Tag Archives: Deadly

Jun 17

“Deadly Focus” Co-Authors Carol and Bob Bridgestock Guest with Mike Angley

MA: Today I will change up my format a bit. Instead of a series of Q & A with my guest authors, I am going to let them tell their story in their own words. All the way from England, please welcome Carol and Bob Bridgestock!.

Carol and Bob Bridgestock have spent almost half a century between them working for the West Yorkshire Police in the North of England. The force is the fourth largest in the Country.

Bob was born in West Yorkshire in 1952. He attended local schools – the last one being Morley Grammar School. He had a weekend and holiday job working at the local butchers, and when the offer of an apprenticeship came he left school and commenced work before the exams. The apprenticeship was for five years after which he became qualified and competent. Bob decided after a while that the career wasn’t the one he wanted to pursue and took up a job in a dye works, only because of the money and he had a young family. This, however, was a complete contrast to what he had done before and over the next two years he considered his future.

The next 30 years he spent as a Police officer, working as a detective at every rank and spending less than three of them thirty years in uniform. During his distinguished and exemplary career he received recognition for his outstanding detective work by way of ‘commendations’ from judges and chief constables. A total of 26 is an unusually high figure. As well as being a senior detective for over 17 years, he was also an on call negotiator for kidnap, hostage and suicide intervention incidents.

He achieved the rank of Detective Superintendent and became one of a very small number of Senior Investigating Officers in the force. As ‘the man in charge’ in his last three years alone he took charge of: 26 murder investigations, 23 major incidents including attempted murder and shootings, over 50 suspicious deaths, and numerous sexual attacks.

Carol was also born in West Yorkshire in 1961 and the majority of her schooling was also in West Yorkshire, although for four years she lived in Milford-on-sea in Hampshire. She ended her school days, however, at Sowerby Bridge Grammar School. On leaving school Carol became a hairdresser and opened her own salon before going on to College to teach the subject. Later she worked in the Police in a number of support roles and was ultimately a supervisor in the administration department. During this time she also was commended for her work with the community, inspiring children to highlight crime prevention work.

When Bob completed his service Carol also retired from the force and they both headed to the south of England where they now live on the Isle of Wight. They had often holidayed on the Island and fell in love with the way of life and the tranquillity of the Island. The Police service behind them, they got on with enjoying life without a pager or a mobile phone. Carol had always told Bob he should write a book, but he had no incentive to do so. Their new group of friends on the island with no police connections also suggested that he write due to the fact he relayed so many stories about his career; some happy, others sad, many macabre. He resisted until a cold damp morning in 2008 he saw an advert in the local paper advertising a college course ‘Write your first novel’. As sudden as it was out of character, he booked them both on it to Carol’s amazement.

Thereafter their new joint career as co-authors took off.

Crime fiction was the answer to Bob’s reluctance to write. This way he could use his real life experience in a way that would not be connected to the original events.

Deadly Focus, the first novel, introduces Yorkshire Detective Inspector Jack Dylan and the clandestine love of his life Jennifer Jones. This is a fast moving story that allows you to travel with Dylan to a series of murders, seeing through his eyes the stark reality of death and its fallout. It allows the reader to feel as he does the highs and lows of an intense murder investigation. The reader through the ‘eyes’ of Jen also gets to know how it feels to be the partner of the ‘man in charge’.

Dylan’s strengths lies with his persistence and experience, but will the pressure have a dire affect on his health? Jen is his ’norm’ a safety net for his turmoil of emotions after the distressing sights he has to endure. Deadly Focus continues to receive 5 star reviews on Amazon, WH Smith etc. In May it was resurrected as the first crime novel in the RC Bridgestock series published by Caffeine Nights Publishers. It is also live on eBooks via Smashwords and Amazon as well as many other e Book outlets.

People often ask the question, ’How do you write together? Does one of you write the odd, the others the even?’

We enjoy working together at last! Our police ‘working life’ often meant spending hours apart. Bob writes the plot and the storyline from start to finish. Carol then takes this first draft and develops the scenes, the story line and importantly the characters. Carol teases out of Bob the true feelings of what it is really like to deal with these gruesome crimes. The novel is then passed back to Bob for the re-write to be checked. Then they both sit down together and go through every word, sentence and chapter to ensure it works. Then and only then is it ready for the publishers to scrutinise the draft.

