Tag Archives: respect

Jul 22

Shelley Workinger Guests with Mike Angley

MA: I’m joined today by author Shelley Workinger. Shelley was born in Maine, educated in New Orleans, currently resides in New Jersey, and considers all of them home. She’s here to talk about her latest release, Settling. She has a few websites I want to recommend my readers check out where you can discover more about her and her novel series.

What did you do before jumping into the world of writing?
SW: I graduated magna cum laude from Loyola double-majoring in English and Sociology – majors I initially chose to avoid math, which I detested and thankfully placed out of. However, I ended up running a small real estate office and doing all of the accounting – a job I actually loved. What I love even more is how many people think they know everything about the world, when most of us don’t even know our own selves.
MA: With a degree in English, I imagine you had a burning passion to write someday…was this a path you set out to be on some day?
SW: I would never have chosen this path! For me, writing is all-consuming; I can’t sleep, I lose interest in eating, and I can’t quiet my mind enough to ever relax. But the idea behind the “Solid” series was one I couldn’t let go of, and that, combined with my concern that early teens become so overwhelmed with required reading that many lose the love of leisure entirely, made me sit down and expand my idea into a fun, fast read that would be approachable for reluctant readers.
*In choosing to write to the tween age group, I also committed to keeping “Solid” clean – i.e., no drugs, cursing, sex, or gratuitous violence – and I’ve been commended by sites like Reading Teen and Litland for doing so.
MA: What’s your elevator pitch?
SW: The briefest synopsis is: Teens who discover they were secretly genetically altered before birth are brought together at a classified site where they forge new friendships, find love, develop “super-abilities,” and even unearth a conspiracy.
Many readers have called it an “X-men” for girls, focusing more on the relationships than the superpowers.
MA: Probably a good thing you didn’t call it “X-Girls,” then! How did you go about creating your characters?
SW: I began with a tagline – What if you discovered you were the product of a secret government experiment? – and then looked at my premise through the eyes of a 17-year-old girl to create what I felt would be a natural reaction/path.
The second layer to developing Clio’s character was my concern for her actual character values; as a mother of small children and a product of American society, I had a few “requirements” for a female character I’d introduce to young readers:

1. She had to eat real food. (No dieting, unhealthy body issues.)
2. Her life would not revolve a boy. (There is a romantic interest, but Clio can function without him.)
3. She *gasp* had to have a great relationship with her mother. (Specifically, a mutual respect.)
MA: Those seem like healthy traits, so what are Clio’s strengths and weaknesses?
SW: I believe her biggest strength is her weakness – that she is not worldly and experienced, so her actions and reactions are real and relatable. She makes mistakes, she sometimes trusts too easily, but she learns from them.
MA: And does she have to do battle with any particular bad guys or girls?
SW: There isn’t one antagonist per se; it’s really the unknown that challenges the characters. They’re trying to find answers without even knowing where to begin; the revelation of the experiment done on them before birth not only throws their entire pasts into question, but they can no longer even be sure of their own bodies. There are also “bad guys,” but the self-discovery is the bigger hurdle in book one. (There’s a killer on campus in book two, but that has not been released yet.)
MA: I understand you were a military brat (raising three of my own!). Did that experience inform your writing?
SW: My father was a career Army officer, but not in the traditional sense – we never moved. I absolutely romanticized the life of the constantly-moving Army brat since I didn’t get to experience it, so my characters are “living the dream” in that sense.
MA: So what’s next?
SW: I have two very different ideas (from “Solid” and from each other) – a futuristic dystopian YA novel and a football-related horror for adults – but I can’t put any time into those until “Solid” is complete.
MA: I am currently waiting for the release of my third novel, Child Finder: Revelation, so I know what its’ like to write a series. I assume many of your characters migrate from book to book?
SW: Clio and her circle are the whole basis for the “Solid” series, so all of the books will revolve around them. As their “world” continues to grow, new people do come in and/or take on larger roles – book two brings in four new characters, and book three will add at least that many more. I also initially only planned this to be a trilogy, but as I work through book three, I’m starting to think I may have to write a prequel to tie up some loose ends. I’ve also just decided to re-release a slightly-extended version of “Solid” at the same time “Settling” comes out, so I’m working furiously to put that together!
MA: It sounds like you are busy – a good thing to be! Thanks for stopping by to visit with me today and for telling us all about your stories.
SW: Thank you so much for your interest in “Solid” and giving me the opportunity to speak with your blog followers; I know we all have dozens of books on our TBR lists and I am so appreciative for your consideration of mine!
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Apr 08

Young Adult and Thriller Writer Ronnie Dauber is Mike Angley’s Guest Today!

