Tag Archives: focus

Jun 17

“Deadly Focus” Co-Authors Carol and Bob Bridgestock Guest with Mike Angley

MA: Today I will change up my format a bit. Instead of a series of Q & A with my guest authors, I am going to let them tell their story in their own words. All the way from England, please welcome Carol and Bob Bridgestock!.

Carol and Bob Bridgestock have spent almost half a century between them working for the West Yorkshire Police in the North of England. The force is the fourth largest in the Country.

Bob was born in West Yorkshire in 1952. He attended local schools – the last one being Morley Grammar School. He had a weekend and holiday job working at the local butchers, and when the offer of an apprenticeship came he left school and commenced work before the exams. The apprenticeship was for five years after which he became qualified and competent. Bob decided after a while that the career wasn’t the one he wanted to pursue and took up a job in a dye works, only because of the money and he had a young family. This, however, was a complete contrast to what he had done before and over the next two years he considered his future.

The next 30 years he spent as a Police officer, working as a detective at every rank and spending less than three of them thirty years in uniform. During his distinguished and exemplary career he received recognition for his outstanding detective work by way of ‘commendations’ from judges and chief constables. A total of 26 is an unusually high figure. As well as being a senior detective for over 17 years, he was also an on call negotiator for kidnap, hostage and suicide intervention incidents.

He achieved the rank of Detective Superintendent and became one of a very small number of Senior Investigating Officers in the force. As ‘the man in charge’ in his last three years alone he took charge of: 26 murder investigations, 23 major incidents including attempted murder and shootings, over 50 suspicious deaths, and numerous sexual attacks.

Carol was also born in West Yorkshire in 1961 and the majority of her schooling was also in West Yorkshire, although for four years she lived in Milford-on-sea in Hampshire. She ended her school days, however, at Sowerby Bridge Grammar School. On leaving school Carol became a hairdresser and opened her own salon before going on to College to teach the subject. Later she worked in the Police in a number of support roles and was ultimately a supervisor in the administration department. During this time she also was commended for her work with the community, inspiring children to highlight crime prevention work.

When Bob completed his service Carol also retired from the force and they both headed to the south of England where they now live on the Isle of Wight. They had often holidayed on the Island and fell in love with the way of life and the tranquillity of the Island. The Police service behind them, they got on with enjoying life without a pager or a mobile phone. Carol had always told Bob he should write a book, but he had no incentive to do so. Their new group of friends on the island with no police connections also suggested that he write due to the fact he relayed so many stories about his career; some happy, others sad, many macabre. He resisted until a cold damp morning in 2008 he saw an advert in the local paper advertising a college course ‘Write your first novel’. As sudden as it was out of character, he booked them both on it to Carol’s amazement.

Thereafter their new joint career as co-authors took off.

Crime fiction was the answer to Bob’s reluctance to write. This way he could use his real life experience in a way that would not be connected to the original events.

Deadly Focus, the first novel, introduces Yorkshire Detective Inspector Jack Dylan and the clandestine love of his life Jennifer Jones. This is a fast moving story that allows you to travel with Dylan to a series of murders, seeing through his eyes the stark reality of death and its fallout. It allows the reader to feel as he does the highs and lows of an intense murder investigation. The reader through the ‘eyes’ of Jen also gets to know how it feels to be the partner of the ‘man in charge’.

Dylan’s strengths lies with his persistence and experience, but will the pressure have a dire affect on his health? Jen is his ’norm’ a safety net for his turmoil of emotions after the distressing sights he has to endure. Deadly Focus continues to receive 5 star reviews on Amazon, WH Smith etc. In May it was resurrected as the first crime novel in the RC Bridgestock series published by Caffeine Nights Publishers. It is also live on eBooks via Smashwords and Amazon as well as many other e Book outlets.

People often ask the question, ’How do you write together? Does one of you write the odd, the others the even?’

We enjoy working together at last! Our police ‘working life’ often meant spending hours apart. Bob writes the plot and the storyline from start to finish. Carol then takes this first draft and develops the scenes, the story line and importantly the characters. Carol teases out of Bob the true feelings of what it is really like to deal with these gruesome crimes. The novel is then passed back to Bob for the re-write to be checked. Then they both sit down together and go through every word, sentence and chapter to ensure it works. Then and only then is it ready for the publishers to scrutinise the draft.

