I want to extend a hearty welcome to thriller writer Mary Deal, my guest blogger today! Mary is a native of Walnut Grove in California’s Sacramento River Delta, has lived in England, the Caribbean, and now resides in Kapaa, Hawaii. (I’m insanely jealous). She has published three novels: The Tropics: Child of a Storm – Caught in a Rip – Hurricane Secret, an adventure suspense; The Ka, a paranormal Egyptian suspense; and River Bones, a thriller, which was a winner in the Eric Hoffer Book Awards competition. A sequel is being written. Down to the Needle, her next thriller, is due out early 2010. Mary is also a Pushcart Prize nominee. Read More
Tag Archives: serial
MA: My guest today is author J. D. (Dave) Webb. Dave resides in Illinois with his wife (43 years counting) and their toy poodle, Ginger, losing all family votes 2 to 1. Dave served in the Security Service of the Air Force as a Chinese linguist and weather analyst in Viet Nam and the Philippines prior to spending 25 years in corporate management. After a company purge he promoted himself to cobbler and he owned a shoe repair and sales shop for 11 years. But being a full time author, always a dream, became a reality in 2002. Dave has garnered several awards. His first novel Shepherd’s Pie won a publisher’s Golden Wings Award for excellence in writing. His second novel Moon Over Chicago was a top ten finisher in the 2008 Preditors and Editors Poll in the mystery category and was a finalist in the prestigious 2008 Eppie awards by the Electronic Publishing Internet Connection. His latest book, Smudge, recently placed fifth in the mystery category of the 2011 Preditors and Editors poll. He is also the Owner and Moderator of the Publishing and Promoting Yahoo group with over 900 international members.
That’s an impressive and diverse resume, Dave! Tell us why you chose to write novels.
DW: Actually the novels chose me. I’d always written short stories, but wanted – no needed – to write novels. They are what I love to read and they are what I love to write.
MA: What kind of stories do you write?
DW: I write family friendly mysteries, no excessive violence, gore or profanity. I realize that goes against the current trend. Rex Stout once said (not sure of the exact quote), “Mysteries can contain sex or violence if it is essential to the story. That is perfectly all right. There is none of that in mine. So it must not be essential.”
I have a series featuring laid-back Chicago PI Mike Shepherd. Shepherd’s Pie reflects that Mike loves pie and swears it helps him solve a case. In this one he is hounded by Ferlin Husky Lewis, the serial killer he is trying to capture. In Her Name Is Mommy Mike finds a tot in a busy mall whose mom has been kidnapped from that mall. His promise to her is that he’ll find her mommy. Moon Over Chicago – Amateur sleuth and cobbler Fulton Moon merely tries to help a customer out of an abusive relationship. But his attempts to help never go as planned. Smudge chronicles the adventures of Trish Morgan a paralegal in a small Chicago suburb. She wipes a smudge off her ATM screen one night and it’s blood. Then she hears a moan coming from the alley next to the bank. She shouldn’t go into that alley, but she does.
MA: How do you go about developing your characters?
DW: My characters seem to develop themselves. Often one pops up and I have no idea where he/she comes from. I wrestle with them to stay on plot. They are sometimes headstrong. I develop back story as I go with them and I have to keep notes to make sure I know who they are.
MA: Tell us about how you shape your heroes.
DW: All my protagonists are competent and smart but with weaknesses. I also make my antagonists equally smart and competent. I abhor the uncouth, whiskey-swilling images of PIs. I don’t subscribe to the recurring bad guy. Each book can be a standalone and good always triumphs.
MA: Does your art imitate your life in any way?
DW: Well, let’s see. I’ve never been chased by a serial killer, never had a bald headed giant florist beat me up, never had an abusive husband, so I guess the answer is mostly no. For Her Name Is Mommy I did see a tot alone on a mall bench one busy Christmas shopping trip. I wondered where her parents were and after about four minutes the girl’s mother popped out of a shop and retrieved her child. I was incensed that she’d leave a small child alone in a busy mall for even a few seconds. I decided she needed to be punished – so I put her in my book and had her kidnapped. It was great therapy. I now do it often. Someone ticks me off, they wind up in my book and suffer consequences. My attempt to right the world.
MA: (chuckling) I might want to tick you off in time for a new release of my own. Can’t get too much PR, you know! Any irons in any current fires?
DW: My work in progress is called Gulf Terror. The premise is – what if the gulf oil spill was a suicide bombing by two terrorists? And one of them survives and is loose in Louisiana, planning more destruction?
I have begun the third in the Mike Shepherd series and the second in the Fulton Moon series. I have no plans right now to do a sequel to Smudge, but who knows? My characters have minds of their own it seems. I have another novel almost one third done about a young Pakistani boy orphaned by a tribal chief, taken to Afghanistan and forced to become part of the man’s militia. The young boy’s only goal is to survive to avenge his father’s murder.
