I grew up among middle-class everyday folk. Language was one thing that separated groups of people as I had come to know them. When I was young, every once in a while I’d hear someone say, “Oh my! She talks so uppity!” Read More
Tag Archives: experience
“Repetition Offends Your Reader” Let Me Repeat, Okay, You Get the Point! Another Writing Advice Article By Mary Deal
When descriptive words are used repetitively in writing, it makes the reader wonder why they have to be told something they’ve already learned earlier in the story. Repetition can kill your reader’s interest. Read More
When we writers select a topic on which to expound, chances are, we choose that topic because of its emotional impact on ourselves. We feel something strongly and want to let the world know our opinion. If we felt nothing, what’s to write?
Once the essay or story is finished and we’re feeling good about having gotten our brainstorm on paper, the next step is to decide if what we’ve written is important enough to send out to get published. Or have we simply committed a lot of weak personal opinion and gibberish to paper? Read More
MA: I’m happy today to introduce my guest-blogger, Nelson O. Ottenhausen. Nelson is a retired Army officer and an accomplished writer published nationally in periodicals and anthologies. His latest poem, Out of Sane, appears in a Siruss Poe anthology collection, Mind Mutations. His book, Flowers, Love & Other Things, released in November of 2005, is a selected collection of his own published poetry and short stories.
Several of his short stories have been published and one, A Fish Story, is included in the popular Chicken Soup for the Soul series of books, Chicken Soup for the Fisherman’s Soul, now available in book stores everywhere. His short story, Duty, appeared in the December/January 2006 issue of the Pensacola Today magazine. Feature articles of his have been published in various magazines about the USS Oriskany, an aircraft carrier sunk in the Gulf of Mexico in May of 2006 in the Navy’s artificial reef program, and Survivors a human-interest story about a Pensacola military family that survived Pearl Harbor, World War II, Hurricane Ivan and 70 years of marriage.
He has published five novels, Civil War II, (2004), The Blue Heron (2005) and The Killing Zone: Evil’s Playground (2007), Jugs & Bottles (2009) and The Sin Slayer (2010).
Nelson founded Pen WISE Poets (Writers in Service to Education), a literary arts outreach program in the schools of Northwest Florida, which he managed from 1994 thru 1998, and in 1995, he was cited by Governor Lawton Chiles of Florida for this work. In October of 1995, he received a fellowship for his writings, and in August of the same year was appointed by Florida’s Secretary of State to the Directory of Visiting Artists to lecture in Florida schools about poetry, only one of five poets throughout the state to be honored so.
He holds a Bachelor of Business Degree in Operations Management and a Masters of Business Administration Degree from Western Illinois University, Macomb, Illinois.
A former native of northwestern Illinois, he now resides in Gulf Breeze, Florida.
Okay, that was a mouthful! Tell us how you began writing novels, because it seems like you wrote a lot of poetry before this.
NO: I wrote poetry for over 7 years and had 40 poems published, 28 of them I actually received compensation, but the highest payment I ever received for a poem was $35.00. In the late-90s, I came to the conclusion I was wasting my time with poetry and began writing novels. However, the poetry writing experience taught me to express my thoughts in a more concise manner and greatly improved my sentence structuring.
MA: Tell us about your novels, and did any real-life experiences inspire them?
NO: My first 2 novels are action adventure novels with political overtones and loosely based on my military experience as an Army officer. Almost all of the main characters in my novels are based on people I know or have met in a professional working relationship in some way.
Here’s the list:
Civil War II – My first published novel, action/adventure (2004) – A story of coercion, bribery and a military coup, overthrowing a sitting President of the United States, the U.S. Congress and the Supreme Court.
The Blue Heron – An action/adventure (2005) – A story about a U.S. military covert operation and coup to overthrow the Cuban government.
The Killing Zone: Evil’s Playground – Police thriller/mystery (2007) – Police Detective Daniel Patrick O’Malley is called out to investigate the death of a young woman in what appears to be an apparent suicide, but he soon discovers she is a victim in a series of bizarre murders.
Jugs & Bottles – Police thriller/comedy (2009) – A woman deaf since birth, is targeted for murder after witnessing a Mafia style execution then identifying the two hit men to the police. She, along with her dog become involved in a series of chaotic events as two brothers attempt to silence her with their bumbling, comedic ways.
