My guest today is Margie Church, AKA Churchlady, author of romance/thriller novels with “SASS.” She tells me that stands for Suspense, Angst, Seductive Sizzle. Margie is a married mom of two children, and a Minnesota native. He writing career began early when she published in “McCall’s Magazine” in the sixth grade. Margie describes her professions as a mother and author whose guilty pleasures are great beer, real vanilla ice cream, and lobster. I couldn’t agree more with that list! Read More
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MA: My guest today is Susan Whitfield, a life-long resident of North Carolina and the author of the Logan Hunter Mystery series. She also authored a unique cookbook, Killer Recipes, after inviting many mystery writers across the country to submit recipes in exchange for publicity. She lives in eastern North Carolina with her husband and near her two sons. Susan, welcome! Please tell me a little bit about your professional or personal background.
SW: I taught English for 13 years and moved into high school administration once I completed my doctorate. I retired in 2005 after a 30-year career.
MA: I see, so I take it writing has been a part of your life for some time?
SW: I have been writing since I was a child and actually still have a 40-page outline I wrote in high school. I never wrote that book, but thought about it for years. When I finally got serious about writing a novel in 2004, I decided to start fresh.
MA: I dabbled in short stories and poetry in high school. My short stories seemed well-received back then, but my poetry…not so much! Tell us about your novels.
SW: I wrote Genesis Beach about a strong woman whose name is Logan. She’s over 6 feet tall, determined, and doesn’t take any crap. Her first murder case was on the Crystal Coast of North Carolina. I have to admit I liked her so much, I started Just North of Luck before I finished Genesis Beach. I set that novel in the Blue Ridge Mountains, because by that time I’d decided that this would be a series of books, all set somewhere in the state I love. Hell Swamp took Logan and me back to where I grew up along Black River. The most recent book, Sin Creek, is set along the Cape Fear River at Wilmington, where I cruised as a teenager. My publisher is L&L Dreamspell, based in Houston, Texas. They are in the process of printing a second edition of Genesis Beach, which was previously self-published. I look forward to seeing the new edition.
MA: You’ve received some excellent reviews, and I thank you for bringing them to the interview. I have them posted at the end of our interview, and I encourage my readers to look over them all. Now, I am burning with curiosity about Logan. Tell us more about how you crafted this woman.
SW: That’s a great question. I physically patterned her after a super tall, rail thin literary agent I’d met. I wanted her to be smart, quirky, determined and have a little baggage she carries around with her. Fans of the series say Logan shows her “human-ness” when she makes mistakes or blurts out occasional profanity. She does manage to solve her own problems though, and I admire that.
MA: You told me that you really imbued in her genuine human traits, strengths and weaknesses. Tell us about them.
SW: Logan is intelligent and determined to be the best investigator on the force. She does make mistakes in judgment occasionally, but as I’ve said, she works everything out and gets the bad guys to boot. She is a loyal friend, tries to be a good daughter to a demanding mother, and has no life outside the North Carolina State Bureau of Investigation. She basically works 24/7. She has no love life at all in Genesis Beach. Perhaps that’s because she was a victim of date rape in high school. In Genesis Beach, she has sleep terrors and eventually realizes she may have been molested as a toddler. I love the way she deals with this problem near the end of the book.
MA: While Logan is a constant in the series, what about her antagonists? Do you have a returning, pesky nemesis she must contend with?
SW: While Logan remains a tough and more experienced agent throughout the series and some of the Genesis Beach characters move along with her, the cast of villains changes with each book. For example in Just North of Luck, Logan chases a serial killer who is targeting teachers. In Hell Swamp, deer hunters are prime suspects, and Sin Creek takes Logan into the porn industry, quite uncomfortable for her and for me.
MA: Any of your real life in your stories?
SW: Yes, there’s a little real life in each book, but I’ve never been involved in porn. LOL. I’d rather let readers try to figure out what came from my personal experience.
MA: Fair enough. So what’s next?
SW: Currently I’m writing a non-series book entitled The Goose Parade of Old Dickeywood. It’s about two middle-aged women with weight, marital, and health problems. I do plan to write more Logan Hunter though. My fans have already chewed me out for trying something else. They love Logan as much as I do. Isn’t that a wonderful compliment?