MA: What methods do you use to avoid writer’s block or push through it? Do you even get writer’s block?
DW: I can remember a famous author saying there is no such thing as writers block. That is just someone’s excuse for laziness. I don’t remember who it was so I won’t get him/her in trouble. There are times when I get stuck and can’t think where to go next. I don’t consider it writer’s block because I know where I want to go, just not how I want to get there. Sometimes my characters are telling me to go one way and I want to go another. They often win.
MA: What advice do you have for aspiring writers?
DW: A writer’s mantra should be – Butt in the chair. The best thing to do is like anything else, practice your craft. Read what you are writing. If it’s mysteries, read mysteries. Read the how to books. Go to writer’s conferences, join a writer’s group, and subscribe to writer’s magazines. I do all these things.
MA: Great advice! I would like my readers to visit Dave Webb’s website for more information about this intriguing author and his works: www.jdwebb.com
MA: My guest today is Susan Whitfield, a life-long resident of North Carolina and the author of the Logan Hunter Mystery series. She also authored a unique cookbook, Killer Recipes, after inviting many mystery writers across the country to submit recipes in exchange for publicity. She lives in eastern North Carolina with her husband and near her two sons. Susan, welcome! Please tell me a little bit about your professional or personal background.
SW: I taught English for 13 years and moved into high school administration once I completed my doctorate. I retired in 2005 after a 30-year career.
MA: I see, so I take it writing has been a part of your life for some time?
SW: I have been writing since I was a child and actually still have a 40-page outline I wrote in high school. I never wrote that book, but thought about it for years. When I finally got serious about writing a novel in 2004, I decided to start fresh.
MA: I dabbled in short stories and poetry in high school. My short stories seemed well-received back then, but my poetry…not so much! Tell us about your novels.
SW: I wrote Genesis Beach about a strong woman whose name is Logan. She’s over 6 feet tall, determined, and doesn’t take any crap. Her first murder case was on the Crystal Coast of North Carolina. I have to admit I liked her so much, I started Just North of Luck before I finished Genesis Beach. I set that novel in the Blue Ridge Mountains, because by that time I’d decided that this would be a series of books, all set somewhere in the state I love. Hell Swamp took Logan and me back to where I grew up along Black River. The most recent book, Sin Creek, is set along the Cape Fear River at Wilmington, where I cruised as a teenager. My publisher is L&L Dreamspell, based in Houston, Texas. They are in the process of printing a second edition of Genesis Beach, which was previously self-published. I look forward to seeing the new edition.
MA: You’ve received some excellent reviews, and I thank you for bringing them to the interview. I have them posted at the end of our interview, and I encourage my readers to look over them all. Now, I am burning with curiosity about Logan. Tell us more about how you crafted this woman.
SW: That’s a great question. I physically patterned her after a super tall, rail thin literary agent I’d met. I wanted her to be smart, quirky, determined and have a little baggage she carries around with her. Fans of the series say Logan shows her “human-ness” when she makes mistakes or blurts out occasional profanity. She does manage to solve her own problems though, and I admire that.
MA: You told me that you really imbued in her genuine human traits, strengths and weaknesses. Tell us about them.
SW: Logan is intelligent and determined to be the best investigator on the force. She does make mistakes in judgment occasionally, but as I’ve said, she works everything out and gets the bad guys to boot. She is a loyal friend, tries to be a good daughter to a demanding mother, and has no life outside the North Carolina State Bureau of Investigation. She basically works 24/7. She has no love life at all in Genesis Beach. Perhaps that’s because she was a victim of date rape in high school. In Genesis Beach, she has sleep terrors and eventually realizes she may have been molested as a toddler. I love the way she deals with this problem near the end of the book.
MA: While Logan is a constant in the series, what about her antagonists? Do you have a returning, pesky nemesis she must contend with?
SW: While Logan remains a tough and more experienced agent throughout the series and some of the Genesis Beach characters move along with her, the cast of villains changes with each book. For example in Just North of Luck, Logan chases a serial killer who is targeting teachers. In Hell Swamp, deer hunters are prime suspects, and Sin Creek takes Logan into the porn industry, quite uncomfortable for her and for me.
MA: Any of your real life in your stories?
SW: Yes, there’s a little real life in each book, but I’ve never been involved in porn. LOL. I’d rather let readers try to figure out what came from my personal experience.
MA: Fair enough. So what’s next?
SW: Currently I’m writing a non-series book entitled The Goose Parade of Old Dickeywood. It’s about two middle-aged women with weight, marital, and health problems. I do plan to write more Logan Hunter though. My fans have already chewed me out for trying something else. They love Logan as much as I do. Isn’t that a wonderful compliment?
