Tag Archives: setting

Dec 10

“No Chinook” Author, K. Sawyer Paul, Swings by to Visit with Mike Angley

MA: I’d like to welcome today’s guest blogger, K. Sawyer Paul. Mr. Sawyer is the author of the novel, No Chinook. Please tell us about you and your writing.

KSP: I think my first few stories were all plagiarisms and remixes. When I was in junior high and high school, I’m not sure I had a single original thought. I’d take characters, stories, and plots from various books and movies and video games that I’d enjoyed and play with them in different environments. It was basically the equivalent to playing with action figures from different cartoons. I didn’t know why I wrote, but I always had it in my head that I could write well if I just stuck at it for long enough. You know, the idea that perspiration would eventually lead to inspiration. So I wrote a lot. I wrote a short novella in high school, printed it out, and sold it for a couple of bucks. I sold it for a dollar if the person wanted it on a CD. I basically had my first ebook in 2000, in the form of a Word 98 file. I went to the University of Toronto and decided to take professional writing as a minor. It was a great experience, and it taught me many things about what not to do. I felt I was a little allergic to preconceived ideas of success in writing, especially Canadian writing, where the expectation is that you’ll never really make any money and you sort of make people suffer through your work. I’m very against that. If my story isn’t gripping, put it down, you know? There’s more books being published every year than anyone could ever read. Why waste time if you’re not enjoying it?

MA: Well, amen to that! Why did you choose to write short novels?

KSP: I write short novels, because I don’t like to waste people’s time, but I like novels because even if they’re short, they feel like an accomplishment to read and write. I generally hit the 50 or 60 thousand word mark in the first draft, then cut it down to 45 or so. That makes for a 200-220 page book, which I think is enough. I’m a big fan of not wasting time, wasting words. I’m a big fan of Cormac McCarthy’s style in that respect, where he purposefully leaves out areas of his stories that really could use a sweeping emotional explanation. Hemmingway, too. I like that I can go back and read A Farewell to Arms or Francis Macomber and I’m done in a weekend and better for it. There’s something really crisp and biting about a terse novel.

MA: How did you approach your two novels?

KSP: I made a really set decision when I started writing Everything We Haven’t Lost and then No Chinook to never get unbelievable, so I write about relationships because I think I know my way around them pretty well. So you can say I do romance, but if you read my books you know they’re not typical romances. The fight scenes are uglier. The sex scenes are rougher. The dialogue that connects the exposition seems pulled from real people. At least, I’d like to think so. That’s what people tell me. I want it to feel like you’re actually peering in on a real conversation between real people in a contemporary setting, and while these people are adults they still have emotional hiccups and can really hurt one another.

MA: Tell us about your hero in No Chinook.

KSP: With No Chinook, I developed Scott out of how I saw myself out of the kind of guy I saw a lot of at college: someone who’s grown in every way, but still has a few hang-ups regarding his scars. He’s not a finished adult yet, and No Chinook is in many ways him working his way out of that. So Scott is still hung up over a girl from high school, and he thinks he’s over it until she comes back into his life and they sleep together. What’s interesting about Scott is he sees how immature this girl is, and still can’t eject himself from the drama, because he’s fighting the urges of his younger self.

MA: What should we know about Scott? What makes him strong, and what makes him weak, if at all?

KSP: Scott’s big strength is that he’s a truly nice guy, who’s capable of going a long way for a friend, a lover, and even an ex-lover. His weakness is pretty well as I said above, his inability to really break free of a toxic situation. The relationship he has with Shawn is pretty toxic, and the only way he’s really capable of breaking free is by removing the love he has for this man and just using him. Basically, by figuring out how to cure himself of his biggest weakness, he has to rid himself of his greatest strength. That might seem like a convenient plot progression, but I don’t know that I’ve ever even thought of it that way until recently, now that the book has been out for two years.

MA: Interesting. And what about an antagonist?

KSP: Kate, Scott’s girl from the past, is definitely the antagonist. She’s in many ways Scott’s Tyler Durden or Ferris Bueller, a free character that helps him out of his shell. But she also crushes him over and over. Also, she never reveals where she works. Would you date someone who kept their job from you?

MA: Uh, oh…do I detect an old flame influencing the “bad girl” in No Chinook?

KSP: Yeah, there was definitely a girl I was into who didn’t like me back. But who doesn’t have that? I tapped into other people’s stories more than my own, and built conversation after conversation on the pain of my friends and colleagues. It’s a writer’s job, I think, to plaster those sorts of things together, to make sense of it.

