp and biting about a terse novel.
MA: How did you approach your two novels?
KSP: I made a really set decision when I started writing Everything We Haven’t Lost and then No Chinook to never get unbelievable, so I write about relationships because I think I know my way around them pretty well. So you can say I do romance, but if you read my books you know they’re not typical romances. The fight scenes are uglier. The sex scenes are rougher. The dialogue that connects the exposition seems pulled from real people. At least, I’d like to think so. That’s what people tell me. I want it to feel like you’re actually peering in on a real conversation between real people in a contemporary setting, and while these people are adults they still have emotional hiccups and can really hurt one another.
MA: Tell us about your hero in No Chinook.
KSP: With No Chinook, I developed Scott out of how I saw myself out of the kind of guy I saw a lot of at college: someone who’s grown in every way, but still has a few hang-ups regarding his scars. He’s not a finished adult yet, and No Chinook is in many ways him working his way out of that. So Scott is still hung up over a girl from high school, and he thinks he’s over it until she comes back into his life and they sleep together. What’s interesting about Scott is he sees how immature this girl is, and still can’t eject himself from the drama, because he’s fighting the urges of his younger self.
MA: What should we know about Scott? What makes him strong, and what makes him weak, if at all?
KSP: Scott’s big strength is that he’s a truly nice guy, who’s capable of going a long way for a friend, a lover, and even an ex-lover. His weakness is pretty well as I said above, his inability to really break free of a toxic situation. The relationship he has with Shawn is pretty toxic, and the only way he’s really capable of breaking free is by removing the love he has for this man and just using him. Basically, by figuring out how to cure himself of his biggest weakness, he has to rid himself of his greatest strength. That might seem like a convenient plot progression, but I don’t know that I’ve ever even thought of it that way until recently, now that the book has been out for two years.
MA: Interesting. And what about an antagonist?
KSP: Kate, Scott’s girl from the past, is definitely the antagonist. She’s in many ways Scott’s Tyler Durden or Ferris Bueller, a free character that helps him out of his shell. But she also crushes him over and over. Also, she never reveals where she works. Would you date someone who kept their job from you?
MA: Uh, oh…do I detect an old flame influencing the “bad girl” in No Chinook?
KSP: Yeah, there was definitely a girl I was into who didn’t like me back. But who doesn’t have that? I tapped into other people’s stories more than my own, and built conversation after conversation on the pain of my friends and colleagues. It’s a writer’s job, I think, to plaster those sorts of things together, to make sense of it.
MA: Since No Chinook has been out for two years now, what’s next on your plate?
KSP: I sent my next novel off to my editor just recently. The editorial process always takes longer than you want it to, but it’s in the pipeline. It’s called A Record Year For Rainfall. It’s about a paparazzi and a celebrity blogger who live in Las Vegas. I’m a big fan of Las Vegas, but I’m young so I’ve only ever seen the modernized Disney-like Vegas, so my characters exist in it, in 2006. It’s still sleazy, but there’s all these ironic angles where it’s family friendly now. But there’s still girls in sexy outfits everywhere, and celebrities still go there to go crazy. It’s a fun book that’s about trying to escape yourself and the things you love but not really being able to. There’s a lot of comedic violence and sex and there’s a gay governor and I think people will think the book is a lot of fun.
MA: Are your novels all standalone types, or will you write using some of the same characters in the future?
KSP: There aren’t any continuations of character, but A Record Year For Rainfall and No Chinook definitely exist in the same “universe.” You can think of it like the Kevin Smith movies or Final Fantasy video games, where there’s a new cast, but there’s a lot of familiar aspects. In Rainfall, you’ll find that Bret, the main character, used to work at a job that he’s not allowed to talk about. It’s the same place Kate from No Chinook works, but that’s not obvious from reading either book necessarily. To sum up, I guess: I don’t do sequels, but I do enjoy planting Easter eggs.
MA: I happen to love Easter eggs J. Is there anything else you’d like to add?