As we said before, May this year sees the resurrection of the original Deadly Focus and it is also being published this time as an eBook. We have been fortunate to be taken into Caffeine Nights Publishers stable of authors who will also publish book two in the series this summer. We have called this book ‘Consequences.’ The third book in the series is ready for scrutiny by the publishers and book four is ready for the re-write stage. Others in the series are also being penned.

As can be seen, the writing is industrious, as well as being addictive and enjoyable. Both Carol and Bob are members of a local writing group called Wight Fair Writers’s Circle that Carol chairs. This group evolved from the college course and we remain a group who also runs competitions to inspire others to write, especially children. All proceeds go to local charities. Bob and Carol also do talks about Bob’s career for schools and colleges as well as other adult groups to raise money for the local hospice which they support. Certainly exciting times and a new career which they never considered when they retired,

To learn more about Carol and Bob and their writing visit their website. www.rcbridgestock.com. A must is also www.caffeine-nights.com. On both these sites you can download the first two chapters of Deadly Focus FREE! Carol & Bob are also on Facebook – Carol Bridgestock and RC Bridgestock and we Twitter – RC Bridgstock

The support from our readers around the globe is extremely satisfying and spurs us on. Read More

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Jun 03

Back for Her THIRD Visit with Mike Angley: Julie Achterhoff!

MA: Julie Achterhoff was born in Michigan, but brought up mostly in the big city of San Francisco and a small island in the Gulf of Mexico. Her imagination was sparked by experiencing these different ways of life. She grew up reading very adult horror, mystery, and thriller novels passed to her by her mother. When reading she would get as excited about the writing of the books as the reading. She ended up becoming a home birth midwife with five children of her own. Still, with every book she read there was that gnawing urge to write something of her own.

Julie – welcome BACK! This is your third visit to my blog, and while I’ve had a few authors guest with me twice, you are the first with a triple visit.

My readers can go back and read the original posts Julie did with me, first on January 1, 2010, and then again on September 10, 2010.

Please remind my readers what you did before beginning your writing journey.

JA: I was a midwife raising a family for about 17 years, but when the oldest got big and responsible enough to watch the younger ones I started taking a couple classes a week at the local college. Of course I picked writing and English classes. I didn’t even dare hope to actually write anything. It was this deep, dark secret I kept even from myself! I started getting addicted when teachers and other students told me what they liked about my writing. That gave me more confidence. I suddenly realized the authors of every book I’d ever read were just regular people like me who probably started out not knowing if they could write. So I allowed my deeply buried creativity out and gave it full rein.

MA: I know you didn’t start writing novels right away, but you actually began with plays, is that right?

JA: My first major effort after some short stories and essays was actually a three-act play called Angel in the House. I really got excited about seeing my work performed. I eventually hoped against hope that I could work in the movie industry. But the structure used in plays and screenplays was very stilting for me. I had to pay so much attention to form that I felt it took away from the writing. I enjoyed just writing away without a care like I could with the short stories I’d written. I just couldn’t imagine putting enough words down to make up a whole darned book. But I decided to give it a try. I figured if others could do it, so could I.

MA: So how many books are you up to at this point?

JA: I’ve now written four books. I still can’t believe it, but I swear it’s true. I just kept writing and writing, and somehow the word count kept climbing until finally it was the end and I had a whole book in my hands. The first was Quantum Earth. It’s about a team of metaphysical scientists racing to find out why we’re having more natural disasters of a higher degree leading up to the end of the Mayan calendar in 2012, and if our own human thoughts are actually creating this reality. Deadly Lucidity is a thriller about a woman trapped in her nightmares and dreams. Then she meets someone who tries to help her find a way out of her own mind. He seems to be another part of her imagination, but he is also so real. Native Vengeance is a novella about a woman who meets a friend on the internet and eventually goes to visit her during the town’s main event of the year. Of course, this annual “event” isn’t what it seems. The town has an old Indian curse on it because of something that happened a long time ago. The new friend needs her so she can escape the evil that occurs each year to punish the residents of the town.