MA: That’s a fantastic compliment and a great affirmation of your work. Besides Logan, will you carry other Logan Hunter characters over to new stories?
SW: Pepper Ellis, a chef, is in three of the four books. I’ve thought about building a book around her, but Logan won’t leave me alone. I also like Taryn Kosterman, an artist, very much and she’s a colorful character, but not sure I’ll build a book around her either. I’ll probably continue with Logan and have them tag along for support and adventures.
MA: Will you ever write anything other than the mystery genre?
SW: I have plans to write an historical novel about an ancestor of mine, a Knight of the Bath. I’ve already started research but I know it will be a while before I get to it. That will be my biggest challenge yet.
MA: Where can readers learn more about you?
SW: I have a web site at www.susanwhitfieldonline.com and there’s a PayPal account for those who want to purchase books there. I also blog and interview authors and industry experts at www.susanwhitfield.blogspot.com
MA: Susan, thank you for guesting with me today. I encourage my readers to visit Susan’s websites and stick around to read her wonderful book reviews that follow.
Susan Whitfield Book Reviews
~~Just North of Luck–Whitfield’s excellent writing skills transport you into a hellish movie from which you cannot close your eyes, even through the most gruesome and scary scenes. Whitfield’s skill at “expectation and reversal” will leave you saying “OMG!” at the unexpected ending. Excellent read. Bravo Susan. This second book is most definitely a must-read.
~~Hell Swamp– I could just about feel the humidity and almost taste the vinegar-based barbeque. And her usage of colloquialisms (expressions such as “dang nabbit” or “dadgum”, and “yonder”) are scattered perfectly. Logan, the protagonist, is tough and competent, yet feminine, romantic and vulnerable. And the supporting cast of colorful characters literally leaps off the page. One’s body is described as “a corpse of corn”, another has a “navel mouth”, and yet another has “piranha teeth and a nose like a bull’s hairy gonad”. Someone grins ”like a mule eating briars”. Whoa! Is that vivid imagery or what? We’ve got a well-written, suspenseful mystery with a likeable protagonist, vivid imagery, a taste of horror, a little tongue-in-cheek humor and even romance. What’s not to like?
~~Hell Swamp solidifies Whitfield’s status as a true master of mystery. Her prose is tight and engaging, and her suspenseful writing style leaves the reader no choice but to turn page after page in anticipation of the latest unexpected twist. Followers of Susan Whitfield will surely not be disappointed with her latest effort, and it will most certainly be successful in drawing even greater numbers to her ever-growing fan base. An enjoyable, recommended read.
~~Hell Swamp–Peculiarities abound as you meet the suspects. Whitfield has drawn a cast of characters from ‘down by the Black River’ that rings delightfully true, scary and injected with just enough humor to make HELL SWAMP stand out from the pack. Read this book. It’s a good ‘un.
~~Sin Creek-I’ve followed SBI Agent Logan Hunter as she tracked down killers in Genesis Beach, Just North of Luck, Hell Swamp and now in Sin Creek. Author Susan Whitfield has created an amazingly `normal’ character with Hunter. She has feelings and isn’t afraid to cry, she takes on danger and doesn’t mind showing her fears, but when she takes on the world of porn, she shows a caring side that has been glimpsed in all of her stories but with more strength than ever in Sin Creek. Read Sin Creek as a book of murder and suspense but also read it as a book that opens your eyes to the problems our young adults are faced with, where these problems can take them and what the end results can be. It opened my eyes and I believe it will yours too. It has helped to educate me to the underworld of the Internet.
~~Sin Creek follows Logan Hunter’s murder investigation of college student, Maeve Smoltz, through many twists and turns as she sifts through a college town chock full of colorful and morally shallow characters, all with something to hide. This includes the victim herself, not innocent at all.