As we said before, May this year sees the resurrection of the original Deadly Focus and it is also being published this time as an eBook. We have been fortunate to be taken into Caffeine Nights Publishers stable of authors who will also publish book two in the series this summer. We have called this book ‘Consequences.’ The third book in the series is ready for scrutiny by the publishers and book four is ready for the re-write stage. Others in the series are also being penned.

As can be seen, the writing is industrious, as well as being addictive and enjoyable. Both Carol and Bob are members of a local writing group called Wight Fair Writers’s Circle that Carol chairs. This group evolved from the college course and we remain a group who also runs competitions to inspire others to write, especially children. All proceeds go to local charities. Bob and Carol also do talks about Bob’s career for schools and colleges as well as other adult groups to raise money for the local hospice which they support. Certainly exciting times and a new career which they never considered when they retired,

To learn more about Carol and Bob and their writing visit their website. www.rcbridgestock.com. A must is also www.caffeine-nights.com. On both these sites you can download the first two chapters of Deadly Focus FREE! Carol & Bob are also on Facebook – Carol Bridgestock and RC Bridgestock and we Twitter – RC Bridgstock

The support from our readers around the globe is extremely satisfying and spurs us on. Read More

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May 06

Norah Wilson, Romantic Suspense Writer, Guest-Blogs with Mike Angley

MA: My guest-blogger today is Norah Wilson. Norah lives in Fredericton, New Brunswick, Canada with her husband and two adult children (both in university), a Lab-Rotti mix dog and five rats (the pet kind). She has been writing romance a long while, and has finalled multiple times in the Romance Writers of America’s Golden Heart contest. She also won Dorchester Publishing’s New Voice in Romance contest in 2003. Norah writes, among other things, sensual romantic suspense. Currently, three of Norah’s four books are among the Top 10 highest rated romances at Smashwords. She was also mentioned by Smashwords CEO Mark Coker as one of the Top 50 indie authors to watch on Smashwords. Norah loves to meet fans and make friends on Twitter and Facebook.

Welcome, Norah! Tell us what you did before jumping into the literary world.

NW: I went to work as a legal secretary before I was legally old enough to witness documents. The work was fascinating and varied, but it didn’t pay very well. So after 9 years of that, I got licensed as an official court reporter, thinking I would launch a private business. But before I got serious about that, another opportunity came up in a completely different field. I switched streams to go to work for a provincial hospital association as executive assistant and secretary to the board of directors. Twenty years later, I’m the organization’s administrative officer.

MA: Congratulations on your successful career. How did you make the transition over to writing?

NW: I’ve always been fascinated by communication and by the challenge of persuading people with the written word. If I’d actually gone into communications or ad copy writing or some such career where that need was being fulfilled, I probably never would have written that first novel. But as it was, I had a burning need to write something and write it so convincingly that the reader would be transported. Since I’d been reading romance novels all my life, I naturally tried my hand at a straight contemporary romance. It was a disaster. Oh, I could string words together in very readable way, but the plots were boring, even to me. I needed something more. Then I discovered romantic suspense. The suspense plot finally gave me the “clothesline” on which to hang my story.

MA: Smiling. How did the romantic suspense realm progress for you?

NW: After years of writing and not selling, I’d gotten a little jaded about an industry that seemed to want only babies, brides and cowboys. Since I knew babies and brides would bore me to tears, I settled on cowboys. Because paranormal was starting to gather steam, I tossed in a psychic heroine. Thus I set about very cynically to write a book that New York might buy. Except when I started to research cowboys, I fell in love with them. That’s probably what rescued the book (LAUREN’S EYES)! In any case, New York did buy it. It won the New Voice in Romance contest in 2003 and was published by Dorchester Publishing in 2004. Since then, I’ve written a series of connected romantic suspense stories featuring cops. Again, my stories didn’t impress New York publishers overly much, so in the fall of 2010, I self-published them. They’re currently doing very nicely. I may not be topping anyone’s bestseller list yet, but three of them are consistently in the top 10 most highly rated romances on Smashwords, and all have been well reviewed. I’ve also written two paranormal romances (dark vampires) which my agent has. As well, I write with a writing partner, Heather Doherty, who is published in dark literary. Together, Heather and I have written half a dozen young adult (YA) books and two humorous cozy mysteries, all of which our agent is shopping around.

