My guest today is Margie Church, AKA Churchlady, author of romance/thriller novels with “SASS.” She tells me that stands for Suspense, Angst, Seductive Sizzle. Margie is a married mom of two children, and a Minnesota native. He writing career began early when she published in “McCall’s Magazine” in the sixth grade. Margie describes her professions as a mother and author whose guilty pleasures are great beer, real vanilla ice cream, and lobster. I couldn’t agree more with that list! Read More
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MA: I’m happy today to introduce my guest-blogger, Nelson O. Ottenhausen. Nelson is a retired Army officer and an accomplished writer published nationally in periodicals and anthologies. His latest poem, Out of Sane, appears in a Siruss Poe anthology collection, Mind Mutations. His book, Flowers, Love & Other Things, released in November of 2005, is a selected collection of his own published poetry and short stories.
Several of his short stories have been published and one, A Fish Story, is included in the popular Chicken Soup for the Soul series of books, Chicken Soup for the Fisherman’s Soul, now available in book stores everywhere. His short story, Duty, appeared in the December/January 2006 issue of the Pensacola Today magazine. Feature articles of his have been published in various magazines about the USS Oriskany, an aircraft carrier sunk in the Gulf of Mexico in May of 2006 in the Navy’s artificial reef program, and Survivors a human-interest story about a Pensacola military family that survived Pearl Harbor, World War II, Hurricane Ivan and 70 years of marriage.
He has published five novels, Civil War II, (2004), The Blue Heron (2005) and The Killing Zone: Evil’s Playground (2007), Jugs & Bottles (2009) and The Sin Slayer (2010).
Nelson founded Pen WISE Poets (Writers in Service to Education), a literary arts outreach program in the schools of Northwest Florida, which he managed from 1994 thru 1998, and in 1995, he was cited by Governor Lawton Chiles of Florida for this work. In October of 1995, he received a fellowship for his writings, and in August of the same year was appointed by Florida’s Secretary of State to the Directory of Visiting Artists to lecture in Florida schools about poetry, only one of five poets throughout the state to be honored so.
He holds a Bachelor of Business Degree in Operations Management and a Masters of Business Administration Degree from Western Illinois University, Macomb, Illinois.
A former native of northwestern Illinois, he now resides in Gulf Breeze, Florida.
Okay, that was a mouthful! Tell us how you began writing novels, because it seems like you wrote a lot of poetry before this.
NO: I wrote poetry for over 7 years and had 40 poems published, 28 of them I actually received compensation, but the highest payment I ever received for a poem was $35.00. In the late-90s, I came to the conclusion I was wasting my time with poetry and began writing novels. However, the poetry writing experience taught me to express my thoughts in a more concise manner and greatly improved my sentence structuring.
MA: Tell us about your novels, and did any real-life experiences inspire them?
NO: My first 2 novels are action adventure novels with political overtones and loosely based on my military experience as an Army officer. Almost all of the main characters in my novels are based on people I know or have met in a professional working relationship in some way.
Here’s the list:
Civil War II – My first published novel, action/adventure (2004) – A story of coercion, bribery and a military coup, overthrowing a sitting President of the United States, the U.S. Congress and the Supreme Court.
The Blue Heron – An action/adventure (2005) – A story about a U.S. military covert operation and coup to overthrow the Cuban government.
The Killing Zone: Evil’s Playground – Police thriller/mystery (2007) – Police Detective Daniel Patrick O’Malley is called out to investigate the death of a young woman in what appears to be an apparent suicide, but he soon discovers she is a victim in a series of bizarre murders.
Jugs & Bottles – Police thriller/comedy (2009) – A woman deaf since birth, is targeted for murder after witnessing a Mafia style execution then identifying the two hit men to the police. She, along with her dog become involved in a series of chaotic events as two brothers attempt to silence her with their bumbling, comedic ways.
The Sin Slayer – Police mystery/suspense thriller (2010) – For thirty years, a self-ordained church leader has convinced his small congregation to secretly kill dozens of people after hearing an inner voice, whom he believes to be God, telling him to cleanse the world of chosen sinners.