Then there’s my latest book, Earthwalker- Earth can be Hell for a Vampire. I’ve always loved vampires the most of any of the beasts around. Maybe that’s why it took me this long to write my own kind of story about them. Plus, I hate doing anything that’s “in.” So I figured I’d have to write the book so different and far from the main crowd that it would hardly resemble any vampire story from the past. I think I achieved this. Earthwalker is a book about a vampire. And there is a passionate love story. But from there on out it is different in almost every way from any past works of its kind. I think I was successful in finding a fresh new way of presenting it. It’s all in the writing, though, anyway, isn’t it? I mean if you like my writing, you’ll definitely like this book. It barely gives the reader a moment to take a breath. I write tight and lean. There’s not a lot of flowery prose or descriptive overload in my stuff. I think you learn a lot about yourself and your style of writing with each new attempt. I would call Earthwalker my dissertation.

MA: Are you the kind of writer who starts with a hero and then builds the story, or do you start with a plot and develop the right man or woman to fill the need?

JA: Whenever I begin writing a book I already have a pretty good idea of who the protagonist is. I have the framework in my mind and then let them develop and grow on the page. I say “let” them because that’s how it seems to happen. They become alive to me. I think that’s how I’m able to write a whole book at all. The characters kind of take over and tell me what could possibly happen to them that would be thrilling and exciting, but also believable to the reader.

MA: Can you give us an idea of one of your heroes or heroines?

JA: In Earthwalker, for example, Willa is the so-called heroine. In the beginning of the story she is pretty weak. She’s recently gone through some tough life situations and is worn out emotionally. But she’s basically a strong young woman with emotional reserves that she calls on from the beginning. She’s good at dealing with emergency situations, it doesn’t take much for her to catch on when something outside her past experience happens, and she has the capacity to be courageous if need be. She is also willing to sacrifice herself for a greater good. As most of us do, though, she tends to think of herself first. She does sense this about herself and ends up putting herself last. With Willa, it’s like she moves ahead two steps then one step back and so on.

MA: Where do you draw from to create your “bad guys?” I’m always intrigued by antagonists in supernatural stories.

JA: I’ve had pretty intense nightmares since I was very young, so I’ve got plenty of nasty people in my head. I actually tone them down for my books so they’re not totally evil. That would be boring. You’re always going to enjoy a story more when you can somehow relate to the bad guy/gal. It’s like your dirty little secret. It brings the reader in so they feel closer to the characters.

MA: I take it you’ve not had any real-life encounters with vampires or other such creatures, or have you (grinning)?

JA: Not at all. I like making it all up from scratch. You will probably never see a non-fiction book come out of me. The further away from reality the better. My writing is my escape. It takes me far away from this world. And that’s the way I like it!

MA: Okay, so four works of fiction down…how many more to go? Where are you headed in the near future?

JA: Just recently I had a very long and real feeling dream that inspired me to write another book. It’s been months since I’ve written anything, so it’s great to know I haven’t dried up in the writing department. The next one’s about a reporter out to research the latest drug craze. And boy is it a doozy! What a crazy dream that one was.

MA: I can only imagine! I’ve had a few intense dream in my life, so I can relate. Will your allow any characters from past books to tag along in future stories?

JA: I have been asked by several readers if there will be a follow-up to Quantum Earth. Unfortunately, it’s kind of a time-bound novel in that it revolves around a particular time, the year 2012. But I guess it all depends on what actually does happen in 2012 to tell you the truth. Maybe these characters will have more to say and do at that point. Who knows?

MA: Let’s hope the Mayan “prophecy” turns out to be a whole lot of nothin’! After all, the Mayans simply stopped counting days, without actually saying what would happen beyond the calendar. So much about that calendar is super-hyped. Any parting thoughts?

JA: I would just like to encourage anyone who has a desire to write not to make excuses or let your inner critic stop you from doing something that could bring you a lot of joy. Don’t let anything stop you. And don’t do it for the money or fame. Chances are that won’t happen. You just have to love it. And then just do it. Get those words down on that page! You’ve got nothing to lose and so much to gain. If you do it this way it’s gonna show in your writing. Then you’ll have something to be proud of.

MA: Thanks again, Julie, for coming back. I want to encourage my readers to check out Julie’s blog (http://earthwalker.tk) and her books’ website (http://julieachterhoff.tk).