The Sin Slayer – Police mystery/suspense thriller (2010) – For thirty years, a self-ordained church leader has convinced his small congregation to secretly kill dozens of people after hearing an inner voice, whom he believes to be God, telling him to cleanse the world of chosen sinners.
Flowers, Love & Other Things (2005) – A collection of poems and short stories by Nelson O. Ottenhausen published in other media from 1994 through 2005.
MA: That’s quite an assortment! Are your heroes based upon real people you’ve known?
NO: Protagonists, as well as the main characters in all of my novels, are mirrored after someone I knew, both relatives and friends.
MA: I’m intrigued by Jugs & Bottles because your protagonist is not human. Tell us more.
NO: My hero in that story is a dog. His strong points are; he is loyal, obedient and lovable, and will face danger without hesitation to protect his charge. His biggest weakness; he tries to befriend everyone because of his lovable attitude.
MA: I take it you have many different antagonists in your stories?
NO: Each novel has a strong “bad guy” and all of them are a little whacky. In Jugs & Bottles, there are really 2 “bad guys” and 2 good “bad guys” (2 brothers wanting be major criminals, but just don’t have the smarts nor ability to become so).
MA: As prolific a writer as you are, I assume you are working on something new?
NO: I’m presently working on two novels, Black Mist of the Trinity, a story of terrorists, nuclear warfare and black OPS; and Auggie, a historical novel about a young Russian girl growing up in Japanese occupied China during World War II, based on the true life experiences of a long time acquaintance.
MA: Anything else you’d like to add?
NO: I am President and part owner of Patriot Media, Inc., a small independent publishing company in Niceville, Florida. We are a traditional publisher in the sense we do not charge authors to publish their work. We are specialized and publish only military theme books, both fiction and non-fiction. To review our titles, go to www.patriotmedia.inc.
MA: Nelson, thanks for your service in the Army, and thanks for being my guest today. Folks, please visit Nelson’s Patriot Media website, as well as his personal site: www.booksbynelson.com. Read More
MA: Today’s guest is Larry Moniz, an award-winning author, journalist, and publicist. His background is so varied, that I’m going to let him tell us all about it.
LM: I’m a seasoned journalist and publicist transitioning to fiction writing.
I have 14 years experience as a senior public relations executive in the development and implementation of successful, goal-oriented communications and marketing support programs for major national corporations. I wrote the first public relations program for Coleco’s Cabbage Patch Kids and that program subsequently won the Silver Anvil Award from the Public Relations Society of America. The Silver Anvil is recognized as the most prestigious award in public relations.
My public relations skills are augmented by being an experienced journalist and winner of 12-business writing awards for articles in 2000 through 2003 competitions. I was the founding editor of a highly successful new weekly newspaper, building from inception “the best newspaper to cover West Milford since the 1960’s” according to one long-time resident.
I also have 12-years prior experience as a skilled radio and daily newspaper editor and reporter for major media outlets in New Jersey, New England and Europe. I also published and edited a weekly newspaper serving Northern Ocean and Southern Monmouth Counties. Unlike many weeklies, this newspaper, The Progress, concentrated on real news, and regularly scooped far-larger dailies and weeklies with news events in the towns we serviced.
My experience also includes nearly five years as a crime and courts reporter and being a full-time sheriff’s deputy, thereby bringing a depth of firsthand knowledge about crime and law enforcement possessed by few other writers.
MA: Tell us about that transition to fiction.
LM: I’ve been an avid book reader since I was a child and always fascinated by words. I’ve been a journalist and writer for more than 45 years. Disabled due to COPD stemming from undiagnosed asthma and hence hard to hold down a full-time job, books were the logical alternative for me to keep busy and hopefully earn a living.
MA: Did your professional career inspire your writing?
LM: Yes, my career as a journalist and publisher set the stage for my creating the Inside Story: Murder in the Pinelands investigative team to investigate major crimes.
MA: Are any of your characters based upon real-life people with whom you’ve interacted?
LM: The dead sailor found in the pinelands was based on a similar situation I covered in another state. Like one of the first cops on the scene, I didn’t believe the crime was a suicide because witnesses saw him walking without a rifle yet he died before he could reach and get his rifle, the weapon that killed him. Using that isolated incident I built up a plausible story line that would explain things that were known and much else that was secret.