MA: I’m real excited to have as my guest today, Ronnie Dauber. Ronnie is a published author and freelance writer. Her young adult adventure book, Mudslide, is the first in the Survival Series, and was published in September of 2009. She is currently writing the second book in the series called Fire Storm and hopes to have it published by the summer of 2011. She wrote her first adult suspense/thriller called Web Secrets and it was published in January of 2011, and has a second thriller started that she will finish when her series is completed. As well, she has written and published over 1,000 articles on line for several well-known information sites. Ronnie holds college diplomas in Business Administration and Common Law, and in Children’s and Adults’ literature, and is a certified court reporter.
Tell me about your journey into writing.
RD: I’ve had a passion to write poetry and stories since I was a child. In fact, I earned my first poetry award at age 12 in a regional contest about President Kennedy, and since then I’ve just kept on writing. After raising my seven kids, I returned to college for two years and then enjoyed a legal career as a court reporter for several years until I was forced to retire early to due injuries sustained in a car accident. That’s when I decided it was perhaps time to master my writing skills, so I returned to college and earned diplomas in literature. And it was through these courses that I regained my desire to do what I’ve always wanted to do, and that is to write books.
MA: I can see the passion has been there for a long time! What brought you to writing novels?

RD: I write novels for three reasons. The first is because I believe that people, and especially children, need to learn the value of reading books. It develops their comprehension skills, exercises their brain, encourages their own imagination and allows them to live outside of technology, and so I want to help encourage them to read. The second reason is that I love to live the adventures that I write about. My y/a series does have some of my own experiences as well as those of my children, along with a lot of imagination. I like to write stories that keep the reader glued to the book. The third reason is because I realize that there are a lot of bad-influence books on the market today and that includes young adult books that are loaded with profanity and sexual content and void of morality and respect. I believe that books can be interesting and exciting and can captivate the reader without lowering the moral standards to what teens today feel is the norm. I want them to read books that will hold their interest, that involve things they are familiar with and yet at the same time, will help raise their own standards of life.

MA: Those are all great reasons. Tell us about your most recent novel.

RD: My latest novel is an adult suspense/thriller called Web Secrets. It’s about Madison Richards who is a young woman, insecure and dependent on her husband and friends to carry her through life’s many hurdles. When a personal issue causes her to investigate the circumstances, she begins to lose her family members and friends one at a time and finds herself being slowly drawn into a web of lies and deceit. She’s left with only one friend in cyberspace for moral support and friendship, and then as things seem as though they can’t get any worse, she discovers that she’s the target of a psychopath killer.

MA: Wow! That sounds pretty intense. Where did you come up with the idea for Madison?

RD: I got the idea for the character of Madison from the character qualities of a nurse on the television series, ER. Her actions and reactions and dependency on others made the ideal characteristics for my protagonist, and so I created Madison.

MA: She sounds like an intriguing heroine. Tell us more about her.

RD: My heroine’s most notable strength is her desire to take charge of her life, but fear has always kept her from trying. And it’s this desire in her that gives her the strength and the innocence to do the things she does to get to the bottom of her issues when there is no one to turn to for help. Her weakness is that she too easily falls into the guilt mode instead of accepting that things aren’t always her fault, and this is what has kept her from making positive decisions throughout her life.

MA: And what about the antagonist? I assume you have a pretty sinister one with a plotline like you described.

RD: There is an unknown antagonist that challenges Madison’s life and as things go from bad to worse, she must find out who this antagonist is and why this person is stalking her. Names are not revealed and the reader learns along with Madison as the story unwinds.

MA: I almost hate to find out of you’ve had any real life experiences that influenced your writing!

RD: I would have to say that this entire book comes from my imagination and that I never experienced any of the events that my protagonist experienced. However, my y/a adventure series does include some of my personal experiences.

MA: That’s good to hear! So what are you working on now?

RD: I have published the first book, Mudslide, to my y/a adventure series, and I’m currently finishing the second book to the series called Fire Storm. I have three other books to this series in my head waiting to get onto paper so I’m hoping to have them all finished by next year. As well, I have another adult thriller, Providence, that I’ve written the first four chapters to and that I want to get finished sometime next year.

