Tag Archives: mark

Dec 10

“No Chinook” Author, K. Sawyer Paul, Swings by to Visit with Mike Angley

MA: I’d like to welcome today’s guest blogger, K. Sawyer Paul. Mr. Sawyer is the author of the novel, No Chinook. Please tell us about you and your writing.

KSP: I think my first few stories were all plagiarisms and remixes. When I was in junior high and high school, I’m not sure I had a single original thought. I’d take characters, stories, and plots from various books and movies and video games that I’d enjoyed and play with them in different environments. It was basically the equivalent to playing with action figures from different cartoons. I didn’t know why I wrote, but I always had it in my head that I could write well if I just stuck at it for long enough. You know, the idea that perspiration would eventually lead to inspiration. So I wrote a lot. I wrote a short novella in high school, printed it out, and sold it for a couple of bucks. I sold it for a dollar if the person wanted it on a CD. I basically had my first ebook in 2000, in the form of a Word 98 file. I went to the University of Toronto and decided to take professional writing as a minor. It was a great experience, and it taught me many things about what not to do. I felt I was a little allergic to preconceived ideas of success in writing, especially Canadian writing, where the expectation is that you’ll never really make any money and you sort of make people suffer through your work. I’m very against that. If my story isn’t gripping, put it down, you know? There’s more books being published every year than anyone could ever read. Why waste time if you’re not enjoying it?

MA: Well, amen to that! Why did you choose to write short novels?

KSP: I write short novels, because I don’t like to waste people’s time, but I like novels because even if they’re short, they feel like an accomplishment to read and write. I generally hit the 50 or 60 thousand word mark in the first draft, then cut it down to 45 or so. That makes for a 200-220 page book, which I think is enough. I’m a big fan of not wasting time, wasting words. I’m a big fan of Cormac McCarthy’s style in that respect, where he purposefully leaves out areas of his stories that really could use a sweeping emotional explanation. Hemmingway, too. I like that I can go back and read A Farewell to Arms or Francis Macomber and I’m done in a weekend and better for it. There’s something really crisp and biting about a terse novel.

MA: How did you approach your two novels?

KSP: I made a really set decision when I started writing Everything We Haven’t Lost and then No Chinook to never get unbelievable, so I write about relationships because I think I know my way around them pretty well. So you can say I do romance, but if you read my books you know they’re not typical romances. The fight scenes are uglier. The sex scenes are rougher. The dialogue that connects the exposition seems pulled from real people. At least, I’d like to think so. That’s what people tell me. I want it to feel like you’re actually peering in on a real conversation between real people in a contemporary setting, and while these people are adults they still have emotional hiccups and can really hurt one another.

MA: Tell us about your hero in No Chinook.

KSP: With No Chinook, I developed Scott out of how I saw myself out of the kind of guy I saw a lot of at college: someone who’s grown in every way, but still has a few hang-ups regarding his scars. He’s not a finished adult yet, and No Chinook is in many ways him working his way out of that. So Scott is still hung up over a girl from high school, and he thinks he’s over it until she comes back into his life and they sleep together. What’s interesting about Scott is he sees how immature this girl is, and still can’t eject himself from the drama, because he’s fighting the urges of his younger self.

MA: What should we know about Scott? What makes him strong, and what makes him weak, if at all?

KSP: Scott’s big strength is that he’s a truly nice guy, who’s capable of going a long way for a friend, a lover, and even an ex-lover. His weakness is pretty well as I said above, his inability to really break free of a toxic situation. The relationship he has with Shawn is pretty toxic, and the only way he’s really capable of breaking free is by removing the love he has for this man and just using him. Basically, by figuring out how to cure himself of his biggest weakness, he has to rid himself of his greatest strength. That might seem like a convenient plot progression, but I don’t know that I’ve ever even thought of it that way until recently, now that the book has been out for two years.

MA: Interesting. And what about an antagonist?

KSP: Kate, Scott’s girl from the past, is definitely the antagonist. She’s in many ways Scott’s Tyler Durden or Ferris Bueller, a free character that helps him out of his shell. But she also crushes him over and over. Also, she never reveals where she works. Would you date someone who kept their job from you?

