Tag Archives: Creator

Nov 05

Mike Angley Interviews Best-Selling Author Frank Fiore

MA: Please help me welcome best-selling author, Frank Fiore. Frank has sold over 50,000 copies of his non-fiction books. He has now turned his talents to writing fiction. His first novel, CyberKill, is a techno-thriller that answers the question “How far will an artificial intelligence go for revenge”. CyberKill has garnered five star reviews on Amazon. Frank’s writing experience also includes guest columns on social commentary and future trends published in the Arizona Republic and the Tribune papers in the metro Phoenix area. Through his writings, he has shown an ability to explain in a simplified manner, complex issues and trends. He and his wife of 30 years have one son. They live in Paradise Valley, AZ.

It sounds like writing has been a passion for many years, and you’ve been quite successful at it. Is this something you’ve always done professionally?

FF: I started out as an entrepreneur. During his college years, I started, wrote and edited the New Times newspaper which is now a multi-state operation. From there I went on to start several business and retired to take on writing full-time.

My interests in future patterns and trends range over many years and many projects. I co-wrote the Terran Project, a self-published book on community futures design processes, and worked as a researcher for Alvin Toffler on a series of high school texts on the future. I designed and taught courses and seminars on the future of society, technology and business and was appointed by the Mayor of Phoenix to serve on the Phoenix Futures Forum as co-chairperson and served on several vital committees.

MA: I’ve always enjoyed reading the Tofflers’ works. When I was in the USAF, Alvin and his wife visited the Air Command and Staff College when I was a student there to talk about future trends. Fascinating stuff! With your background, why the transition to novels?

FF: I’ve always wanted to be novelist. I wrote my first novel in high school then another when I was in my late 20s. Both were not very good. Like many novelists, I write to entertain but also to make a point – to try and educate the reader in something they might not have been aware of.

MA: Tell us about CyberKill.

FF: My first novel is CyberKill. Fans of Tom Clancy, James Patterson and Clive Cussler, would enjoy this twist on the Frankenstein myth.

A brilliant programmer, Travis Cole, inadvertently creates “Dorian,” an artificial intelligence that lives on the Internet. After Cole attempts to terminate his creation, Dorian stalks his young daughter through cyberspace in an attempt to reach Cole to seek revenge. When cyber-terrorism events threaten the United States, they turn out to stem from the forsaken and bitter Dorian.

In the final conflict, Dorian seeks to kill his creator – even if it has to destroy all of humanity to do it.

MA: Where did you come up with the idea for the story?

FF: Many years ago I read an article in Time magazine about a young artificial intelligence (AI) programmer. He had created a series of AI agents and sent them out over the internet to see if they would evolve. I thought to myself, what if the programmer terminated his experiment? If the Artificial Intelligence evolved into a real intelligence, would they take his act of shutting down the experiment as attempted murder? From there, I thought “How far would an artificial intelligence go for revenge?” and stalk Travis Cole, my protagonist, through cyberspace to kill him. The end result was CyberKill. (cyberkill.frankfiore.com)

MA: Tell us more about Travis Cole.

FF: Travis is an intelligent and gifted programmer but he’s into shortcuts. That provides the opening that AI agent can exploit and reach Cole.

Readers are not interested in a main character that can do or know everything. It’s not only unreal but it makes for boring story telling. The main hero has to have his sidekicks – people who know what he doesn’t know – and that builds a relationship and makes the characters feel more real to the reader. It also lets the author play one off the other to create interesting dialogue and an interesting story.

I try and combine the male and female leads into what one character would be. Between them, they know enough to drive the story forward with the help of secondary characters. Besides a little flirting and possible love interest adds to the story.

MA: I take it that Dorian is the antagonist?

FF: The ‘bad guy’ is the AI software agent he created. The AI agent becomes super-intelligent and names himself Dorian.

MA: I don’t know if you’ve dabbled with AI at all, but from your background you’ve certainly had an interest in related studies. Any real life influences in the story?

FF: All my life I have been interested in many, many subjects – from the social sciences to the human sciences to science itself. All of this interest has helped me develop interesting and believable characters and stories. Also, CyberKill is speculative fiction with a science bent. That means the technology the geographic locations, government and military installations and organizations, information warfare scenarios, artificial intelligence, robots, and the information and communications technology in this book all exist.

As for the genetic weapon, pieces of the technology are either in existence or in the research and development stage. Now, according to the Department of Defense, it doesn’t exist. But the Fars News Agency of Iran reported otherwise last year.

I wanted to show the reader that what happens in the book could very well happen today. So I had to take what was known, combine it with other knowns and then stretch the facts a little.

MA: (chuckling) That pesky Department of Defense! So what’s next in your writing journey?

FF: I’ve just completed the first two novels of a three book series called the Chronicles of Jeremy Nash.