MA: Will we find Madison or any other characters from Web Secrets in your future writing?

RD: That’s an interesting question and one that several people have asked me. I won’t give away the story, but some people who have read Web Secrets have given me suggestions of how Madison’s character as well as one other character could continue in future books. There is a possibility that they may have other adventures down the road.

MA: Well, we’ll all just have to wait and see! Anything else you’d like to leave my readers with?

RD: I realize that my books share two genres, that being y/a outdoor adventure and adult suspense/thriller. I enjoy writing both and I get totally caught up in writing both, as well. I’ve heard it said that writers find their particular writing niche once they’ve written in a couple of genres. I’m guess I’m not there yet because I have at least three more stories that I’m excited to write to the y/a Survival Series, and with years of movies and library books filtering through my thoughts, I also have several adult suspense stories just waiting to show themselves.

MA: Ronnie, thanks much for appearing on my blog today. I encourage my readers to learn more about Ronnie Dauber and her books. Be sure to visit her website for more details: Ronnie Dauber.
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Dec 10

“No Chinook” Author, K. Sawyer Paul, Swings by to Visit with Mike Angley

MA: I’d like to welcome today’s guest blogger, K. Sawyer Paul. Mr. Sawyer is the author of the novel, No Chinook. Please tell us about you and your writing.

KSP: I think my first few stories were all plagiarisms and remixes. When I was in junior high and high school, I’m not sure I had a single original thought. I’d take characters, stories, and plots from various books and movies and video games that I’d enjoyed and play with them in different environments. It was basically the equivalent to playing with action figures from different cartoons. I didn’t know why I wrote, but I always had it in my head that I could write well if I just stuck at it for long enough. You know, the idea that perspiration would eventually lead to inspiration. So I wrote a lot. I wrote a short novella in high school, printed it out, and sold it for a couple of bucks. I sold it for a dollar if the person wanted it on a CD. I basically had my first ebook in 2000, in the form of a Word 98 file. I went to the University of Toronto and decided to take professional writing as a minor. It was a great experience, and it taught me many things about what not to do. I felt I was a little allergic to preconceived ideas of success in writing, especially Canadian writing, where the expectation is that you’ll never really make any money and you sort of make people suffer through your work. I’m very against that. If my story isn’t gripping, put it down, you know? There’s more books being published every year than anyone could ever read. Why waste time if you’re not enjoying it?

MA: Well, amen to that! Why did you choose to write short novels?

KSP: I write short novels, because I don’t like to waste people’s time, but I like novels because even if they’re short, they feel like an accomplishment to read and write. I generally hit the 50 or 60 thousand word mark in the first draft, then cut it down to 45 or so. That makes for a 200-220 page book, which I think is enough. I’m a big fan of not wasting time, wasting words. I’m a big fan of Cormac McCarthy’s style in that respect, where he purposefully leaves out areas of his stories that really could use a sweeping emotional explanation. Hemmingway, too. I like that I can go back and read A Farewell to Arms or Francis Macomber and I’m done in a weekend and better for it. There’s something really crisp and biting about a terse novel.

MA: How did you approach your two novels?

KSP: I made a really set decision when I started writing Everything We Haven’t Lost and then No Chinook to never get unbelievable, so I write about relationships because I think I know my way around them pretty well. So you can say I do romance, but if you read my books you know they’re not typical romances. The fight scenes are uglier. The sex scenes are rougher. The dialogue that connects the exposition seems pulled from real people. At least, I’d like to think so. That’s what people tell me. I want it to feel like you’re actually peering in on a real conversation between real people in a contemporary setting, and while these people are adults they still have emotional hiccups and can really hurt one another.

MA: Tell us about your hero in No Chinook.

KSP: With No Chinook, I developed Scott out of how I saw myself out of the kind of guy I saw a lot of at college: someone who’s grown in every way, but still has a few hang-ups regarding his scars. He’s not a finished adult yet, and No Chinook is in many ways him working his way out of that. So Scott is still hung up over a girl from high school, and he thinks he’s over it until she comes back into his life and they sleep together. What’s interesting about Scott is he sees how immature this girl is, and still can’t eject himself from the drama, because he’s fighting the urges of his younger self.

