I want to extend a hearty welcome to thriller writer Mary Deal, my guest blogger today! Mary is a native of Walnut Grove in California’s Sacramento River Delta, has lived in England, the Caribbean, and now resides in Kapaa, Hawaii. (I’m insanely jealous). She has published three novels: The Tropics: Child of a Storm – Caught in a Rip – Hurricane Secret, an adventure suspense; The Ka, a paranormal Egyptian suspense; and River Bones, a thriller, which was a winner in the Eric Hoffer Book Awards competition. A sequel is being written. Down to the Needle, her next thriller, is due out early 2010. Mary is also a Pushcart Prize nominee. Read More
Tag Archives: Hurricane
MA: I’m happy today to introduce my guest-blogger, Nelson O. Ottenhausen. Nelson is a retired Army officer and an accomplished writer published nationally in periodicals and anthologies. His latest poem, Out of Sane, appears in a Siruss Poe anthology collection, Mind Mutations. His book, Flowers, Love & Other Things, released in November of 2005, is a selected collection of his own published poetry and short stories.
Several of his short stories have been published and one, A Fish Story, is included in the popular Chicken Soup for the Soul series of books, Chicken Soup for the Fisherman’s Soul, now available in book stores everywhere. His short story, Duty, appeared in the December/January 2006 issue of the Pensacola Today magazine. Feature articles of his have been published in various magazines about the USS Oriskany, an aircraft carrier sunk in the Gulf of Mexico in May of 2006 in the Navy’s artificial reef program, and Survivors a human-interest story about a Pensacola military family that survived Pearl Harbor, World War II, Hurricane Ivan and 70 years of marriage.
He has published five novels, Civil War II, (2004), The Blue Heron (2005) and The Killing Zone: Evil’s Playground (2007), Jugs & Bottles (2009) and The Sin Slayer (2010).
Nelson founded Pen WISE Poets (Writers in Service to Education), a literary arts outreach program in the schools of Northwest Florida, which he managed from 1994 thru 1998, and in 1995, he was cited by Governor Lawton Chiles of Florida for this work. In October of 1995, he received a fellowship for his writings, and in August of the same year was appointed by Florida’s Secretary of State to the Directory of Visiting Artists to lecture in Florida schools about poetry, only one of five poets throughout the state to be honored so.
He holds a Bachelor of Business Degree in Operations Management and a Masters of Business Administration Degree from Western Illinois University, Macomb, Illinois.
A former native of northwestern Illinois, he now resides in Gulf Breeze, Florida.
Okay, that was a mouthful! Tell us how you began writing novels, because it seems like you wrote a lot of poetry before this.
NO: I wrote poetry for over 7 years and had 40 poems published, 28 of them I actually received compensation, but the highest payment I ever received for a poem was $35.00. In the late-90s, I came to the conclusion I was wasting my time with poetry and began writing novels. However, the poetry writing experience taught me to express my thoughts in a more concise manner and greatly improved my sentence structuring.
MA: Tell us about your novels, and did any real-life experiences inspire them?
NO: My first 2 novels are action adventure novels with political overtones and loosely based on my military experience as an Army officer. Almost all of the main characters in my novels are based on people I know or have met in a professional working relationship in some way.
Here’s the list:
Civil War II – My first published novel, action/adventure (2004) – A story of coercion, bribery and a military coup, overthrowing a sitting President of the United States, the U.S. Congress and the Supreme Court.
The Blue Heron – An action/adventure (2005) – A story about a U.S. military covert operation and coup to overthrow the Cuban government.
The Killing Zone: Evil’s Playground – Police thriller/mystery (2007) – Police Detective Daniel Patrick O’Malley is called out to investigate the death of a young woman in what appears to be an apparent suicide, but he soon discovers she is a victim in a series of bizarre murders.
Jugs & Bottles – Police thriller/comedy (2009) – A woman deaf since birth, is targeted for murder after witnessing a Mafia style execution then identifying the two hit men to the police. She, along with her dog become involved in a series of chaotic events as two brothers attempt to silence her with their bumbling, comedic ways.
The Sin Slayer – Police mystery/suspense thriller (2010) – For thirty years, a self-ordained church leader has convinced his small congregation to secretly kill dozens of people after hearing an inner voice, whom he believes to be God, telling him to cleanse the world of chosen sinners.
Flowers, Love & Other Things (2005) – A collection of poems and short stories by Nelson O. Ottenhausen published in other media from 1994 through 2005.
MA: That’s quite an assortment! Are your heroes based upon real people you’ve known?
NO: Protagonists, as well as the main characters in all of my novels, are mirrored after someone I knew, both relatives and friends.
MA: I’m intrigued by Jugs & Bottles because your protagonist is not human. Tell us more.