As to other characters, if I were a newspaper publisher today I would be very like Manny Bettencourt, publisher of Inside Story.
Murder in the Pinelands is the first in a planned police procedural series dealing with the way different ensemble members encounter various criminal, corruption and other illicit activities and bring the perpetrators to the bar of justice.
MA: How did you develop the character of your protagonist?
LM: My investigative team is loosely based on law enforcement personnel I’m met over the years. The protagonist just sprang from my brain. He and his wife were just there one day, begging to be transcribed.
My hero’s greatest strength is his conviction that his take on the sailor’s death is correct. His weakness is that the conviction becomes a compulsion that keeps him awake at night and unable to concentrate on his daytime job as a police sergeant and SWAT team leader. The stress leads to his making a mistake and his patrol partner nearly dies in a shootout with bank robbers.
MA: Do you have just one antagonist or several?
LM: Actually, there are a couple. As the book evolves, they begin to seek a shadow figure, an assassin from Saddam Hussein’s regime sent to this country to avenge the death of Saddam’s kin by this Navy sailor.
But no one can find this shadow figure until investigation in several states leads to positive proof the man exists and he’s been hiding in the U.S. with political support from entrenched Washington politicians.
MA: Did any of your real-life experiences factor in to the plot at all?
LM: Yes. I was at the suicide previously described. I also have covered politics and cover-ups for many years. Like the reporting team, I also have prior law enforcement experience as a sworn deputy sheriff.
MA: So what will be next on your fiction plate?
LM: I’m putting finishing touches to a resurrected novel involving time travel into the past by two former military special operatives endeavoring to head off the kidnapping of Thomas Jefferson before he can complete the Declaration of Independence.
I also am working on an outline for a 1930s era detective novel in which millions of dollars and an entire railroad train vanish.
MA: Oh my! They both sound interesting. Please visit Larry’s website for more information about him and his stories: http://www.larrymoniz.org/ Read More
MA: I’m joined today by author Shelley Workinger. Shelley was born in Maine, educated in New Orleans, currently resides in New Jersey, and considers all of them home. She’s here to talk about her latest release, Settling. She has a few websites I want to recommend my readers check out where you can discover more about her and her novel series.
What did you do before jumping into the world of writing?
SW: I graduated magna cum laude from Loyola double-majoring in English and Sociology – majors I initially chose to avoid math, which I detested and thankfully placed out of. However, I ended up running a small real estate office and doing all of the accounting – a job I actually loved. What I love even more is how many people think they know everything about the world, when most of us don’t even know our own selves.
MA: With a degree in English, I imagine you had a burning passion to write someday…was this a path you set out to be on some day?
SW: I would never have chosen this path! For me, writing is all-consuming; I can’t sleep, I lose interest in eating, and I can’t quiet my mind enough to ever relax. But the idea behind the “Solid” series was one I couldn’t let go of, and that, combined with my concern that early teens become so overwhelmed with required reading that many lose the love of leisure entirely, made me sit down and expand my idea into a fun, fast read that would be approachable for reluctant readers.
*In choosing to write to the tween age group, I also committed to keeping “Solid” clean – i.e., no drugs, cursing, sex, or gratuitous violence – and I’ve been commended by sites like Reading Teen and Litland for doing so.
MA: What’s your elevator pitch?
SW: The briefest synopsis is: Teens who discover they were secretly genetically altered before birth are brought together at a classified site where they forge new friendships, find love, develop “super-abilities,” and even unearth a conspiracy.
Many readers have called it an “X-men” for girls, focusing more on the relationships than the superpowers.
MA: Probably a good thing you didn’t call it “X-Girls,” then! How did you go about creating your characters?
SW: I began with a tagline – What if you discovered you were the product of a secret government experiment? – and then looked at my premise through the eyes of a 17-year-old girl to create what I felt would be a natural reaction/path.
The second layer to developing Clio’s character was my concern for her actual character values; as a mother of small children and a product of American society, I had a few “requirements” for a female character I’d introduce to young readers:
1. She had to eat real food. (No dieting, unhealthy body issues.)
2. Her life would not revolve a boy. (There is a romantic interest, but Clio can function without him.)
3. She *gasp* had to have a great relationship with her mother. (Specifically, a mutual respect.)
MA: Those seem like healthy traits, so what are Clio’s strengths and weaknesses?