MA: That’s a fantastic compliment and a great affirmation of your work. Besides Logan, will you carry other Logan Hunter characters over to new stories?
SW: Pepper Ellis, a chef, is in three of the four books. I’ve thought about building a book around her, but Logan won’t leave me alone. I also like Taryn Kosterman, an artist, very much and she’s a colorful character, but not sure I’ll build a book around her either. I’ll probably continue with Logan and have them tag along for support and adventures.
MA: Will you ever write anything other than the mystery genre?
SW: I have plans to write an historical novel about an ancestor of mine, a Knight of the Bath. I’ve already started research but I know it will be a while before I get to it. That will be my biggest challenge yet.
MA: Where can readers learn more about you?
SW: I have a web site at www.susanwhitfieldonline.com and there’s a PayPal account for those who want to purchase books there. I also blog and interview authors and industry experts at www.susanwhitfield.blogspot.com
MA: Susan, thank you for guesting with me today. I encourage my readers to visit Susan’s websites and stick around to read her wonderful book reviews that follow.
Susan Whitfield Book Reviews
~~Just North of Luck–Whitfield’s excellent writing skills transport you into a hellish movie from which you cannot close your eyes, even through the most gruesome and scary scenes. Whitfield’s skill at “expectation and reversal” will leave you saying “OMG!” at the unexpected ending. Excellent read. Bravo Susan. This second book is most definitely a must-read.
~~Hell Swamp– I could just about feel the humidity and almost taste the vinegar-based barbeque. And her usage of colloquialisms (expressions such as “dang nabbit” or “dadgum”, and “yonder”) are scattered perfectly. Logan, the protagonist, is tough and competent, yet feminine, romantic and vulnerable. And the supporting cast of colorful characters literally leaps off the page. One’s body is described as “a corpse of corn”, another has a “navel mouth”, and yet another has “piranha teeth and a nose like a bull’s hairy gonad”. Someone grins ”like a mule eating briars”. Whoa! Is that vivid imagery or what? We’ve got a well-written, suspenseful mystery with a likeable protagonist, vivid imagery, a taste of horror, a little tongue-in-cheek humor and even romance. What’s not to like?
~~Hell Swamp solidifies Whitfield’s status as a true master of mystery. Her prose is tight and engaging, and her suspenseful writing style leaves the reader no choice but to turn page after page in anticipation of the latest unexpected twist. Followers of Susan Whitfield will surely not be disappointed with her latest effort, and it will most certainly be successful in drawing even greater numbers to her ever-growing fan base. An enjoyable, recommended read.
~~Hell Swamp–Peculiarities abound as you meet the suspects. Whitfield has drawn a cast of characters from ‘down by the Black River’ that rings delightfully true, scary and injected with just enough humor to make HELL SWAMP stand out from the pack. Read this book. It’s a good ‘un.
~~Sin Creek-I’ve followed SBI Agent Logan Hunter as she tracked down killers in Genesis Beach, Just North of Luck, Hell Swamp and now in Sin Creek. Author Susan Whitfield has created an amazingly `normal’ character with Hunter. She has feelings and isn’t afraid to cry, she takes on danger and doesn’t mind showing her fears, but when she takes on the world of porn, she shows a caring side that has been glimpsed in all of her stories but with more strength than ever in Sin Creek. Read Sin Creek as a book of murder and suspense but also read it as a book that opens your eyes to the problems our young adults are faced with, where these problems can take them and what the end results can be. It opened my eyes and I believe it will yours too. It has helped to educate me to the underworld of the Internet.
~~Sin Creek follows Logan Hunter’s murder investigation of college student, Maeve Smoltz, through many twists and turns as she sifts through a college town chock full of colorful and morally shallow characters, all with something to hide. This includes the victim herself, not innocent at all.
~~Whitfield offers a strong commentary on some of the dangers of college life. Her character, Logan Hunter, gives a strong telling of the story from the initial meeting with the dead girl’s parents to ending up on “The Fearless Ferry,” a happening spot that would bring shivers to any parent with a kid in college. Lickety-split pace and effective descriptions give the reader the feeling that they are conducting the investigation right along with Logan. If you’re a fan of mysteries, this one is guaranteed not to disappoint. If Mystery’s not your genre, make an exception with Sin Creek. Like the Cyclone at Coney Island, Sin Creek is gripping and intense, yet an enjoyable ride.