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Oct 22

Tree/House Author, Jessica Knauss, Visits with Mike Angley

MA: My guest-blogger today is Jessica Knauss. Born and raised in Northern California, Jessica has become something of a wanderer who hopes to settle down soon. She has worked as a librarian and a Spanish teacher. She lives with her husband Stanley, with whom she plans to open a soft-serve ice cream shop in the future. Jessica has participated in many writer’s groups and workshops, including the International Writers’ Program at the University of Iowa. Her nonfiction has appeared in Medieval History Magazine, Hortulus, LL Journal, and an encyclopedia entitled The World and Its Peoples. To date, she has published fiction in Bewildering Stories, Do Not Look at the Sun, (Short) Fiction Collective, Full of Crow Quarterly Fiction, Sillymess, This Mutant Life and Short, Fast, and Deadly. Her poetry can be found at Haggard & Halloo, Apollo’s Lyre and The Shine Journal. Her novella Tree/House, about a woman’s awakening through sleeping in trees, is available at Amazon. Açedrex Publishing will release her poetry chapbook, Dusk Before Dawn, in September. Get updates on her writing at her Facebook page.

You have been very busy with all your writing projects!

JK: I came out of the womb with a pencil in my hand. In grade school, I could hardly be bothered with math, but let all other experiences influence the stories that just kept coming out of me unbidden. I grew up in Northern California, close to the Redwood forests, near the foggy grey beaches, and gained a sense of awe at nature and a strong isolation from civilization that shows up in all my work. I studied a lot of subjects, mainly Spanish, because my love of Spain sprouted spontaneously one day when I was about 11. I’ve been a librarian (love those books!) and a Spanish teacher in the beautiful cities of Boston and Providence. Somewhere along the way I lost sight of creative writing, but have now taken it up again with complete seriousness. The stories and characters were patient. They knew I had to come back to them some day.

MA: Was your decision to write novels a conscious, formulated one, or did something simply inspire you?

JK: The novels chose me instead of the other way around. For me, being a writer consists of taming the wild muse and making a craft out of a formless mass of creativity I’m re-learning to tap into.

MA: So tell us about Tree/House.

JK: My novella, Tree/House, is a timeless coming-of-age story in which a woman, Emma, has made terrible decisions throughout her life, allowing herself to be led around by anyone with more force of will. When the husband who took her on dies suddenly, she slowly turns her drifting into a direction, learning some shocking truths along the way. She could not go through this process without Geraldine, a vagrant who camps on her property, sleeping not in the barn or the stable, but in the wild old trees. Geraldine is in need of some emotional rehabilitation herself, but with her assertive personality, she helps Emma see the alternatives to the passive life she has lived. The novella has a slightly nineteenth-century feel to it, because the characters write letters, build libraries, and trek through the countryside on foot, but at just 28,000 words, it’s a fast, fun read that will leave you time to read it again! It’s perfect for book clubs and discussion groups or just sharing with friends.

I also have a poetry chapbook that recently released, called Dusk Before Dawn. This is a compilation of most of my poetry from over the years, and I’ve put them together in a trajectory that addresses the nature of language, the search for love, the nostalgia of place, the creative process, and, most importantly, personal identity. Some are like stories, and others a very lyrical. They make a nice companion to Tree/House, as they address many of the same issues.

MA: Emma sounds like an intriguing character. How did you go about developing her in the story?

JK: One of the lines from what ended up being the third chapter came to me in a bolt of sheer inspiration. It’s when one of the servants on the estate is telling Emma some unsavory truths she didn’t know about Geraldine: “Do you know she killed the cat, aimed for the stable boy and slept with her boss?” The protagonist at that point was merely a receptacle for this information. Emma’s character grew out of the way she reacted to Geraldine’s extravagant style. The antagonist, Franklin, grew out of that passivity in a natural way, creating the drama organically.

MA: Would you say Emma is a strong character? Is she flawed at all?

JK: I’m afraid Emma is all weakness: confused, not confident, no direction, no definable talent, and worst of all, led easily astray. She represents any woman who finds herself at a crossroads, and I think her indecisiveness and insecurities make her very sympathetic for readers.

MA: Do you have a definable antagonist, or is Emma challenged by many characters because of her weaknesses?

JK: Franklin, who ends up as Emma’s husband (and then brutally murdered in revenge for past misdeeds) is very dangerous because he knows how to manipulate her, all while she believes she is making her own choices. His praise of Emma seems unfounded and bizarre, just like the rest of him. He seems to have sprung out of nothingness to impose an ancient order on her disorganized life. He is a jailer and a neglecter and represents every thing evil and intransigent, at the same time that he opens a new world of literature up to Emma. His gifts are awkward, beautiful only in a certain light, and I hope the reader feels as weird about him as I do.

MA: Is there any of Jessica’s real life story in Emma?

