My guest today is Margie Church, AKA Churchlady, author of romance/thriller novels with “SASS.” She tells me that stands for Suspense, Angst, Seductive Sizzle. Margie is a married mom of two children, and a Minnesota native. He writing career began early when she published in “McCall’s Magazine” in the sixth grade. Margie describes her professions as a mother and author whose guilty pleasures are great beer, real vanilla ice cream, and lobster. I couldn’t agree more with that list! Read More
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MA: I am pleased to welcome today’s guest, Celia Andriello. Celia is definitely one of the more colorful authors to guest-blog with me. I will let her tell us more about her.
CA: All of my novels are based on my life experiences be it via my roots in parental abuse beyond anyone’s imagination, teaching publically and privately, building creative businesses, trafficking in various products for the benefit of mankind, providing my gift of motivational speeches to various environmental groups and “rights” movements, travel, building the first dream of microcomputers, or just sharing a war with my endearing Viet Nam survivors. Throughout my journey I have been overwhelmed with the inconsistencies of what is said and what is done. My novels are like any fiction; woven into the thread of truth.
MA: That’s quite a resume! Tell us how you began writing.
CA: It all began with “Betty Butterfly.” (Don’t laugh. It’s all true.) It was a second grade assignment that my teacher sliced and diced with her red pen. Fortunately the winds transported the prose into another teacher’s custody and I was immediately proclaimed “a singular creative writer.” I wasn’t sure what it meant, but her smile indicated that it was certainly better than the assassinating red pen.
One must grow-up, sort of, and come face-to-face with what it was that created this “gift for fiction.” There is nothing like two questionable parents to stimulate the best in their children. Therapy was my greatest teacher.
MA: Why novels?
CA: I stick to the novel format to keep from being sued. It’s as simple as that.
MA: Um, okay.
CA: All of my characters have a thread of real character in them. I have known a multitude and revere them through fiction.
MA: What genre do your write?
CA: This has been a devilish question for I really don’t know which to choose. For the sake of my sanity I have often fallen back on general fiction; but it’s more than that. Hear the Calliope: A sentimental Journey on the Earth Ride (circa 1950 – 1986) lays the foundation of betrayal; family and government, for the latter is a parental construct. Within wounds are exposed and delved into in order for the reader to comprehend the distortions in the adult character after the onslaught(s). At the same time humor is woven into the gore in order to repair the damages for the heroes to develop their own personal “more perfect union with the support of a very unique circle of friends. At the same time all previous dogma is discarded; there is no religion, there is no ethnicity, there is only human.
MA: Tell us about your heroine.
CA: Marinda is a young lady who is neither black nor white, nor does she know her ethnic background. Although she was raised Roman Catholic, she has come to understand that the teachings that she tried desperately to embrace as a child never made much sense to her even though she can recite the verse. Even her name is a misnomer. In order to restructure the world to fit her and her companions’ needs she had to be a compilation of the unknown.
Her weakness is her self-doubt created at home through an abusive life style of her parents and supported by her priest. Through her torturous childhood she has come to believe that she is incapable of being loved because she deserves only pain.
On the other hand her strength is her intelligence that takes her through med studies in conjunction with her psychiatric degree. Through her wisdom she is able to re-connect all that meets because she is able to admit that she’s struggling through her traumas as well and can share with them what she’s learned from being the innocent dupe. Likewise her soul mate, Dale, a survivor of friendly fire learns and enhances her methods with his spiritual knowledge.
Within me is housed the stories of the universe for my experiences have fanned out to touch all directions. It is impossible for me to stop writing. I have tried to not avail. I recently finished KILLER: Is Suicide Painless?