~~Whitfield offers a strong commentary on some of the dangers of college life. Her character, Logan Hunter, gives a strong telling of the story from the initial meeting with the dead girl’s parents to ending up on “The Fearless Ferry,” a happening spot that would bring shivers to any parent with a kid in college. Lickety-split pace and effective descriptions give the reader the feeling that they are conducting the investigation right along with Logan. If you’re a fan of mysteries, this one is guaranteed not to disappoint. If Mystery’s not your genre, make an exception with Sin Creek. Like the Cyclone at Coney Island, Sin Creek is gripping and intense, yet an enjoyable ride.
~~Sin Creek, new in the Logan Hunter mystery series by Susan Whitfield, is an eye-opener and a heart-breaker, but with the sweetest redeeming ending. Having had a long-standing friendship with a detective, when reading Sin Creek, I felt a sense of déjà vu about events I know to be true. These foul crimes do exist and are proliferating all over the world, both promoted by and brought to law enforcement attention by the Internet. Whitfield portrays the underpinnings of one man’s vile world of pornography with researched accuracy. Though this story is fiction, the very same types of exploitation continue to happen and escalate. If you never understood how lewd and dangerous the world of porn is, read Sin Creek. It’s fiction but true to life. It’ll make you shudder.
MA: I’d like to welcome today’s guest blogger, K. Sawyer Paul. Mr. Sawyer is the author of the novel, No Chinook. Please tell us about you and your writing.
KSP: I think my first few stories were all plagiarisms and remixes. When I was in junior high and high school, I’m not sure I had a single original thought. I’d take characters, stories, and plots from various books and movies and video games that I’d enjoyed and play with them in different environments. It was basically the equivalent to playing with action figures from different cartoons. I didn’t know why I wrote, but I always had it in my head that I could write well if I just stuck at it for long enough. You know, the idea that perspiration would eventually lead to inspiration. So I wrote a lot. I wrote a short novella in high school, printed it out, and sold it for a couple of bucks. I sold it for a dollar if the person wanted it on a CD. I basically had my first ebook in 2000, in the form of a Word 98 file. I went to the University of Toronto and decided to take professional writing as a minor. It was a great experience, and it taught me many things about what not to do. I felt I was a little allergic to preconceived ideas of success in writing, especially Canadian writing, where the expectation is that you’ll never really make any money and you sort of make people suffer through your work. I’m very against that. If my story isn’t gripping, put it down, you know? There’s more books being published every year than anyone could ever read. Why waste time if you’re not enjoying it?
MA: Well, amen to that! Why did you choose to write short novels?
KSP: I write short novels, because I don’t like to waste people’s time, but I like novels because even if they’re short, they feel like an accomplishment to read and write. I generally hit the 50 or 60 thousand word mark in the first draft, then cut it down to 45 or so. That makes for a 200-220 page book, which I think is enough. I’m a big fan of not wasting time, wasting words. I’m a big fan of Cormac McCarthy’s style in that respect, where he purposefully leaves out areas of his stories that really could use a sweeping emotional explanation. Hemmingway, too. I like that I can go back and read A Farewell to Arms or Francis Macomber and I’m done in a weekend and better for it. There’s something really crisp and biting about a terse novel.
MA: How did you approach your two novels?
KSP: I made a really set decision when I started writing Everything We Haven’t Lost and then No Chinook to never get unbelievable, so I write about relationships because I think I know my way around them pretty well. So you can say I do romance, but if you read my books you know they’re not typical romances. The fight scenes are uglier. The sex scenes are rougher. The dialogue that connects the exposition seems pulled from real people. At least, I’d like to think so. That’s what people tell me. I want it to feel like you’re actually peering in on a real conversation between real people in a contemporary setting, and while these people are adults they still have emotional hiccups and can really hurt one another.
MA: Tell us about your hero in No Chinook.
KSP: With No Chinook, I developed Scott out of how I saw myself out of the kind of guy I saw a lot of at college: someone who’s grown in every way, but still has a few hang-ups regarding his scars. He’s not a finished adult yet, and No Chinook is in many ways him working his way out of that. So Scott is still hung up over a girl from high school, and he thinks he’s over it until she comes back into his life and they sleep together. What’s interesting about Scott is he sees how immature this girl is, and still can’t eject himself from the drama, because he’s fighting the urges of his younger self.
MA: What should we know about Scott? What makes him strong, and what makes him weak, if at all?
