Tag Archives: Finder

Dec 28

Mary Deal Writes About “Scene Changes” On The Child Finder Trilogy

A scene ends when the action ends or the conversation can add no more to that part of the story. Maybe one scene is in the grocery store; the next scene is outside on the docks. Usually when a huge shift in location happens, you begin a new chapter.

(Don’t try to write a sequel to “My Dinner with Andre” which happened totally in one scene at the dinner table. It’s been done and was successful because the actors were good.)

When you end a scene, leave the reader wondering what could happen next and wanting to read further. It’s called a cliff hanger. Leave something unfinished, like a threat of action yet to happen and we can see one character gearing up to do some dirty work. The reader wonders what could possible happen next? And so they keep turning pages. Read More

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Dec 21

“Sleep & Creativity” By Mary Deal…Another Great Article On The Child Finder Trilogy

Want to wake in the morning with more creativity? Then pay attention to what’s on your mind when you fall asleep.

Research has proven that the mind uses its most recent daytime images and thoughts to create dreams. So, too, the mind produces the mood with which you wake after sleeping. Read More

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Dec 14

“Talk Uppity” An Article Contributed To The Child Finder Trilogy By Mary Deal

I grew up among middle-class everyday folk. Language was one thing that separated groups of people as I had come to know them. When I was young, every once in a while I’d hear someone say, “Oh my! She talks so uppity!” Read More

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Dec 07

“Repetition Offends Your Reader” Let Me Repeat, Okay, You Get the Point! Another Writing Advice Article By Mary Deal

When descriptive words are used repetitively in writing, it makes the reader wonder why they have to be told something they’ve already learned earlier in the story. Repetition can kill your reader’s interest. Read More

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Jul 22

Shelley Workinger Guests with Mike Angley

MA: I’m joined today by author Shelley Workinger. Shelley was born in Maine, educated in New Orleans, currently resides in New Jersey, and considers all of them home. She’s here to talk about her latest release, Settling. She has a few websites I want to recommend my readers check out where you can discover more about her and her novel series.
http://www.solidnovel.com
http://www.facebook.com/SolidNovel
http://twitter.com/SolidNovel
http://bookfare.blogspot.com

What did you do before jumping into the world of writing?
SW: I graduated magna cum laude from Loyola double-majoring in English and Sociology – majors I initially chose to avoid math, which I detested and thankfully placed out of. However, I ended up running a small real estate office and doing all of the accounting – a job I actually loved. What I love even more is how many people think they know everything about the world, when most of us don’t even know our own selves.
MA: With a degree in English, I imagine you had a burning passion to write someday…was this a path you set out to be on some day?
SW: I would never have chosen this path! For me, writing is all-consuming; I can’t sleep, I lose interest in eating, and I can’t quiet my mind enough to ever relax. But the idea behind the “Solid” series was one I couldn’t let go of, and that, combined with my concern that early teens become so overwhelmed with required reading that many lose the love of leisure entirely, made me sit down and expand my idea into a fun, fast read that would be approachable for reluctant readers.
*In choosing to write to the tween age group, I also committed to keeping “Solid” clean – i.e., no drugs, cursing, sex, or gratuitous violence – and I’ve been commended by sites like Reading Teen and Litland for doing so.
MA: What’s your elevator pitch?
SW: The briefest synopsis is: Teens who discover they were secretly genetically altered before birth are brought together at a classified site where they forge new friendships, find love, develop “super-abilities,” and even unearth a conspiracy.
Many readers have called it an “X-men” for girls, focusing more on the relationships than the superpowers.
MA: Probably a good thing you didn’t call it “X-Girls,” then! How did you go about creating your characters?
SW: I began with a tagline – What if you discovered you were the product of a secret government experiment? – and then looked at my premise through the eyes of a 17-year-old girl to create what I felt would be a natural reaction/path.
The second layer to developing Clio’s character was my concern for her actual character values; as a mother of small children and a product of American society, I had a few “requirements” for a female character I’d introduce to young readers:

1. She had to eat real food. (No dieting, unhealthy body issues.)
2. Her life would not revolve a boy. (There is a romantic interest, but Clio can function without him.)
3. She *gasp* had to have a great relationship with her mother. (Specifically, a mutual respect.)
MA: Those seem like healthy traits, so what are Clio’s strengths and weaknesses?
SW: I believe her biggest strength is her weakness – that she is not worldly and experienced, so her actions and reactions are real and relatable. She makes mistakes, she sometimes trusts too easily, but she learns from them.
MA: And does she have to do battle with any particular bad guys or girls?
SW: There isn’t one antagonist per se; it’s really the unknown that challenges the characters. They’re trying to find answers without even knowing where to begin; the revelation of the experiment done on them before birth not only throws their entire pasts into question, but they can no longer even be sure of their own bodies. There are also “bad guys,” but the self-discovery is the bigger hurdle in book one. (There’s a killer on campus in book two, but that has not been released yet.)
MA: I understand you were a military brat (raising three of my own!). Did that experience inform your writing?
SW: My father was a career Army officer, but not in the traditional sense – we never moved. I absolutely romanticized the life of the constantly-moving Army brat since I didn’t get to experience it, so my characters are “living the dream” in that sense.
MA: So what’s next?
SW: I have two very different ideas (from “Solid” and from each other) – a futuristic dystopian YA novel and a football-related horror for adults – but I can’t put any time into those until “Solid” is complete.
MA: I am currently waiting for the release of my third novel, Child Finder: Revelation, so I know what its’ like to write a series. I assume many of your characters migrate from book to book?
SW: Clio and her circle are the whole basis for the “Solid” series, so all of the books will revolve around them. As their “world” continues to grow, new people do come in and/or take on larger roles – book two brings in four new characters, and book three will add at least that many more. I also initially only planned this to be a trilogy, but as I work through book three, I’m starting to think I may have to write a prequel to tie up some loose ends. I’ve also just decided to re-release a slightly-extended version of “Solid” at the same time “Settling” comes out, so I’m working furiously to put that together!
MA: It sounds like you are busy – a good thing to be! Thanks for stopping by to visit with me today and for telling us all about your stories.
SW: Thank you so much for your interest in “Solid” and giving me the opportunity to speak with your blog followers; I know we all have dozens of books on our TBR lists and I am so appreciative for your consideration of mine!
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Jun 20

Bestselling Thriller Author, Karna Small Bodman, LOVED Child Finder: Revelation!

“I loved this riveting book! It’s a stay-up-all-night read that will keep your heart pumping!” —Karna Small Bodman, Former Senior Director of the National Security Council in the Reagan White House and author of bestselling international thrillers, to include her … Read More

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Jun 02

First Formal Review of “Child Finder: Revelation” by Joyce Faulkner, President of the Military Writers Society of America (MWSA)

Child Finder: Revelation, the third in award-winning novelist Mike Angley’s Child Finder Trilogy, lives up the promise of its two predecessors and then trots another mile down the road. Back are the protagonists readers have come to know and love―synesthetic psychic Pat O’Donnell and family, John Helmsley, General Swank, and Woody Davis. This time, the good-guy cast includes such luminaries as the President of the United States and the Pope. The antagonists aren’t just any old kidnappers or run of the mill psychopaths. Lurking stage left is North Korea’s Dear Leader and his minions. At stake are the lives of two precocious, psychic little girls―twin daughters of the US Ambassador to South Korea.
Like Angley’s prior volumes, Revelation is filled with secrets―codes, equipment, paint, airplanes, weapons, abilities, and adventures. The characters are both tough and sensitive. Their stories explore the usual thriller theme―good and evil. Their battles are cataclysmic, their issues primeval. It’s the stuff of superhero action movies with dark undertones.
Don’t let the drama fool you.
Angley’s story explores politics and religion with the same sense of fun and what’s-under-the-lid excitement as Steven Spielberg did with Close Encounters of the Third Kind and E.T. Who are these girls? Why do they matter so much that the President is willing to risk Pat―an important resource for the US (and all mankind)? Why do they matter so much that the Vatican gets involved? They are so cute, so sweet―so adorable. But they are just little girls―aren’t they?
Readers are seldom treated to such a clever, thoughtful and intriguing tale. The suspense takes two forms―action and philosophy. I mean it―philosophy. Not just the who, what, when and where of things, but the why. For those of us who seldom go through a day without pondering the mysteries of life, Angley’s sojourn into alternate possibilities is delightful. In particular, I love the short discussion about fiction toward the end of the piece. I have always found fiction to be the more eloquent genre―because the author is free to interpret his message―and to offer his version of the world to the reader as entertainment. Angley’s coy suggestion that the classified Level 4 secrets revealed to Pat O’Donnell are really true makes the reader chuckle but five minutes after finishing the book, persistent thoughts tease the cerebellum like feathers tickle the nose. Could it be? Let’s see what Google does say about The Speech of the Unknown….Hmmm. Read More