MA: Thanks, Celia for that interesting interview. Folks, visit Celia’s blog for more information about her and her writing: http://hubpages.com/hub/HAUDENOSAUNEE-my-faithful-Indian-companion
MA: My guest-blogger today is Jessica Knauss. Born and raised in Northern California, Jessica has become something of a wanderer who hopes to settle down soon. She has worked as a librarian and a Spanish teacher. She lives with her husband Stanley, with whom she plans to open a soft-serve ice cream shop in the future. Jessica has participated in many writer’s groups and workshops, including the International Writers’ Program at the University of Iowa. Her nonfiction has appeared in Medieval History Magazine, Hortulus, LL Journal, and an encyclopedia entitled The World and Its Peoples. To date, she has published fiction in Bewildering Stories, Do Not Look at the Sun, (Short) Fiction Collective, Full of Crow Quarterly Fiction, Sillymess, This Mutant Life and Short, Fast, and Deadly. Her poetry can be found at Haggard & Halloo, Apollo’s Lyre and The Shine Journal. Her novella Tree/House, about a woman’s awakening through sleeping in trees, is available at Amazon. Açedrex Publishing will release her poetry chapbook, Dusk Before Dawn, in September. Get updates on her writing at her Facebook page.
You have been very busy with all your writing projects!
JK: I came out of the womb with a pencil in my hand. In grade school, I could hardly be bothered with math, but let all other experiences influence the stories that just kept coming out of me unbidden. I grew up in Northern California, close to the Redwood forests, near the foggy grey beaches, and gained a sense of awe at nature and a strong isolation from civilization that shows up in all my work. I studied a lot of subjects, mainly Spanish, because my love of Spain sprouted spontaneously one day when I was about 11. I’ve been a librarian (love those books!) and a Spanish teacher in the beautiful cities of Boston and Providence. Somewhere along the way I lost sight of creative writing, but have now taken it up again with complete seriousness. The stories and characters were patient. They knew I had to come back to them some day.
MA: Was your decision to write novels a conscious, formulated one, or did something simply inspire you?
JK: The novels chose me instead of the other way around. For me, being a writer consists of taming the wild muse and making a craft out of a formless mass of creativity I’m re-learning to tap into.
MA: So tell us about Tree/House.
JK: My novella, Tree/House, is a timeless coming-of-age story in which a woman, Emma, has made terrible decisions throughout her life, allowing herself to be led around by anyone with more force of will. When the husband who took her on dies suddenly, she slowly turns her drifting into a direction, learning some shocking truths along the way. She could not go through this process without Geraldine, a vagrant who camps on her property, sleeping not in the barn or the stable, but in the wild old trees. Geraldine is in need of some emotional rehabilitation herself, but with her assertive personality, she helps Emma see the alternatives to the passive life she has lived. The novella has a slightly nineteenth-century feel to it, because the characters write letters, build libraries, and trek through the countryside on foot, but at just 28,000 words, it’s a fast, fun read that will leave you time to read it again! It’s perfect for book clubs and discussion groups or just sharing with friends.
I also have a poetry chapbook that recently released, called Dusk Before Dawn. This is a compilation of most of my poetry from over the years, and I’ve put them together in a trajectory that addresses the nature of language, the search for love, the nostalgia of place, the creative process, and, most importantly, personal identity. Some are like stories, and others a very lyrical. They make a nice companion to Tree/House, as they address many of the same issues.
MA: Emma sounds like an intriguing character. How did you go about developing her in the story?
JK: One of the lines from what ended up being the third chapter came to me in a bolt of sheer inspiration. It’s when one of the servants on the estate is telling Emma some unsavory truths she didn’t know about Geraldine: “Do you know she killed the cat, aimed for the stable boy and slept with her boss?” The protagonist at that point was merely a receptacle for this information. Emma’s character grew out of the way she reacted to Geraldine’s extravagant style. The antagonist, Franklin, grew out of that passivity in a natural way, creating the drama organically.
MA: Would you say Emma is a strong character? Is she flawed at all?
JK: I’m afraid Emma is all weakness: confused, not confident, no direction, no definable talent, and worst of all, led easily astray. She represents any woman who finds herself at a crossroads, and I think her indecisiveness and insecurities make her very sympathetic for readers.
MA: Do you have a definable antagonist, or is Emma challenged by many characters because of her weaknesses?