KSP: Scott’s big strength is that he’s a truly nice guy, who’s capable of going a long way for a friend, a lover, and even an ex-lover. His weakness is pretty well as I said above, his inability to really break free of a toxic situation. The relationship he has with Shawn is pretty toxic, and the only way he’s really capable of breaking free is by removing the love he has for this man and just using him. Basically, by figuring out how to cure himself of his biggest weakness, he has to rid himself of his greatest strength. That might seem like a convenient plot progression, but I don’t know that I’ve ever even thought of it that way until recently, now that the book has been out for two years.
MA: Interesting. And what about an antagonist?
KSP: Kate, Scott’s girl from the past, is definitely the antagonist. She’s in many ways Scott’s Tyler Durden or Ferris Bueller, a free character that helps him out of his shell. But she also crushes him over and over. Also, she never reveals where she works. Would you date someone who kept their job from you?
MA: Uh, oh…do I detect an old flame influencing the “bad girl” in No Chinook?
KSP: Yeah, there was definitely a girl I was into who didn’t like me back. But who doesn’t have that? I tapped into other people’s stories more than my own, and built conversation after conversation on the pain of my friends and colleagues. It’s a writer’s job, I think, to plaster those sorts of things together, to make sense of it.
MA: Since No Chinook has been out for two years now, what’s next on your plate?
KSP: I sent my next novel off to my editor just recently. The editorial process always takes longer than you want it to, but it’s in the pipeline. It’s called A Record Year For Rainfall. It’s about a paparazzi and a celebrity blogger who live in Las Vegas. I’m a big fan of Las Vegas, but I’m young so I’ve only ever seen the modernized Disney-like Vegas, so my characters exist in it, in 2006. It’s still sleazy, but there’s all these ironic angles where it’s family friendly now. But there’s still girls in sexy outfits everywhere, and celebrities still go there to go crazy. It’s a fun book that’s about trying to escape yourself and the things you love but not really being able to. There’s a lot of comedic violence and sex and there’s a gay governor and I think people will think the book is a lot of fun.
MA: Are your novels all standalone types, or will you write using some of the same characters in the future?
KSP: There aren’t any continuations of character, but A Record Year For Rainfall and No Chinook definitely exist in the same “universe.” You can think of it like the Kevin Smith movies or Final Fantasy video games, where there’s a new cast, but there’s a lot of familiar aspects. In Rainfall, you’ll find that Bret, the main character, used to work at a job that he’s not allowed to talk about. It’s the same place Kate from No Chinook works, but that’s not obvious from reading either book necessarily. To sum up, I guess: I don’t do sequels, but I do enjoy planting Easter eggs.
MA: I happen to love Easter eggs J. Is there anything else you’d like to add?
KSP: I think I want to talk about publishing here. There isn’t any stigma in being an independent graphic artist, an indie band, an independent charity, an independent chef, or almost any other art form or business. Lawyers go into business for themselves all the time. Doctors open up their own private practices. Soon, in less than ten years, people will absolutely not care who published your book. I don’t think readers care who published your book now. If you design a book properly, if you edit it professionally, if the package looks and smells and registers like a real book, then I don’t see the difference between an indie book and something by Harper. There’s a big difference between vanity publishing and independently publishing. Gredunza Press is a business. We publish books. I publish my books through it. Does Dave Eggers get slack for publishing his books through McSweeney’s, a press he built? The only people who care these days are authors who are more swept up in the “industry” than in writing their own books, publishers who want to stay on top, and pundits looking for a juicy story. Readers and writers don’t care, and soon enough nobody else will either. You can buy my book on your Kindle or Nook or whatever, and you can order the physical copy from me and soon from Amazon. You read it, and you’d never know I didn’t get published by one of the big guys. Not every author is capable of completely going into business for themselves. They need help editing, designing, and promoting their novels. That’s where publishers like ours come in. We offer services to authors trying to make it. We’re the future.
MA: Thanks, K. Sawyer. Folks, please visit his website and the site for his press: www.ksawyerpaul.com, and www.gredunzapress.com. Read More
Parts of a Story
Parts of a story can be seen as action scenes or major scenes tied together with other action. They can also be seen simply as beginning, middle, and ending.