KSP: I think I want to talk about publishing here. There isn’t any stigma in being an independent graphic artist, an indie band, an independent charity, an independent chef, or almost any other art form or business. Lawyers go into business for themselves all the time. Doctors open up their own private practices. Soon, in less than ten years, people will absolutely not care who published your book. I don’t think readers care who published your book now. If you design a book properly, if you edit it professionally, if the package looks and smells and registers like a real book, then I don’t see the difference between an indie book and something by Harper. There’s a big difference between vanity publishing and independently publishing. Gredunza Press is a business. We publish books. I publish my books through it. Does Dave Eggers get slack for publishing his books through McSweeney’s, a press he built? The only people who care these days are authors who are more swept up in the “industry” than in writing their own books, publishers who want to stay on top, and pundits looking for a juicy story. Readers and writers don’t care, and soon enough nobody else will either. You can buy my book on your Kindle or Nook or whatever, and you can order the physical copy from me and soon from Amazon. You read it, and you’d never know I didn’t get published by one of the big guys. Not every author is capable of completely going into business for themselves. They need help editing, designing, and promoting their novels. That’s where publishers like ours come in. We offer services to authors trying to make it. We’re the future.
MA: Thanks, K. Sawyer. Folks, please visit his website and the site for his press: www.ksawyerpaul.com, and www.gredunzapress.com. Read More
MA: Today I am delighted to welcome Charles S. Weinblatt as my guest author. Charles was born in Toledo, Ohio in 1952. He is a retired University of Toledo administrator. He is the author of Jacob’s Courage and Job Seeking Skills for Students. His biography appears in the Marquis Who’s Who in America and Who’s Who in American Education. Charles was a frequent Toledo television news guest, providing business, economic and labor-management insight. He received the 2004 Douglas Frasier Swift Award and he was awarded a certificate of achievement by Chrysler Corporation.
Charles, welcome! Please tell me a little bit about your professional or personal background, and what you did before writing professionally.
CW: I was born in Toledo, Ohio in 1952; raised the only child in a middle-class home. My father was a pioneering Toledo (OH) psychiatrist, starting his practice in 1932. He was well known in the professional community. He was also a football star at The University of Toledo in the 1920s and again at Michigan, while in medical school. Tremendously intelligent and gentle, he was the perfect role model. My book is dedicated to my dad, who gave me all of the tools to become a good person. It is also dedicated to the six million lost souls murdered by The Third Reich. They are gone, but will never be forgotten.
I am a graduate of The University of Toledo, with a bachelor’s degree in Psychology. My post-university career spanned 31 years; the first 15 years devoted to psychiatric and vocational rehabilitation counseling, followed by 16 years at The University of Toledo. During my last nine years at the University, I created and led The Division of Organization Development. My division helped businesses improve their performance. We generated consulting opportunities for faculty and earned considerable revenue for the University.
My biography appears in the Marquis Who’s Who in America and Who’s Who in American Education. I continue to live in Ohio with my wife, who is a retired special education teacher. We have two adult children.
MA: So what brought you to writing fiction?
CW: I’ve been writing as long as I can remember. As a child, I wrote short stories and even some poetry. After college, my focus turned to family and career. Writing was pushed away for a while. Yet, the interest never departed and I was happy to return to it in earnest in retirement.
I had to retire at age 51 due to disability. Since I retired at a fairly young age, I decided that I should remain as mentally productive as possible. I decided to pursue writing. I had already been published for non-fiction in 1986, for a textbook called Job Seeking Skills for Students (Kendall-Hunt Publishing Company). After my University career, I turned to fiction. Three years later, my Holocaust novel, Jacob’s Courage, (Mazo Publishers), was published.
I made no conscious decision to write novels. Perhaps, as Mozart once described for his composition, the words were already within me. With Jacob’s Courage, I sometimes felt as though I was taking dictation.