JK: Franklin, who ends up as Emma’s husband (and then brutally murdered in revenge for past misdeeds) is very dangerous because he knows how to manipulate her, all while she believes she is making her own choices. His praise of Emma seems unfounded and bizarre, just like the rest of him. He seems to have sprung out of nothingness to impose an ancient order on her disorganized life. He is a jailer and a neglecter and represents every thing evil and intransigent, at the same time that he opens a new world of literature up to Emma. His gifts are awkward, beautiful only in a certain light, and I hope the reader feels as weird about him as I do.
MA: Is there any of Jessica’s real life story in Emma?
JK: Absolutely. Because of the organic development of the plot, Emma’s predicament reflects the trapped feeling and self-doubts I was going through at the time. The writing and sending of letters comes directly from my experience, and I think it increases the feeling of isolation as she’s trying to make a decision about what to do with her life. I had a terrible experience with a wrinkled wedding dress that I make Emma go through with a little more naiveté, and I had a friend in college who told me that eating French fries gave her the hiccups, so thanks for that tidbit! (I’m not sure she would want me to broadcast her name, but she knows who she is.) Franklin turned out as a Bluebeard type. He has elements from just about anything I felt stifled me in the past, including, of course, old boyfriends! I think all this leakage between life and fiction, unintentional or otherwise, helps give the story psychological realism the reader can really get into.
MA: Now that Tree/House and your book of poetry, Dusk Before Dawn, are out, what’s next on your writing horizon?
JK: I’m striking out into territory that may seem very different by writing a historical novel set in tenth-century Spain and based on an epic revenge poem. It’s full of battles, glittering armor, and exotic locales. It’s not really a departure for me because I have a PhD in Medieval Spanish, and, continuing the feminine theme of my previous work, the story has female characters who know how to manipulate the society in which they live.
I’m always working on weird short stories, and waiting for that bolt of inspiration for my next longer work.
MA: Will Emma come along in future works?
JK: Tree/House readers have said they would love to spend more time with the characters. I have considered writing the further adventures of Geraldine, or even a prequel showing how she really got to be the fascinating woman she is in Tree/House, but nothing concrete is on the writing schedule. Read More
Western Romance, Chick Lit, Feminist…all Descriptions of Mike Angley’s Guest Author, Lotus Landry and her Novel, “Skookum Man”
MA: I’m joined today by Lotus Landry, author of the Western Romance, Skookum Man. Lotus had a prior career as a software applications developer for aerospace projects – among these were line-of-sight helicopter sight stabilization code. She resides in the Los Angeles vicinity and has two adult sons. (One of her sons is able to combine software and storytelling as a video games developer). She is a native of Seattle and grew up not far from the setting of the book.
Lotus told me she chose to write a novel because she loves to work on very large and intricate projects – especially those which fall outside the boundaries of traditional genres. I can understand that with her background in the aerospace industry, something that warms my heart!
Please tell us about Skookum Man.
LL: In Skookum Man a chick lit feminist confronts a greenhorn ladies man in 1830s rainforest. It’s been tagged as: Western Romance; Feminist; Chick Lit; Pacific Northwest; Kindle Romance. The book is set in a Hudson’s Bay Company outpost, the Pacific Northwest, circa 1810. Men and women from divergent worlds meet in an Arden-like forest. In those strange woods the reader is introduced to: wood-wise ingénues, confused men, matronly women, clever animals, and assorted asses and fools. The introductions are lovingly conducted by a benign narrative presence.
That’s a happy beginning- but as the story progresses….the benign presence becomes somewhat sinister. The wood-wise ingénues lose their wisdom; the confused men become calculating; and the outpost seems to contract into itself. As in many fairy tales, the story’s conclusion is uncertain and … disturbing(?). It is a fairy tale with a modern edge – a romantic speculation – a speculative history. The book’s airy structure and modern references contribute to its bouncy, tale-like mood.
It features Jane, who is sometimes called ‘Matooskie’, and her accidental boyfriend, Robert. Jane, who knows how to take care of herself in the remote rain forest of the Pacific Northwest, has been brought up as a free range child. She is multicultural and disciplined enough to master Latin.
Robert is a newly arrived officer at the fort, a remote place with several peculiar luxuries but very few romantic options. He has a history of being a slick player of sophisticated women of the London social scene. He is honored as ‘skookum’ by the local Indian clan even though he demonstrates that he has no wilderness skill sets.