NO: My hero in that story is a dog. His strong points are; he is loyal, obedient and lovable, and will face danger without hesitation to protect his charge. His biggest weakness; he tries to befriend everyone because of his lovable attitude.
MA: I take it you have many different antagonists in your stories?
NO: Each novel has a strong “bad guy” and all of them are a little whacky. In Jugs & Bottles, there are really 2 “bad guys” and 2 good “bad guys” (2 brothers wanting be major criminals, but just don’t have the smarts nor ability to become so).
MA: As prolific a writer as you are, I assume you are working on something new?
NO: I’m presently working on two novels, Black Mist of the Trinity, a story of terrorists, nuclear warfare and black OPS; and Auggie, a historical novel about a young Russian girl growing up in Japanese occupied China during World War II, based on the true life experiences of a long time acquaintance.
MA: Anything else you’d like to add?
NO: I am President and part owner of Patriot Media, Inc., a small independent publishing company in Niceville, Florida. We are a traditional publisher in the sense we do not charge authors to publish their work. We are specialized and publish only military theme books, both fiction and non-fiction. To review our titles, go to www.patriotmedia.inc.
MA: Nelson, thanks for your service in the Army, and thanks for being my guest today. Folks, please visit Nelson’s Patriot Media website, as well as his personal site: www.booksbynelson.com. Read More
Novella to Novel
How I produced my first full length book.
Writing a novella follows the same general guidelines as for writing the long short story or novel.
For quite a while, I wrote and published short stories, poetry, and other brief prose. Many of the pieces received critiques in a number of Internet workshops. I kicked around a lot of ideas for writing longer stories, maybe a novel.
My thoughts were that since I practiced multi-genre writing, surely I could produce a novel. After all, I maintained a long, long list of tips for writing a story.
When some of us in an online workshop decided to experiment with Interior Monologue, the idea of a person caught alone in a rip current gave me an Aha! experience. It was, after all, fresh in my mind because I had just survived being caught in a rip current at Ke`e Beach on the North Shore of Kauai.
I was alone in the water with my thoughts while the current threatened to pull me toward the North Equatorial Current!
I would write my own interior monologue, my self-speak, and fictionalize it to suit the heroine’s predicament when she thought she could be a goner. What a spectacular story that would make! Thus, Caught in a Rip was born.
Again, I entertained the idea that writing a book couldn’t be much different than writing a long short story. Who was I kidding?
After I posted the novella of my experience, translated to my character’s plight, for review and critique in the online writing workshop, the story and my writing received a rating of 10 from each and every reader.
Still, I was faced with the fact that big publishing houses were not accepting novellas for publication. Nor is a single novella the same as writing a book.
At that moment, having written only a novella, writing a book seemed a daunting task.
Getting this novella completed was fun.
Then I hit on the idea of writing another of my short stories into a second novella. For the moment, writing a book slipped from my mind.
I had been on a ketch in the Caribbean that almost sank in a sea storm. Banishing the thought that my long stories wouldn’t be published, Child of a Storm was written next.
Then, returning to the idea of writing a novel, I was in a quandary as to how these stories helped with writing a book. These two novellas still weren’t long enough when combined to call them a novel.
Simply, I had two novellas, as different in content as any multi-genre writing.
Publishers didn’t want to see either, separately or together, and two weren’t long enough to break apart into a trilogy. Not that publishers accepted trilogies at the time either.
In pondering the idea of writing a book, I needed to pull these stories together. Their similarities were that both dealt with living in the tropics, one story in the Caribbean, one in Hawaii.
Both were written from my own life-threatening episodes at sea.
The stories being related gave me another Aha! experience.
I conjured the idea of interrelating the two separate main characters, giving each of them their own story but having the women as good friends. The only thing left to do was bring them together in writing a third story, completing the trilogy.
This was bending the rules of the standard format for writing a book, but, well… perhaps not.
I wrote the third story, Hurricane Secret, loosely at first. I knew that I had to have threads from each story intertwined in the others. That is the beauty of writing fiction.
I then went back through each story and wrote in some threads that I left dangling. In writing jargon, that means I did not totally wrap up the action at the ends of each novella, even though each story can stand alone. Instead, I left questions unanswered. After all, readers would know more intrigue was to come because there was much more of the book to read.
Another important element was that I began the time period of Child of a Storm much earlier and had the two women meet in the first story. Then the timeline in each story progressed forward, as did the ages of the characters.
Caught in a Rip takes place in a much later time period, perhaps two decades later.
In the third story, Hurricane Secret, all the threads have been woven toward the climax and denouement. And yet, each story stands alone and could be published alone, but I finally had a book-length work.
