Tag Archives: person

Dec 21

“Sleep & Creativity” By Mary Deal…Another Great Article On The Child Finder Trilogy

Want to wake in the morning with more creativity? Then pay attention to what’s on your mind when you fall asleep.

Research has proven that the mind uses its most recent daytime images and thoughts to create dreams. So, too, the mind produces the mood with which you wake after sleeping. Read More

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Dec 14

“Talk Uppity” An Article Contributed To The Child Finder Trilogy By Mary Deal

I grew up among middle-class everyday folk. Language was one thing that separated groups of people as I had come to know them. When I was young, every once in a while I’d hear someone say, “Oh my! She talks so uppity!” Read More

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Dec 07

“Repetition Offends Your Reader” Let Me Repeat, Okay, You Get the Point! Another Writing Advice Article By Mary Deal

When descriptive words are used repetitively in writing, it makes the reader wonder why they have to be told something they’ve already learned earlier in the story. Repetition can kill your reader’s interest. Read More

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Nov 30

Author Mary Deal Writes About “A False Sense Of Value” On The Child Finder Trilogy

When we writers select a topic on which to expound, chances are, we choose that topic because of its emotional impact on ourselves. We feel something strongly and want to let the world know our opinion. If we felt nothing, what’s to write?

Once the essay or story is finished and we’re feeling good about having gotten our brainstorm on paper, the next step is to decide if what we’ve written is important enough to send out to get published. Or have we simply committed a lot of weak personal opinion and gibberish to paper? Read More

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Nov 09

A Good Deal — Mary Deal, That Is, Guest-Blogs With Mike Angley Today

I want to extend a hearty welcome to thriller writer Mary Deal, my guest blogger today! Mary is a native of Walnut Grove in California’s Sacramento River Delta, has lived in England, the Caribbean, and now resides in Kapaa, Hawaii. (I’m insanely jealous). She has published three novels: The Tropics: Child of a Storm – Caught in a Rip – Hurricane Secret, an adventure suspense; The Ka, a paranormal Egyptian suspense; and River Bones, a thriller, which was a winner in the Eric Hoffer Book Awards competition. A sequel is being written. Down to the Needle, her next thriller, is due out early 2010. Mary is also a Pushcart Prize nominee. Read More

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Jul 01

“The Expendable Man” Author Peter G. Pollak Visits with Mike Angley

MA: My guest today is Peter G. Pollak. Peter is a retired business executive who has also been an educator and editor of two weekly newspapers. He also runs a web business where he interviews people, and he writes a blog on New York State government and politics.
Welcome, Peter. Please tell us more about your background.
PP: My working titles have included visiting professor, editor, publisher, CEO and lately chairman (of the company I founded), but what has characterized my professional career has been a willingness to take a risk in order to make a difference. After finishing my B.A., I spent a year as a VISTA Volunteer. Although I went back to school and eventually earned a Ph.D. (in history and education), in between I was editor of two alternative newspapers. In 1985, I said good-bye forever to being an employee and started a press release delivery service which is still in existence (under the name readMedia). I’m semi-retired now, spending most of my time writing.

MA: With your particular credentials in business and journalism, how did you end up writing fiction?

PP: I love to read fiction. To me fiction is on par with painting, sculpture and music as a higher art form. It requires both talent and dedication and good fiction rewards the reader by transporting h/h to another reality. In doing so, the reader can experience life’s horrors and its potentials.
MA: In your novel, did you create characters based upon people you’ve known in your personal and professional life?
PP: I don’t draw on real people for my characters. I suppose my characters are composites of people I’ve met, read about or come in contact with in some other way.
MA: Tell us about your novel.
PP: The Expendable Man is a political thriller. The protagonist is thrown into a bad situation for which he is ill prepared. He not only has to find a way out of that situation, but in order to regain his life he must find out why he was put there in the first place. He must survive the crucibles of being wrongly convicted of a crime and contracting a normally fatal illness.
MA: I love political thrillers. What makes your hero who he is? Strengths? Weaknesses?
PP: At the beginning he’s all about himself. He lacks family or friend. He’s not a bad person, but one who hasn’t allowed himself to smell the roses. No one can go through hell without being changed in the process. I hope my readers see the changes that take place in his personality as he struggles to regain his health and his freedom.

MA: Every good thriller has to have a bad guy, so I assume you have a unique one?