MA: Since No Chinook has been out for two years now, what’s next on your plate?

KSP: I sent my next novel off to my editor just recently. The editorial process always takes longer than you want it to, but it’s in the pipeline. It’s called A Record Year For Rainfall. It’s about a paparazzi and a celebrity blogger who live in Las Vegas. I’m a big fan of Las Vegas, but I’m young so I’ve only ever seen the modernized Disney-like Vegas, so my characters exist in it, in 2006. It’s still sleazy, but there’s all these ironic angles where it’s family friendly now. But there’s still girls in sexy outfits everywhere, and celebrities still go there to go crazy. It’s a fun book that’s about trying to escape yourself and the things you love but not really being able to. There’s a lot of comedic violence and sex and there’s a gay governor and I think people will think the book is a lot of fun.

MA: Are your novels all standalone types, or will you write using some of the same characters in the future?

KSP: There aren’t any continuations of character, but A Record Year For Rainfall and No Chinook definitely exist in the same “universe.” You can think of it like the Kevin Smith movies or Final Fantasy video games, where there’s a new cast, but there’s a lot of familiar aspects. In Rainfall, you’ll find that Bret, the main character, used to work at a job that he’s not allowed to talk about. It’s the same place Kate from No Chinook works, but that’s not obvious from reading either book necessarily. To sum up, I guess: I don’t do sequels, but I do enjoy planting Easter eggs.

MA: I happen to love Easter eggs J. Is there anything else you’d like to add?

KSP: I think I want to talk about publishing here. There isn’t any stigma in being an independent graphic artist, an indie band, an independent charity, an independent chef, or almost any other art form or business. Lawyers go into business for themselves all the time. Doctors open up their own private practices. Soon, in less than ten years, people will absolutely not care who published your book. I don’t think readers care who published your book now. If you design a book properly, if you edit it professionally, if the package looks and smells and registers like a real book, then I don’t see the difference between an indie book and something by Harper. There’s a big difference between vanity publishing and independently publishing. Gredunza Press is a business. We publish books. I publish my books through it. Does Dave Eggers get slack for publishing his books through McSweeney’s, a press he built? The only people who care these days are authors who are more swept up in the “industry” than in writing their own books, publishers who want to stay on top, and pundits looking for a juicy story. Readers and writers don’t care, and soon enough nobody else will either. You can buy my book on your Kindle or Nook or whatever, and you can order the physical copy from me and soon from Amazon. You read it, and you’d never know I didn’t get published by one of the big guys. Not every author is capable of completely going into business for themselves. They need help editing, designing, and promoting their novels. That’s where publishers like ours come in. We offer services to authors trying to make it. We’re the future.

MA: Thanks, K. Sawyer. Folks, please visit his website and the site for his press: www.ksawyerpaul.com, and www.gredunzapress.com. Read More

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Oct 15

Western Romance, Chick Lit, Feminist…all Descriptions of Mike Angley’s Guest Author, Lotus Landry and her Novel, “Skookum Man”

MA: I’m joined today by Lotus Landry, author of the Western Romance, Skookum Man. Lotus had a prior career as a software applications developer for aerospace projects – among these were line-of-sight helicopter sight stabilization code. She resides in the Los Angeles vicinity and has two adult sons. (One of her sons is able to combine software and storytelling as a video games developer). She is a native of Seattle and grew up not far from the setting of the book.

Lotus told me she chose to write a novel because she loves to work on very large and intricate projects – especially those which fall outside the boundaries of traditional genres. I can understand that with her background in the aerospace industry, something that warms my heart!

Please tell us about Skookum Man.

LL: In Skookum Man a chick lit feminist confronts a greenhorn ladies man in 1830s rainforest. It’s been tagged as: Western Romance; Feminist; Chick Lit; Pacific Northwest; Kindle Romance. The book is set in a Hudson’s Bay Company outpost, the Pacific Northwest, circa 1810. Men and women from divergent worlds meet in an Arden-like forest. In those strange woods the reader is introduced to: wood-wise ingénues, confused men, matronly women, clever animals, and assorted asses and fools. The introductions are lovingly conducted by a benign narrative presence.

That’s a happy beginning- but as the story progresses….the benign presence becomes somewhat sinister. The wood-wise ingénues lose their wisdom; the confused men become calculating; and the outpost seems to contract into itself. As in many fairy tales, the story’s conclusion is uncertain and … disturbing(?). It is a fairy tale with a modern edge – a romantic speculation – a speculative history. The book’s airy structure and modern references contribute to its bouncy, tale-like mood.