MA: Congrats on the Dorchester Publishing award! How do you develop your protagonists in the romantic suspense genre?

NW: Because I’d love for people to dive into my Serve and Protect series, I’ll focus on the first book in that series, GUARDING SUZANNAH. I should explain that because this is primarily a romance, it doesn’t have just one protagonist. It has a hero and a heroine who get equal play. When casting characters in a romance, it’s good to begin with two people who should, at least on the face of it, be each other’s worst nightmare. So I created a heroine who is the daughter of a former chief justice. She has an impeccable pedigree, but left lucrative private practice to be a public defender working with Legal Aid clients. She’s very good at what she does, and earns the undying enmity of the local police force (and the nickname She-Rex) for shredding officers on the witness stand. She has zero interest in forming any kind of social relationship with a cop. I then had to pair her with a cop from much more humble origins who delights in emphasizing their differences and making her feel like a snob. One whose physicality calls out to her in a way that doesn’t mesh with her self-concept as a self-possessed and reserved woman.

MA: Earlier you told me about Quigg. Explain who he is to my readers.

NW: Det. John Quigley (Quigg) is probably the least Alpha hero I’ve ever written. Not to say he’s not strong and completely worthy of the hero title. But his strength is a little quieter and he’s more reflective and self-aware than most heroes I’ve written. He’s strong enough to think for himself rather than blindly toeing that thin blue line. He’s also got a strong protective streak. With most of my characters, I find that at least one of their strengths is also a weakness for them, and I think that’s true here with the protective thing. He also has a bit of an issue with their divergent social statuses. As quietly confident as he is, he’s still got some niggling issues there.

MA: Do you feature any kind of nemeses to torture your heroes and heroines?

NW: I don’t use a recurring nemesis. Rather, each book has its own brand of bad guy. The villain in GUARDING SUZANNAH is your basic (though far from garden variety) stalker, but in the other novels, the bad guys are considerably more high powered. Which means the other novels carry much higher public stakes in addition to the personal stakes for the hero and heroine.

MA: With your background in legal services, have any of your personal experiences factored in to the stories?

NW: I do tend to use real-life stuff, but more to build a believable world than to fuel any key turning points. I do have some experience of the justice milieu from my earlier work life, which I draw on. I also consulted with a lawyer, a crown prosecutor and a cop on this one (thanks Peggy, Hilary and Matt!). However, there is one very real element in this book – the dog, Bandicoot. Bandy was the name of my dog at the time. He was very senior and I knew he wouldn’t be with me forever, so I immortalized him in the book. Every quirk and bizarre behavior displayed by the fictional Bandy was lifted directly from my dear, sorely-missed friend. He slept at my feet for thousands of hours while I wrote that and other books, and his portrait and his ashes sit here beside me still.

MA: That’s a nice story. Being a dog lover myself, I’m glad you managed to find a place in your stories for Bandy to live on. So what’s next?

NW: I had thought I’d finished with this Serve and Protect series, but I’ve had a lot of readers ask for more. With the success the books are enjoying, I’ve had to rethink my position. So I’m slowly working away on another. However, with all the other projects I have on the go, it likely won’t be released soon. My principle focus will be on the YA paranormal collaborations. Though my partner and I tend to be slow in our original genres, we write very fast together, and hope to break through into that YA market. But we’ve also written what we think is a very strong dystopian romance for the adult market. Diversification without dilution – that’s the goal!

MA: Since you are a series writer – certainly with the Serve and Protect line – will you feature many of the same characters in future stories?

NW: I will definitely keep employing the current characters in secondary roles with future books. Readers love to get glimpses of the hero & heroine from the previous book. And because many of them are cops in the same station house, it’s easy to keep them involved. That said, each story stands very well on its own. You don’t really need to have read #1 & #2 to understand #3. I must say, I would love to someday write a recurring protagonist over several books, but as long as I’m writing romantic suspense with the emphasis on the romance, I’ll just have to keep trading them in for new characters and new chemistry.