MA: What should we know about Scott? What makes him strong, and what makes him weak, if at all?

KSP: Scott’s big strength is that he’s a truly nice guy, who’s capable of going a long way for a friend, a lover, and even an ex-lover. His weakness is pretty well as I said above, his inability to really break free of a toxic situation. The relationship he has with Shawn is pretty toxic, and the only way he’s really capable of breaking free is by removing the love he has for this man and just using him. Basically, by figuring out how to cure himself of his biggest weakness, he has to rid himself of his greatest strength. That might seem like a convenient plot progression, but I don’t know that I’ve ever even thought of it that way until recently, now that the book has been out for two years.

MA: Interesting. And what about an antagonist?

KSP: Kate, Scott’s girl from the past, is definitely the antagonist. She’s in many ways Scott’s Tyler Durden or Ferris Bueller, a free character that helps him out of his shell. But she also crushes him over and over. Also, she never reveals where she works. Would you date someone who kept their job from you?

MA: Uh, oh…do I detect an old flame influencing the “bad girl” in No Chinook?

KSP: Yeah, there was definitely a girl I was into who didn’t like me back. But who doesn’t have that? I tapped into other people’s stories more than my own, and built conversation after conversation on the pain of my friends and colleagues. It’s a writer’s job, I think, to plaster those sorts of things together, to make sense of it.

MA: Since No Chinook has been out for two years now, what’s next on your plate?

KSP: I sent my next novel off to my editor just recently. The editorial process always takes longer than you want it to, but it’s in the pipeline. It’s called A Record Year For Rainfall. It’s about a paparazzi and a celebrity blogger who live in Las Vegas. I’m a big fan of Las Vegas, but I’m young so I’ve only ever seen the modernized Disney-like Vegas, so my characters exist in it, in 2006. It’s still sleazy, but there’s all these ironic angles where it’s family friendly now. But there’s still girls in sexy outfits everywhere, and celebrities still go there to go crazy. It’s a fun book that’s about trying to escape yourself and the things you love but not really being able to. There’s a lot of comedic violence and sex and there’s a gay governor and I think people will think the book is a lot of fun.

MA: Are your novels all standalone types, or will you write using some of the same characters in the future?

KSP: There aren’t any continuations of character, but A Record Year For Rainfall and No Chinook definitely exist in the same “universe.” You can think of it like the Kevin Smith movies or Final Fantasy video games, where there’s a new cast, but there’s a lot of familiar aspects. In Rainfall, you’ll find that Bret, the main character, used to work at a job that he’s not allowed to talk about. It’s the same place Kate from No Chinook works, but that’s not obvious from reading either book necessarily. To sum up, I guess: I don’t do sequels, but I do enjoy planting Easter eggs.

MA: I happen to love Easter eggs J. Is there anything else you’d like to add?

KSP: I think I want to talk about publishing here. There isn’t any stigma in being an independent graphic artist, an indie band, an independent charity, an independent chef, or almost any other art form or business. Lawyers go into business for themselves all the time. Doctors open up their own private practices. Soon, in less than ten years, people will absolutely not care who published your book. I don’t think readers care who published your book now. If you design a book properly, if you edit it professionally, if the package looks and smells and registers like a real book, then I don’t see the difference between an indie book and something by Harper. There’s a big difference between vanity publishing and independently publishing. Gredunza Press is a business. We publish books. I publish my books through it. Does Dave Eggers get slack for publishing his books through McSweeney’s, a press he built? The only people who care these days are authors who are more swept up in the “industry” than in writing their own books, publishers who want to stay on top, and pundits looking for a juicy story. Readers and writers don’t care, and soon enough nobody else will either. You can buy my book on your Kindle or Nook or whatever, and you can order the physical copy from me and soon from Amazon. You read it, and you’d never know I didn’t get published by one of the big guys. Not every author is capable of completely going into business for themselves. They need help editing, designing, and promoting their novels. That’s where publishers like ours come in. We offer services to authors trying to make it. We’re the future.