Tips for writing a story are many and varied. I’ve put together some suggestions that will help you analyze your own story plot. Or you may finally be able to get your story started. You’ll be writing a book before you know it!
These suggestions apply to any stories of any length. The only difference is in genre.
In fiction, you may lead your characters to do whatever the story dictates.
In nonfiction, you will have the usual beginning, middle, and ending, but you cannot manipulate occurrences since they actually happened.
Paying attention to the details given below can help you put your own story together. Other articles on this site will cover many more aspects of building a short story or novel.
The suggestions below apply to plot action and holding a reader’s interest. Building characters, a scene, or settings will be covered in other articles.
Here then, discussing parts of a story, are some valuable tips for writing a story, or for writing a book.
Always, that’s ALWAYS; remember to include the five senses in all parts of a story.
Most always, you will write the story from the point of view of your main character’s five senses. If any other character must say something about the heat that’s about to make them faint, this is a great way to have a person other than the main character contribute to the description of a setting.
If your reader’s five senses are stimulated, you are more likely to immerse that reader in your story.
The very first word or two should grab the reader’s attention.
In books written ages ago, it might have been okay to begin “The weather was temperate. I was feeling good.” Today, this is a waste of eight first words. Today’s readers want action or something to grab their attention to entice them to read further.
One of the most important tips for writing a story is to make sure you realize the value of your very first words. They must grab the reader’s attention.
The beginnings are the most crucial parts of a story.
All the main characters should be revealed early on.
Oftentimes, when writing a book of some length, new characters are introduced late in a story or plot. This seems only a crutch to get out of a dead-end plot situation to get the story moving again. There can be no saviors dropping into a story, only characters interacting together from near the beginning and carrying the plot toward conclusion.
In multi-genre writing, characters might pop up anywhere. Still, in order to make them credible, they must have a reason for being included.
Important characteristics of each character should be exposed.
Not important is a visual run-down of what each character may look like. Most important is to build each character’s personality.
It’s okay to state a few facts about their physical appearances, but it’s best done when describing them in action. If some information doesn’t help the reader visualize the character, or doesn’t apply to action to take place deeper in the story, leave it out.
An example: If a man never ties his shoelaces, only include something like that to emphasize his lackadaisical attitude (that you’ve already established) and if, deeper into the story, it’s what causes him to fall and break his neck. Otherwise, leave it out. Every act, every word, must have a reason for being included in parts of a story.
The main dilemma of the entire story line should be introduced in the first chapter.
Of all the parts of a story, this one is crucial.
The main dilemma can also simply be strongly hinted at as long as it’s immediately and progressively developed as the story moves along. The reader must see the succession of events moving along as it reveals more and more of the dilemma.
I don’t advise stringing the reader along. Let them know the dilemma as soon as possible. Otherwise, the reader may ask, “What’s the point.” They will put your book down and may not pick it up again.
When writing a short story, unlike writing a book, the dilemma must be revealed as soon as possible.
Almost everything in the first chapter should be considered foreshadowing.
All the plot action and character traits are set-up to propel the rest of the story. I have written a great article titled Foreshadowing, which deals with exactly that – better than I can explain here in few words.
Keep in mind that all parts of a story must lead to another, must hint at the next event. A future event should cause the reader to remember something that was said or done a few pages or chapters back.
Give your characters tough situations to face that make the readers wonder how things could possibly be resolved.
Make it seem there is no resolution. The situations are what flesh out the story.
Readers know that most situations get worse before they get better. This should determine exactly where you step into the action of the dilemma. Yes, step into it. Do not try to build the dilemma. You will be building back-story.
Have the situation already happening when your story jumps into it.
If you want to have your characters having a fun picnic in a park, and then a shooter comes along and ruins the day, that’s okay too. Just don’t waste too many words setting up how nice the day turned out to be.
Think of this example as if watching a movie. We see the family having fun in the park. We SEE everything immediately. Ten seconds after the film begins, the shooter comes along. If you think of the scene this way, you will know how quickly you must start the action in your written work. You will know how much to include in the first few sentences and how much to omit.
