Tag Archives: oil

May 27

Mystery Author J. D. (Dave) Webb Visits with Mike Angley

MA: My guest today is author J. D. (Dave) Webb. Dave resides in Illinois with his wife (43 years counting) and their toy poodle, Ginger, losing all family votes 2 to 1. Dave served in the Security Service of the Air Force as a Chinese linguist and weather analyst in Viet Nam and the Philippines prior to spending 25 years in corporate management. After a company purge he promoted himself to cobbler and he owned a shoe repair and sales shop for 11 years. But being a full time author, always a dream, became a reality in 2002. Dave has garnered several awards. His first novel Shepherd’s Pie won a publisher’s Golden Wings Award for excellence in writing. His second novel Moon Over Chicago was a top ten finisher in the 2008 Preditors and Editors Poll in the mystery category and was a finalist in the prestigious 2008 Eppie awards by the Electronic Publishing Internet Connection. His latest book, Smudge, recently placed fifth in the mystery category of the 2011 Preditors and Editors poll. He is also the Owner and Moderator of the Publishing and Promoting Yahoo group with over 900 international members.
That’s an impressive and diverse resume, Dave! Tell us why you chose to write novels.
DW: Actually the novels chose me. I’d always written short stories, but wanted – no needed – to write novels. They are what I love to read and they are what I love to write.
MA: What kind of stories do you write?
DW: I write family friendly mysteries, no excessive violence, gore or profanity. I realize that goes against the current trend. Rex Stout once said (not sure of the exact quote), “Mysteries can contain sex or violence if it is essential to the story. That is perfectly all right. There is none of that in mine. So it must not be essential.”
I have a series featuring laid-back Chicago PI Mike Shepherd. Shepherd’s Pie reflects that Mike loves pie and swears it helps him solve a case. In this one he is hounded by Ferlin Husky Lewis, the serial killer he is trying to capture. In Her Name Is Mommy Mike finds a tot in a busy mall whose mom has been kidnapped from that mall. His promise to her is that he’ll find her mommy. Moon Over Chicago – Amateur sleuth and cobbler Fulton Moon merely tries to help a customer out of an abusive relationship. But his attempts to help never go as planned. Smudge chronicles the adventures of Trish Morgan a paralegal in a small Chicago suburb. She wipes a smudge off her ATM screen one night and it’s blood. Then she hears a moan coming from the alley next to the bank. She shouldn’t go into that alley, but she does.
MA: How do you go about developing your characters?
DW: My characters seem to develop themselves. Often one pops up and I have no idea where he/she comes from. I wrestle with them to stay on plot. They are sometimes headstrong. I develop back story as I go with them and I have to keep notes to make sure I know who they are.
MA: Tell us about how you shape your heroes.
DW: All my protagonists are competent and smart but with weaknesses. I also make my antagonists equally smart and competent. I abhor the uncouth, whiskey-swilling images of PIs. I don’t subscribe to the recurring bad guy. Each book can be a standalone and good always triumphs.
MA: Does your art imitate your life in any way?
DW: Well, let’s see. I’ve never been chased by a serial killer, never had a bald headed giant florist beat me up, never had an abusive husband, so I guess the answer is mostly no. For Her Name Is Mommy I did see a tot alone on a mall bench one busy Christmas shopping trip. I wondered where her parents were and after about four minutes the girl’s mother popped out of a shop and retrieved her child. I was incensed that she’d leave a small child alone in a busy mall for even a few seconds. I decided she needed to be punished – so I put her in my book and had her kidnapped. It was great therapy. I now do it often. Someone ticks me off, they wind up in my book and suffer consequences. My attempt to right the world.
MA: (chuckling) I might want to tick you off in time for a new release of my own. Can’t get too much PR, you know! Any irons in any current fires?
DW: My work in progress is called Gulf Terror. The premise is – what if the gulf oil spill was a suicide bombing by two terrorists? And one of them survives and is loose in Louisiana, planning more destruction?
I have begun the third in the Mike Shepherd series and the second in the Fulton Moon series. I have no plans right now to do a sequel to Smudge, but who knows? My characters have minds of their own it seems. I have another novel almost one third done about a young Pakistani boy orphaned by a tribal chief, taken to Afghanistan and forced to become part of the man’s militia. The young boy’s only goal is to survive to avenge his father’s murder.
MA: What methods do you use to avoid writer’s block or push through it? Do you even get writer’s block?
DW: I can remember a famous author saying there is no such thing as writers block. That is just someone’s excuse for laziness. I don’t remember who it was so I won’t get him/her in trouble. There are times when I get stuck and can’t think where to go next. I don’t consider it writer’s block because I know where I want to go, just not how I want to get there. Sometimes my characters are telling me to go one way and I want to go another. They often win.
MA: What advice do you have for aspiring writers?
DW: A writer’s mantra should be – Butt in the chair. The best thing to do is like anything else, practice your craft. Read what you are writing. If it’s mysteries, read mysteries. Read the how to books. Go to writer’s conferences, join a writer’s group, and subscribe to writer’s magazines. I do all these things.
MA: Great advice! I would like my readers to visit Dave Webb’s website for more information about this intriguing author and his works: www.jdwebb.com
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Feb 23