MA: Tell us more about Jane, or Matooskie.
LL: The main character, Matooskie, has trouble integrating her two natures. She has a Chinook Indian heritage from which she derives her expertise for surviving in the forests, but she is also eager to please her father by adopting the trappings of a proper British lady.
Matooskie is extremely tenacious and goal directed and loves keeping secrets. She is sharp enough to master Latin with the assistance of the private tutors who pass through the fortress as guests.
MA: Yours is such a unique story…how did you come up with the idea?
LL: I was influenced by contemporaries from the Pacific Northwest. When I wrote the heroine as a person with a passion for botany and a compulsion to classify plants, I gave her the habits of my best friend’s mother, a horticultural writer, who deposited her children on trailheads in remote mountain forests where the children were instructed to seek rare plant species.
When I invented another woman, the woefully displaced British matron of the story, I gave her the confusion of a 20th century transplant to Oregon from Maryland, who mistakenly thought that she could not leave the house – for months—until the rain stopped. I included native people as some of the first people I myself saw when I moved into Oregon were Indians spearing and smoking fish along the old Columbia River highway.
MA: Any person, childhood experiences that you drew from?
LL: When I consider the inspiration for writing Skookum Man, it becomes apparent that whatever happened to me in the fourth grade did not stay in the fourth grade. Of course, this is the year that kids become immersed in the history of their respective states and the folklore sticks to them like pieces of campfire marsh mellows on a stick – even when they settle elsewhere. In my case, we studied sea explorers and the forts and covered wagons and it wasn’t unusual for one chum to blurt out that she was a descendant of the famous trapper, Joe Meek. Regrettably, when one moves away and settles in another state, one ends up clueless (for decades) about the arcane of the new state because fourth grade can only happen in one place. The brain accumulates only one set of lore that is reinforced by the field trips of childhood.
MA: Okay, so what’s in your writing future?
LL: I’m currently working on my next novel, a cozy mystery set in contemporary Orange County, California. It features two career women with unusual occupations who belong to a Homeowners Association.
MA: Lotus – thanks for stopping by and telling us all about Skookum Man. If my readers want to learn more, please visit: www.matooskie.com.
Fellow Military Writers Society of America (MWSA) Author Erin Rainwater Swings by to Visit with Mike Angley
MA: It’s a real treat for me today to have as my guest a fellow member of the Military Writers Society of America (MWSA), and Rocky Mountain neighbor, Erin Rainwater. Erin is a Pennsylvania native who says she probably should have been born in the 19th century but somehow got flash-forwarded into the 20th. There was never any question that she would be a nurse when she grew up, regardless of which century she was in. And beginning in about the seventh grade, there was no question that she’d launch that nursing career in the military. The daughter of a WWII intelligence officer, she entered the Army after graduating from nursing school. That was during the Vietnam War era, and she was privileged to care for the bodies and spirits of soldiers and veterans, including repatriated POWs and MIAs. Her military experience has helped in writing parts of her novels. Her support of the military has been life long and is ongoing, and one of her favorite pastimes is volunteering at the USO in Denver. She participated in Operation Desert Swap, having “adopted” a soldier in Iraq to whom she sent a copy of her novel for reading and swapping with his fellow troops. Erin now lives in Colorado with her husband of 35 years, has four children and the four most adorable grandchildren on the planet.
Erin, thank you for your service. Please tell us a little more about your background, especially your military service.
ER: My “back story” consists of being born and raised in a suburb of Pittsburgh, PA, attending nursing school there, and going directly into the Army Nurse Corps upon graduation. I served for three years during the Vietnam War era, including duty stations at Brooke Army Medical Center in San Antonio, the 121st Evac Hospital in Korea, and at Walter Reed in D.C. I got married while still in the Army, and after my discharge I worked part time—mostly in ICU—while raising our four children. I only started writing when I was in my thirties.
MA: I’m familiar with the 121st from my two tours in Korea…a huge facility. Nursing and writing – how did you end up becoming an author?