I had known as a young adult that members of my maternal extended family were Holocaust victims. Only after I retired did those thoughts rise to the surface in a way that I could harness. I could not tell the story of my lost ancestors in any other format than a novel. No member of my current family knew enough about our lost relatives to write a memoir or a non-fictional account. No amount of research could produce an explanation for their disappearance into the darkness of Nazi-occupied Russia. Like millions of other innocent Europeans, they disappeared, without a trace. Perhaps they were shot and bulldozed into a trench, as at Babi-Yar, or maybe they were gassed in a death camp, such as Auschwitz, or possibly they perished from starvation, forced labor or the ubiquitous disease that existed in Nazi concentration camps. So, it was to be a fictional account.
I committed myself to creating a story of young lovers who became trapped within the horror and brutality of the Holocaust, as I imagined happened to countless young Jews, although not necessarily my ancestors. My hope was also that this story would be inspirational, perhaps as holocaust education for young people. Nowhere else today is it more important to teach about the Holocaust than with our children and grandchildren. A novel is a good choice for Holocaust education. Rather than dry historical accounts that go in one ear and out the other, a coming-of-age love story can engage youthful minds in a way that non-fiction does not. In the words of writer and philosopher George Santayana, “Those who fail to learn from history are doomed to repeat it.”
I was also able to ground portions of the novel in fact, based upon my 100-year-old mother’s memories. As a child in Russia, she witnessed the brutality and terror of pogroms against her Jewish relatives. And, while these experiences occurred before the Holocaust, they provided significant grounding for important character development. She will soon be 101 years old, yet she can recall with perfect clarity the terror of Russian anti-Semitism.
MA: Please tell my readers about Jacob’s Courage.
CW: Jacob’s Courage chronicles the dazzling beauty of passionate love and enduring bravery in a lurid world where the innocent are brutally murdered. This is a tender coming of age story of two young adults living in Salzburg at the time when the Nazi war machine enters Austria. The historical novel presents scenes and situations of Jews in ghettos and concentration camps, with particular attention to Theresienstadt and Auschwitz. Follow lovers Jacob and Rachael from their comfortable Salzburg homes to a decrepit ghetto, from there to a prison camp where they became man and wife. Revel in their excitement as they escape and join the local partisans, fighting their Nazi tormentors. Finally ride the crowded, fetid train to the terror of Auschwitz-Birkenau. Stung by the death of loved-ones, enslaved and starved, they have nothing to count on but faith, love and courage. From desperate despair, to unforgettable moments of chaste beauty, Jacob’s Courage examines a constellation of emotions during a time of incomprehensible brutality.
MA: How did you develop your protagonists’ characters…I understand you have two?
CW: The primary protagonist is Jacob, a 17-year old Austrian. He’s a very normal young man, eyeing the transition from secondary school to university. Jacob has some of my unique character weaknesses. It was important that my protagonists appear as normal young people, just like anyone else. The secondary protagonist is Jacob’s true love Rachael. Rachael is everything a young man would want; she is beautiful, bright, charming, deeply in love and fiercely loyal. Together, the young lovers are confronted with the most horrifying experience imaginable. To survive, they have only themselves to count on. They were not heroic individuals until they reached the precipice of destruction. I imagine that each of us wishes that we would become heroic under such circumstances.
MA: What are their strengths and weaknesses?
CW: Jacob Silverman is a very normal 17-year old. His thoughts focus upon three things: attending university, becoming a physician and, most of all, his precious love Rachael Goldberg. The young lovers had everything to look forward to, until Germany invaded Austria.
One night, in a terrifying nightmare, more real than life itself, Jacob finds himself older, emaciated and weak, in a large brick building with a roaring fire. He soon realizes that men wearing striped pajamas are burning the bodies of dead naked women and girls. Jacob awoke with acrid smoke in his lungs and a premonition that he would play a role in saving his people, who had been almost completely destroyed.