PP: Yes, of course. There is the person who sets the ball in motion and the one who has to do the dirty work of making my protagonist “expendable.” Readers may recognize their types.
MA: I imagine you don’t have any real life experiences that you drew from to create your story, or do you?
PP: I’ve been behind bars…for a few hours. I was arrested when I was about 19 for violating a local ordinance, selling without a permit. I was trying to earn money one summer selling encyclopedias. Later I had the privilege of teaching political science 101 to inmates at more than one NYS Correctional Institution (prison). What’s worse than being locked up? Answer: facing a deadly disease. What if you had to contend with both? That’s the fate of my protagonist.
MA: Well, I never saw that coming! What are your future writing plans?
PP: I’m working on a mystery which I hope to finish by the end of the summer and then publish a second mystery set in the same city using two of the characters from the first one. The protagonist of The Expendable Man has ridden off into the sunset. I’ll let my readers imagine what his life is like, but I think readers will like the main characters in my next two novels — Jake Barnes, a retired cop turned P.I., and Karen Battaglia, recently promoted to detective on her local police force.
MA: Excellent! Any parting thoughts for my readers?
PP: If you live in the Baltimore/Washington, D.C. region, I’d be happy to do a reading for your book club or other organization. Contact me through my website: http://www.petergpollak.com/

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Jun 24

“The Light Bringer” Co-Authors Mike Force & Chris DiGiuseppi Guest-Blog with Mike Angley

MA: I am pleased today to welcome co-authors Chris DiGiuseppi and Mike Force. Chris and Mike have penned a wonderful suspense novel, The Light Bringer. Both of these gentlemen are fellow former law enforcement officers, so I have a special place in my heart (and on my blog) for their service.

Chris has over nineteen years in law enforcement at various levels up to and including Assistant Chief of Police. He is a graduate of the FBI National Academy and Northwestern University School of Police Staff Command. He is trained in various aspects of law enforcement and holds degrees in Human Resources and Business Administration. Chris lives with his wife and children in Missouri.

Mike has spent over 30 years in law enforcement, the last 19 as a Police Chief. Mike has numerous certifications in various areas of law, forensics, investigations and criminology. He is a graduate of the FBI National Academy and served 22 years in the U.S. Marines where he retired as a Captain. He oversaw operations for twenty-seven military installations worldwide. He holds degrees in Political Science and Human Resources. Mike lives with his wife in Missouri and has three grown children and a granddaughter.

Thanks for your LEO and military service, and welcome aboard! I’m going to fire questions at you both, so perhaps we’ll go back and forth for equal time. Chris, please tell us a little bit about your professional LE background.

CD: I’ve risen through the ranks from patrol officer up to Assistant Chief of Police for a small community near St. Louis, MO. I’ve experienced many different facets of police work during my tenure since starting in 1991 to include general patrol, public and community relations, support services functions and administrative functions over our Operations Division. Since our agency is smaller, 30 sworn officers and 10 civilian employees, we’ve had the luxury of building a team of professionals centering on good core values that we look for when recruiting people for our organizational family.

More important than my professional background, I’m married with 3 children and 2 step children – and couldn’t be happier.

MA: Excellent, and I could not agree more with your assessment about the role of family. Mike, your turn. Tell us why you chose to write a novel, especially why you and Chris decided to co-author a project.

MF: Chris and I talked about writing a book for many years. The desire to write was sparked from the many tragedies we experienced over the course of our careers and our book relates to those instances. In my opinion, the initial reason that we wrote was basically therapeutic, as our story helped us make some sense of those things that often bothered us involving tragic incidents of death. Helping people through those times of despair and grief pushed us to question the complexity of life and why things happened, that seemed so wrong. The first half of our book is based on real incidents that Chris and I experienced in both our professional and personal lives. The last portion of our book delves into a supernatural explanation that takes the reader beyond life.

MA: Obviously, your professional careers inspired your story, but are any of your characters based upon real-life people with whom you’ve interacted?

CD: Our personal and professional lives definitely formed our writing, and our characters are based on real people and/or personalities we’ve encountered throughout our lives.

MA: Tell us about The Light Bringer.

MF: The Light Bringer is our first novel and is part of a trilogy. Our publisher, HCI Books, has it categorized as Suspense Fiction but it also has a paranormal/supernatural element as well as an inspirational theme.

MA: Who is the hero or heroine in the story?

CD: Our main character is an ex-military man who is now a police sergeant. His personality traits and overall characterization was developed as a mixture of our (myself and co-author Mike Force) background, habits and personal traits.

MA: This may be a tough question considering your protagonist is a composite of you both, but what are his strengths and flaws?

MF: I believe his strengths and weaknesses stem from the same thing. He’s a deep thinker and extremely empathetic where he spends a great deal of time fighting to stick to his core values.