SW: I believe her biggest strength is her weakness – that she is not worldly and experienced, so her actions and reactions are real and relatable. She makes mistakes, she sometimes trusts too easily, but she learns from them.
MA: And does she have to do battle with any particular bad guys or girls?
SW: There isn’t one antagonist per se; it’s really the unknown that challenges the characters. They’re trying to find answers without even knowing where to begin; the revelation of the experiment done on them before birth not only throws their entire pasts into question, but they can no longer even be sure of their own bodies. There are also “bad guys,” but the self-discovery is the bigger hurdle in book one. (There’s a killer on campus in book two, but that has not been released yet.)
MA: I understand you were a military brat (raising three of my own!). Did that experience inform your writing?
SW: My father was a career Army officer, but not in the traditional sense – we never moved. I absolutely romanticized the life of the constantly-moving Army brat since I didn’t get to experience it, so my characters are “living the dream” in that sense.
MA: So what’s next?
SW: I have two very different ideas (from “Solid” and from each other) – a futuristic dystopian YA novel and a football-related horror for adults – but I can’t put any time into those until “Solid” is complete.
MA: I am currently waiting for the release of my third novel, Child Finder: Revelation, so I know what its’ like to write a series. I assume many of your characters migrate from book to book?
SW: Clio and her circle are the whole basis for the “Solid” series, so all of the books will revolve around them. As their “world” continues to grow, new people do come in and/or take on larger roles – book two brings in four new characters, and book three will add at least that many more. I also initially only planned this to be a trilogy, but as I work through book three, I’m starting to think I may have to write a prequel to tie up some loose ends. I’ve also just decided to re-release a slightly-extended version of “Solid” at the same time “Settling” comes out, so I’m working furiously to put that together!
MA: It sounds like you are busy – a good thing to be! Thanks for stopping by to visit with me today and for telling us all about your stories.
SW: Thank you so much for your interest in “Solid” and giving me the opportunity to speak with your blog followers; I know we all have dozens of books on our TBR lists and I am so appreciative for your consideration of mine!
MA: Today I will change up my format a bit. Instead of a series of Q & A with my guest authors, I am going to let them tell their story in their own words. All the way from England, please welcome Carol and Bob Bridgestock!.
Carol and Bob Bridgestock have spent almost half a century between them working for the West Yorkshire Police in the North of England. The force is the fourth largest in the Country.
Bob was born in West Yorkshire in 1952. He attended local schools – the last one being Morley Grammar School. He had a weekend and holiday job working at the local butchers, and when the offer of an apprenticeship came he left school and commenced work before the exams. The apprenticeship was for five years after which he became qualified and competent. Bob decided after a while that the career wasn’t the one he wanted to pursue and took up a job in a dye works, only because of the money and he had a young family. This, however, was a complete contrast to what he had done before and over the next two years he considered his future.
The next 30 years he spent as a Police officer, working as a detective at every rank and spending less than three of them thirty years in uniform. During his distinguished and exemplary career he received recognition for his outstanding detective work by way of ‘commendations’ from judges and chief constables. A total of 26 is an unusually high figure. As well as being a senior detective for over 17 years, he was also an on call negotiator for kidnap, hostage and suicide intervention incidents.
He achieved the rank of Detective Superintendent and became one of a very small number of Senior Investigating Officers in the force. As ‘the man in charge’ in his last three years alone he took charge of: 26 murder investigations, 23 major incidents including attempted murder and shootings, over 50 suspicious deaths, and numerous sexual attacks.
Carol was also born in West Yorkshire in 1961 and the majority of her schooling was also in West Yorkshire, although for four years she lived in Milford-on-sea in Hampshire. She ended her school days, however, at Sowerby Bridge Grammar School. On leaving school Carol became a hairdresser and opened her own salon before going on to College to teach the subject. Later she worked in the Police in a number of support roles and was ultimately a supervisor in the administration department. During this time she also was commended for her work with the community, inspiring children to highlight crime prevention work.