~~Sin Creek, new in the Logan Hunter mystery series by Susan Whitfield, is an eye-opener and a heart-breaker, but with the sweetest redeeming ending. Having had a long-standing friendship with a detective, when reading Sin Creek, I felt a sense of déjà vu about events I know to be true. These foul crimes do exist and are proliferating all over the world, both promoted by and brought to law enforcement attention by the Internet. Whitfield portrays the underpinnings of one man’s vile world of pornography with researched accuracy. Though this story is fiction, the very same types of exploitation continue to happen and escalate. If you never understood how lewd and dangerous the world of porn is, read Sin Creek. It’s fiction but true to life. It’ll make you shudder.
Prologue, Denouement and Epilogue
First let me quote from the Oxford Dictionary before we discuss usages.
Prologue: 1) A separate introductory part of a play, book or piece of music. 2) An event that leads to another.
Denouement: The final part of a film, play or narration, in which matters are explained or resolved.
Epilogue: A section at the end of a book or play which comments on what has happened.
A Prologue can set up the rest of a story. That is, it can relate a brief occurrence that led to the present action of the story that we then jump into the middle of in Chapter One. Used this way, a prologue becomes a bit of back story, should not take up any more than a few paragraphs, and definitely should not be as long as a full chapter. Too, anything that isn’t foreshadowing for the rest of the story should be cut.
The longer the Prologue, the more it seems the writer is, again, quoting back story when, in reality, back story should be incorporated into the present of the telling. This is done through conversations between characters or brief remembrances of the main character. Providing too much life story in the prologue, keeps the reader bogged down in the past when you really want them immersed in the action of the now that starts with the first word, sentence and paragraph of Chapter One.
Completely opposite of that, the Prologue can also be used to show the outcome of the entire story up front before Chapter One begins. In other words, your story has a problem the main character needs to resolve. The story goes on to show the character resolved those issues and then shows the climax and denouement, which led to the information first presented in the Prologue.
My preference is not to read a book where I know up front that all ends well. I want to feel all the indecision, fright and other emotions that the characters may endure. Then I want the relief of learning how their situation is resolved. If I read up front that their lives went back to normal after something drastic had happened to them, I won’t feel their emotions as I read.
Part of reading is to experience what the characters endure. First reading that everything came out okay seems, in my opinion, to diminish the thrill of suffering with these story people. So what? I ask. I already knew these people would prevail.
The Denouement tells how the characters are affected once the climax of the action is made apparent. If a mystery, the climax happens when the perpetrator is caught or gets his or her comeuppance. You cannot end the story at that point. You must tell how this climactic revelation affected all the other characters. That portion after the climax is the denouement.
The denouement need not be lengthy. It can be a few sentences or a couple of paragraphs. It can also be one or more brief chapters.
In my thriller, River Bones, after the perpetrator is caught and people realize just who the serial killer is, many more additional clues are found to cement his guilt. Too, a few subplots needed to be wrapped up that did not really affect catching the perpetrator, but which followed through and fed into the action of the entire story. That wrap-up, my denouement, took two additional brief exciting chapters. But that wasn’t all….
An Epilogue is best used to show how the story resolution affected the characters after a period of time has passed. Yes, it’s enough to catch a perpetrator and everyone return to their normal lives in the denouement. However, in River Bones, I used an Epilogue to not only wrap up the strongest subplot, but to create a situation where it leaves the story open for a sequel.
Another example might be a romance. After the lovers settle their differences and end up together in the denouement, the Epilogue might be used to show that a year later they parted. What caused them to part must be something already written into the story beforehand. The Epilogue is not a place to introduce new information – ever. Whatever happens in the Epilogue is a result of some action already dealt with in the story.
Between prologue, denouement and epilogue, the denouement is the only part necessary to any story. Think hard about using Prologues and Epilogues and have good reason for doing so.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
A Halloween Treat: “Wanted Undead or Alive” Authors Janice Gable Bashman and Jonathan Maberry Descend to the Child Finder Trilogy Blog
MIKE ANGLEY: No trick, just some treats this Halloween! I’m delighted to take a departure from my norm (fiction authors) and host Janice Gable Bashman and Jonathan Maberry today. They have co-authored a non-fiction book, WANTED UNDEAD OR ALIVE, an ideal topic for today. Let me introduce them first, then jump into the interview.
Janice Gable Bashman has written for THE BIG THRILL, NOVEL & SHORT STORY WRITER’S MARKET, THE WRITER, WILD RIVER REVIEW, and many others. She can be reached at www.janicegablebashman.com.
Jonathan Maberry is a NY Times bestseller, multiple Bram Stoker Award-winner and a writer for Marvel Comics. He has written a number of award-winning nonfiction books and novels on the paranormal and supernatural, including THE CRYPTOPEDIA, VAMPIRE UNIVERSE, THEY BITE, ZOMBIE CSU and PATIENT ZERO. He can be reached at www.jonathanmaberry.com.
MIKE ANGLEY: Tell us about your book.