JK: Absolutely. Because of the organic development of the plot, Emma’s predicament reflects the trapped feeling and self-doubts I was going through at the time. The writing and sending of letters comes directly from my experience, and I think it increases the feeling of isolation as she’s trying to make a decision about what to do with her life. I had a terrible experience with a wrinkled wedding dress that I make Emma go through with a little more naiveté, and I had a friend in college who told me that eating French fries gave her the hiccups, so thanks for that tidbit! (I’m not sure she would want me to broadcast her name, but she knows who she is.) Franklin turned out as a Bluebeard type. He has elements from just about anything I felt stifled me in the past, including, of course, old boyfriends! I think all this leakage between life and fiction, unintentional or otherwise, helps give the story psychological realism the reader can really get into.

MA: Now that Tree/House and your book of poetry, Dusk Before Dawn, are out, what’s next on your writing horizon?

JK: I’m striking out into territory that may seem very different by writing a historical novel set in tenth-century Spain and based on an epic revenge poem. It’s full of battles, glittering armor, and exotic locales. It’s not really a departure for me because I have a PhD in Medieval Spanish, and, continuing the feminine theme of my previous work, the story has female characters who know how to manipulate the society in which they live.

I’m always working on weird short stories, and waiting for that bolt of inspiration for my next longer work.

MA: Will Emma come along in future works?

JK: Tree/House readers have said they would love to spend more time with the characters. I have considered writing the further adventures of Geraldine, or even a prequel showing how she really got to be the fascinating woman she is in Tree/House, but nothing concrete is on the writing schedule. Read More

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Sep 10

Scary Storyteller Julie Achterhoff Returns to Visit with Mike Angley

I’m delighted to welcome back a veteran guest-blogger, Julie Achterhoff. Julie first appeared on my website back on New Year’s Day. If anyone would like to go back and see what Julie and I talked about back then, please visit her original post: Paranormal Suspense Writer Julie Achterhoff Joins Mike Angley Today.

Julie has enjoyed writing since early childhood. She impressed her teachers with her stories written in many genres. One teacher in the eighth grade told her that after reading one of her scary stories she couldn’t sleep all night! Julie didn’t start writing seriously until after raising her five children on her own. During this time she worked as a homebirth midwife. Her first published work was a novella titled Native Vengeance. This was followed by her fictional thriller, Quantum Earth. Deadly Lucidity is her most recent thriller.

Welcome back, Julie! Please remind my readers what brought you to writing fiction, especially scary stuff.

JA: I have always loved reading, especially horror and thriller type books. They scared me to death as a kid, but I read whatever my mother handed down to me, so I was kind of forced into it! I read a lot of Stephen King, Dean Koontz, and I’ll never forget Tales of the Cthulu Mythos. I guess I figured that it was fun to scare people with your writing. My first major writing, though, was a play I wrote for a women’s lit class I took a few years ago, which wasn’t horrific in the least. It was about three women in three different centuries, and the struggles each of them had being women writers. It’s called Angel In The House. Before my writing career began I delivered babies at home, something completely different from writing!

I think I chose novels because I feel like writers can have such a huge impact on people if they write well enough. I started writing a few novels over the years, but never had the extra time until recently to actually finish one. Whenever I was writing, I just got the greatest feeling! It made me feel excited and important. I could just imagine other people reading my words and maybe really liking what they read. It was a thrill just thinking about it.

MA: I’m excited to hear about your latest release, Deadly Lucidity, since it came out after our first interview. Tell us about it.

JA: Marie is kind of an eccentric woman who has learned to stay lucid during her dreams. That means she is totally conscious when in the dream state. She can go where she wants to and do anything. But she suddenly starts dreaming about a crazed psychopath who is trying to kill her. Then, her dreams become so real that she becomes trapped in them. They are becoming more and more bizarre, too. She meets a man named Murphy, who ends up helping her try to escape this nightmare. They journey together towards a place they’ve been told is a way out, while trying to stay one step ahead of the psychopath, among other strange beings and situations. Marie’s growing passion for Murphy causes her to have to make some tough choices, though. How can she leave her “dream man” behind?

MA: I use the lucid dream device in my own writing, as well. I think it’s an interesting literary device. Tell us more about Marie.