MA: Uh, oh…do I detect an old flame influencing the “bad girl” in No Chinook?

KSP: Yeah, there was definitely a girl I was into who didn’t like me back. But who doesn’t have that? I tapped into other people’s stories more than my own, and built conversation after conversation on the pain of my friends and colleagues. It’s a writer’s job, I think, to plaster those sorts of things together, to make sense of it.

MA: Since No Chinook has been out for two years now, what’s next on your plate?

KSP: I sent my next novel off to my editor just recently. The editorial process always takes longer than you want it to, but it’s in the pipeline. It’s called A Record Year For Rainfall. It’s about a paparazzi and a celebrity blogger who live in Las Vegas. I’m a big fan of Las Vegas, but I’m young so I’ve only ever seen the modernized Disney-like Vegas, so my characters exist in it, in 2006. It’s still sleazy, but there’s all these ironic angles where it’s family friendly now. But there’s still girls in sexy outfits everywhere, and celebrities still go there to go crazy. It’s a fun book that’s about trying to escape yourself and the things you love but not really being able to. There’s a lot of comedic violence and sex and there’s a gay governor and I think people will think the book is a lot of fun.

MA: Are your novels all standalone types, or will you write using some of the same characters in the future?

KSP: There aren’t any continuations of character, but A Record Year For Rainfall and No Chinook definitely exist in the same “universe.” You can think of it like the Kevin Smith movies or Final Fantasy video games, where there’s a new cast, but there’s a lot of familiar aspects. In Rainfall, you’ll find that Bret, the main character, used to work at a job that he’s not allowed to talk about. It’s the same place Kate from No Chinook works, but that’s not obvious from reading either book necessarily. To sum up, I guess: I don’t do sequels, but I do enjoy planting Easter eggs.

MA: I happen to love Easter eggs J. Is there anything else you’d like to add?

KSP: I think I want to talk about publishing here. There isn’t any stigma in being an independent graphic artist, an indie band, an independent charity, an independent chef, or almost any other art form or business. Lawyers go into business for themselves all the time. Doctors open up their own private practices. Soon, in less than ten years, people will absolutely not care who published your book. I don’t think readers care who published your book now. If you design a book properly, if you edit it professionally, if the package looks and smells and registers like a real book, then I don’t see the difference between an indie book and something by Harper. There’s a big difference between vanity publishing and independently publishing. Gredunza Press is a business. We publish books. I publish my books through it. Does Dave Eggers get slack for publishing his books through McSweeney’s, a press he built? The only people who care these days are authors who are more swept up in the “industry” than in writing their own books, publishers who want to stay on top, and pundits looking for a juicy story. Readers and writers don’t care, and soon enough nobody else will either. You can buy my book on your Kindle or Nook or whatever, and you can order the physical copy from me and soon from Amazon. You read it, and you’d never know I didn’t get published by one of the big guys. Not every author is capable of completely going into business for themselves. They need help editing, designing, and promoting their novels. That’s where publishers like ours come in. We offer services to authors trying to make it. We’re the future.

MA: Thanks, K. Sawyer. Folks, please visit his website and the site for his press: www.ksawyerpaul.com, and www.gredunzapress.com. Read More

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Sep 17

Women’s Fiction Writer Audrey RL Wyatt Stops by to Visit with Mike Angley

MA: Audrey RL Wyatt is right brained to a fault, so she tells me! Before attacking prose, she exhibited photography in juried shows and worked in theatre; acting, teaching and creating children’s theater curricula. So it was surprising that her writing career began in the non-fiction realms of politics, environment and law.

Finally succumbing to her creative nature, Audrey now writes fiction. Her debut novel, Poles Apart, is a story of family inspired by Audrey’s childhood among Holocaust survivors in Cleveland. Whether it was their silence or the horrific stories they told, their presence left an indelible mark. It has been honored with five awards. Her essays and short fiction, often featuring strong-willed, quirky women, have been published in various forums, both print and online.