Sleeping inside of this normal boy was a future leader of men in combat. Yet, to reach that critical point in his life, Jacob would face starvation, sickness, brutality, forced labor and the death of his loved ones. He would need to find uncommon strength of body and spirit; and he would require good fortune, including the ability to play virtuoso violin.
MA: I imagine that with your subject matter, you had plenty of possible antagonists to develop.
CW: With Nazi Germany, it’s not difficult to create a credible antagonist. I created one particularly vicious antagonist, a commandant at Theresienstadt called Strobel. In that concentration camp, Strobel gained complete control over Rachael. This evil man followed her around the camp and made it his business to know everything about her. The result was very ugly.
In reality, the typical Holocaust survivor resided in several different ghettos and camps. Incarcerated Jews (and tens of thousands of others) became a source of free slave labor for The German Armed forces and for German industrialists. They were moved from place to place, as their slave labor could best assist the Third Reich. In addition, concentration camp commandants were often transferred. So, it would have been unusual for the typical prisoner and commandant to have been together very long. But, there were certainly many colorful commandants, guards and kapos at each camp.
MA: Did any of your family’s real-life experiences factor in to the plot at all?
CW: Certainly my fears and desires as a teenager became part of Jacob’s personality. He was brighter than me and far better behaved. Yet, I felt comfortable with his character development. I was far more worried about developing Rachael’s character. It’s a challenge writing a major character about someone of a different gender. Nevertheless, I believe that teenagers, especially young lovers, have some very common personality characteristics. My challenge was more in portraying how those characters changed and developed when faced with the most terrifying experiences imaginable. Holocaust survivors were not the same people that they were when the Holocaust began. No human could absorb the unrelenting daily terror, the death and murder of loved ones, the physical abuse, brutal forced labor and years of starvation and sickness, without it changing their personality. The lucky ones remained sane – and even that is arguable. My characters also had to change, yet without losing the better parts of their psyche. Without passionate love, they likely could not have managed it.
MA: So, what’s in your future writing plans?
CW: I recently completed a children’s book and I’m almost done with a science fiction novel. I’m thinking about writing another Holocaust book, or possibly a sequel to Jacob’s Courage. One thing I will try to avoid in the future is a book as long as Jacob’s Courage. At 524 pages, it was a serious investment in time. Yet, I could not have covered the final seven years of the Holocaust with less material. In fact, at my publisher’s urging, I removed some parts of the manuscript. My science fiction novel will come in at about 200 pages, a much more rapid commitment to reading. Whichever way I turn, I will always be writing something.
MA: You sound like you keep very busy with your writing! Will we see Jacob or Rachael again in a follow-on to Jacob’s Courage?
CW: Because Jacob and Rachael became heroic figures in my Holocaust novel, there is a natural pilot for a sequel. And, because they had to wait a long time in a displaced persons camp, there would be an increased likelihood that they would have immigrated to the Holy Land. They also had simultaneous dreams about being in a place that they later learned was Palestine. With Jacob’s leadership and combat experience, he would be a natural for an officer position in Israel’s nascent armed forces. Rachael would also have a natural role to play in the start of the Jewish nation. So, stay tuned.
MA: I will! Is there anything else you would like to add?
CW: Writing is a talent. Some people are born writers. The rest of us envy them. Still, writing is a skill that can be cultivated. If you think that you might have the ability to be a successful writer, maybe you do. Take writing courses at your local college or university. Participate in continuing education courses. Read books about how to develop your writing skills and take on-line courses. While it’s true that the vast majority of us will never become a renowned author, it feels pretty good to cash a royalty check. It could happen for you. Never give up!
And for those of you who could care less about earning money from it, just enjoy! It feels great to create stories about unknown people in unforeseen circumstances. Whether anyone reads it or not, it will always be your unique creation. For us, writing is not a matter of dollars and sense. It’s a matter of love.
MA: Thanks, Charles. I encourage all my readers to visit Charles’s blog: Jacob’s Courage Read More