Tag Archives: decipher

Aug 11

“Your Public Persona” is Very Important…and Mary Deal Tells Us Why

The hard facts about your public image as author publicity.

Author publicity has its own set of rules. Author promotion is another name that applies.

Something I noticed when I first began submitting stories for publication was that I got a lot of rejections. I couldn’t understand what was wrong with my writing when others had already read the pieces and said they were spectacular.

I’m compulsive and needed to know what was wrong. I dissected some of my rejected pieces, with the help of a friend, word for word, letter by letter, and you’ll never guess what we found.

Typos !!!

I wasn’t as compulsive as I had first thought.

Letters missing or one little letter where it shouldn’t be, or misspelled words, or commas misplaced or just plain missing: Typos. Now I look at everything I send out or post on the Net.
Imperfect writing and typing gets rejected. That’s unless you happen upon a benevolent editor who likes your submission and who will correct your errors. My advice: Never count on that. It seldom happens. Too much good and perfect writing exists and they won’t bother with a piece of writing unless it’s near perfect.

Never let your guard down when rooting out those imperfections. Place it high on your list of writing rules.

If you think the quality of your work has nothing to do with author publicity, please think again. Anything that you put out into the public arena can be categorized as author promotion.

Would you promote yourself to be a second rate writer?

I can’t say that I don’t make typos anymore; I do, and I still miss a few. But what occurred to me was what anyone sends out in public, what they offer as a picture of themselves as a writer, is a picture of how well they have perfected their craft. What and how they write and present is their public persona, author publicity, whether positive or negative.

Exceptions may be when an electronic transmission of a body of writing gets garbled and drops a word or two. Or the publication’s production people make typos or other errors in your work.

Every writer needs to create a good image, and you’ll create one whether or not you believe that your submissions are considered author publicity.

No one wants to be known as a writer whose work is fraught with errors. No editor wants to read such gobble-de-gook. They regularly read the best of the best – and that is what a writer should aspire to be, or at least among the best. Many will not reach those heights—and not make an income from writing—if they submit prose that is impossible to get through in one easy read.

An editor doesn’t have the time to sit over a piece and decipher what the writer is trying to say because they can’t read it in the first place. Make them happy and they will ask for more of your work.

Then, if you think Web sites and blogs don’t matter? Suppose you send off a nearly perfect story and the editor loves it. You can bet they will check out your Web site and your blog (you’d better have one in today’s market) to see if you’re capable of rendering positive attention to yourself, and to the publicity of their publication.

Your website blog is your reputation.

So the editor goes to your blog and sees it is nothing but a rendering of yesterday’s headaches and a lot of bellyaching about everyone and everything and it generally serves no purpose but to make you look like a disgruntled complainer. Is that how you would handle your author promotion?

Your own words can undermine you. What could an editor expect you to do for them?
We’re writers. Stories, poetry, and information about craft are all we should be putting out into the public as we build author publicity.

Our private lives should be publicized at a minimum. Reserve something of yourself for that great publicity interview, if you get that far.

At this moment, do you know how an editor might perceive you if they happened upon your stories and postings? If you’re serious about a writing career, think about it.

In building your public persona, make every word count.

Follow the writing rules. Author publicity and author promotion are one and the same, and you will create it with every word you place in a public forum.
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Mar 31

Mary Deal Talks about “Writing in the Dark”

Many people have asked for a way to catch that spark of creativity as they wake from sleep.

History is full of writers and people of science and other fields, who have said they receive inspiration in the wee hours of the morning. Some of my most creative moments were when I woke in the middle of the night, so I decided to emulate these great people.

In the past, I lost a lot of sudden inspiration by allowing myself to toss and turn with an idea before returning to sleep, thinking I’d remember it in the morning. History teaches us that we should write down insights and creative flashes on the spot. So I placed a pen and pad on the nightstand. Still, turning on the lights felt like robbing me of sleep.

After a while, I gave up the idea of writing on a pad and decided to go directly to my computer since keying is faster than handwriting. That required waking even more and I found that fully waking sent my muse fleeing. Too, walking to another room, half asleep, and waiting for the computer to boot, I’d forget why I was there!