It features Jane, who is sometimes called ‘Matooskie’, and her accidental boyfriend, Robert. Jane, who knows how to take care of herself in the remote rain forest of the Pacific Northwest, has been brought up as a free range child. She is multicultural and disciplined enough to master Latin.

Robert is a newly arrived officer at the fort, a remote place with several peculiar luxuries but very few romantic options. He has a history of being a slick player of sophisticated women of the London social scene. He is honored as ‘skookum’ by the local Indian clan even though he demonstrates that he has no wilderness skill sets.

MA: Tell us more about Jane, or Matooskie.

LL: The main character, Matooskie, has trouble integrating her two natures. She has a Chinook Indian heritage from which she derives her expertise for surviving in the forests, but she is also eager to please her father by adopting the trappings of a proper British lady.

Matooskie is extremely tenacious and goal directed and loves keeping secrets. She is sharp enough to master Latin with the assistance of the private tutors who pass through the fortress as guests.

MA: Yours is such a unique story…how did you come up with the idea?

LL: I was influenced by contemporaries from the Pacific Northwest. When I wrote the heroine as a person with a passion for botany and a compulsion to classify plants, I gave her the habits of my best friend’s mother, a horticultural writer, who deposited her children on trailheads in remote mountain forests where the children were instructed to seek rare plant species.

When I invented another woman, the woefully displaced British matron of the story, I gave her the confusion of a 20th century transplant to Oregon from Maryland, who mistakenly thought that she could not leave the house – for months—until the rain stopped. I included native people as some of the first people I myself saw when I moved into Oregon were Indians spearing and smoking fish along the old Columbia River highway.

MA: Any person, childhood experiences that you drew from?

LL: When I consider the inspiration for writing Skookum Man, it becomes apparent that whatever happened to me in the fourth grade did not stay in the fourth grade. Of course, this is the year that kids become immersed in the history of their respective states and the folklore sticks to them like pieces of campfire marsh mellows on a stick – even when they settle elsewhere. In my case, we studied sea explorers and the forts and covered wagons and it wasn’t unusual for one chum to blurt out that she was a descendant of the famous trapper, Joe Meek. Regrettably, when one moves away and settles in another state, one ends up clueless (for decades) about the arcane of the new state because fourth grade can only happen in one place. The brain accumulates only one set of lore that is reinforced by the field trips of childhood.

MA: Okay, so what’s in your writing future?

LL: I’m currently working on my next novel, a cozy mystery set in contemporary Orange County, California. It features two career women with unusual occupations who belong to a Homeowners Association.

MA: Lotus – thanks for stopping by and telling us all about Skookum Man. If my readers want to learn more, please visit: www.matooskie.com.
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Jul 28

“Creative Writing Prompts” An Article by Mary Deal

Writing prompts and story ideas can be found in numerous lists on the Internet, but the best ones are found right around you.

How many times have you searched to find topics that might serve to shake a story out of your Muse? A list of words or phrases just might jog your Muse into action. Then, when you find such a list, you are not enthused by its offerings and you continue to search for more.

Story starters that encourage descriptive writing abound around you. Everything you see day-to-day is a writing prompt. If you don’t see life that way, I encourage you to take another look.

Take new interest in the things you take for granted. Let your mind wander from the probable to the improbable. Fantasize about things and events. Give them new life.
Here are a few samples of story ideas taken from everyday life that might help you see what’s around you in your world.

Imagine you’re walking down a road. Normally you see rocks and you side step and walk on.

If you’re a fantasy writer…

What would happen if all those rocks lying dormant for eons suddenly came to life? They pop. They explode. Wow! Would they be friendly? Or would they be alien, just waiting for the right moment to change the universe?

Want to write a mystery?

Suppose one of those ordinary rocks had fresh blood on it?

A romance?

You find an envelope caught under a rock along the road. It’s open and money is sticking out. You want to get the money to its rightful owner so you return it promptly and find yourself looking into the fiery eyes of…

See where I’m going with this? Writing prompts are everywhere.

In my day to day life in Hawaii, just this morning, I saw or heard the following writing prompts out of my window from where I sit composing this bit of descriptive writing at my desk.

~ The man across the street is trimming branches off a tree with a buzz saw. He stops suddenly and tries to see into the window of the house. (Someone from inside that house may have called to him. But as a mystery writer, I can make a real thriller out of that teeny bit of action.)