Flowers, Love & Other Things (2005) – A collection of poems and short stories by Nelson O. Ottenhausen published in other media from 1994 through 2005.
MA: That’s quite an assortment! Are your heroes based upon real people you’ve known?
NO: Protagonists, as well as the main characters in all of my novels, are mirrored after someone I knew, both relatives and friends.
MA: I’m intrigued by Jugs & Bottles because your protagonist is not human. Tell us more.
NO: My hero in that story is a dog. His strong points are; he is loyal, obedient and lovable, and will face danger without hesitation to protect his charge. His biggest weakness; he tries to befriend everyone because of his lovable attitude.
MA: I take it you have many different antagonists in your stories?
NO: Each novel has a strong “bad guy” and all of them are a little whacky. In Jugs & Bottles, there are really 2 “bad guys” and 2 good “bad guys” (2 brothers wanting be major criminals, but just don’t have the smarts nor ability to become so).
MA: As prolific a writer as you are, I assume you are working on something new?
NO: I’m presently working on two novels, Black Mist of the Trinity, a story of terrorists, nuclear warfare and black OPS; and Auggie, a historical novel about a young Russian girl growing up in Japanese occupied China during World War II, based on the true life experiences of a long time acquaintance.
MA: Anything else you’d like to add?
NO: I am President and part owner of Patriot Media, Inc., a small independent publishing company in Niceville, Florida. We are a traditional publisher in the sense we do not charge authors to publish their work. We are specialized and publish only military theme books, both fiction and non-fiction. To review our titles, go to www.patriotmedia.inc.
MA: Nelson, thanks for your service in the Army, and thanks for being my guest today. Folks, please visit Nelson’s Patriot Media website, as well as his personal site: www.booksbynelson.com. Read More
MA: My guest-blogger today is Norah Wilson. Norah lives in Fredericton, New Brunswick, Canada with her husband and two adult children (both in university), a Lab-Rotti mix dog and five rats (the pet kind). She has been writing romance a long while, and has finalled multiple times in the Romance Writers of America’s Golden Heart contest. She also won Dorchester Publishing’s New Voice in Romance contest in 2003. Norah writes, among other things, sensual romantic suspense. Currently, three of Norah’s four books are among the Top 10 highest rated romances at Smashwords. She was also mentioned by Smashwords CEO Mark Coker as one of the Top 50 indie authors to watch on Smashwords. Norah loves to meet fans and make friends on Twitter and Facebook.
Welcome, Norah! Tell us what you did before jumping into the literary world.
NW: I went to work as a legal secretary before I was legally old enough to witness documents. The work was fascinating and varied, but it didn’t pay very well. So after 9 years of that, I got licensed as an official court reporter, thinking I would launch a private business. But before I got serious about that, another opportunity came up in a completely different field. I switched streams to go to work for a provincial hospital association as executive assistant and secretary to the board of directors. Twenty years later, I’m the organization’s administrative officer.
MA: Congratulations on your successful career. How did you make the transition over to writing?
NW: I’ve always been fascinated by communication and by the challenge of persuading people with the written word. If I’d actually gone into communications or ad copy writing or some such career where that need was being fulfilled, I probably never would have written that first novel. But as it was, I had a burning need to write something and write it so convincingly that the reader would be transported. Since I’d been reading romance novels all my life, I naturally tried my hand at a straight contemporary romance. It was a disaster. Oh, I could string words together in very readable way, but the plots were boring, even to me. I needed something more. Then I discovered romantic suspense. The suspense plot finally gave me the “clothesline” on which to hang my story.
MA: Smiling. How did the romantic suspense realm progress for you?