When Bob completed his service Carol also retired from the force and they both headed to the south of England where they now live on the Isle of Wight. They had often holidayed on the Island and fell in love with the way of life and the tranquillity of the Island. The Police service behind them, they got on with enjoying life without a pager or a mobile phone. Carol had always told Bob he should write a book, but he had no incentive to do so. Their new group of friends on the island with no police connections also suggested that he write due to the fact he relayed so many stories about his career; some happy, others sad, many macabre. He resisted until a cold damp morning in 2008 he saw an advert in the local paper advertising a college course ‘Write your first novel’. As sudden as it was out of character, he booked them both on it to Carol’s amazement.
Thereafter their new joint career as co-authors took off.
Crime fiction was the answer to Bob’s reluctance to write. This way he could use his real life experience in a way that would not be connected to the original events.
Deadly Focus, the first novel, introduces Yorkshire Detective Inspector Jack Dylan and the clandestine love of his life Jennifer Jones. This is a fast moving story that allows you to travel with Dylan to a series of murders, seeing through his eyes the stark reality of death and its fallout. It allows the reader to feel as he does the highs and lows of an intense murder investigation. The reader through the ‘eyes’ of Jen also gets to know how it feels to be the partner of the ‘man in charge’.
Dylan’s strengths lies with his persistence and experience, but will the pressure have a dire affect on his health? Jen is his ’norm’ a safety net for his turmoil of emotions after the distressing sights he has to endure. Deadly Focus continues to receive 5 star reviews on Amazon, WH Smith etc. In May it was resurrected as the first crime novel in the RC Bridgestock series published by Caffeine Nights Publishers. It is also live on eBooks via Smashwords and Amazon as well as many other e Book outlets.
People often ask the question, ’How do you write together? Does one of you write the odd, the others the even?’
We enjoy working together at last! Our police ‘working life’ often meant spending hours apart. Bob writes the plot and the storyline from start to finish. Carol then takes this first draft and develops the scenes, the story line and importantly the characters. Carol teases out of Bob the true feelings of what it is really like to deal with these gruesome crimes. The novel is then passed back to Bob for the re-write to be checked. Then they both sit down together and go through every word, sentence and chapter to ensure it works. Then and only then is it ready for the publishers to scrutinise the draft.
As we said before, May this year sees the resurrection of the original Deadly Focus and it is also being published this time as an eBook. We have been fortunate to be taken into Caffeine Nights Publishers stable of authors who will also publish book two in the series this summer. We have called this book ‘Consequences.’ The third book in the series is ready for scrutiny by the publishers and book four is ready for the re-write stage. Others in the series are also being penned.
As can be seen, the writing is industrious, as well as being addictive and enjoyable. Both Carol and Bob are members of a local writing group called Wight Fair Writers’s Circle that Carol chairs. This group evolved from the college course and we remain a group who also runs competitions to inspire others to write, especially children. All proceeds go to local charities. Bob and Carol also do talks about Bob’s career for schools and colleges as well as other adult groups to raise money for the local hospice which they support. Certainly exciting times and a new career which they never considered when they retired,
To learn more about Carol and Bob and their writing visit their website. www.rcbridgestock.com. A must is also www.caffeine-nights.com. On both these sites you can download the first two chapters of Deadly Focus FREE! Carol & Bob are also on Facebook – Carol Bridgestock and RC Bridgestock and we Twitter – RC Bridgstock
The support from our readers around the globe is extremely satisfying and spurs us on. Read More
MA: Help me welcome my guest today, Linn B. Halton. Linn lives with her husband Lawrence and Tiggs (a black and white cat with attitude) in Nailsworth. Linn describes Nailsworth as a lovely part of the UK referred to as ‘The Cotswolds’. It’s well known for gentle hillsides (Wolds) and sleepy English villages. She has two sons and three grandchildren, whom she adores. So what did you do before becoming an author?
LH: For twenty years I was involved in financial accounting, specialising in forecasting and budgeting. A change in lifestyle in 2004 saw both my husband and I giving up our careers to spend a couple of years renovating and extending two old cottages and a hunting lodge. We both loved being hands-on and taking on a large share of the work ourselves. We both took part-time jobs and I worked for a local Estate Agent (Realtor) showing people around properties. However, my hobby of designing interiors turned into a new career, when I was asked to furnish a newly built Show Home for a local property developer. At the end of 2008 I became very worried about my mother’s health and gave up work to spend time with her. Sadly she passed away in March 2009, which was when I decided to write full-time.
MA: What brought you to novel-length fiction?