ER: I’ve always loved fiction, especially historicals, so it was natural for me to migrate toward that genre when I began writing. As for novel length versus short stories, it’s not so much a choice as a lack of ability on my part to write shorter tales. I just plain lack the capacity to spin a yarn in less than 45,000 words. My new release, Refining Fires, started out as a short story, but there was just too much story to tell, and my attempts to limit it failed miserably. My critique group hounded me into telling the full story, so the three-part novel was born. I consider the term “short story” an oxymoron.
MA: Tell us more about your latest release.
ER: Refining Fires is unique in format and storytelling approach. It’s three-stories-in-one format, beginning with “Refining Fire.” Clare Canterbury is a nurse with a tarnished professional reputation seeking work. Any work. She answers an ad for a live-in nurse situation, caring for a disabled Korean War veteran. Little does she know what she’s in for. He tosses her out of his home. But his anger is no match for her pluck, and she finagles her way into his employ, his home, and eventually his heart. As she ministers to Peter’s body, his soul develops a raw yearning for a life and a love he’d long ago thought hopeless. Theirs is quite a romance, but “Refining Fire” is only the beginning of their love story. In the second story, a little girl named Susannah shows grit beyond her years as she faces her biggest fear. She must go it alone on a treacherous journey down a mountain to save her mother’s life, then faces harder times yet to come. The love that Peter and Clare share has an immense impact on this extraordinary child who is filled with “Blind Courage.” Finally, you’ll meet the “Kept Woman” bent on self-destruction until a child and a man from her past teach her about who has been keeping her all along. Refining Fires is not your prototypical romance. It’s made up of three stories of people seeking redemption in one form or another, whose paths cross, showing how God’s hand is ever on us, leading and refining as we go.
MA: I understand you take a unique approach to developing your characters. Please talk about that.
ER: This might sound strange, but for me it’s never been so much about my developing my characters as it is my catching on to the nuances of their personalities. Although I begin with a concept of who I want the main characters to be and what they will be like, I honestly discover things about them right along with the reader as we trek further into the story. Take Peter Cochran in Refining Fires, for instance. We initially see his darker, angry side, but in time, as the walls of his internal fortress begin to crumble, we gain insight into what’s been there all along—astounding courage (even in the face of death, I later discovered), humility, a sense of humor, and the longing to be loved for who he is and not for what he has.
MA: What are Peter’s strengths and weaknesses?
ER: I mentioned his courage, which is one of his great strengths. His nurse Clare points out that not only did he show heroism in the war but during his recovery from his injuries as well—fourteen times he’s been through those operating room doors, plus he learned to walk again, every step he took a victory in itself. His greatest weakness is his lack of awareness that he possesses any of these strengths, or that any of it matters. He also had chosen a lifestyle contrary to his early Christian upbringing, then became embittered when consequence time arrived.
MA: What about an antagonist…is there a unique “bad guy” or a recurring nemesis of any kind?
ER: Ooh, that is such a cool question. In my two previous books, I’ve had some really nasty villains (one reader told me every time the heavy in True Colors entered the scene it made her skin crawl). And there is one character in Refining Fires who definitely is the “bad girl.” But for the most part, Peter is his own worst nemesis.
MA: Given your nursing background, your service in the military, and your overseas time in Korea, I imagine a lot of your real experiences influenced your writing of Refining Fires?
ER: Yep, they sure did. Clare Canterbury is a former Army nurse, as am I. Some of our military experiences were similar. Read More
I’m delighted to welcome back a veteran guest-blogger, Julie Achterhoff. Julie first appeared on my website back on New Year’s Day. If anyone would like to go back and see what Julie and I talked about back then, please visit her original post: Paranormal Suspense Writer Julie Achterhoff Joins Mike Angley Today.
Julie has enjoyed writing since early childhood. She impressed her teachers with her stories written in many genres. One teacher in the eighth grade told her that after reading one of her scary stories she couldn’t sleep all night! Julie didn’t start writing seriously until after raising her five children on her own. During this time she worked as a homebirth midwife. Her first published work was a novella titled Native Vengeance. This was followed by her fictional thriller, Quantum Earth. Deadly Lucidity is her most recent thriller.