So How’s Your Subconscious Creativity? Listen to What Mary Deal Has to Say About It

Subconscious Creativity
by
Mary Deal

Years ago, I took a couple of weeks of oil painting lessons. The instructor, a world-renown artist, always said that I worked from the subconscious.

That was a compliment because she always said it in the same breath when saying I had talent. But after a while, she would pick up a brush, dip it into a color I wouldn’t think of using, and commence to leave her telltale marks on my painting.

I never understood how she could compliment me and then enhance my work with her touches and still call it my art. Soon, I left her and went on to produce paintings that sold in spite of the lack of professional input.

Yet, after all these years, her words about working from the subconscious stuck with me.

In recent times, as a writer instead of a painter, I hear writers being told to write from the subconscious. Sometime during the last two decades that I’ve written seriously, I’ve come to fully understand the meaning of that advice.

When I write, I type as fast as I can to keep up with my thoughts. I ignore any mistakes. Hand writing is much too slow for me. Those little squiggly red or green lines that pop up under words and incorrect punctuation drive me nuts, but I’ve learned to live with them because they help in the editing phase later. I just wanted to get my words and concepts committed, but it wasn’t always like that.

Several times, I also tried to create by slowing down and perfecting every paragraph, every sentence and every word before going on to the next.

Writing this way seemed very cumbersome. It stops my creative flow. If I must censure everything that comes out of my mind – correct it before I actually get the complete idea or premise written – it seems my creativity is put on hold while I detour to perfect only a portion of an idea. The whole scene needs to be gotten out of my mind so I can see it written and relate any changes to the whole.

When I know my story, even have a chapter or paragraph firmly fixed in my mind, my thoughts sometimes wander. When I look again at the screen and read what I produced, I find myself asking, “Did I write that?”

To write this way is to allow my mind to free-flow. This method allows creativity to create, without censure. This is what writing from the subconscious is all about. After all, it is the conscious mind, the left-brain that censures, edits, tears apart and reforms what it thinks we should write to suit some future reader or publisher. Creativity, from the right-brain, never cares about those aspects. It just wants to kick out the important details, the major threads, while they are hot and felt in all their strength and emotion. Once the story is written to first draft, creativity is free to do the one and only thing it should, and that is to conjure another scene, maybe another story. The conscious left-brain then perfects the written piece.

You may be one of those people who need to perfect one line before going on to the next. This may be where your strength lies, but it is all left-brain work, logical and, to me, requires little of the creative Muse.

If you wish to put your Muse to work, try it sometime. Just sit and write your story without looking at what you’ve written. If you must keep your gaze on the keyboard (I have to watch my hands a lot), then do so. You’ll find your story flowing faster than you can keep up with. Or should I say you’ll find yourself writing as fast as your mind can think. Editing after the fact is not bad at all when the whole idea smiles back at you from the monitor screen.

Writing from the subconscious definitely gives full rein to creativity to get the story out, and can cut down on unnecessary rewriting of any work you thought you had already laboriously perfected.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre.
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