MA: We follow the same philosophy about series and standalones. My Child Finder Trilogy flows from one book to the next, yet each can be read out of order as a standalone. I like that. Anything else you’d like to add?

NW: Only a huge thank you for having me! I’m very aware my stuff is somewhat … fluffier … than the usual fare in this very masculine lair! I’m kind of betwixt and between. Some romance readers might find my work a little too gritty and graphic, while your thriller-reading audience might find it a trifle soft. But I do think there’s crossover potential for both audiences. I’ve had quite a few men message me on Twitter or Facebook to tell me how much they enjoyed the stories and how well they do hold up against traditionally published authors. In fact, if any of your reader base take the plunge and read one or more of my stories, I would love to hear what they think on this point.

Again, thanks so much for having me!

MA: It was my pleasure. Thanks for guesting with me, Norah. I encourage my readers to visit Norah’s blog for more information about her stories: http://www.norahwilsonwrites.com/

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Oct 31

A Halloween Treat: “Wanted Undead or Alive” Authors Janice Gable Bashman and Jonathan Maberry Descend to the Child Finder Trilogy Blog

MIKE ANGLEY: No trick, just some treats this Halloween! I’m delighted to take a departure from my norm (fiction authors) and host Janice Gable Bashman and Jonathan Maberry today. They have co-authored a non-fiction book, WANTED UNDEAD OR ALIVE, an ideal topic for today. Let me introduce them first, then jump into the interview.

Janice Gable Bashman has written for THE BIG THRILL, NOVEL & SHORT STORY WRITER’S MARKET, THE WRITER, WILD RIVER REVIEW, and many others. She can be reached at www.janicegablebashman.com.

Jonathan Maberry is a NY Times bestseller, multiple Bram Stoker Award-winner and a writer for Marvel Comics. He has written a number of award-winning nonfiction books and novels on the paranormal and supernatural, including THE CRYPTOPEDIA, VAMPIRE UNIVERSE, THEY BITE, ZOMBIE CSU and PATIENT ZERO. He can be reached at www.jonathanmaberry.com.

MIKE ANGLEY: Tell us about your book.

JANICE GABLE BASHMAN: WANTED UNDEAD OR ALIVE deals with the struggle of good vs evil in film, comics, pop culture, world myth, literature, and the real world. Everything from vampire slayers to paranormal investigators to FBI serial-killer profilers. It includes interviews with folks like Stan Lee, Mike Mignola, Jason Aaron, Fred Van Lente, Peter Straub, Charlaine Harris and many more; and the book is fully illustrated by top horror, comics & fantasy artists.

JONATHAN MABERRY: Our book starts with good vs evil as a concept and then we chase it through philosophy, religion, politics, literature, art, film, comics, pop-culture and the real world. It’s such a complex topic, one that’s fundamental to all of our human experience, from evolution to the formation of tribes and society. We take a look at it historically, mythologically, in terms of storytelling from cave paintings to literature, we track it through pop culture and into our modern real world.
The book has a real sense of humor, too. We have fun with the topic as well as bringing a lot of information to the reader.
Plus the book is illustrated with forty black and white pieces and eight killer color plates. Artists like Chad Savage, Jacob Parmentier, Don Maitz, Francis Tsai, David Leri, Scott Grimando, Jason Beam, Alan F. Beck, Billy Tackett and more.

MIKE ANGLEY: Why did you decide to tackle the battle of good versus evil?

BASHMAN: The concept of good vs evil surrounds us. There’s just no avoiding it, and it’s been around for as long as man has walked the earth. Yet the definition of what’s good and what’s evil varies depending on who you’re asking—it’s not a black and white issue, so there are a whole slew of things to cover on the topic. In WANTED UNDEAD OR ALIVE, we tackle the whole good and evil idea in a fun and exciting way—through its presence in movies, books, comics, pop culture, and real life.