Welcome back, Julie! Please remind my readers what brought you to writing fiction, especially scary stuff.
JA: I have always loved reading, especially horror and thriller type books. They scared me to death as a kid, but I read whatever my mother handed down to me, so I was kind of forced into it! I read a lot of Stephen King, Dean Koontz, and I’ll never forget Tales of the Cthulu Mythos. I guess I figured that it was fun to scare people with your writing. My first major writing, though, was a play I wrote for a women’s lit class I took a few years ago, which wasn’t horrific in the least. It was about three women in three different centuries, and the struggles each of them had being women writers. It’s called Angel In The House. Before my writing career began I delivered babies at home, something completely different from writing!
I think I chose novels because I feel like writers can have such a huge impact on people if they write well enough. I started writing a few novels over the years, but never had the extra time until recently to actually finish one. Whenever I was writing, I just got the greatest feeling! It made me feel excited and important. I could just imagine other people reading my words and maybe really liking what they read. It was a thrill just thinking about it.
MA: I’m excited to hear about your latest release, Deadly Lucidity, since it came out after our first interview. Tell us about it.
JA: Marie is kind of an eccentric woman who has learned to stay lucid during her dreams. That means she is totally conscious when in the dream state. She can go where she wants to and do anything. But she suddenly starts dreaming about a crazed psychopath who is trying to kill her. Then, her dreams become so real that she becomes trapped in them. They are becoming more and more bizarre, too. She meets a man named Murphy, who ends up helping her try to escape this nightmare. They journey together towards a place they’ve been told is a way out, while trying to stay one step ahead of the psychopath, among other strange beings and situations. Marie’s growing passion for Murphy causes her to have to make some tough choices, though. How can she leave her “dream man” behind?
MA: I use the lucid dream device in my own writing, as well. I think it’s an interesting literary device. Tell us more about Marie.
JA: Marie starts off being in therapy, relying on medication to prevent recurring panic attacks and general anxiety. She is basically alone in the world. Her only “real” friends are in her dreams. She is also a writer. I kind of modeled her after myself, only more of a caricature of me. Through her dream experiences she is pretty much forced to come into her own power. She doesn’t have much choice but to become stronger and grow. There are some weak moments for her, of course, but she overcomes the obstacles that come her way to save her own life.
MA: What are her strengths and weaknesses?
JA: Marie is very fearful. She doesn’t want to go on. She hides in her own little world, writing day after day. She doesn’t realize her true strengths until she is faced with people and situations that will make or break her. Her whole world is turned upside down, which presents challenges she has never even considered before this. All she can do is pull herself out of the way she was, and on the way changes from a caterpillar into a butterfly.
MA: Nice. You mentioned the psycho in her dreams. I take it he’s the main antagonist?
JA: Oh, yes. This crazy lunatic that is chasing her down is a real weirdo! He has somehow fixated on her, and his only goal is to torture and kill Marie. He also has some really interesting idiosyncrasies. All I’ll say is that she gets into some very tight spots with this guy!
MA: Not many people have experienced lucid dreams in reality (I have, and find them wonderful). Have you had the experience?
JA: Yes. I’ve had some very lucid dreams myself. Some of them have been nightmares that I’ve had a tough time getting out of. This book was actually inspired by one of them. I thought I woke up from a perfectly nice dream, when in reality I went straight into the realest nightmare I’ve ever had! I actually thought it was really happening. Luckily, I was finally able to really wake myself up, but I was practically hysterical. It took quite a while to calm myself down.
MA: So, now that Deadly Lucidity is out of the chute, so to speak, what’s next?
JA: I’m almost finished with my third book titled Earthwalker. It takes a completely fresh approach to the world of vampires. In it, vampires originated from another planet, and have a common ancestry with humans. It’s only when they live on Earth for too long that they get a taste for human blood. On their own planet they only drink animal blood, and are even more civilized and advanced technologically than humans. One of them crashes his spaceship in the wilderness near where a young woman named Willa is camping. He is severely burned, and she nurses him back to health. His English name is Paul, and the two fall in love. But that’s just the beginning. They must go through many terrible situations together before their story is told. Both of them are stretched to their very limits.