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Apr 29

Eric Hoeffer Award Finalist, Steven Nedelton, Guests with Mike Angley

MA: Help me welcome my newest guest, Steven Nedelton. Steve is a professional engineer, but most of his life he dabbled in arts. For example, he likes to paint in oils. He lived for a while in several countries outside of the U.S. and was born in the Balkans. Steve lived and worked all over the U.S., from the Washington and California coasts to Arizona, Pennsylvania, New Jersey and North Carolina. He started reading when he was ten after beginning to receive books as birthday gifts. Those included Tom Sawyer, then a year later, The Three Musketeers, and so on. At first, it was hard for him to concentrate, in fact, he hated reading. But then, gradually, he began to love good novels. Zane Grey became one of his favorite writers. He still remembers how he got the lunch money from his grandmother and spent it on books about cowboys and Indians, and the Wild West.
That’s a very colorful life and background you’ve had! You mentioned dabbling in the arts and having a love of reading, so it sounds like a natural progression to writing.
SN: Way back in my early teens, together with a few of my school chums, I began writing short stories. There’s no doubt that Tom Sawyer, The Three Musketeers and the various pirate novels were the principal contributors to our writing affliction. Also, the principal cause of all my later accompanying woes. But, aside from those early literary misadventures, and a lot of reading since, my first serious involvement with English Literature happened in my college English 102 and the subsequent course, Advanced Creative Writing. It was a true miracle that I managed to get through those two classes with A’s, and even to this very day, I am convinced that my professor was one crafty yet friendly soul. I guess, my feeble pretenses to understand Shakespeare warned him I wasn’t the material for a future scribbler. Thus my English Literature marks, A or F, were quite inconsequential. And his conclusion was natural, I was studying how to become an engineer, not how to write another War and Peace

From then on, my writing was, one might say, ‘placed on hold.’ A lot of occasional reads, but not much else until a decade ago. It was then that that sordid writing affliction got sort of reawakened within me, and the desire to become a writer was reborn too. And so, finally, after all those years, I chained myself to my laptop, and began writing again. I worked very hard while braving various virus attacks and rejection e-mails from a multitude of publishers and agents.

MA: Given your penchant for writing short stories as a teen, how did you come about writing novels?

SN: That is an interesting question. Early on, in my teens, I dreamed of writing a top short story. Much later, after reading a number of novels, I decided that short stories were not for me. Mostly because avid readers loved novels. I felt it was in my best interest to stay away from short stories and proceed with novels. There I could fit in my interest in thrillers–suspense and crime, the genre that was my true love and I knew I could do it well.

MA: You and I share a few writing things in common. My Child Finder Trilogy is a thriller series with paranormal elements which some of your books have also featured.

SN: I write fiction based on partly true events and characters. My novels deal with infamous criminals, espionage, and extrasensory perception tied together with unusual and extraordinary action. Basically, I write about anything that will make the reader interested in the story. I don’t specialize in any genre; I try to write about life in general. My stories cover local and international events. Also the events I have lived through and been a part of. Mixing fiction with fact makes readers believe in my stories.

For example, Crossroads is a thriller/suspense based on extrasensory and the action takes place in the US, Russia and France. The principal character is a U.S. agent assigned to lead a group of men with very special gifts like claivoyance, remote viewing–the ESP. The inspiration came from a sentence found in a major newspaper in the early 90s. The story is far more than espionage, James Bond like flick. It deals with several countries and characters with their ethnic peculiarities.

The inspiration for The Raven Affair came from the news too. In this case I had already heard quite a lot about one particularly infamous criminal involved in genocide who was finally being prosecuted in California. I thought that I could write a story that would be far more interesting than a description of his hideous exploits alone. I decided to add a number of fictitious characters and a number of fictiotious events. The title of this book was based on its central character, the hit man known as ‘Raven’ who, as a child, witnessed the horrors of genocide and decided to revenge his family. But the stories included in this book are far more interesting than the criminals and, of course, I’ve used my imagination to make them believable.

Both books were reviewed by the top country reviewers like the Midwest Book Review, The US Review of books, Apex, etc. I just received a note from the “Eric Hoffer Award” representative advising me that The Raven Affair is “Da Vinci Eye Finalist” and an “Eric Hoffer Award” finalist.” I feel that it is a great achievement for my novels.