MA: There’s a lot to be said about having strong core values, and I’m afraid not too many real people, let alone fictional characters, embody them. What about a bad guy – any unique antagonist you want to tell us about?

CD: There is one particular character that was developed who portrays a person of poor character and values who is continually doing what’s wrong. His constant dedication to victimize others leads to a much bigger plot and eventually reveals his involvement in something extremely evil and wrong.

MA: I suspected as much based upon your hero’s description. What better antagonist than someone who is the polar opposite? I take it there are some elements of real-life experiences and people in The Light Bringer?

MF: Absolutely – the first portion of the book centers around 16 different people who die – most of those incidents are based on real experiences that we’ve had in our professional and personal lives.

MA: Since The Light Bringer is the first in a trilogy, how close are you to getting the second book out?

CD: We have the second draft written and hope to further it within the next year or so. The second book bridges the first and the third. The third book will offer finality to the overlying plot and message. The main characters will continue through the trilogy with new characters being added as we go.

MA: Given the inspirational nature of The Light Bringer, what do you want your readers to walk away with after reading it?

MF & CD: The Light Bringer focuses on the question “Why do people die.” We’ve received many praises and endorsements from readers via advanced readers’ copies. The book seems to appeal to a diverse crowd from those who like a good paranormal suspense/thriller, to those who like a murder mystery with a supernatural twist or even those who are looking for an inspirational message of hope in dark times. It’s our desire that this book will not only entertain but also help people who struggle with grief and despair because of tragedy. We additionally aspire to challenge the reader to draw their own conclusions pertaining to the concept of how “doing what’s right” in life perhaps follows you after death.

MA: Gentlemen, it was a pleasure having you guest with me today, and thanks again for your public service. I encourage my readers to learn more about Mike Force, Chris DiGiuseppi, and The Light Bringer by visiting their website: http://www.thelightbringerbook.com/ Read More

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Jun 10

Jen Hilborne, “Madness and Murder” Author, Visits with Mike Angley

MA: Today I’m joined by Madness and Murder author, Jen Hilborne. Jen was born in England, and currently lives in Southern California. As a dual citizen, she spends a good deal of time traveling back and forth between the two. Those long rides in coach have given her the perfect opportunity to develop many ideas for her stories. Jen began writing her first novel in 2007, an idea originally stemming from the competitive real estate world, and the industry she’s worked in for many years.

Real estate work must be a cut-throat industry if it has inspired you to write murder mysteries. How did you make the jump between the two?

JH: Once I get started in a story, I can’t seem to stop. I can’t get it all down in a short story or a novella. I blame it on my verbal diarrhea.

MA: So, tell us about Madness and Murder and No Alibi.

JH: Madness and Murder, my first book, is set in San Francisco and features homicide Detective, Mac Jackson, who is on a collision course with a civilian as he hunts a cunning killer. Jackson questions his own ethics when he risks an innocent life to catch his killer.

No Alibi, also set in San Francisco, is a tangled tale of deceit, murder and betrayal.

The two murder mysteries are not linked. My third novel, not yet released, is the second in the Jackson series.

MA: Do you craft your protagonists after real people you know?

JH: I base all my main characters on real life people with notable, interesting personalities, then fictionalize to make them my own. They are tenacious and willing to risk their own lives to stop the bad things in their world. They don’t always know the right way to handle danger and can often get in the way. I root for the underdog in my stories – no one person is better than anyone else and my hero/heroine is a reminder of this.

MA: And the antagonists? Perhaps a fellow traveler who snored too loudly on one of those long transatlantic flights?

JH: The bad guy is always based on a real life person, someone from my past or the past of someone close to me. It’s therapeutic to see them get their comeuppance.

MA: (Chuckling). Well, I hope not to offend you in any way! I take it, then, that with real people inspiring your character development, that you’ve allowed real life experiences to infiltrate your plots?

JH: Absolutely, which makes the stories so much more authentic.

MA: What’s next?

JH: My third mystery novel is complete and I am working on the fourth. For a change, I moved out of San Francisco for my fourth novel and set it in England, my homeland. I plan to write more Jackson stories as many readers asked for his return after reading Madness and Murder.

MA: Will you bring any characters from the first few books back to life in future works?

JH: Other than Jackson, I haven’t decided on which characters to bring back. I listen to feedback from my readers, which helps in the decision, but I also often don’t know what I’ll write until I sit down to do it.