MABERRY: I’ve done four previous books on the supernatural but they mostly focused on the predators (VAMPIRE UNIVERSE, THE CRYPTOPEDIA, ZOMBIE CSU and THEY BITE—all available from Citadel Press). I wanted to wrap that series with a book based entirely on the good guys. Now that we know what’s out there in the dark, who are we gonna call?
Also, times have become tough lately. Wars, racial tension everywhere, religious tension everywhere, the economy in the toilet…it’s nice to shift focus from those things that frighten us and take a look at what is going to save our butts. And, yeah, the book doesn’t deal entirely with real world problems (after all, most of us aren’t like to have to fend off a vampire or werewolf!) but it’s reassuring to know that at no time in our vast and complex human experience has mankind ever said: “Screw it, the Big Bad is too big and too bad.” We always fight back, we always rise. That, more than anything, is the heart of this book.

MIKE ANGLEY: You delve into fiction, movies, and comics, and interview so many great people in the book. Sounds like a ton of research, yet the book’s a fun read. How do turn all that material into something so exciting?

BASHMAN: What’s not fun about talking about good and evil? Darth Vader vs Luke Skywalker. Buffy the Vampire Slayer vs vampires. Batman vs The Joker. Dracula vs Van Helsing. FBI profilers vs serial killers. Ghosts vs ghost hunters. It’s the ultimate showdown between opposing forces. We take a look at this concept from all angles and put it together in a manner that’s easy to read with lots of interviews, sidebars, and interesting facts. There’s something for everyone in WANTED UNDEAD OR ALIVE.

MABERRY: I’m a research junkie. I started out as a magazine writer and did a lot of that for a lot of years. I also wrote college textbooks that I wanted my students to not only read but ENJOY reading. That’s the challenge of writing for the mass market –you have to develop a set of instincts for what people want to know. At the same time you have to be able to craft what you write so that you can impart useful information in a digestible fashion, even with the notoriously short attention-span of the modern reader.
That said, having a Big Picture sensibility in the writing helps us to present the info in a way that is neither offense nor off-putting. Sometimes that means using a bit of snarky humor, and sometimes it’s taking off the disguise and allowing the reader to glimpse our own inner geeks. Once they know that we’re part of their crowd, the book becomes more of an act of sharing cool stuff with our peers than authors writing to a demographic. Much more fun.

MIKE ANGLEY: Vampires have been the subject of fiction and fantasy for many years, but what do you make of the current interest in them with such moves as the Twilight series?

BASHMAN: The enduring appeal of Vampires is one that seems to have no end. People are fascinated by beings that can live forever. The Twilight series moves that whole vampire idea into one that appeals to a generation of readers who want their vampires attractive and appealing. None of this bite your neck stuff and you become a nasty being. The idea of falling in love with a vampire, of being in love forever until the end of time, is one that many women (and men) find attractive. But what the interest in vampires really allows us do is to examine good vs evil in a way that is easily tolerated.

MABERRY: Vampires will always be popular, and there will always be new spins on them. Currently it’s the tween crowd with TWILIGHT and the urban fantasy crowd with Laurell K. Hamilton, L.A. Banks and that crowd. A few years ago it was Anne Rice, Stephen King and Chelsea Quinn Yarbrough. Before that it was Hammer Films, and so on. Vampires are changeable characters who represent our desires to transcend the limitations and natural crudities of human physical existence. They are, to the modern pop culture era, what the gods of Olympus were to the Greeks: admirable, larger than life characters that we can idealize, lust after, want to be, and be entertained by.
There has been a lot of unfair criticism about the TWILIGHT books and movies. I don’t play into that. Those movies and books have done immeasurable good for the vampire as a pop culture commodity. And a lot of people are getting massive career boosts as a result, even though they are some of the loudest critics.
A Big Picture way to look at it is, if the readers get tired of sparkly pretty-boy vampires, then they’ll go looking for nastier horror-based vampires. That’s already happening—hence books like THE STRAIN by Guillermo Del Toro and Chuck Hogan, and Justin Cronin’s THE PASSAGE. The so-called backlash is really just the process of people seeing one thing, deciding that it’s not for them, and seeking out something that’s a better fit. The contempt so many people throw at TWILIGHT is more than just snobbish, it’s ill-informed and short-sighted.