Fear! is my next book that I hope to have it released soon. It is a sort of a historical biography. And, I am presently working on my third thriller, Tunnel.
MA: Congratulations on the book award accomplishments! Those are two excellent and prestigious selections. Tell us how you approach the development of your characters.
SN: I develop my characters through events. I let them speak, act, and from their actions and dialogs one can get the feel for the character’s strengths or weaknesses. For example, in The Raven Affair, the hero (the hit man Raven) has the criminal in the gun sights and yet he does not shoot him. He lets him live so that the people’s courts can judge him for his hideous crimes.

MA: A hit man protagonist! Tell us more about him.
SN: Raven is a very determined man. He is ready to sacrifice his life yet, occasionally, he is cold and detached, disinterested in other people feelings.

MA: I take it with these standalone novels that you do not migrate any of the characters over to other novels, or do you?

SN: I don’t have a recurring character in my novels as yet. Each of my novels is a completely different story with different characters, with one exception. I am developing the use of a character from Crossroads. This is still in a developmental stage and I am not yet set on other characters and their interaction. I can assure you that he will be used in the most interesting way.

MA: Given your travels in life, have any of your experiences outside the United States inspired your writing?

SN: Yes, I lived in several countries, England and France for example. I dealt with various people there and although people are pretty similar everywhere, there are ethnic peculiarities that one needs to experience in order to portray a character properly in a story.

MA: Where can people learn more about your stories and purchase your books?

SN: My books are available in print and e-book formats on Amazon, Barnes and Noble, Fictionwise.com, etc. They can be accessed directly from my web site: http://snedelton.com.

MA: Thanks, Steve!
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Jan 14

A Return Visit by Rocky Mountain Writer, Linda Faulkner

MA: I’m pleased today to welcome back a fellow Rocky Mountain author as my guest-blogger, Linda M. Faulkner. Linda first “guested” with me on January 29, 2010, just about one year ago. During that interview, she talked about her mystery novel, Second Time Around. When you finish reading today’s blog star with Linda, I’d encourage you to go back and read the first interview I did with her: Fellow Rocky Mountain Mystery Writer Linda Faulkner Rappels Down To The Child Finder Trilogy

Linda has written both fiction and non-fiction. She also pens a column, Business Sense, in The Weekender, a monthly entertainment newspaper (Orlando, FL) and articles for both regional and national magazines such as Three Rivers Lifestyle and Rough Notes. A tremendous body of Linda’s work appears in the insurance industry, where she has developed, written, and instructed numerous continuing education workshops and seminars. Visit Linda’s web site at: http://www.lindamfaulkner.com.

Your first published novel was a mystery. What prompted you to write a non-fiction business book?

LF: Actually it was a combination of two things. I’d been doing a significant amount of freelance writing in the insurance industry and it seemed an extension of that. Also, my husband (who loves gory science fiction movies and TV series but believes fiction will rot your brain) suggested it. Between my freelance writing and the fact that I’d founded several businesses, he felt I was more “qualified” to write business books than fiction. It sounded like a good idea, so I tried it.

MA: How is writing non-fiction different from writing fiction? You don’t get to make up stuff, do you?

LF: Actually, writing non-fiction has seriously improved my fiction—for several reasons. First, because non-fiction needs to be tighter than fiction, and because it’s not jazzed up with dialogue, it’s essential to use words that will make the greatest impact. Using those skills is definitely transferrable.

Having said that, the rules of grammar and punctuation and spelling don’t change with the genre. Neither do the rules of outlining and plotting, although it’s MUCH easier to outline (or plot) a non-fiction book. When I analyzed exactly how I outlined in non-fiction, and applied the technique to my fiction, it actually made the process easier!

And as far as making stuff up goes, sure you can make stuff up. You just can’t change facts or figures or statistics. I tend to teach by using examples and, while most of the examples I use in my business book are true stories, some of them are … fiction.

MA: Can writers benefit from the lessons in Taking the Mystery Out of Business?

LF: Absolutely! Writers are independent business people. They’re responsible for marketing, sales, building and retaining relationships, customer attention, and all the other things that people who have “real” jobs have to do.

MA: Well, Linda. I know you have a plane to catch, so we need to cut this off here, but I wanted to thank you for joining us today. Once again, Linda’s website is: www.lindafaulkner.com. Read More

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