NW: After years of writing and not selling, I’d gotten a little jaded about an industry that seemed to want only babies, brides and cowboys. Since I knew babies and brides would bore me to tears, I settled on cowboys. Because paranormal was starting to gather steam, I tossed in a psychic heroine. Thus I set about very cynically to write a book that New York might buy. Except when I started to research cowboys, I fell in love with them. That’s probably what rescued the book (LAUREN’S EYES)! In any case, New York did buy it. It won the New Voice in Romance contest in 2003 and was published by Dorchester Publishing in 2004. Since then, I’ve written a series of connected romantic suspense stories featuring cops. Again, my stories didn’t impress New York publishers overly much, so in the fall of 2010, I self-published them. They’re currently doing very nicely. I may not be topping anyone’s bestseller list yet, but three of them are consistently in the top 10 most highly rated romances on Smashwords, and all have been well reviewed. I’ve also written two paranormal romances (dark vampires) which my agent has. As well, I write with a writing partner, Heather Doherty, who is published in dark literary. Together, Heather and I have written half a dozen young adult (YA) books and two humorous cozy mysteries, all of which our agent is shopping around.
MA: Congrats on the Dorchester Publishing award! How do you develop your protagonists in the romantic suspense genre?
NW: Because I’d love for people to dive into my Serve and Protect series, I’ll focus on the first book in that series, GUARDING SUZANNAH. I should explain that because this is primarily a romance, it doesn’t have just one protagonist. It has a hero and a heroine who get equal play. When casting characters in a romance, it’s good to begin with two people who should, at least on the face of it, be each other’s worst nightmare. So I created a heroine who is the daughter of a former chief justice. She has an impeccable pedigree, but left lucrative private practice to be a public defender working with Legal Aid clients. She’s very good at what she does, and earns the undying enmity of the local police force (and the nickname She-Rex) for shredding officers on the witness stand. She has zero interest in forming any kind of social relationship with a cop. I then had to pair her with a cop from much more humble origins who delights in emphasizing their differences and making her feel like a snob. One whose physicality calls out to her in a way that doesn’t mesh with her self-concept as a self-possessed and reserved woman.
MA: Earlier you told me about Quigg. Explain who he is to my readers.
NW: Det. John Quigley (Quigg) is probably the least Alpha hero I’ve ever written. Not to say he’s not strong and completely worthy of the hero title. But his strength is a little quieter and he’s more reflective and self-aware than most heroes I’ve written. He’s strong enough to think for himself rather than blindly toeing that thin blue line. He’s also got a strong protective streak. With most of my characters, I find that at least one of their strengths is also a weakness for them, and I think that’s true here with the protective thing. He also has a bit of an issue with their divergent social statuses. As quietly confident as he is, he’s still got some niggling issues there.
MA: Do you feature any kind of nemeses to torture your heroes and heroines?
NW: I don’t use a recurring nemesis. Rather, each book has its own brand of bad guy. The villain in GUARDING SUZANNAH is your basic (though far from garden variety) stalker, but in the other novels, the bad guys are considerably more high powered. Which means the other novels carry much higher public stakes in addition to the personal stakes for the hero and heroine.
MA: With your background in legal services, have any of your personal experiences factored in to the stories?
NW: I do tend to use real-life stuff, but more to build a believable world than to fuel any key turning points. I do have some experience of the justice milieu from my earlier work life, which I draw on. I also consulted with a lawyer, a crown prosecutor and a cop on this one (thanks Peggy, Hilary and Matt!). However, there is one very real element in this book – the dog, Bandicoot. Bandy was the name of my dog at the time. He was very senior and I knew he wouldn’t be with me forever, so I immortalized him in the book. Every quirk and bizarre behavior displayed by the fictional Bandy was lifted directly from my dear, sorely-missed friend. He slept at my feet for thousands of hours while I wrote that and other books, and his portrait and his ashes sit here beside me still.
MA: That’s a nice story. Being a dog lover myself, I’m glad you managed to find a place in your stories for Bandy to live on. So what’s next?