MIKE ANGLEY: How do you manage the writing process when there are two people writing one book?

BASHMAN: We each came into this project with our own strengths and that made it easy to decide who should tackle what part of the book. The most difficult aspect was finding one voice that worked for both writers so that the book read like one person wrote it. We accomplished this fairly easily, with some trial and error, since we had worked together on a number of articles in the past.

MABERRY: We also divided the book according to personal interest and existing knowledge base. I tackled stuff that played to my strengths –vampires, comics, pulp fiction, etc. Janice played to her strengths. She’s writing a book on thrillers, so she tackled serial killers, etc.
I agree that finding a single voice was a challenge. We’re different kinds of people and different kinds of writers, but now, even I have a hard time remembering who wrote what. Janice even picked up my smartass sense of humor—which means that I may have caused her some permanent damage. On the other hand, she’s an enormously disciplined writer, so I hope I picked up some good writing habits through osmosis.

MIKE ANGLEY: What’s the hardest part about writing a book with someone else? The easiest?

BASHMAN: I can honestly say that I didn’t find any aspect of writing the book with Jonathan difficult. It’s important have an open line of communication with your writing partner and a willingness to view things from your partner’s perspective. Otherwise, you run into the potential to butt heads on some matters. We both came into this project with the attitude that we’re writing a book together and we’re going to do what needs to be done to write the best possible book we can. When both partners have the same goal in mind and both share an excitement for the subject matter, it makes it pretty easy to co-author a book.

MABERRY: I agree…this was a fun, easy, fast and very rewarding process. It helps that we’re friends and have a lot of mutual respect. That goes a long damn way in making the book fun to write and (I hope) fun to read.

MIKE ANGLEY: What’s next for you guys?

BASHMAN: I’m finishing up a proposal for my next non-fiction book; it’s still under wraps so I can’t share the details at this time. I can say that dozens of key players are already on board for the project and it’s sure to be a fun one. I continue to write for various publications, and I’ll also be shopping a young adult novel shortly.

MABERRY: This has been my most productive year to date. Between novels, nonfiction books, short stories and comics (for Marvel), I’ve had something new coming out every month, and often multiple things coming out in a single week.
Next up is ROT & RUIN, my first young adult novel. It’s set fourteen years after the zombie apocalypse and kicks off a new series that will be released in hardcover by Simon & Schuster. Then I have my third Joe Ledger thriller, THE KING OF PLAGUES, hitting stores in March from St. Martins Griffin. I also have three mini-series from Marvel in the pipeline. MARVEL UNIVERSE VS THE PUNISHER is already running, and it’s a post-apocalyptic existentialist adventure. Very strange, even for me. Next up is BLACK PANTHER: KLAWS OF THE PANTHER, kicking off in October; and then in January we launch CAPTAIN AMERICA: HAIL HYDRA, a five-issue Marvel Event that follows Cap from World War II to present day. And my graphic novel, DOOMWAR, debuts in hardcover in October.
I’m currently writing DEAD OF NIGHT, a standalone zombie novel to be release by Griffin in June.
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Sep 24

Dual Pen Named Author Alice Griffiths AKA P.A. Wilson Swings by to Guest with Mike Angley

MA: I’m joined today by an author with two pen names, Alice Griffiths and P.A. Wilson (I think for interview purposes I’ll use Alice’s initials to mark your responses). Please tell us about you and what brought you to the writing world.

AG: I’ve been writing for decades but I have been seriously interested in publishing for the last few years. I think the catalyst for the change was National Novel Writing Month. In 2008 I happened upon the site and impulsively decided I could write a 50,000 word novel in 30 days. It didn’t matter that I’d taken years to write previous manuscripts. I could do this.

When I typed ‘the end’, I had completed 82,500 words and my first full manuscript. I put it away for a month and then started the process of revision and polish. By April, I’d entered it into a contest and by June, I had created an indie e-publishing company with a partner. Off Track was published December 23, 2009 and I had graduated from writer to author.

I write in two genres with a pen name for each. I write romances under the name Alice Griffiths, and gritty mystery thrillers under the name P.A. Wilson. At first, I thought the lines would be clear between the two genres, but that’s not what happened. My romances have elements of violence and my mysteries have elements of romance.