Handwriting in the dark proved the best way. I got used to the idea of not turning on the lamp or waking fully, and to sitting in bed under the warm covers. The best ideas came and were easily captured when I was only partially awake. Once the notes were jotted, I went back to sleep or lie back to wait for more inspiration.

When writing, the shape of the white paper shown by moonlight, or by the dim light of the street lamps filtering in through the window. Never mind trying to follow those barely discernable blue lines on the paper. I never saw them. All I saw was the shape of my hand moving across the area of white, and my pen, depending on its color. I just wrote.

In the beginning, it helped to imagine each letter of each word. It kept me focused just enough to keep from falling asleep while sitting up. It also helped me write legibly. The tendency—and I’ve heard this from other night writers—is to write hurriedly and the letters and words end up being only partially formed. The writing is difficult to decipher when re-reading later. I soon learned how to write readable letters and words without having to concentrate on each. I didn’t write small. In fact, it was best that I wrote large and got the idea on paper legibly enough to read in the morning.

And forget about hand printing notes. The following morning all you may see will look like chicken scratching! Not only were my printed separate letters haphazard on the paper, but the individual parts of each letter were disjointed and scattered. So, deciding to write only in script, the problem left was how not to write on top of what was already written.

It’s easy to add more notes, not knowing where on the page you left off. You’ll most likely end up writing over what was already there. In the morning, if you wish to keep the valuable information you took the time to jot, you’ll had no choice but to try to decipher the over-writing. So at the moment you’ve finished writing one thought, even if you used only a portion of the paper, turn the page. If more notes are added later, they won’t be written over earlier inspiration.

Another way of avoiding over-writing when finished writing one line across the page: Place the opposite hand over what was just written. Cover each line as they are added and that takes care of that problem.

When stopping writing for a while, attach the pen to the edge of the next blank page. When fumbling for the notepad in the dark, the pen allows a fresh start on a clean page.

Always use a bound notebook. I tried loose pages once but that was short-lived when, in the dark, everything fell to the floor and I didn’t know what was written on and what was not. What a mess! Not to mention being totally distracted and losing my brainstorm!

Any bound notebook will do. You can also punch holes in computer paper used only on one side and put it in a binder. It’s a very thrifty idea. When I run proof copies of my stories and edit, then go back into the computer to make changes, I am left with pages of paper used on one side. Nocturnal note taking can make fullest use of that paper before it’s finally discarded.

Writing on both sides of the page is difficult to do, depending on how each sheet folds backwards. If you use a pre-made notebook, once you reach the last page, and certainly if you need to keep writing, close the book and turn it over. Begin again from the back of the book by writing on the backsides of the pages you have already used.

Sitting up in the dark to write seemed arduous at first. Inspiration can be easily discouraged by the need to sleep. To accomplish what you wish in your writing career, accept creativity whenever your muse presents it. It’s a matter of dedication.

Most practiced writers I know who wake during the night say these techniques have proven invaluable. But the one quality that everyone must have in order to make these techniques work is incentive. It is one thing to wake with glorious information and marvel at the wonders of our minds, then return to sleep. It’s another to want to record some of the best ideas our own brilliance has produced. We must have the incentive to sit up and write in the dark and persevere till we’ve developed the easy habit of doing so.

When I get those great bits of information now, I seem to sit up even before I begin to awaken. I jot my ideas till I think I’ve said what I needed to. Sometimes I merely write the skimpiest of notes and sometimes complete sentences because we all know how fickle the muse is. Recapturing an idea is never the same if we are forced to try to remember details hours later. After writing everything I need to, I lay down knowing I’ve not lost anything and I can sleep in peace.

Only to wake again.

And again.

And….

Sidebar

A common practice to remembering information that fades upon awakening is to do what dream therapists suggest for those wishing to remember dreams.

Assume the same position you lay in when you woke. Place your arms, legs and head where they were. If you were laying on your side, back or stomach, stay in or turn to that same exact position. The dream or that brilliant idea will usually reappear as you relax.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre.
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