For over a year, I submitted the complete package to agents, seeking representation. I received only rejections. If the agents commented at all, most stated that this was not the kind of project their agency represented, in spite of saying my query letter and other documents were well-written and the stories sounded exciting. Without being told, I felt they were rejecting novellas in particular.
During the search for an agent that lasted about a year and a half, I began to research my Egyptian novel, The Ka. My first completed novel was finished. I now felt I could write one story into a full book.
After a string of rejections longer than my arm, I decided to publish The Tropics using print-on-demand.
Though I was extremely pleased with the outcome of The Tropics, when I thought about writing The Ka, an entire novel composed of one story, I knew then that I would really be writing a book.
Still, it doesn’t matter which format you choose when writing a book. All of it amounts to experience. In order to learn, you must get the words out, no matter what you may write.
The most widely known procedure in writing a book is to produce one continuous story, beginning, middle and ending. But, as in everything, there are deviations.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
Encouragement for novella writers.
Take liberties with your writing process. I did. You can too. No matter what people said I couldn’t do, I knew what I wanted to accomplish and did it.
The seed for the novella, Caught in a Rip, which is the second story in my novel The Tropics, germinated ages ago when I first read Ernest Hemingway’s The Old Man and the Sea. At that time, I asked myself why I couldn’t write a story like that. Yeah, sure, I wasn’t seriously writing then. Yeah, sure, I finally said. Me, write like Ernest Hemingway?
My flaw was in thinking that I had to emulate Hemingway’s style. That concept didn’t come to me till after I had written my first novel and found my own style.
All those years, I toyed with the idea of writing a sea story, one where the protagonist faces her devils alone. Yes, a female protagonist, after all. I knew it would have to be a serious story, because I didn’t excel at humor. I wasn’t sure what kind of story to write about a woman in a dire situation, but in the interim, I read Hemingway’s book again because that’s from where my first inspiration came.
After finishing my first novel manuscript, I decided to take some time off to better learn the art of manuscript submission. I could take a sabbatical from writing, study the “how to” submission manuals I’d accumulated and do my conjuring on the beaches of Kauai. Why live here if you never get into the ocean, right? I really had been immersed in my writing instead.
During one of my all-day outings to Ke`e Beach on the North Shore, I discovered those huge docile green sea turtles. I just happened to have my camera along. I spent more than two hours bobbing and diving around the deep side of the reef photographing when I realized I was exhausted. When I tried to haul myself back to the reef, I could barely fight the outbound tide. I nearly panicked.
Yet, at that very moment, the story of a woman in danger jelled in my mind. I would write about a woman photographing turtles and who gets caught in a rip current and swept out to sea.
At that very moment nothing could keep me from getting back to the beach and to my pen and notepad.
I thought I had a short story. I wrote for days. By the time I had polished the manuscript (or so I thought) I had a novella. At that time, I had no idea what to do with stories this length. Never mind that books like Hemingway’s and John Steinbeck’s The Pearl are only a couple hundred pages as completed publications. People said, “No one takes novellas anymore.” I just didn’t know what to do with a novella. So I posted it in an online workshop hoping to get a clue.
In the meantime, I was so jazzed at having written Caught in a Rip that I decided to lengthen another of my short stories languishing with no direction. At best, I might be able to publish a book of three to four novellas.
Then reviews began coming in from other novella writers in the workshop. So if the novella was a dying writing form, why were all these people writing them? I received reviews from mild comments to graciously picking my story apart. But everyone’s final comment was that Caught in a Rip was a great story, full of emotion, pain and epiphany and worthy of the 10-star ratings. Then I knew I needed to see it published. Why, it even had humor—in the last paragraph!
I formulated a plan. If incidences in both novellas written so far were similar, why not make my separate protagonists know one another? All that was left would be to decide which story came first. That led me to the fact that the two stories still did not make a “good” length for a whole book. I decided to rewrite both stories, leaving some clues dangling in each. Both my protagonists would then be brought together and all foreshadowing wrapped up in a third story—an ongoing time line with characters progressing through each story. A trilogy of sorts. That sounded right even though further comments told me no one publishes trilogies anymore.
By the time I finished the third story, I had a solid body of work with positive comments from everyone who read the manuscript.
In the end, I had taken liberties with progressive protagonists and time line. One of the most difficult aspects was wrapping up each story so that each could stand on its own and still leave some mystery to wrap up in the third and final story. Each of the three stories, if published separately, would be the size of Hemingway’s or Steinbeck’s books mentioned above. And so, three novellas comprise my novel entitled, The Tropics: Child of a Storm – Caught in a Rip – Hurricane Secret.
Liberties. Take them. Your Muse will respond and you will free your writing. Read More