Now, I work as a project consultant and managing editor, and author, my days are full but never boring.

MA: Tell us more about your background before becoming a writer.

AG: In the professional world I am a project management consultant. I worked in the corporate world for more than thirty years before I decided to go it on my own. I have to say that I have less time to write now than I did before, but more energy when I do write.

I’ve been working on projects for more than ten years and I have to say it’s taught me more about writing than anything else in my past. I get to meet so many different people that I can use to fill out my characters. I use project management methodology to get started on writing a book. I figure out what I’m going to write, investigate what I’ll need to learn to write the first draft, and then I plan out the different scenes. Writing for me is building the story up in layers.

MA: I’ve met many authors who use a methodical approach such as this. One thriller writer I met is an engineer by degree, and takes a disciplined design approach to crafting his stories. Why fiction?

AG: I have tried to write short stories and poetry but I don’t seem to have the talent for that. I guess I’d say novels chose me, rather than the other way around. I like having some room to build in secondary plots and more detailed richness. In shorts you have to keep it clean and precise and I don’t have that skill. I admire people who do, because when I’m in the middle of the third revision pass and wondering if I’m contradicting something that happened 60 pages ago, it would be nice to have a short story to handle.

MA: Tell us about what you write…I’m struck by the fact you write in what would seem like two very different genres.

AG: I haven’t yet found a genre I can stick with. I guess my constant is that there’s a romance somewhere in the story and that lots of people die.

I’ve written a fantasy romance, Off Track by Alice Griffiths, and that was my first National Novel Writing Month book. It’s the story of a lawyer on the track to partnership who finds herself pulled into a magical world as the result of a prophecy. Along with her easy going assistant, Madeline has to accept that she needs to fulfill the prophecy and figure out what it is exactly she’s supposed to do. While that’s happening, she meets and falls in love with a knight who really wants to be something other than a knight.

My serial killer novel, Closing the Circle by P.A. Wilson, is currently under review with my business partner in PaperBoxBooks.com. In this story Felicity Armstrong is the focus of a brutal serial killer who has taken her religion, Wicca, and twisted it in to something evil. The killer stalks and kills her friends, leaving their bodies in prominent sites around San Francisco as Felicity works with FBI special agent Sam Barton to identify and stop the murders.

I’m working on two other books, and planning out my NaNoWriMo book for this November. One book is a thriller set in Vancouver BC with gangs, human trafficking and teen hookers. The other a YA science fiction story with three heroes who raise a rebellion to save the humans.

Then my NaNo book will be an Urban Fantasy with a wizard, Sidhe, and Raven. That’s about as far as I am in planning.

MA: Well, sounds like you are keeping very busy with all those projects! I’m almost afraid to ask how you approach character development since you have such a varied writing style.

AG: I develop characters though a process of discovery. For Madeline, I sketched her out physically and gave her a flaw – she finds it difficult to trust people – and then I started to write some back story for her. I wasn’t happy with the lack of depth when I was done and I turned to something that romance writers use all the time. I read her Tarot. It sounds flakey (or at least it did to me at first) but by doing the Tarot reading I was able to push aside my own personal preferences and dig into Madeline’s psyche. I had to interpret the cards based on what I knew about her.

It turns out that Madeline doesn’t trust easily because when she gives her word it’s for life. She has difficulty making commitments as well because she wants to know she’ll stick with any commitment. Interestingly, this brought forth a habit that I could use. Madeline is a dabbler in learning; she takes courses, does well but gets bored and leaves. This means when she’s in the magical world, she has a bit of grounding in a lot of skills she’ll need. She learned how to ride horses, but still needs the knight to help her get better, and she has taken some martial arts, etc.

Madeline is highly competent and learns quickly; this allows her to integrate quickly – and saves me and the reader from having to wade through her learning curve. She’s also accepting of differences so she doesn’t judge people on first glance.

Unfortunately, despite her external image, she’s not confident in her own skills and talents. She focuses on the fact that she is a lawyer and doesn’t have any understanding that the prophecy brought her to the magical land for something else.

