Tag Archives: property

Dec 22

“S & ES Endings” by Mary Deal

Those S and ES Endings

These endings have always troubled me until I finally decided to get it right. Compare the versions and see if you can pick out which is the correct usage of these endings.

The Joneses came for dinner.
The Jones’s came for dinner.
The Jones came for dinner.

John Joneses car stalled.
John Jones car stalled.
John Jones’s car stalled.

That Jones’s girl.
That Joneses girl.
That Jones girl.

The correct sentences are:

The Joneses came for dinner.
John Jones’s car stalled.
That Jones girl.

Some tips:

When a name ends with an s, when speaking of the family as a group, ad es – Joneses.

When speaking about something John Jones owned, it is his property and, therefore, an apostrophe and s shows ownership – Jones’s.

When speaking about a person in the singular, use only the name – Jones.

However, when speaking about a group of girls all named Jones, you would write that sentence: The Jones girls. Notice that the name stays the same but the s is added to the word girl, stating more than one exists with that name. Read More

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Oct 22

Tree/House Author, Jessica Knauss, Visits with Mike Angley

MA: My guest-blogger today is Jessica Knauss. Born and raised in Northern California, Jessica has become something of a wanderer who hopes to settle down soon. She has worked as a librarian and a Spanish teacher. She lives with her husband Stanley, with whom she plans to open a soft-serve ice cream shop in the future. Jessica has participated in many writer’s groups and workshops, including the International Writers’ Program at the University of Iowa. Her nonfiction has appeared in Medieval History Magazine, Hortulus, LL Journal, and an encyclopedia entitled The World and Its Peoples. To date, she has published fiction in Bewildering Stories, Do Not Look at the Sun, (Short) Fiction Collective, Full of Crow Quarterly Fiction, Sillymess, This Mutant Life and Short, Fast, and Deadly. Her poetry can be found at Haggard & Halloo, Apollo’s Lyre and The Shine Journal. Her novella Tree/House, about a woman’s awakening through sleeping in trees, is available at Amazon. Açedrex Publishing will release her poetry chapbook, Dusk Before Dawn, in September. Get updates on her writing at her Facebook page.

You have been very busy with all your writing projects!

JK: I came out of the womb with a pencil in my hand. In grade school, I could hardly be bothered with math, but let all other experiences influence the stories that just kept coming out of me unbidden. I grew up in Northern California, close to the Redwood forests, near the foggy grey beaches, and gained a sense of awe at nature and a strong isolation from civilization that shows up in all my work. I studied a lot of subjects, mainly Spanish, because my love of Spain sprouted spontaneously one day when I was about 11. I’ve been a librarian (love those books!) and a Spanish teacher in the beautiful cities of Boston and Providence. Somewhere along the way I lost sight of creative writing, but have now taken it up again with complete seriousness. The stories and characters were patient. They knew I had to come back to them some day.

MA: Was your decision to write novels a conscious, formulated one, or did something simply inspire you?

JK: The novels chose me instead of the other way around. For me, being a writer consists of taming the wild muse and making a craft out of a formless mass of creativity I’m re-learning to tap into.

MA: So tell us about Tree/House.

JK: My novella, Tree/House, is a timeless coming-of-age story in which a woman, Emma, has made terrible decisions throughout her life, allowing herself to be led around by anyone with more force of will. When the husband who took her on dies suddenly, she slowly turns her drifting into a direction, learning some shocking truths along the way. She could not go through this process without Geraldine, a vagrant who camps on her property, sleeping not in the barn or the stable, but in the wild old trees. Geraldine is in need of some emotional rehabilitation herself, but with her assertive personality, she helps Emma see the alternatives to the passive life she has lived. The novella has a slightly nineteenth-century feel to it, because the characters write letters, build libraries, and trek through the countryside on foot, but at just 28,000 words, it’s a fast, fun read that will leave you time to read it again! It’s perfect for book clubs and discussion groups or just sharing with friends.

I also have a poetry chapbook that recently released, called Dusk Before Dawn. This is a compilation of most of my poetry from over the years, and I’ve put them together in a trajectory that addresses the nature of language, the search for love, the nostalgia of place, the creative process, and, most importantly, personal identity. Some are like stories, and others a very lyrical. They make a nice companion to Tree/House, as they address many of the same issues.

MA: Emma sounds like an intriguing character. How did you go about developing her in the story?

JK: One of the lines from what ended up being the third chapter came to me in a bolt of sheer inspiration. It’s when one of the servants on the estate is telling Emma some unsavory truths she didn’t know about Geraldine: “Do you know she killed the cat, aimed for the stable boy and slept with her boss?” The protagonist at that point was merely a receptacle for this information. Emma’s character grew out of the way she reacted to Geraldine’s extravagant style. The antagonist, Franklin, grew out of that passivity in a natural way, creating the drama organically.

MA: Would you say Emma is a strong character? Is she flawed at all?

JK: I’m afraid Emma is all weakness: confused, not confident, no direction, no definable talent, and worst of all, led easily astray. She represents any woman who finds herself at a crossroads, and I think her indecisiveness and insecurities make her very sympathetic for readers.

MA: Do you have a definable antagonist, or is Emma challenged by many characters because of her weaknesses?

JK: Franklin, who ends up as Emma’s husband (and then brutally murdered in revenge for past misdeeds) is very dangerous because he knows how to manipulate her, all while she believes she is making her own choices. His praise of Emma seems unfounded and bizarre, just like the rest of him. He seems to have sprung out of nothingness to impose an ancient order on her disorganized life. He is a jailer and a neglecter and represents every thing evil and intransigent, at the same time that he opens a new world of literature up to Emma. His gifts are awkward, beautiful only in a certain light, and I hope the reader feels as weird about him as I do.