JANICE GABLE BASHMAN: WANTED UNDEAD OR ALIVE deals with the struggle of good vs evil in film, comics, pop culture, world myth, literature, and the real world. Everything from vampire slayers to paranormal investigators to FBI serial-killer profilers. It includes interviews with folks like Stan Lee, Mike Mignola, Jason Aaron, Fred Van Lente, Peter Straub, Charlaine Harris and many more; and the book is fully illustrated by top horror, comics & fantasy artists.
JONATHAN MABERRY: Our book starts with good vs evil as a concept and then we chase it through philosophy, religion, politics, literature, art, film, comics, pop-culture and the real world. It’s such a complex topic, one that’s fundamental to all of our human experience, from evolution to the formation of tribes and society. We take a look at it historically, mythologically, in terms of storytelling from cave paintings to literature, we track it through pop culture and into our modern real world.
The book has a real sense of humor, too. We have fun with the topic as well as bringing a lot of information to the reader.
Plus the book is illustrated with forty black and white pieces and eight killer color plates. Artists like Chad Savage, Jacob Parmentier, Don Maitz, Francis Tsai, David Leri, Scott Grimando, Jason Beam, Alan F. Beck, Billy Tackett and more.
MIKE ANGLEY: Why did you decide to tackle the battle of good versus evil?
BASHMAN: The concept of good vs evil surrounds us. There’s just no avoiding it, and it’s been around for as long as man has walked the earth. Yet the definition of what’s good and what’s evil varies depending on who you’re asking—it’s not a black and white issue, so there are a whole slew of things to cover on the topic. In WANTED UNDEAD OR ALIVE, we tackle the whole good and evil idea in a fun and exciting way—through its presence in movies, books, comics, pop culture, and real life.
MABERRY: I’ve done four previous books on the supernatural but they mostly focused on the predators (VAMPIRE UNIVERSE, THE CRYPTOPEDIA, ZOMBIE CSU and THEY BITE—all available from Citadel Press). I wanted to wrap that series with a book based entirely on the good guys. Now that we know what’s out there in the dark, who are we gonna call?
Also, times have become tough lately. Wars, racial tension everywhere, religious tension everywhere, the economy in the toilet…it’s nice to shift focus from those things that frighten us and take a look at what is going to save our butts. And, yeah, the book doesn’t deal entirely with real world problems (after all, most of us aren’t like to have to fend off a vampire or werewolf!) but it’s reassuring to know that at no time in our vast and complex human experience has mankind ever said: “Screw it, the Big Bad is too big and too bad.” We always fight back, we always rise. That, more than anything, is the heart of this book.
MIKE ANGLEY: You delve into fiction, movies, and comics, and interview so many great people in the book. Sounds like a ton of research, yet the book’s a fun read. How do turn all that material into something so exciting?
BASHMAN: What’s not fun about talking about good and evil? Darth Vader vs Luke Skywalker. Buffy the Vampire Slayer vs vampires. Batman vs The Joker. Dracula vs Van Helsing. FBI profilers vs serial killers. Ghosts vs ghost hunters. It’s the ultimate showdown between opposing forces. We take a look at this concept from all angles and put it together in a manner that’s easy to read with lots of interviews, sidebars, and interesting facts. There’s something for everyone in WANTED UNDEAD OR ALIVE.
MABERRY: I’m a research junkie. I started out as a magazine writer and did a lot of that for a lot of years. I also wrote college textbooks that I wanted my students to not only read but ENJOY reading. That’s the challenge of writing for the mass market –you have to develop a set of instincts for what people want to know. At the same time you have to be able to craft what you write so that you can impart useful information in a digestible fashion, even with the notoriously short attention-span of the modern reader.
That said, having a Big Picture sensibility in the writing helps us to present the info in a way that is neither offense nor off-putting. Sometimes that means using a bit of snarky humor, and sometimes it’s taking off the disguise and allowing the reader to glimpse our own inner geeks. Once they know that we’re part of their crowd, the book becomes more of an act of sharing cool stuff with our peers than authors writing to a demographic. Much more fun.
MIKE ANGLEY: Vampires have been the subject of fiction and fantasy for many years, but what do you make of the current interest in them with such moves as the Twilight series?
BASHMAN: The enduring appeal of Vampires is one that seems to have no end. People are fascinated by beings that can live forever. The Twilight series moves that whole vampire idea into one that appeals to a generation of readers who want their vampires attractive and appealing. None of this bite your neck stuff and you become a nasty being. The idea of falling in love with a vampire, of being in love forever until the end of time, is one that many women (and men) find attractive. But what the interest in vampires really allows us do is to examine good vs evil in a way that is easily tolerated.