MA: Who did you throw into the story to stand in Madeline’s way? Who’s the antagonist?

AG: Madeline faces two antagonists. Throughout the story she is facing her own demons and is convinced she won’t be able to fulfill the task she was brought there to complete. She is used to being in control and finds it almost impossible to go with the flow and trust that it will all work out – as everyone keeps telling her.

The final antagonist she faces at the end is the enemy who must be killed. He is a marauding creature who is going to destroy the people Madeline is aligned with in fulfillment of an ancient feud. Madeline hopes her task isn’t killing the villain, but worries that it is.

MA: Considering how prolific – and disciplined – you seem to be with your writing, what are your future plans? Any sequels?

AG: I would like to be able to produce two books a year – I am certain I can do a first draft in a month other then November but I haven’t yet been able to prove it.

I also want to write a series, or a trilogy. I am fascinated by the idea of such a sweeping story and I want to explore the process.

The book set in Vancouver BC has always been a series concept. I need to finish this first story and then I already have a germ of an idea for the next one. I think the trick is going to be planting the seeds of the second book into the first, a great new challenge.

MA: Is there any particular challenge for you in writing?

AG: I find writing the romance difficult. The saving grace for me up to now is that the romance has been the secondary plot – important but can be dealt with in revision. I tend to write the story and clumsily insert the romance in the first draft and then thread it back into the story during the first revision pass.

And, my writing group will tell you I am not good with description. I have settings all worked out but I have difficulty putting it on the page. I have learned to insert some setting in as I go along and then each revision pass has a note – add description.

MA: Thanks, Alice, er, P.A.  Folks, please visit Alice Griffiths at: http://www.alicegriffiths.ca/, and visit P.A. Wilson at: http://www.pawilson.ca/

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Aug 06

Mary Slaby, Writing as Molly Roe, Pays a Visit to Mike Angley’s Website

MA: I’m delighted to introduce today’s guest-blogger, Mary Slaby (AKA Molly Roe), who hails from the same neck of the woods where I grew up: northeastern Pennsylvania. Mary’s stories use this region as their setting, and weave aspects of the local history and culture into their plots. I am intrigued by her focus on the Molly Maguires, a group if Irish immigrants in the early coal mining days of Pennsylvania’s history. The Molly Maguires fought for better treatment of the Irish community, sometimes using violence as a means of making that happen. My father was a coal miner in this region when he was a young man in the 1940s, and occasionally after a pint or two of ale, he’d spin a tale about the Mollies and the last remnants of the group he ran with back in those days. I was always fascinated by this history – a living history for my dad — so having Mary Slaby visit me and guest-blog about her writing is such a treat. Mary, thanks for coming by. Tell us about your background.

MR: I’ve lived most of my life in Pennsylvania, only about 60 miles from where my ancestors settled when coming to this country from Ireland during the 1840s and ‘50s. I had a wonderful childhood, growing up with an extended family in the old homestead. My husband John grew up in the same home town, but we did not meet each other until college. I attended Immaculata College and Penn State University as an undergrad, then Wilkes and Temple for graduate school. I’m currently a reading and language arts teacher at Lake-Lehman School Junior-Senior High School near Harveys Lake, PA. Read More

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Mar 24

Mary Deal Pens Great Writing Advice: “When I’m Stuck”

Let it be known that I never have the dreaded writer’s block. But sometimes I do get stuck. It may be from working on too many projects at once.

I usually work on more projects than I can complete, though my main focus is on one or two at a time. When I’m stuck I play a trick on my mind. I begin working on a different project. Seems my mind can’t help throwing out random bits and pieces of information for lots of different stories. So all I have to do is work on something else and what I need for the story I prefer to work on then comes to mind.

When I’m stuck writing anything to do with a character – maybe dialogue – I stand in front of a mirror—have one right beside my desk— and practice the gestalt of the character’s situation. That is, I speak the dialogue to myself in the mirror until I sound like the character. It also helps to gesture like the character when I speak. Then I include those words and gestures verbatim in the story. Including those mannerisms, too, enhances the character’s personality because I can actually see my character in the scene as I act out his or her part.

If anyone were to watch me and not understand, they would think me nuts!

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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