NW: I had thought I’d finished with this Serve and Protect series, but I’ve had a lot of readers ask for more. With the success the books are enjoying, I’ve had to rethink my position. So I’m slowly working away on another. However, with all the other projects I have on the go, it likely won’t be released soon. My principle focus will be on the YA paranormal collaborations. Though my partner and I tend to be slow in our original genres, we write very fast together, and hope to break through into that YA market. But we’ve also written what we think is a very strong dystopian romance for the adult market. Diversification without dilution – that’s the goal!
MA: Since you are a series writer – certainly with the Serve and Protect line – will you feature many of the same characters in future stories?
NW: I will definitely keep employing the current characters in secondary roles with future books. Readers love to get glimpses of the hero & heroine from the previous book. And because many of them are cops in the same station house, it’s easy to keep them involved. That said, each story stands very well on its own. You don’t really need to have read #1 & #2 to understand #3. I must say, I would love to someday write a recurring protagonist over several books, but as long as I’m writing romantic suspense with the emphasis on the romance, I’ll just have to keep trading them in for new characters and new chemistry.
MA: We follow the same philosophy about series and standalones. My Child Finder Trilogy flows from one book to the next, yet each can be read out of order as a standalone. I like that. Anything else you’d like to add?
NW: Only a huge thank you for having me! I’m very aware my stuff is somewhat … fluffier … than the usual fare in this very masculine lair! I’m kind of betwixt and between. Some romance readers might find my work a little too gritty and graphic, while your thriller-reading audience might find it a trifle soft. But I do think there’s crossover potential for both audiences. I’ve had quite a few men message me on Twitter or Facebook to tell me how much they enjoyed the stories and how well they do hold up against traditionally published authors. In fact, if any of your reader base take the plunge and read one or more of my stories, I would love to hear what they think on this point.
Again, thanks so much for having me!
MA: It was my pleasure. Thanks for guesting with me, Norah. I encourage my readers to visit Norah’s blog for more information about her stories: http://www.norahwilsonwrites.com/
Have you ever been stopped cold with writer’s block? I’ve never had writer’s block.
Something I recommend you doing is first maintaining a list of all your published pieces as they are accepted. I keep separate lists for novels, short stories, flashes, poetry, articles, even gag lines. Be compulsive with your list. It makes certain information easily found. You should be keeping a list of all your successes. That information can be widely used in your promotions. As your list grows, it is validation that you are a writer.
Any stories you may be working on, too, are right there in your word processor.
When you feel stuck, particularly when you feel distraught over the lack of acceptances for your gems, you should never try to work through your anger and disappointment. Instead, re-read something you’ve already written.
Do not read anything by someone else. It may only serve to tell you that you are not this or that type of writer and when will you measure up. Instead, read your own successful pieces. This helps you realize that you are capable of turning out great prose. It affirms that you do not have to measure up to anyone else’s capabilities.
This trick also works with pieces you feel good about but haven’t yet found acceptance and publication. If you feel it is some of your best work, read it through again. I’ve done exactly that and found I wanted to improve pieces I thought was some of my best writing.
Writing is an ongoing opportunity for improvement. If you believe your writing ability has failed you, re-read your own work. It will show you just how much you have improved over time. It will give you a jolt of confidence to keep going.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
When Not to Edit
Sometimes we don’t feel like writing, or we’re frustrated with what we’ve produced. This is NOT the time to switch to editing.
A friend said when she’s stuck in her plot, she edits. Okay, editing what you’ve just written is part of creating a scene or the story. Oftentimes editing triggers new ideas and gets you out of being stuck. We writers do this all the time; edit what we’ve written, to assure we’ve said what we meant, in order to proceed further.
However, as an editor, pure editing of a large or total body of work is not good at certain times.
Never edit when:
It’s late in the day
When you’re in a hurry
Have eye strain
When someone waits for you to finish
If you wish to take a chance with your own work and edit under these conditions, keep in mind that you may chop up your work. It could turn out to be something you never intended.
One of those distractions, like when you’re hungry, can be dealt with immediately. Have you never eaten a snack or lunch over your keyboard? Do you have a glass or cup of something satisfying sitting on your desk at all times?