~ A kid runs down the street, like he’s real scared. Now I hear a siren coming close.

~ A dog limps across my yard. It has a broken leg, or its favoring an injured leg, and hobbling. A moment later, another dog crosses the yard. Looks as though it’s had one leg amputated.

~ A car passes by on the street. The girl looks like she’s gushing all over her guy, the driver. She’s almost in his lap. They look blissfully happy.

~ I hear a strange sound and it doesn’t sound like any of the neighbors using power equipment as they repair their houses and structures. The sound is most curious and I can’t get it out of my mind.

~ I hear a loud bang, like a gunshot. It comes from the next group of homes adjacent to this small neighborhood. I hear another.

~ The woman in the house to the left is standing out in her yard. She never just stands there. She’s always on the go. Her husband comes out. They talk. They hug. She cries. He comforts.

The best writing prompts are right around you. However, if you wish only words or phrases to trigger your Muse, then here are a few samples.

Buried money and valuables in a box
White powder in the kitchen and you don’t bake
Loving a married person, learning he is divorcing
A child who leaves alien footprints
An ugly knot growing on your body
Learning your spouse is a murderer in hiding
A horrific recurring dream that gets closer and closer
Lightning always striking only your house
The neighbors on your left practice swinging with the neighbors on your right
A rock containing clear facial images that seems to pull you in
A grotesque Halloween mask
A drop of acid rain
Unidentified creature footprints

This list is just a sampling. I could go on and on.

When searching for writing prompts, keep in mind that it is said only twenty types of stories exist. All stories have been written. This is true, but every story contains a different setting, unique characters, and unusual occurrences and endings. That is how we’re able to create new stories all the time.

As you seek mental stimulation through prompts, begin by having an idea in which genre you wish to write. Genre is what you need to decide first. Take for example, this prompt listed above:
~ A car passes by on the street. The girl looks like she’s gushing all over her guy, the driver. She’s almost in his lap. They look blissfully happy.

A romance writer will turn that scene into, perhaps, one of a happy couple of kids. Then life pulls them to opposite ends of the world. They meet again years later, only by chance, depending on the circumstances of the plot, and realize that they still love each other.

A mystery writer could turn writing prompts such as this into a thriller where the girl is gah-gah over the guy, but he’s got other plans. He turns out to be a serial rapist!

A science fiction or fantasy writer would have the guy taking the girl out to a deserted field, she thinks for a bit of petting. Instead, he beams her up to a hovering ship and whatever fate waits.

Know your genre and then, as you read prompts, determine what appeals to the type of story line you wish to create.

Begin to make a list of story starters that you notice. They are innocent gestures and occurrences that you might find in any good novel or short story. Make a list of anything that strikes your Muse.

Allow yourself to dwell on story ideas that may come to mind. Loosen your imagination. Do it now. You will need to free your Muse to write any story. Begin with your writing prompts.
Any story starters that you discover can also be used as occurrences and highlights in the story itself. Story starters need not only start a story. Starters can also fill in the story middles and endings.

I have used many instances from my life and ancient family history as writing prompts. You might wish to read “Grandpappy’s Cows” in the Flash Fiction section on my website to see how my Muse hilariously stretched the truth.

Or you may wish to read what my Muse made of seeing a boy out in the dead of night with a scissors in “Boy at the Crossroad.”

Writing prompts, story starters, or story ideas, wherever you find them, can trigger descriptive writing if you will loosen the reins of your Muse and let your mind wander on things sometimes best left alone. But then, after all, it’s only fiction. Right?

Mary’s stories mentioned above are further analyzed in the Flash Fiction section of her website writeanygnere.com.
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Jan 29

Fellow Rocky Mountain Mystery Writer Linda Faulkner Rappels Down To The Child Finder Trilogy

Ladies and gentlemen, please help me welcome my guest-blogger for today, Linda M. Faulkner. Linda is a transplant from New England to Montana, which is the setting of her mystery novel, Second Time Around. In addition to writing fiction, she also pens a column, Business Sense, in The Weekender, a monthly entertainment newspaper (Orlando, FL) and articles for both regional and national magazines such as Three Rivers Lifestyle and Rough Notes. A tremendous body of Linda’s work appears in the insurance industry, where she has developed, written, and instructed numerous continuing education workshops and seminars. Visit Linda’s web site at: http://www.lindamfaulkner.com. Read More

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