Thinking of your opening as a movie is good practice for including only that which applies and then getting on with your story.
Back-story is information that helps show why the characters have a dilemma.
Use back-story sparingly. Introduce it in snippets of conversation, or in your characters’ memories. Use it only if it enhances the present action. Too much back-story and the plot will stall instead of plunging your reader head first into the bramble bush.
An open ending of each chapter, known as the proverbial cliffhanger, encourages the reader to turn the page.
Another invaluable point in the parts of a story is to try to have cliffhangers at the ends of each chapter. Don’t bring all the action to a close just because the chapter is ending. The reader won’t have a reason to read further.
Leave some events open and questions unanswered. All the while, infuse that chapter with all that it can hold for that particular scene.
When writing a book, you will have many chapters in which you can build cliffhangers as well as great endings when the meanings of these are later revealed.
In various parts of a story, when developing the plot and continuing the action, what the characters experience must be a result of the plot dilemma you originally introduced.
Think about what you created. If you have someone robbing a bank, the plot dictates how these people elude the police. In the end, they are caught. A simple trail to follow only made interesting by complications you add.
Another example is if you begin your story with a seamstress sewing clothes, this could lead anywhere. However, you’ve chosen a topic that may be difficult to develop enough to hold a reader’s immediate interest. Your market for such a story would be limited.
The seamstress would then have to create some gorgeous line of clothing, maybe accidentally, that propels her to fashion design stardom. Maybe she comes in contact with the socially elite, while she, herself, lives in squalor. Think how a story like that might end. Her status is either elevated, or she remains an unknown.
Parts of a story such as this might suggest this seamstress is blind to improving her lot though she wants to. The ending must show the reader how the seamstress overlooks her chance at a better life – and is, perhaps, better for it. Or maybe she finds happiness and reason to stay in her own little world.
Endings make or break your story.
If a reader reads all the way to the ending and the ending falls flat, you will have a greatly disappointed would-be fan. That reader will not suggest her friends read the book. In fact, she may never buy another of your books.
The ending must follow the action. Only one ending would be apropos for any story, with rare exceptions.
The parts of a story must come together so that, with the climax and denouement, the reader feels a degree of satisfaction at having shared the characters lives.
Many stories have more than one ending.
More than one ending would be where the plot contains one or more subplots that, while carrying the main plot, are also nearly stories unto themselves. See my article Forensic Evidence in Plots. In the case of strong subplots, you would then have the main story ending, along with a wrap up of one or more subplots.
Ideally the subplots should wrap up before the main ending. That way, the wrap up of the subplots feed into the climax of the main story line.
When crafting the climax of any story, the actions of the characters will dictate the ending.
You’ve heard the saying “Let the story write itself,” haven’t you? Your story will write itself.
Don’t be concerned about the ending till you’ve arrived at the ending. Allow your characters to perform, to achieve greatness in their endeavors or their dastardly deeds. When you finally arrive at the ending, the characters’ actions will dictate the ending.
Then, as I always say, There is always an exception to every rule.
When I wrote my Egyptian novel, The Ka, I had the ending before I began. I also had many other scenes and knew how the story would flow. But I had to massage and manipulate the story line to arrive at the ending I could not change.
The denouement is the lesson learned after the climax has been realized.
Either or both the character and reader understand the result of the action that occurred in all the parts of a story.
For example, let’s say your character bumbles around doing bad things to people. Then he is caught in a situation where he needs help and things look pretty bleak because no one wants to help him. But someone steps forward, sees the good in the kid, and gives him a chance to turn his life around.
The climax to all this would be the kid getting help in the eleventh hour. The denouement would be the realization the kid has about how his actions hurt people and almost ruined his chance for getting help for himself. The kid’s life does a turn around and he now teaches other kids about good and evil.
The denouement is his self-realization, plus what the reader gets from it also.
Parts of a story can be developed on their own.
Often times, my mind is overflowing with the action of a scene that I write the scene without anything leading to it. Later, I go back and bring threads forward into the new action.
As long as you tie the scenes together in a cohesive manner, nothing says you can’t write the parts of a story that come into your mind in a rush. Write it! Catch that spark of creativity as it happens.