MA: Is there any of Jessica’s real life story in Emma?

JK: Absolutely. Because of the organic development of the plot, Emma’s predicament reflects the trapped feeling and self-doubts I was going through at the time. The writing and sending of letters comes directly from my experience, and I think it increases the feeling of isolation as she’s trying to make a decision about what to do with her life. I had a terrible experience with a wrinkled wedding dress that I make Emma go through with a little more naiveté, and I had a friend in college who told me that eating French fries gave her the hiccups, so thanks for that tidbit! (I’m not sure she would want me to broadcast her name, but she knows who she is.) Franklin turned out as a Bluebeard type. He has elements from just about anything I felt stifled me in the past, including, of course, old boyfriends! I think all this leakage between life and fiction, unintentional or otherwise, helps give the story psychological realism the reader can really get into.

MA: Now that Tree/House and your book of poetry, Dusk Before Dawn, are out, what’s next on your writing horizon?

JK: I’m striking out into territory that may seem very different by writing a historical novel set in tenth-century Spain and based on an epic revenge poem. It’s full of battles, glittering armor, and exotic locales. It’s not really a departure for me because I have a PhD in Medieval Spanish, and, continuing the feminine theme of my previous work, the story has female characters who know how to manipulate the society in which they live.

I’m always working on weird short stories, and waiting for that bolt of inspiration for my next longer work.

MA: Will Emma come along in future works?

JK: Tree/House readers have said they would love to spend more time with the characters. I have considered writing the further adventures of Geraldine, or even a prequel showing how she really got to be the fascinating woman she is in Tree/House, but nothing concrete is on the writing schedule. Read More

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Oct 01

Science Fiction Thriller Writer Graham Storrs Lands on Mike Angley’s Blog

MA: My guest today is Graham Storrs, a writer who lives in quiet seclusion on a bush property in Australia. He trained as a psychologist in the UK and, after a career in artificial intelligence and human-computer interaction research and software design, now shares his time between his family, writing, and the beautiful forested hills of his adopted home.
Graham, welcome aboard! Tell us how you became a storyteller.
GS: There never was a prequel really, just parallel lines. I’ve always told stories from as early as I can remember. When I got older, I started writing them down. Meanwhile, I went to school, then university, got jobs, did research, had a career. And all the time, I was writing. Strangely enough, I only took seriously the idea of publishing my fiction about two years ago. Before then, I hadn’t published anything (except non-fiction). Since then, I’ve published ten short stories and my first novel.
MA: Why did you choose to write novels?
GS: I didn’t really choose to at all. For most of my life I was happy writing short stories, but the stories kept getting longer and longer. In the end, I stopped trying to keep them short and started writing book-length stories. I still write shorts now and then (I bundled up a few related stories and put them out as an ebook on Smashwords recently) but I feel very cramped in anything smaller than a novel these days.
MA: Tell us about your début novel, TimeSplash.
GS: TimeSplash is a science fiction thriller – a fast-paced, near-future story about a couple of people – Jay and Sandra – who get caught up in a time travel party scene that wrecks their lives. After that, they each devote themselves to bringing down the guy responsible – a supercool villain named Sniper. Sniper quickly graduates from murderer to big-shot terrorist and is planning to use a temporal anomaly to destroy a capital city. When his two pursuers join forces to track him down, they find themselves and each other along the way.
MA: Who’s the main hero or heroine?
GS: My main protagonist is Sandra. I wanted to create a heroine with huge problems, so bad they sometimes incapacitate her, and a task so hard that anyone would regard it as impossible. And I gave her the curse of being breathtakingly beautiful – something which, perhaps more than anything else, blights her life, On the very first page of the book she is in desperate trouble – and then things get worse and worse. All that she has going for her is an unstoppable will to succeed and an ordinary goodness that is often hard to find.
MA: What about your antagonist, Sniper?
GS: Outwardly, he is handsome and suave, a confident, powerful man, but Sniper also has problems that have left serious psychological scars. Throughout the book he teeters on the brink of a self-destructive downward spiral. The world, to him, is on the verge of chaos and the only way he knows to avoid being consumed by it, is to become its master, smashing and destroying on a massive scale to lead chaos by the nose and make it do his bidding.
MA: Your background in AI and human computer interaction is intriguing, and I’m sure (tongue-in-cheek) that you’ve no real experience with time and space travel, but did any other real life experiences factor into the plot at all?
GS: Most of the places in the book are places I know – London, Brussels, Berlin, Paris. The characters are mostly composites of people I have known – even Sniper is not as uncommon a type as you might suppose – but I have exaggerated or magnified them somewhat, to amplify the drama.
MA: Will there be a sequel to TimeSplash?
GS: Since I finished TimeSplash, I have written another near-future sci-fi thriller – a space-based adventure based on how the religious right will deal with the first transhumans. I’m looking for an agent for that one at the moment. Right now I’m writing the first book of a three-book space opera set thousands of years in the future, finishing a sci-fi comedy based in the present day, and planning a spooky sci-fi noir story about a rather unconventional alien invasion.
TimeSplash was really a stand-alone story. However, I left at least one hook in there for another book, in case I ever feel the urge. I have written two short stories set in the same world. In one of them my two protagonists meet again after fifty years. I haven’t tried to publish it because it’s a sad encounter and I don’t know if I really want that to be their destiny.
MA: How can people find you online?
I use Twitter just about every day and I’m always pleased to meet new people. Anyone can reach me at http://twitter.com/graywave (@graywave)
I also have a blog in which I write about my life as a struggling new writer http://grahamstorrs.cantalibre.com
And TimeSplash itself has its own website and blog http://www.timesplash.co.uk
Thanks for having me over, Mike. It’s been great. I hope you’ll do me the favour of letting me have you as a guest on my blog one day soon.
Read More

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