It’s crucial that when editing other writers’ prose that you are in the best frame of mind, attempting to understand what the other person has created. The above list of times when not to edit tend to create a less caring attitude. Get through the work and be done with it. That is not good enough, not even with your own work.
Take a break. Wait till the next day. Read a book. Whatever. You wouldn’t want someone editing your work under those conditions; don’t even do that to yourself. Most often when writing your own stories, editing can go too far afield when you’re distracted. You may end up not thinking through any changes and altering the story in ways you never intended it to go. Have a clear head when editing.
When editing your manuscript after a publishing house asks for changes and sets a deadline, you may have to prop up your eyelids if time is of the essence. In that case, you should happily get through your work in spite of the deadline because a publisher likes your story. Yay!
The more you write and create, the more you’re likely to get your ideas down closer to what you wish to say. Editing will be easier and your prose may not need drastic changes that may happen when careless. Have a clear head.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
You, the Book Promoter
One sure fact you hear about the writing industry is that writing the book is 10% of the work while promotion takes the remaining 90%. Knowing this, it’s best to be prepared beforehand, having a clear picture of what’s expected of you, the author, if your book is to sell.
With the advent of print-on-demand, if you do not do any advertising and promotion, you may not end up with the proverbial stack of unsold books in your garage. However, you will notice that your sales figures never climb out of zero and your royalty checks are non-existent.
Something else you may have heard about this business is “Write the book first.” While I agree that you must have the finished product in order to promote, once that book is in its final stages and moving through the publishing process, little time remains to learn even the basics of promotion. So while you write your book, have numerous questions in mind that must be answered:
Which publishing format should I use – print-on-demand, self-publishing, or…?
Should I try to get a literary agent to represent me?
Which publisher should I consider?
What audience do I intend for this story?
How do I reach them?
Do I need a website?
Should I join social sites?
Will my close friends and relatives spread with word about my book?
Should I write articles and get them posted on various blogs?
Do I have the funds it takes to make my book a success?
Do I have a list of magazines and newsletters for mailing review copies?
Do I need bookmarks, business cards, post cards, flyers, posters?
How do I set up book signings?
Should I contact various media? Which ones?
Do I know media protocol?
Do I know anyone from the local newspaper?
Many questions will cross your mind as you research all that is necessary and answers will come as you immerse yourself in the writing industry. As you meet people across the Internet, even in your own community, you may learn of one person’s success. Investigate their history and techniques in selling their books. Befriend them, if possible, especially on social sites.
The questions asked above should give the prospective author an idea of what it takes to promote a book and rack up sales. But still, so much more needs be learned. This list is in no particular order because that’s the way the questions will present themselves to you. You will, most likely, know when to handle each one over time.
Many of the topics mentioned in this list are discussed separately in other articles. However, as you write, make notes of things you need to know. Spend some time each day researching just one aspect of book promotion. Over time, you will gain solid knowledge of just what it takes to make your book a success.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
More Words to Lose
Have you ever really listened to people talking? We writers should do that all the time. It’s one of the reasons we love to people watch, not to eavesdrop but to learn about fascinating accents, jargon and colloquialisms that could add zing to the characters in our fiction.
In becoming aware of how people talk, on a daily basis I hear words and phrases that make me cringe. Call me a purest. Call me obsessive compulsive. I shake my head when I hear anyone say, “I told him, I said…” What is the purpose of being redundant? “I told him” and “I said” mean exactly the same thing.
“I told him, I said, be careful.”
“She told me, she said she didn’t like my cooking.”
I sigh when I hear a person saying “basically” before starting each new sentence they speak.
“Basically, what you need to know is where to start.”
“Basically, the mystery started with a nondescript clue.”
As you can see in the above two examples, the sentences do not need the word basically at all.
Dislikes such as these are at the top of my list to get hit with the delete button in my compositions.