LH: I began writing poetry at the age of eleven and then found myself watching ‘The Man From Uncle’, I would write my own little ‘episodes’. As an adult I found juggling family life, a career and our hobby of buying homes that needed renovation work, meant that writing had to be put to one side. I continued to write poetry for fun and kept a small journal, where I recorded ideas ready for when I reached that time in my life, when I could sit down and write ‘a novel’. As a birthday present to myself five years ago, I gave up watching TV each evening and wrote my first manuscript – just to see if I could write something from start to finish. It made me realize that when the time came I was ready, but I had no idea when exactly that would be. I began writing immediately after my mother’s death, as a way of giving my mind something positive to focus on, during those difficult early months. It was at that point that I decided that fate had intervened and given me the opportunity I had been seeking for so long. I realised that many of the ‘ideas’ in my journal would give rise to novel-length stories, so I began bringing them to life!
MA: I’m sorry about your mother, and while each of us finds inspiration in different ways, I think you turned your sadness into something positive, empowering. Tell us about your novel.
LH: My debut novel ‘Touched By The Light’ was released in February 2011, and this was the first novel I wrote shortly after my mother’s death. At the time I felt a strong psychic link to spirits around me. The opening sequence, where a young woman named Mya is ill in hospital and ‘follows the light’, was based on a near-death experience that had happened to my father many years before. At the time I was at his side, holding his hand and he had described to me in detail what was happening to him, as he battled to stay alive following a serious cancer operation. I believe it was his incredibly strong willpower that pulled him through that night, but what was amazing was that afterwards he no longer feared death. He still had a lot of living to do, but he’d felt the ‘welcome’ waiting for him on the other side. Whilst he was ‘out of his body’ he had also spoken to his mother, who was waiting on the other side of, what he described as, a bridge that disappeared into a bright light. I went on to write another three manuscripts in 2009/2010 and found that I had my genre – I wanted to write about psychic or astrological connections, and true-life love and relationships. So I would describe my genre as contemporary women’s fiction with a psychic or astrological theme. However, I will shortly be releasing on Kindle an account of some of my psychic experiences entitled ‘Being A Sceptic Is Oh So Easy’. Some of the things I have personally witnessed, and that have convinced me beyond a shadow of a doubt that there is life after death, may strike a chord with those who have lost loved ones, or had similar experiences. For me it’s very much about ‘seeing is believing’ and it is now a part of my daily life, so it is only natural that it should feature quite prominently in my novels.
MA: What made you choose to write ‘Touched By The Light’ through the eyes of five of the main characters?
LH: This is a story that has a lot of twists and turns, but also explores the way the ‘baggage’ we all carry around with us, can make our relationships more complicated than they need to be. It’s often as much about what we leave unsaid, as what we decide to share. Working on two different ‘planes’, and remembering that Mya is rather isolated when she moves on and has little control over when she is pulled into other people’s lives, was fascinating to write. To then be able to expand upon her limited perception of what was happening, and see it from several other different viewpoints, helped me steer the reader through the plot in a meaningful way. It’s a feel-good story about psychic connections between people on different levels of existence, and the two worlds become curiously entwined. Mya suddenly finds herself involved in the lives of Laurel and Dan, a young couple she didn’t know in this life and who seem to be on the verge of breaking up. She can only assume she is supposed to help them, but her efforts are often misguided, cause amusement or result in things getting broken. It’s all about life and love, the things that hold us back; the mistakes we make and the things we don’t say, but should. But when fate is involved anything can happen, although there are no guarantees that even soul mates can find their way through. The journey they take is filled with all the emotions life has to offer and an insight into Mya’s new reality beyond ‘the light’.
MA: My Child Finder Trilogy features a psychic protagonist, but I must confess I cannot claim to have had any real-life experiences with the paranormal. Were any of the psychic experiences in your story based on real life incidents?
LH: Yes, my personal experiences do inform the way I describe psychic connections. I’ve had so many experiences over the years and fortunately most of them have been good ones. Some have been connected to properties, but many others are simply loved ones who have passed on and are around me, supporting me and giving me guidance. On the rare occasion I have been in the presence of a ‘bad’ vibe, I’ve turned around and run away as fast as my legs would allow me to! In ‘Being A Psychic Is Oh So Easy’ I explain why it took me so long to acknowledge something that had been proven to me time and time again. I’m afraid the short answer is, that being a sceptic means you don’t have anything to explain or prove; however there came a point in my life where my husband and I both started to see ‘things’ at the same time. That’s not something you can easily explain away, you run out of excuses and that was the truly scary part – acceptance!