Always one to foster aspiring artists, Audrey founded Southeast Valley Fiction Writers near Phoenix, Arizona, and Bay State Writers in Southeast Massachusetts. She gives a good deal of time to area schools and also teaches Memoir Writing to seniors. She is a partner in LitSisters Publishing, a boutique house publishing women writers, as well as a founding member of LitSisters, a networking and support community for writers.

Audrey loves to travel and has enjoyed living all over the country, from the Rockies to Boston Harbor. She currently makes her home in the Valley of the Sun with her incredible husband, their two terrific teenage daughters, and their beagle-basset mix, the Artful Dodger.

(Smiling) So, tell me more about this right brain and how you ended up in the fiction realm.

AW: I’m as right brained as they come. I started in the theatre at the advanced age of six and by the time I finished high school I’d tried every art that didn’t require fine motor dexterity. I wrote a lot, mostly nauseatingly syrupy poetry, and I acted. My mother called me “Audrey Heartburn.” I spent a lot of time on photography after that, having my work exhibited in juried shows. I worked my way through college teaching children’s theatre and creating children’s theatre curricula.

I got my education – college and grad school – and after some time spent at Legal Aid and County Children’s and Family Services I decided to stay home with my kids and write.

MA: You’ve mentioned poetry, and of course I know you’ve written a novel, but is there anything else?

AW: I also write short stories and essays. I think the story finds the writer and dictates what form it will take. But I love the novel form most of all. You have the time to stretch out and relax, letting the story unfold like a beautiful flower.

For me, writing is an exercise of will. On one hand, I will the story to come. On the other, the story will haunt me until I give it voice.

MA: Well said! Tell us about your first novel.

AW: I am a women’s fiction writer. I feel passionately about the stories that resonate with women. Women wear so many hats that nothing is ever simple. I find that intriguing. Poles Apart, my debut novel, is a story of family, of secrets, and of the damage that secrets can do, even over generations. Here’s the book blurb:

CHAIM SCHLESSEL lost his family to the Holocaust more than sixty years ago. He vowed to embrace life and protect his own wife and children from his painful memories and harrowing experiences. Finding solace in his family, his painting and the healing effects of his wife’s cooking, he has kept his nightmares at bay. But when a new neighbor unwittingly triggers the terrors of his past, Chaim is faced with the horrors that increasingly haunt his soul and threaten his sanity.

DAVID SCHLESSEL, grown, married and successful, is plagued by the always taboo subject of his father’s suffering at the hands of the Nazis. As a second generation survivor, he struggles with his father’s unwillingness to discuss the past and his own inability to communicate with those he loves. With his marriage falling apart and his relationship with his own children deteriorating, David, after numerous false starts, ultimately vows to conquer his inner turmoil.

UNITED BY A HISTORY they cannot discuss, yet starkly alone in their private struggles, father and son confront their demons as well as one another in a stand-off that will change them both forever.

All my short stories and essays can be found on my website: www.audreyrlwyatt.com.

MA: The storyline sounds complex. I take it there is more than one hero?

AW: Mine is a parallel plot novel, so the father and son protagonists – Chaim and David – are based on an amalgam of people I knew growing up in Cleveland in the 1960s and 1970s. This is also true of the supporting characters in the novel. I find that once a character is created (and I do a very detailed character chart on each of my characters) they develop a mind of their own and take their story where they see it going.

MA: How about an antagonist?

AW: There is a nemesis in the story. But the bigger nemeses are in the character’s minds and hearts. Their struggles are both internal and external. This is an area where art imitates life. I think people struggle more with internal demons than the external forces that set upon them.

MA: You came to know Holocaust survivors early in your life, and their stories and experiences inspired Poles Apart. Please elaborate.

AW: Well, Chaim is a Holocaust survivor and I grew up around a lot of Holocaust survivors. I heard horrific stories when I was far too young to understand them/put them into context. In fact, it’s interesting how differently we interpret information at different times in our lives. I found the holocaust stories more horrific as an adult than when I initially heard them as a child. As a child it was information without context. But as an adult I had so much more experience and understanding to apply to the information.

MA: Are you working on any new projects?