MA: Thanks, Jen! Folks, read more about Jen Hilborne and her books at her websites: http://JFHilborne.com and http://jfhilborne.wordpress.com Read More

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May 25

Mary Deal Talks about Creating Your Story Title

Creating Your Story Title

Something writers of multiple stories will experience: Titles may come to you in a flash. Some will take some thinking through.

If you’ve written your first and only story thus far, you may feel you have a great title for that one piece of prose. However, caution should be taken due to lack of experience in titles. You can only know how easy or how difficult choosing a title will be when you’ve written a few stories.

For the person who writes many stories or many books, again, choosing a title may come easy, or it may be one of the most difficult aspects of writing.

Your book will first be judged by its title and cover art. Those are the first two criteria that will attract a potential buyer if they know nothing about you or your book or books. The title and cover must entice the viewer to look further and flip to the back cover and read the synopsis.

Here are some tips to help both the beginning writer and the experienced.

~ Your title should covey the overall message of the story.

An example would be if your story is about a crime taking place in an apple orchard. If you title your book “The Apple Orchard,” then you might have the front cover showing something happening in an orchard, or something related to the crime. Otherwise, a bland title like “The Apple Orchard” could represent anything from a romance to a UFO abduction under the apple trees. The title and cover of this book must work together.

An example of this type of title is Joseph Wambaugh’s “The Onion Field.” His cover is a very dark field with telephone poles and gorgeous sky in the distance. If you did not know the crime behind “The Onion Field” you would have no idea what the story might be about. Wambaugh is just lucky enough to be a bestselling author so people know him and what type of stories he writes, but most of us are not yet bestselling authors. We need more to attract readers.

~ Use an important phrase from within your story. It can be from the narrative or the dialogue.

In my latest thriller, Down to the Needle, the character Joe Arno is goading Det. Britto to hurry. Time is running out. An innocent person will go to lethal injection. Arno says, “Do something, Britto. We don’t want this case to go down to the needle.” This story is about how the case slides mercilessly all the way down to the needle. In my mind, I asked myself: What better title could there be?

Be selective. Choose some of your very best lines of narration or dialogue. Use the very best, or change the wording a bit to fit.

~ An overall theme.

In my award winning thriller, River Bones, I selected from the overall theme. The Sacramento River runs through rural farm and crop lands. Tourists vacation in boats and some stay through the summer. Though illegal, they dump their dinner leftover meat bones and other foodstuffs into the river. It’s easy to find bones here and there or washed up near the river banks. It’s also easy to find bones when a crime is committed by a person who buries his victims in the soft damp river banks that promotes decay.

I named that novel River Bones for that reason, also because just the mention of bones can send shivers down a person’s spine.

In order to decide just the right title for your story, think about what you’ve written. Think about the best lines you’ve written. Your title is right there in your prose.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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May 18

“Fine Detail behind the Scenes” by Mary Deal

Fine Detail behind the Scenes
by
Mary Deal

All of us perceive and interpret information predominantly in one of three different ways. They are seeing, hearing and feeling.

If you’ll notice the speech of others, three people may receive information and respond to it differently.

I see what you mean.

I hear you.

I feel I know that.

When having your story characters use any of those three verbs, it is advisable to have them stick with the same one throughout the story unless a particular situation demands else.

If your character first says, “I see what you mean,” try not to have him or her later say something like “I feel I already know that.”

When being told something, the sight-minded person will respond, “I can see that. Yes, I saw that.” They may not have actually seen the action being described but they visualize it in their mind and respond with sight-related words.

The hearing-related person perceives better through hearing, as in a lecture as opposed to quiet reading. Have you ever told a person to do something without saying why? Then that person’s response is “I hear ya’.” That person is actually telling you that he heard the unspoken meaning.

When someone feels something, they are kinesthetic. That is, they feel the effect of what is being said or shown. Whatever they perceive causes a “felt sense,” albeit known only to them at the moment, unless they say something like, “I feel you’re right about that.” Or, “I feel it in my gut.”

All of us use any of the three senses at different times, but we specifically use one most of the time. For example, I can listen to a lecture or read a text and understand, but I will better understand what is being taught if it comes with pictures and diagrams. I am visual.

If you did not realize these habits about yourself, you may be creating all your characters in your likeness. When reading your work, look for these traits in your story people. Did you use only feeling words for your characters? Or hearing words? Or seeing words? Where these characteristics are concerned, you may have passed on the predominant way you perceive the world to ALL your characters. However, all characters should be different. One may see, one may hear, one may feel.

When you establish your characters predominantly using one of these three traits, see that you carry this usage throughout the entire story. This is yet another bit of fine detail behind the scenes that helps add cohesiveness not only to your characters but to your prose as well.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre.

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