MABERRY: Vampires will always be popular, and there will always be new spins on them. Currently it’s the tween crowd with TWILIGHT and the urban fantasy crowd with Laurell K. Hamilton, L.A. Banks and that crowd. A few years ago it was Anne Rice, Stephen King and Chelsea Quinn Yarbrough. Before that it was Hammer Films, and so on. Vampires are changeable characters who represent our desires to transcend the limitations and natural crudities of human physical existence. They are, to the modern pop culture era, what the gods of Olympus were to the Greeks: admirable, larger than life characters that we can idealize, lust after, want to be, and be entertained by.
There has been a lot of unfair criticism about the TWILIGHT books and movies. I don’t play into that. Those movies and books have done immeasurable good for the vampire as a pop culture commodity. And a lot of people are getting massive career boosts as a result, even though they are some of the loudest critics.
A Big Picture way to look at it is, if the readers get tired of sparkly pretty-boy vampires, then they’ll go looking for nastier horror-based vampires. That’s already happening—hence books like THE STRAIN by Guillermo Del Toro and Chuck Hogan, and Justin Cronin’s THE PASSAGE. The so-called backlash is really just the process of people seeing one thing, deciding that it’s not for them, and seeking out something that’s a better fit. The contempt so many people throw at TWILIGHT is more than just snobbish, it’s ill-informed and short-sighted.
MIKE ANGLEY: How do you manage the writing process when there are two people writing one book?
BASHMAN: We each came into this project with our own strengths and that made it easy to decide who should tackle what part of the book. The most difficult aspect was finding one voice that worked for both writers so that the book read like one person wrote it. We accomplished this fairly easily, with some trial and error, since we had worked together on a number of articles in the past.
MABERRY: We also divided the book according to personal interest and existing knowledge base. I tackled stuff that played to my strengths –vampires, comics, pulp fiction, etc. Janice played to her strengths. She’s writing a book on thrillers, so she tackled serial killers, etc.
I agree that finding a single voice was a challenge. We’re different kinds of people and different kinds of writers, but now, even I have a hard time remembering who wrote what. Janice even picked up my smartass sense of humor—which means that I may have caused her some permanent damage. On the other hand, she’s an enormously disciplined writer, so I hope I picked up some good writing habits through osmosis.
MIKE ANGLEY: What’s the hardest part about writing a book with someone else? The easiest?
BASHMAN: I can honestly say that I didn’t find any aspect of writing the book with Jonathan difficult. It’s important have an open line of communication with your writing partner and a willingness to view things from your partner’s perspective. Otherwise, you run into the potential to butt heads on some matters. We both came into this project with the attitude that we’re writing a book together and we’re going to do what needs to be done to write the best possible book we can. When both partners have the same goal in mind and both share an excitement for the subject matter, it makes it pretty easy to co-author a book.
MABERRY: I agree…this was a fun, easy, fast and very rewarding process. It helps that we’re friends and have a lot of mutual respect. That goes a long damn way in making the book fun to write and (I hope) fun to read.
MIKE ANGLEY: What’s next for you guys?
BASHMAN: I’m finishing up a proposal for my next non-fiction book; it’s still under wraps so I can’t share the details at this time. I can say that dozens of key players are already on board for the project and it’s sure to be a fun one. I continue to write for various publications, and I’ll also be shopping a young adult novel shortly.
MABERRY: This has been my most productive year to date. Between novels, nonfiction books, short stories and comics (for Marvel), I’ve had something new coming out every month, and often multiple things coming out in a single week.
Next up is ROT & RUIN, my first young adult novel. It’s set fourteen years after the zombie apocalypse and kicks off a new series that will be released in hardcover by Simon & Schuster. Then I have my third Joe Ledger thriller, THE KING OF PLAGUES, hitting stores in March from St. Martins Griffin. I also have three mini-series from Marvel in the pipeline. MARVEL UNIVERSE VS THE PUNISHER is already running, and it’s a post-apocalyptic existentialist adventure. Very strange, even for me. Next up is BLACK PANTHER: KLAWS OF THE PANTHER, kicking off in October; and then in January we launch CAPTAIN AMERICA: HAIL HYDRA, a five-issue Marvel Event that follows Cap from World War II to present day. And my graphic novel, DOOMWAR, debuts in hardcover in October.
I’m currently writing DEAD OF NIGHT, a standalone zombie novel to be release by Griffin in June.
MA: I’m joined today by an author with two pen names, Alice Griffiths and P.A. Wilson (I think for interview purposes I’ll use Alice’s initials to mark your responses). Please tell us about you and what brought you to the writing world.
AG: I’ve been writing for decades but I have been seriously interested in publishing for the last few years. I think the catalyst for the change was National Novel Writing Month. In 2008 I happened upon the site and impulsively decided I could write a 50,000 word novel in 30 days. It didn’t matter that I’d taken years to write previous manuscripts. I could do this.