Language takes on a different aura in dialogue if you have established that one of your characters actually speaks this way: “Basically, ma’am, I’m here to learn the truth and that’s all.” Still, it would be very off-putting to the reader if your character started all or lots of his dialogue with that dreaded word. Correctly portrayed, you would have set up the character’s speaking personality as, perhaps, slow and as being a methodical thinker and that one word used once or twice would then enhance his speech mannerisms.
However, my writing is not yet perfect either. I must continually be vigilant for sentence starters like: “She thought….” or “He said….”
She thought she wanted to go along.
He said he didn’t want to go.
When writing from the main character’s point of view, the reader will be in that character’s mind, seeing the story action from his or her point of view. The reader will be thinking the character’s thoughts. At least that’s what happens if our writing is good enough to draw the reader in. Starting sentences with phrases like “She thought” is, again, redundant. All a writer need do is state the character’s thought: She wanted to go along. Immediately, we feel or sense the character’s desire without being told it’s a thought.
Deleting unnecessary words and phrases helps greatly when word count matters and it really does, not to mention cleaning up a manuscript.
If in a case like “He said…,” instead of saying “He said he didn’t want to go along,” put what the character said in actual dialogue: “I want to go too,” he said. That’s unless you’re relating a past experience. Even then, you would simply say: He wanted to go along.
Any time you catch yourself telling what this or that character said, most of the time what the character said should be put in dialogue, instead of the writer “second-hand” telling the reader what was spoken.
I continue to be amazed at how people in my own circle of friends and family use these incorrect phrases. But then, they are not writers who need be astute at the verbiage they commit into stories. They are just being themselves, and that’s just fine with me. They give me a lot to think about and I am grateful that they can just be themselves with me and not worry that I am going to correct their every spoken word.
The letter S
Drop the s. If you believe that one letter couldn’t possible cause you to receive a rejection, I encourage you to think again, especially if the same mistake recurs throughout your manuscript.
Incorrect usage comes from the lax attitude about our English language. Most people speak in jargon or a brogue that comes from a certain locale. I also call it family hand-me-down language. Truth is, no matter from where you hail, your written grammar must be correct for a broader audience.
I’m speaking of the letter “s.” Check out these sentences:
She ran towards the garage.
The ball rolled backwards.
These sentences are all incorrect. That is, the use of the letter s is incorrect.
The letter s denotes something plural. In the first sentence, if you move toward something, you can only go in one direction. Toward.
If the ball rolled backward, it can only go in one direction. Backward.
If you look upward, you can only look in one direction. Upward.
Strangely, an example of an exception is:
She leaned sideways.
The rule here is that when leaning, you can lean sideways in more than one direction, therefore the use of the s.
You’ll find many other words that are incorrectly used with s endings. When you find these, make note of them, maybe a running list. You’ll have the list to refer back to when you question your own writing.
This is but one of the finite idiosyncrasies of producing better grammar when writing stories and books that you hope to sell. Study your own language and speech. Watch how the s is used or omitted in books that you love to read. Get into the habit of listening to the speech patterns of others. Be critical of what you hear, but never critical of a person who speaks that way. Instead, mentally analyze what you have heard. Learn the right from the wrong of speech and your writing will reflect your knowledge.
MA: My guest-blogger today is Paul Guthrie. Paul – or Dr. Guthrie – is a scientist by training and vocation. He received a BA in Physics from Cornell University, followed by a Ph.D. in Astronomy from the University of Massachusetts. After graduation, Paul went to work for NASA at Goddard Space Flight Center in Greenbelt MD. His work was primarily in the development of computer models to simulate the chemistry of the Earth’s atmosphere in order to understand ozone depletion and climate change. After thirteen years he left NASA and joined a consulting firm in San Rafael CA, working mainly on air pollution issues for the EPA. By then he was irrevocably committed to the use of computers and the development of software. In 1999 he left the environmental field entirely and became involved in developing software for biotechnology and medical applications, which he continues to do part time. Starting in 2002, however, Paul decided to pursue another interest, that of writing fiction. He lives in the San Francisco Bay area, still married to the same person after thirty-seven years. We have two grown children.