Tips for writing a story, as outlined above, are meant to help you understand the creative steps along the way to writing a book or short story; steps a writer must utilize in the beginnings, middles and endings of stories.
The parts of a story are scenes of action. Tie them together. Make one action cause another, and write it one page at a time.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
I’m privileged to have as a guest-blogger, Sandra Beckwith. Sandra is a former publicist who shares her award-winning expertise with others as the author of two publicity how-to books, as a book publicity e-course instructor, and as a frequent speaker at writers’ conferences. Her book publicity classes and free book publicity e-zine help authors learn how to be their own book publicist. Sign up for her free Build Book Buzz e-zine at www.buildbookbuzz.com.
In today’s article, Sandra addresses the reality of promoting works of fiction. I hope you enjoy her insight, and please be sure to come back to my website for future articles from Sandra with the “inside scoop” on book promotion.
Promoting Fiction: It Isn’t Easy
There’s no question that it’s harder to publicize and promote fiction than nonfiction – that’s why many book publicists won’t accept novelists as clients. But whether we write fiction or nonfiction, we have to make the effort to get the word out about our books. We have a responsibility to the people who need the information we’re offering to let them know our book is available.
What are you doing now to promote your book? Maybe you’ve got a Facebook fan page for it, maybe you’re tweeting to a good-sized following on Twitter, maybe you’re trying to cross-promote with other authors. There’s an effective tactic for every type of book and author personality – the challenge is finding what’s effective for your target audience and your own skills. In coming months, I’ll offer advice on how to promote your book to the people who are most likely to buy it. To get started, I’d like to offer some thoughts on the basics that often get overlooked. They will help you focus on what counts.
* Get as specific as you can about your target audience. Many of my “Book Publicity 101” students tell me that their target audience is “all women between 18 and 65.” In an ideal world, that would be true. The reality is that we can – and need to – narrow that down further so that we have a much better chance of getting the book title in front of the people who are truly most likely to buy it. (Here are tips on my blog on how to do that.)
* Think beyond book reviews. They’re great and we all love them, but if we limit our publicity efforts to getting reviews, we’re not letting our books enjoy their maximum promotion potential. Work to get your book title into conventional and online media outlets and into blogs on an ongoing basis. We’ll discuss how in coming months.
* Promote your book to your “warmest” markets first. Then move outward. A “warm” market is one that already knows and likes you or is most likely to help you spread the word about your book. For most authors, the warmest markets are friends and family, their e-mail lists, Facebook friends and Twitter followers, and the memberships of organizations they belong to. It also includes the local media.
* Do what’s best for your book, not someone else’s. Your target audience might not see tweets – yours or anyone else’s – so don’t use Twitter just because “everyone else is.” Blogging might be a better fit for you than podcasting. Some people enjoy public speaking, many more don’t. The point is, use the tactics that you can execute and that will help you get your book title in front of the right people.
I’d like to hear from you about the challenges you face when promoting and publicizing your fiction books, or about topics you’d like to learn more about here. Please send me a note at firstname.lastname@example.org. I’m looking forward to hearing from you. Read More
I have two thriller novels out, Compulsion and Dead Game. In Compulsion, Emily Stone doesn’t have a badge. But that hasn’t stopped her from tracking down some of the West’s most dangerous child-killers. Armed with a digital SLR camera, laptop computer and her trusty Beretta, Stone uses her innate gift for detective work to identify the perps — and then anonymously e-mail the evidence to the cops.
Now, the hunt for two brazen serial killers on the loose right in her own coastal California town threatens to expose Stone’s identity — unraveling her carefully constructed cover and jeopardizing her life’s work. But when she gets too close to the action, this razor-sharp hunter becomes the hunted. Cooperating with the handsome local police detective could be the only hope for stopping the rampage directed at unsuspecting young women — and saving herself. Can they piece together the clues in time?
Compulsion mixes CSI-style investigation with a ripped-from-the-headlines plot and a dose of romance for a keeps-you-guessing, fast-paced and savvy thriller, right up until the shocking finale.