When I typed ‘the end’, I had completed 82,500 words and my first full manuscript. I put it away for a month and then started the process of revision and polish. By April, I’d entered it into a contest and by June, I had created an indie e-publishing company with a partner. Off Track was published December 23, 2009 and I had graduated from writer to author.
I write in two genres with a pen name for each. I write romances under the name Alice Griffiths, and gritty mystery thrillers under the name P.A. Wilson. At first, I thought the lines would be clear between the two genres, but that’s not what happened. My romances have elements of violence and my mysteries have elements of romance.
Now, I work as a project consultant and managing editor, and author, my days are full but never boring.
MA: Tell us more about your background before becoming a writer.
AG: In the professional world I am a project management consultant. I worked in the corporate world for more than thirty years before I decided to go it on my own. I have to say that I have less time to write now than I did before, but more energy when I do write.
I’ve been working on projects for more than ten years and I have to say it’s taught me more about writing than anything else in my past. I get to meet so many different people that I can use to fill out my characters. I use project management methodology to get started on writing a book. I figure out what I’m going to write, investigate what I’ll need to learn to write the first draft, and then I plan out the different scenes. Writing for me is building the story up in layers.
MA: I’ve met many authors who use a methodical approach such as this. One thriller writer I met is an engineer by degree, and takes a disciplined design approach to crafting his stories. Why fiction?
AG: I have tried to write short stories and poetry but I don’t seem to have the talent for that. I guess I’d say novels chose me, rather than the other way around. I like having some room to build in secondary plots and more detailed richness. In shorts you have to keep it clean and precise and I don’t have that skill. I admire people who do, because when I’m in the middle of the third revision pass and wondering if I’m contradicting something that happened 60 pages ago, it would be nice to have a short story to handle.
MA: Tell us about what you write…I’m struck by the fact you write in what would seem like two very different genres.
AG: I haven’t yet found a genre I can stick with. I guess my constant is that there’s a romance somewhere in the story and that lots of people die.
I’ve written a fantasy romance, Off Track by Alice Griffiths, and that was my first National Novel Writing Month book. It’s the story of a lawyer on the track to partnership who finds herself pulled into a magical world as the result of a prophecy. Along with her easy going assistant, Madeline has to accept that she needs to fulfill the prophecy and figure out what it is exactly she’s supposed to do. While that’s happening, she meets and falls in love with a knight who really wants to be something other than a knight.
My serial killer novel, Closing the Circle by P.A. Wilson, is currently under review with my business partner in PaperBoxBooks.com. In this story Felicity Armstrong is the focus of a brutal serial killer who has taken her religion, Wicca, and twisted it in to something evil. The killer stalks and kills her friends, leaving their bodies in prominent sites around San Francisco as Felicity works with FBI special agent Sam Barton to identify and stop the murders.
I’m working on two other books, and planning out my NaNoWriMo book for this November. One book is a thriller set in Vancouver BC with gangs, human trafficking and teen hookers. The other a YA science fiction story with three heroes who raise a rebellion to save the humans.
Then my NaNo book will be an Urban Fantasy with a wizard, Sidhe, and Raven. That’s about as far as I am in planning.
MA: Well, sounds like you are keeping very busy with all those projects! I’m almost afraid to ask how you approach character development since you have such a varied writing style.
AG: I develop characters though a process of discovery. For Madeline, I sketched her out physically and gave her a flaw – she finds it difficult to trust people – and then I started to write some back story for her. I wasn’t happy with the lack of depth when I was done and I turned to something that romance writers use all the time. I read her Tarot. It sounds flakey (or at least it did to me at first) but by doing the Tarot reading I was able to push aside my own personal preferences and dig into Madeline’s psyche. I had to interpret the cards based on what I knew about her.
It turns out that Madeline doesn’t trust easily because when she gives her word it’s for life. She has difficulty making commitments as well because she wants to know she’ll stick with any commitment. Interestingly, this brought forth a habit that I could use. Madeline is a dabbler in learning; she takes courses, does well but gets bored and leaves. This means when she’s in the magical world, she has a bit of grounding in a lot of skills she’ll need. She learned how to ride horses, but still needs the knight to help her get better, and she has taken some martial arts, etc.
Madeline is highly competent and learns quickly; this allows her to integrate quickly – and saves me and the reader from having to wade through her learning curve. She’s also accepting of differences so she doesn’t judge people on first glance.
Unfortunately, despite her external image, she’s not confident in her own skills and talents. She focuses on the fact that she is a lawyer and doesn’t have any understanding that the prophecy brought her to the magical land for something else.
MA: Who did you throw into the story to stand in Madeline’s way? Who’s the antagonist?