MA: Well, the vampire storyline is certainly popular these days. Maybe you can become the next Stephenie Meyer . I know you have a blog called Julie Achterhoff’s Blog, but what else would you like my readers to know?
JA: I had a video trailer made for Deadly Lucidity, which can be found at: http://www.associatedcontent.com/video/687534/book_video_trailer_deadly_lucidity.html?cat=38
Readers can also read part of the book at: http://www.freado.com/book/6046/Deadly-Lucidity
It can be purchased here: http://www.amazon.com/gp/product/0984421904?ie=UTF8&force-full-site=1
It’s now on sale on Kindle for $3.19
Here is a review by Apex Reviews:
4.0 out of 5 stars An Engaging Suspense Thriller, June 16, 2010
Caught in a dream world from which she can’t escape, Marie finds herself hunted by a dangerous psychopath. Her situation is far from hopeless, though, as a handsome Ranger named Murphy vows both to protect her and help her find a way back to the real world. Over the course of their shared adventures, Marie looks very much forward to getting her life back to normal – but her growing passion for Murphy makes the prospect of leaving him behind an increasingly difficult choice to make…
Skillfully crafted by author Julie Achterhoff, Deadly Lucidity is an engaging suspense thriller. In it, Achterhoff has crafted a compelling alternate nether world straight out of the darkest regions of any imagination. In addition, as Marie wends her way through a series of increasingly perilous events, you find yourself rooting not-so-silently on her behalf, turning each fresh page in rapt anticipation of precisely what fate awaits her as the story progresses. Furthermore, the genuine affection that she and Murphy feel for one another adds a layer of palpable tension to the overall tale, drawing the reader in even more as this modern twist on the age-old tale of good vs. evil plays itself out in fantastical fashion.
A dynamic, riveting thriller with a host of intriguing twists, Deadly Lucidity is a recommended read for lovers of well crafted fantasy suspense tales.
MA: Today I have the pleasure of interviewing award-winning, best-selling author, Miss Mae. Miss Mae holds a special place in my heart because she honored me with my first guest blog as a new author when I was trying to navigate the waters of marketing and promotion!
She has a long list of books that have earned awards and special accolades. “Said the Spider to the Fly”, published by The Wild Rose Press, has consistently rated outstanding reviews and has won the esteemed title of Best Book of the Week for The Long and the Short of It Reviews and from The Romance Studio. It can be purchased both in digital format and in print directly from the publisher’s site. “When the Bough Breaks”, a young adult coming-of-age is the first from Whimsical Publications. Not only has this book generated top reviews, it’s also won a Best Cover of the Month award, and won the 2009 P & E Readers’ Poll in the YA category.
The highly acclaimed “It’s Elementary, My Dear Winifred” won a 2009 Top Ten Read at MyShelf.com. It’s slanted for a late summer re-release from Whimsical Publications, with the second in the “Dear Winifred” series planned to be finished late 2010.
She also enjoys writing humor and non-fiction articles. Besides her monthly contributions to the ezine American Chronicle, some of her publications can be found in The Front Porch Magazine, Good Old Days, and Writers Weekly.
Whew! I could go on and on…Miss Mae, welcome to my blog. It’s such an honor to have you guest with me. It’s obvious you have a love for writing, so why novels in particular? Read More
I write about Felix Gomez who went to Iraq as a soldier and came back a vampire. My stories are macho hard-boiled noir with a supernatural twist. In the latest adventure, WEREWOLF SMACKDOWN, Felix gets trapped between rival lycanthrope clans in Charleston, SC, and the impending rumble could doom the supernatural world. Read More
I am pleased to introduce today’s guest-blogger, Stacy Juba. Stacy is the author of the mystery novel Twenty-Five Years Ago Today. She is a freelance writer and former daily newspaper reporter with more than a dozen writing awards to her credit, including three New England Press Association awards and the American Cancer Society New England Chapter’s Sword of Hope Media Award. Her young adult novel Face-Off was published under her maiden name, Stacy Drumtra, when she was 18 years old. Read More