AW: I’ve just started a new novel called Women’s Work. It’s about four women, life-long friends, who recreate their graduation road trip on its twentieth anniversary. Their lives are now complicated, their baggage much heavier. They have secrets – demons they need to exorcise.

I also have another project in the works called Happy Trails. I originally wrote it as a sitcom treatment and have plans to novelize it.

MA: It sounds like you write standalone novels, and nothing that necessarily lends itself to a sequel. Am I right?

AW: I tell a story until I’m done with it. It all happens in one novel. I don’t really envision any of my books garnering a sequel. As for migrating characters, I won’t completely discount it. But, having lived in a number of places, I set my stories all over the country so the characters are unlikely to meet.

MA: I don’t always ask this question, but why do you write?

AW: I was listening to NPR the other day and they were talking about why writers write. Talk about the coolest topic ever. Though I didn’t listen to the entire show (my work is a demanding taskmaster) I didn’t hear anyone talk about how social media effects the answer to that question. I think everyone wants to be heard above the din. That’s one reason why twitter and facebook are so popular. It’s a way for people to make a mark on the world. For me, writing is how I make my mark. It’s how I am heard above the din.

Along time ago I said, probably flippantly, that if I could affect another person – if my writing could speak to them in some way that benefited them – then I would consider myself a success. Well, like most writers I scan the reviews from time to time. On the Barnes & Noble site there is one lone review. In it, the reader said that he read the book and liked it but that he’d recently had a personal problem that caused him to return to the book. He read it a second time and found help for himself from the characters and story. In other words, something that I wrote helped him. It took my breath away. I spoke to someone through my story, through the characters I created. And that person benefitted. All I could think was that this is what success feels like. It still brings tears to my eyes. The point is that what we as writers do matters and success doesn’t have to be about the NYT best sellers list. Though that wouldn’t hurt.

MA: I second those sentiments. Thanks, Audrey. My readers can learn more about Audrey RL Wyatt and her stories at: http://audreyrlwyatt.com/
Read More

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Feb 26

Mark W. Danielson Zooms In To Guest On The Child Finder Trilogy

Visiting the Child Finder Trilogy today is author Mark W. Danielson. Mark grew up in El Cerrito, California, overlooking San Francisco Bay. He received his BA degree from the University of Northern Colorado and earned his MA from Webster University while serving as a Navy pilot. He currently travels the globe as an MD-11 captain for Federal Express. Mr. Danielson has published over 100 non-fiction articles in various periodicals since 1978. Diablo’s Shadow is his third reality-based suspense novel, following The Innocent Never Knew, and Danger Within. As a member of the Mystery Writers of America, he has participated in numerous author events, including the Los Angeles Times Festival of Books, Men of Mystery, Barnes and Noble Mystery Author’s Night, Cutting Edge Murder, Hi-Jinks on the High Seas, and Kids Love a Mystery. His interests include hiking, fine arts, tennis, and restoring cars and boats. His varied experience and travel is evident in his writing. He and his wife live in Denver, Colorado, not far up the road from me! Read More

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Feb 10

“Faces, Quirks, & Personality” An Article By Mary Deal On The Child Finder Trilogy

Only twenty basic faces or facial structures exist throughout the world. I read this somewhere and it caused me to look deeper at the characters about which I both read and write. Fortunately, many variations of these twenty faces exist.

One story I read described the heroine as a raven-haired beauty with emerald eyes. Usually we draw upon personal memories of people who resemble these descriptions. That one caused me to imagine a stately woman with black hair, green eyes and a milky complexion. Read More

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Jan 25

Mike Angley Interviewed On Bob Calvert’s Talking With Heroes Radio Program

I had the wonderful opportunity last night to appear as a guest on Bob Calvert’s Talking with Heroes radio program. Bob is a good friend of the Military Writers Society of America, and on his show last night he was interviewing several MWSA officials as well as the recent Book and Author of the Month winners. I’m proud to say my second novel, Child Finder: Resurrection, resulted in my selection as the January 2010 MWSA Author of the Month. I blogged about it before, and you can go back if you like to read the original post: Mike Angley Is Author Of The Month January 2010! Read More

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