AG: Madeline faces two antagonists. Throughout the story she is facing her own demons and is convinced she won’t be able to fulfill the task she was brought there to complete. She is used to being in control and finds it almost impossible to go with the flow and trust that it will all work out – as everyone keeps telling her.
The final antagonist she faces at the end is the enemy who must be killed. He is a marauding creature who is going to destroy the people Madeline is aligned with in fulfillment of an ancient feud. Madeline hopes her task isn’t killing the villain, but worries that it is.
MA: Considering how prolific – and disciplined – you seem to be with your writing, what are your future plans? Any sequels?
AG: I would like to be able to produce two books a year – I am certain I can do a first draft in a month other then November but I haven’t yet been able to prove it.
I also want to write a series, or a trilogy. I am fascinated by the idea of such a sweeping story and I want to explore the process.
The book set in Vancouver BC has always been a series concept. I need to finish this first story and then I already have a germ of an idea for the next one. I think the trick is going to be planting the seeds of the second book into the first, a great new challenge.
MA: Is there any particular challenge for you in writing?
AG: I find writing the romance difficult. The saving grace for me up to now is that the romance has been the secondary plot – important but can be dealt with in revision. I tend to write the story and clumsily insert the romance in the first draft and then thread it back into the story during the first revision pass.
And, my writing group will tell you I am not good with description. I have settings all worked out but I have difficulty putting it on the page. I have learned to insert some setting in as I go along and then each revision pass has a note – add description.
MA: Thanks, Alice, er, P.A. Folks, please visit Alice Griffiths at: http://www.alicegriffiths.ca/, and visit P.A. Wilson at: http://www.pawilson.ca/
I have two thriller novels out, Compulsion and Dead Game. In Compulsion, Emily Stone doesn’t have a badge. But that hasn’t stopped her from tracking down some of the West’s most dangerous child-killers. Armed with a digital SLR camera, laptop computer and her trusty Beretta, Stone uses her innate gift for detective work to identify the perps — and then anonymously e-mail the evidence to the cops.
Now, the hunt for two brazen serial killers on the loose right in her own coastal California town threatens to expose Stone’s identity — unraveling her carefully constructed cover and jeopardizing her life’s work. But when she gets too close to the action, this razor-sharp hunter becomes the hunted. Cooperating with the handsome local police detective could be the only hope for stopping the rampage directed at unsuspecting young women — and saving herself. Can they piece together the clues in time?
Compulsion mixes CSI-style investigation with a ripped-from-the-headlines plot and a dose of romance for a keeps-you-guessing, fast-paced and savvy thriller, right up until the shocking finale.
Dead Game is another Emily Stone Novel. In her independent efforts to catch child killers, Emily Stone discovers the evidence that the cops can’t—or won’t—uncover. Now, this covert investigator is back on the hunt for the world’s most sick and twisted murderers. But even with help from ex-police detective Rick Lopez, this time she’s facing her most dangerous opponent yet.
The headlines in the San Jose Mercury News blare updates on a serial killer who seems able to slaughter with impunity. Men, women—it doesn’t matter; the victims serve only to satisfy a perverted need to kill. The killer watches the moment of death on multiple computer screens, over and over again. The only connection is that they’re all devotees of the latest video-game craze—a sophisticated brain-puzzler called EagleEye.
When the killer goes after Lopez’s law-enforcement mentor, Lopez and Stone decide to give the cops a little extra, unsolicited help. What follows takes them deep inside a shocking high-tech world, a kind of social-networking community for serial killers. But when they start getting too close to the truth, all hell’s going to break loose.
Now, Stone and Lopez become the killer’s next target as Stone must make a difficult decision to leave the ones she loves in an all-or-nothing effort for survival. Can they stay alive long enough to blow the whistle on this unlikely perpetrator? Read More
In our day-to-day lives, our simplest personal actions say something about our motivations, temperament, and mind-set. Stories and their plots reveal much more that can be stated by quoting the story synopsis when a potential buyer asks, “What’s your book about?”
In my adventure/suspense novel, The Tropics, the plot is about the dangers of island living, cloaked from tourists by balmy breezes and swaying palm trees. It’s about people fighting for survival and finding inner strength to go on in spite of life-threatening situations in which they find themselves. It’s about inner strength. Read More
A friend of mine—I’ll call her Judy—had written a novel and was in the process of sending it out to literary agents seeking representation. She and I knew that first-time authors typically needed to have two or more completed manuscripts in hand. Publishers do not make large profits on an unknown writer’s first book but on subsequent publications. Money is spent on publicity for the first book, to establish a reputation for an author and build readership. With these aspects already established, on subsequent books, larger profits are realized. Too, publishers were more apt to believe that a writer was capable of turning out numbers of books if they did so of their own volition. Read More