MA: Thanks, K. Sawyer. Folks, please visit his website and the site for his press: www.ksawyerpaul.com, and www.gredunzapress.com. Read More

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Oct 20

“Character Arc” by Mary Deal

Writing a great character arc happens when using descriptive writing. Your writing objectives should include interesting story people who are never stagnant but change as the story progresses. These changes are known as the character arc.
Knowing the story you wish to write, some pre-planning is advisable. You’ve written character sketches. You’ve plotted the story line. You should be able to detect how your characters evolve as the plot proceeds. You will begin to understand the evolution story people experience as you begin to flesh out the details.
A character arc is the overall view of how a character changed from the beginning of the tale till the ending. When you read other books, try to perceive, even pin point, the evolution the main character goes through and how they end up changed at the ending. This applies to all characters, but at least your main character requires a character arc. Approach the overall view of the arc with the intention to put your story people through some experiences that will change them.
An example might be the cop who has tried for years to solve a cold case and whose efforts are pooh-poohed for trying to wring something more out of dead-end clues. The story begins with him worn out from years of stale clues and no new leads. About ready to give up like others investigators have, still he persists and then discovers something overlooked by all others. He can’t reveal his clue for fear of exposing people who could thwart his efforts. He tries desperately to solve the crime on his own.
In this scenario, the character arc begins with the cop, worn down, and ready to face the fact the case may never be solved. The arc evolves when he finds an overlooked clue. This is where the writer should employ descriptive writing to enhance what happens to change this cop. He’s found new motivation. The next step in the character arc is the determination he shows to get the crime solved. He’s got a new reason to come to work every day.
After he solves the crime, he is vindicated. He’s definitely a new man. The writer can make this new man an egocentric braggart or can make him humble yet full of self-confidence with a new respect from his fellow officers. You can write a character arc that may have the character end poorly or magnanimously, but changed. It’s all in the descriptive writing and what the writer wishes to accomplish with the story.
Another example is, perhaps, the main character is a stodgy matriarch whose control of her extended family never waivers. In the story, she believes something to be true. The story action then proceeds to show her changing her viewpoints. She becomes a better person for understanding in spite of her mistaken beliefs. Her status in the family doesn’t change. Her character arc is depicted when she changes her viewpoint and determines to be more open-minded and better informed. Her emotional or psychological growth arc becomes the character arc of the story; all the while her position in the family is maintained.
The character arc does not apply only to actions taken but to thoughts and beliefs as well, even if the character does nothing physically but stand her ground in the hierarchy.
Focusing on the character arc upholds the conflict or tension of the story overall. What the character experiences on an inner level affects them on the outer level and is what contributes to the story overall.
Know your writing objectives, or story purpose, and best define them with descriptive writing. Most character arcs are shown through emotional or psychological process, but the character changes can come about through physical actions that further show the inner workings of the character’s mind set. Read More

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Jun 25

Police Psychologist and Author, Dr. Ellen Kirschman, Goes On the Clock at the Child Finder Trilogy

My very special guest today is Dr. Ellen Kirschman of Redwood City, California. Dr. Kirschman is a licensed clinical psychologist who has specialized in police and public safety since 1978. She is the author of two books I Love a Cop: What Police Families Need To Know-Revised (Guilford, 2007) and I Love a Firefighter: What the Family Needs to Know (Guilford, 2004).

Dr. Kirschman is a member of the psychological services section of the International Association of Police Chiefs, the police, public safety subdivision of Division 18 of the American Psychological Association, the Society for Police and Criminal Psychology, the International Law Enforcement Trainers Association, the Public Safety Writers Association, and Mystery Writers of America. She has published more than a dozen articles and book chapters about police stress, the psychology of recovering from critical incidents, and strategies for consultation to organizational issues in law enforcement. Her essay “Bare Butts and Bare Souls” was included in the anthology What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue (Ben Bella, 2004). She and Dr. Lorraine Greene are co-developers of policefamilies.com, named web site of the month by the American Psychological Association.

She provides psychological consultation and peer support training to many local and federal public safety agencies, police, fire and probation. She was co-facilitator of the Trauma Team Training Institute for the Drug Enforcement Agency (DEA) from1996-2008.

Dr. Kirschman has appeared on a number of national radio and television programs. She has been an invited guest at four national conferences on police psychology sponsored by the FBI Behavioral Sciences Unit. She is listed in Who’s Who in American Women and was once named Woman of Distinction by the Police Chief’s Spouses Worldwide.

Dr. Kirschman currently devotes her time to training and public speaking, including guest lectures at the Hong Kong Police Department and the Singapore Police Force. She volunteers at the West Coast Post Trauma Retreat, a peer-driven, clinically guided retreat for first responders with PTSD. Read More

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