Dead Game is another Emily Stone Novel. In her independent efforts to catch child killers, Emily Stone discovers the evidence that the cops can’t—or won’t—uncover. Now, this covert investigator is back on the hunt for the world’s most sick and twisted murderers. But even with help from ex-police detective Rick Lopez, this time she’s facing her most dangerous opponent yet.
The headlines in the San Jose Mercury News blare updates on a serial killer who seems able to slaughter with impunity. Men, women—it doesn’t matter; the victims serve only to satisfy a perverted need to kill. The killer watches the moment of death on multiple computer screens, over and over again. The only connection is that they’re all devotees of the latest video-game craze—a sophisticated brain-puzzler called EagleEye.
When the killer goes after Lopez’s law-enforcement mentor, Lopez and Stone decide to give the cops a little extra, unsolicited help. What follows takes them deep inside a shocking high-tech world, a kind of social-networking community for serial killers. But when they start getting too close to the truth, all hell’s going to break loose.
Now, Stone and Lopez become the killer’s next target as Stone must make a difficult decision to leave the ones she loves in an all-or-nothing effort for survival. Can they stay alive long enough to blow the whistle on this unlikely perpetrator? Read More
PRIME SUSPECT is a suspense set in New Orleans. In this story, New Orleans Assistant District Attorney Marisa Cooper prosecutes murderers for a living, but the tables are turned on her when her ex-husband is found dead in her garage. To prove her innocence, she must team up with her former fiancée, Slade Montgomery, the detective who risks his career–and his heart–to help her find the real killer.
SKELETON BAYOU is s single title romantic suspense set in south Louisiana. In this book, Savannah Love is emotionally and physically battered, but is determined to survive after escaping the hellish imprisonment imposed on her by her psychotic cop-husband. After seven months in hiding, she resurfaces at Mossy Oak, her ramshackle family home on a Louisiana bayou, and attempts to restart her life. The empty house provides shelter, but isn’t the fortress she needs when her cruel ex comes calling.
Mack O’Malley, former cop turned handyman conflicted over a bad shoot on the job, comes to Savannah’s rescue when the psychopath draws them into a deadly game of cat and mouse. Fearful of Mack at first, she soon discovers that beneath his steely exterior lies a resolute defender with a heart hungry for love. Will their alliance save them, or will they fall victim to the Legend of Skeleton Bayou? Read More
Today’s guest-blogger is Nexus Point author, Jaleta Clegg, and I have to warn you…she’s a hoot! Jaleta was born some time ago, so she tells me. She’s filled the years since with many diverse activities, such as costuming, quilting, cooking, video games, reading, and writing. She’s been a fan of classic sci-fi books and campy movies since she can remember. Her collection of bad sci-fi movies is only rivaled by her collection of eclectic CD’s (polka, opera, or Irish folk songs, anyone?).
Her day job involves an inflatable planetarium, numerous school children, and starship simulators. Her summer job involves cooking alien food for space camp. She writes a regular column in Abandoned Towers Magazine–fancy dinner menus for themed parties.
Her first novel, Nexus Point (www.nexuspoint.info), is now in print from Cyberwizard Productions. She has stories published in Bewildering Tales, Abandoned Towers, and Darwin’s Evolutions.
Jaleta lives in Utah with her husband, a horde of her own children, and two ancient, toothless cats. She wants to be either Han Solo or Ursula the Sea Witch when she grows up. If she ever does. She also detests referring to herself in the third person, but sometimes she bows to necessity. Read More
Unless you are among the top three or four best-selling authors at a major publishing house, your publisher and agent will expect you to play a significant role in marketing your work. This is true for many of the well-known authors, the mid-listers, and pretty much everyone else. The writing industry has always been competitive, and today it is much more so. Fewer people buy books in a recession, resulting in decreased revenue for publishers. This translates into smaller marketing budgets all around. The top horses in the stable will get the biggest slices of a shrinking pie, leaving almost nothing for the rest of us to graze upon!
But all is not without hope. There are several things an author can do to promote and market that treasured work of fiction. In this article, I focus on a variety of “virtual world” techniques for creating and maintaining a robust Internet presence to increase your visibility and help you sell more books. Read More