JA: Marie starts off being in therapy, relying on medication to prevent recurring panic attacks and general anxiety. She is basically alone in the world. Her only “real” friends are in her dreams. She is also a writer. I kind of modeled her after myself, only more of a caricature of me. Through her dream experiences she is pretty much forced to come into her own power. She doesn’t have much choice but to become stronger and grow. There are some weak moments for her, of course, but she overcomes the obstacles that come her way to save her own life.

MA: What are her strengths and weaknesses?

JA: Marie is very fearful. She doesn’t want to go on. She hides in her own little world, writing day after day. She doesn’t realize her true strengths until she is faced with people and situations that will make or break her. Her whole world is turned upside down, which presents challenges she has never even considered before this. All she can do is pull herself out of the way she was, and on the way changes from a caterpillar into a butterfly.

MA: Nice. You mentioned the psycho in her dreams. I take it he’s the main antagonist?

JA: Oh, yes. This crazy lunatic that is chasing her down is a real weirdo! He has somehow fixated on her, and his only goal is to torture and kill Marie. He also has some really interesting idiosyncrasies. All I’ll say is that she gets into some very tight spots with this guy!

MA: Not many people have experienced lucid dreams in reality (I have, and find them wonderful). Have you had the experience?

JA: Yes. I’ve had some very lucid dreams myself. Some of them have been nightmares that I’ve had a tough time getting out of. This book was actually inspired by one of them. I thought I woke up from a perfectly nice dream, when in reality I went straight into the realest nightmare I’ve ever had! I actually thought it was really happening. Luckily, I was finally able to really wake myself up, but I was practically hysterical. It took quite a while to calm myself down.

MA: So, now that Deadly Lucidity is out of the chute, so to speak, what’s next?

JA: I’m almost finished with my third book titled Earthwalker. It takes a completely fresh approach to the world of vampires. In it, vampires originated from another planet, and have a common ancestry with humans. It’s only when they live on Earth for too long that they get a taste for human blood. On their own planet they only drink animal blood, and are even more civilized and advanced technologically than humans. One of them crashes his spaceship in the wilderness near where a young woman named Willa is camping. He is severely burned, and she nurses him back to health. His English name is Paul, and the two fall in love. But that’s just the beginning. They must go through many terrible situations together before their story is told. Both of them are stretched to their very limits.

MA: Well, the vampire storyline is certainly popular these days. Maybe you can become the next Stephenie Meyer . I know you have a blog called Julie Achterhoff’s Blog, but what else would you like my readers to know?
JA: I had a video trailer made for Deadly Lucidity, which can be found at: http://www.associatedcontent.com/video/687534/book_video_trailer_deadly_lucidity.html?cat=38

Readers can also read part of the book at: http://www.freado.com/book/6046/Deadly-Lucidity

It can be purchased here: http://www.amazon.com/gp/product/0984421904?ie=UTF8&force-full-site=1

It’s now on sale on Kindle for $3.19

Here is a review by Apex Reviews:

4.0 out of 5 stars An Engaging Suspense Thriller, June 16, 2010

Caught in a dream world from which she can’t escape, Marie finds herself hunted by a dangerous psychopath. Her situation is far from hopeless, though, as a handsome Ranger named Murphy vows both to protect her and help her find a way back to the real world. Over the course of their shared adventures, Marie looks very much forward to getting her life back to normal – but her growing passion for Murphy makes the prospect of leaving him behind an increasingly difficult choice to make…

Skillfully crafted by author Julie Achterhoff, Deadly Lucidity is an engaging suspense thriller. In it, Achterhoff has crafted a compelling alternate nether world straight out of the darkest regions of any imagination. In addition, as Marie wends her way through a series of increasingly perilous events, you find yourself rooting not-so-silently on her behalf, turning each fresh page in rapt anticipation of precisely what fate awaits her as the story progresses. Furthermore, the genuine affection that she and Murphy feel for one another adds a layer of palpable tension to the overall tale, drawing the reader in even more as this modern twist on the age-old tale of good vs. evil plays itself out in fantastical fashion.

A dynamic, riveting thriller with a host of intriguing twists, Deadly Lucidity is a recommended read for lovers of well crafted fantasy suspense tales.

Chelsea Perry
Apex Reviews
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Jan 01

Paranormal Suspense Writer Julie Achterhoff Joins Mike Angley Today

MA:  First things first…HAPPY NEW YEAR everyone!  Please help me welcome my special guest today, paranormal suspense writer, Julie Achterhoff!  Julie has lived all over the United States.  She is the mother of five, one still at home.  Julie started … Read More

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