MA: What other projects do you have planned for the future?
I have three manuscripts that are stand alone stories, one involving astrology and the other two psychic connections, but handled in very different ways. I hope to have these published in 2011/2012 and further information can be found on my website http://linnbhalton.co.uk.
At some point I would like to write a sequel to ‘Touched By The Light’, as it would be fun to take the main characters into the next phase of their lives. The wonderful thing about having help ‘from the other side’, is that I never know what is going to pop into my head next. Every time I have a new psychic ‘experience’ I find myself weaving it into a storyline and the past year has been increasingly active. My personal interest in the subject of life after death and the research I have carried out for some of the stories, seems to be opening me up to an even wider spectrum of experiences. I have to say that I think the projects pick me, and not the other way around!
MA: Linn, thanks for stopping by today for a visit. I’d love for my readers to visit your website to learn more about you and your books.
No one likes rejection, but rejection is just a word – a word on which too many writers place too much emphasis.
When you understand the process of submissions and rejection, that word will hurt less if at all. You’ll see it as just another step in your progress.
The process includes you wearing your fingertips down to nubs as you get your prose written. Before you send your submission, what you need to know is that many factors become involved in acceptance or rejection. Here are only a few:
1) Did you follow the Guidelines perfectly?
Every publisher has different guidelines because they all have varying publishing formats and processes, from the type of story they accept to the format in which they require you to submit. Do you know how to switch your story from a .doc (in Word) to .rtf (rich text format)?
So you have followed all the guidelines? Next…
2) Did you read a copy of the magazine or some of the publisher’s novels or books to understand the type of stories they accept?
Are you submitting blindly, thinking your plot is so good they will accept it? No matter how good your story, someone else has written a better one.
3) Another factor may be the mood of the person on the receiving end.
You have no control over that, but if your story doesn’t ring bells with a literary agent or editor, no matter how good, you’ll get a rejection. The agent or editor could have recently been slapped with a divorce suit, or suffers from PMS that day. You have no control and human frailties do play a part in the process.
4) Have you submitted your manuscript all over the place, especially when guidelines call for “no simultaneous submissions,” and irritated a bunch of professionals you had hoped to impress?
Agents and editors all know one another. They talk. They tell each other of their negative experiences. Once someone associates your name with a really negative experience – C’est la vie!
5) Did you meet the deadline?
Did you wait till the last possible moment to submit? Most editors will choose favorites from the early entries because they can’t depend on what’s coming in with the slug of last minute arrivals. That’s not to say they won’t change their minds when a late arrival is so good they feel compelled to share it.
People find themselves in a rush when they wait till the last minute to finish their manuscripts. When they do, it’s thrown together haphazardly. An agent or editor can’t be blamed for picking favorites early. I believe all stories get read, but it would be difficult to displace a favorite. Submit early. Show you are ready to do business.
These are just some of the reasons for rejection, both in your control and out. If you know the process and still feel depressed over a rejection, your issues are not with the word “rejection” but, perhaps, you feel you’re being slighted. That just isn’t so.
I keep records of all my submissions, acceptances, and rejections. You should do that from the beginning. I have so many rejections that, knowing the process, rejections bounce off. My response is, “Hmmm… didn’t fit in that agent. I’ll try this new one.” That’s all the thought I give to it. That’s if I followed all the guidelines correctly.
Agents may send rejections, but editors won’t tell you if you followed the guidelines. You’ll just get a standard rejection. Sometimes it’s a form letter on their office memo; other times they may hand write a note on your cover letter and return it. In the case of magazines, you may never hear from them again, maybe not even get a rejection, just… nothing. But times are changing.
One of my biggest lessons of rejection was that I forgot to transfer my manuscript into .rtf format. I sent it in .doc. I knew I’d not hear from that editor again. I submitted the story elsewhere and got it accepted. To this day, I have never heard from the first editor, nor will I send a follow-up email since the story was accepted elsewhere. The first magazine was my first and greatly favored choice. I paid for my mistake.
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