Now that’s a fascinating biography you have, Paul. I am curious about how you found an interest in fiction with so much science in your life.
PG: I’m a scientist, with degrees in physics and astronomy. Working on issues like climate change, I was part of the collision of science, where truth (even approximate truth) is an ultimate goal, with politics, where truth is irrelevant. And I like to read. I‘ve read lots of fantasy and SF over the years, from classic “hard” SF to Tolkien, Eddings, Jordan, Martin, Stephenson, Gibson…the list goes on and on. I also like technology thrillers, like early Tom Clancy and early Michael Crichton.
MA: It’s good to have a wide breadth of interests, but how did you end up writing fiction, and why novels?
PG: My teachers always said I was a good writer, back before I chose a career in science and technology. In 2002 the medical imaging startup where I was working ran out of money and went belly up. Writing seemed like a good way to keep my mind occupied until something else turned up. Something else never did. Why novels…the form is long enough to really explore characters and story. You can say a lot of things in a novel.
MA: Tell us about your novel.
PG: “The Wrong God” crosses genres a bit. It involves something that looks like magic, elements of science fiction, some real science, politics and religion. Here’s the pitch:
Since the beginnings of history people have believed in magic, but California science writer Andy Taggart is not one of them. Until the day that John Chalk, his old friend from grad school, makes a ballpoint pen rise to stand on end – untouched. From that moment Andy is caught up in John’s mystery. Is this an illusion or is it new physics? Why can John do things that other people can’t – things that will mark him in some eyes as a worker of miracles? And why does John think someone is watching him?
Someone is watching. Wendell Murchison is possibly the most powerful man in America. He controls wealth, his own cable news network, an army of evangelical political operatives, and the President of the United States, but he wants more. From the new America of terrorist sleeper cells, detention camps and legalized torture he sees a path to levels of power not seen since the Inquisition. He would make a new all-out war of religion; all he needs is a leader – the New Prophet, John Chalk. Whether John believes or not.
When John refuses and disappears, Andy is left to face an adversary who will offer bribes, publish lies, send goon squads to beat him, whatever it takes to force him to betray John. Under constant surveillance and unsure who he can trust, Andy can’t stand alone; he has to find John. But even together, what can they do against Murchison? Levitating pens won’t stop him and there’s no point in hoping for miracles if you don’t believe in anybody’s gods.
Actually, it all grew out of a single observation. Traditional epic fantasy often involves ancient magic, with a venerable sage or a sacred book to explain the magic. My question was, how did the book get written? Who were the poor bastards who first discovered magic and had to figure out how it worked without killing themselves? Since I assumed (naturally) that they would approach it like scientists, the story became contemporary.
MA: That sounds intriguing, and it contains many of the same elements I enjoy reading about and writing with my own work. Tell us how you developed Andy’s character.
PG: Andy is kind of an almost-scientist. He has the training, but he isn’t entirely part of that world, the way John is. Andy can see the ambiguities in John’s discovery. I tend to like stories of ordinary people facing extraordinary challenges, so he had to be somewhat unheroic.
MA: Andy’s strengths? Weaknesses?
PG: Strengths…determination, loyalty, intelligence, humility, his love for his girlfriend, Rachel.
Weaknesses…fear, self-doubt, a little envy.
MA: It sounds like this Murchison guy is pretty devious…your antagonist, I assume?
PG: Oh yeah. I spent a lot of time on Wendell Murchison. My wife kept asking for more backstory. I kind of saw him as an amalgam of the kinds of people who have been involved at the intersection of great wealth, political propaganda, and the religious right.
MA: I almost hesitate to ask if any real-life experiences made their way into your story, especially given you hard science background.
PG: I guess the main influences were knowing how physicists think and approach problems, and experience watching scientists collide with politics. One other thing isn’t really central to the plot, but I’m a student and player of Taiko, the big Japanese drums. I gave that to Andy so I could try to describe it.
MA: I spent many years in Japan and always enjoyed Taiko drum performances, so I can relate to that character aspect (and a good thing you gave that to your hero!). So what’s next?
PG: I’m working on another novel that is still an untitled work in progress. It’s unrelated, more of a straight-ahead technology/political thriller. Beyond that I have notes for two more books to continue the story of “The Wrong God.”
MA: Thanks, Paul! You have a great blend of real science colliding with fiction in your work. I like the confluence of the two. For my readers, please check out Paul’s website: http://www.thewronggod.com Read More
11 Must-haves for making Video Trailers
Video trailers help sell books. Just as a preview of a film or TV special can spark interest and make you impatient for the day you can see the show so, too, can trailers incite a potential reader’s interest.
If you are computer savvy, you will probably enjoy making your own trailer. If you are not knowledgeable in the way of putting written word, moving or still pictures and music together to make an exciting presentation, you should have the following items ready when you approach a professional to make the trailer for you.
1) Book title
2) Sub-title, if applicable
3) Name or pen name of the author(s)
Under this, you can include such phrases as “Award-winning novelist,” or
Author of ____(previous book title)_____
4) One or two brief blurbs from popular writers or well-known persons in the industry, if you have them.
5) A tagline: One sentence as brief as possible.
6) The story synopsis
7) 5 – 10 sentences that distill your story and/or synopsis without giving away the ending
This can be difficult. In order to distill, you need to keep your focus on your main
character and the main plot thread.
In my thriller, River Bones, I have a strong sub-plot about Vietnam MIAs which totally feeds into the main plot and that the story couldn’t be without. However, I never mentioned this sub-plot in any of the information used for the making of the trailer. See the trailer here (All four of my video trailers are on this page):
8) Places where the book can be purchased
9) A .jpeg image of your front cover. You will be told the size requirements.
10) You should plan to do a fairly thorough search for photos that fit your distilled description. If they do not match the description, they will make the trailer seems confusing to the viewer. For each line of description, try to find one or two good photos that represent that bit of information. You may not use all of the pictures but it will give your video maker a good selection from which to choose.
11) You can also do a search for music to accompany your video. Music, in my opinion, can make or break your project. Blazing Trailers, who made all my videos, found an exquisite bit of music by Kevin MacLeod for my novel, The Ka, that so fit the story that I can’t remember the music I originally suggested.
All of these items will be required in order to begin building your video. The maker will probably suggest other pictures that better suit the action. She or he may also suggest different music than you were able to find. Professionals have access to royalty free photos and music that writers may not. Your suggestions in all of this will guide them to find the best products that emphasize your vision of how your wish your story portrayed.
If the video maker makes suggestions, listen. Check out every detail they offer. Your suggestions of photos and music are just that. If they don’t fit, they give the video maker a good idea of what you hope to create. Having once read your synopsis and distillation into ten sentences, you will be told which sentences to use and which to omit. The maker may even reword your sentences to make them more exciting. That may also be required in order to overlay the words onto a picture.
As the process moves along….
The maker will send you a mock-up, like a first draft. You can change or correct anything. Make sure your verbiage is as exciting as possible. The pictures should be as close a representation to the story as possible, especially any characters. If your story is about a brunette, don’t use a picture of a blonde. The music should accentuate the action. Once you approve at this point, the video is made into its final format.
The finished presentation may start with your book cover, but not necessarily. With my novel The Tropics, the video starts with a sailboat way out in the middle of the blue ocean. This was to exemplify the feeling of aloneness.
From the order of information at the end of the trailer for my thriller, Down to the Needle:
~ The book cover, author name and Web site
~ A very brief one line blurb from a popular writer or other, if available.
~ A list of places where the book can be purchased
~ The logo of the person or company that created the video
~ A credit for the music composer
Having all of this information readily available before you seek someone to make your trailer will quickly speed things along and minimize time and expenses. You’ll have some changes along the way to tighten up the presentation but once finished, you should have an exciting clip.
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