The Chronicles of Jeremy Nash is a new thriller series about a noted debunker and skeptic of conspiracy theories, urban legends and myths. Jeremy Nash is pressed into pursuing them by threats to himself, family and reputation. The Chronicles of Jeremy Nash capitalizes on the continuing interest of the reading public in conspiracy theories, unsolved mysteries, urban myths, New Age beliefs and paranormal events. I also feeds the growing appetite of the public for ‘puzzle stories’ in the vein of National Treasure and Indiana Jones with a little of the X-Files thrown in. The formula of the chronicles consists of a conspiracy theory, unsolved mystery, urban myth, New Age belief or paranormal practice that Nash is forced to pursue; combined with an underlying real world event, organization or persons that is somehow connected to what he is pursuing. This provides the thriller aspect of the stories.

MA: Fascinating. Anything else you’d like to add?

FF: I watch movies because I write my novels as movies. Movie scripts have a structure that is shared by novels. Both have a similar 3 or 4 act structure (spine/skeleton) that involves a hook, generally with the main character involved, then the ordinary world (who they are, etc) the first turning point, tests and trials, reversals, black moment when all seems lost, climax, the epiphany and reward. This is not a formula, it’s classic mythic structure and it’s used in both mediums. Current contemporary commercial novels are much faster paced than in the past, no matter what genre. Some genres (action and thrillers) move faster than others but the whole market has shifted. We are a USA Today society that deals in sound bites and Tweets, and that doesn’t bode well for the slow moving novel. Read More

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Oct 27

All About Copyrights…and Article by Mary Deal

About Copyrights
by
Mary Deal

Once you have finished your opus, do not apply for a Copyright until you know exactly what you are doing.

If you plan to self-publish or publish print-on-demand, then you will need to copyright your manuscript. (See the information below.) This may change in the future but at the moment, self-publishing and print-on-demand companies do not do this for you.

However, if you secure a copyright registration and then try to sell your book to a big house publisher, you may have doomed yourself. That copyright you took much time and effort to secure makes you the holder of 1st Rights. The big houses will want 1st Rights; they usually will not take any manuscript on 2nd rights.

In rare instances where a book has already been published, a big house will pick up the book under a new contract. However, any published book will usually have to have sold into the thousands of copies in order to be noticed by the larger publishing houses. If such a book is taken on by a larger publisher, they would accept 2nd Rights.

To protect yourself as being the creator of your manuscript, you may wish to register it at Writer’s Guild of America. They charge a fee; you send your entire manuscript, and there are various ways to submit. I use this organization myself. Filing with this group is not a form of copyright and you will later need a copyright from the U.S. Copyright Office. Filing with WGA is simply another way to register a date that your manuscript was completed and that you are the owner. Should anyone try to plagiarize your story, you have proof of when you completed the manuscript and that you are the original owner. Make sure you read their FAQS and understand the process. They have east coast and west coast branches, so you should use the branch in your vicinity.

http://www.wga.org/

http://www.wgaeast.org/

Should you choose to file with the U.S. Copyright Office, you will find them at

http://www.copyright.gov/

The U.S. Copyright Office also has an online submissions capability that I have used in the past.

My only advice here is that you know which way you will publish your book before you decide whether or not to seek a copyright.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Jan 19

The She-Rain Dossier, A Wonderful Treasure Of Information About The Book And Author Michael Cogdill

A child living as prey to an opium-addicted father, drowning in a gene-pool of lowest expectations, feels shackled for life to the tobacco farms and cotton mill poverty of 1920’s western North Carolina. Some of the only beauty he knows rises in the eyes of a girl, surviving times harder than his own. Emerging from their adolescent love, the narrative rises far out beyond that opening milieu of violence, ignorance, and language-literal religious fundamentalism. It branches toward likely the least expected figure ever in a Southern novel. Her mystery begging the question — what might have been, had an African-American infant born of scandal been placed on the arms of one of the grandest American fortunes of the early 20th Century? Raised utterly cloistered in the clefts of Appalachia, steeped in her adoptive mother’s Vassar education, classical piano, the refinements most mountain people considered as distant and alien as the stars. When that son of an opium addict happens upon her — each in uniquely desperate times — they set off the beginnings of seismic change to the worlds they’ve known. Driven by what Faulkner might call human hearts conflicted deep within themselves — the feel of it terrifying and beautiful at once. What overflows them distills to ways of life that melt the hard rocks of racism, classism, the self destruction of living down to the worst human expectations. By its contemporary end, the telling of this story has moved readers of both genders to tears of our best human possibility. I’m deeply humbled by this, and by how the story entertains with humor, the grit of real adventure, and forms of love least expected. Read More

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Nov 26

Happy Thanksgiving! Mike Angley Gives Thanks To Author Friends For Guest-Blog Opportunities

“I’ve always loved to write, but I postponed my long-term goals while I pursued my Air Force career. In hindsight, I think that was a good thing because it allowed me to focus on my writing with the precision it needed. I retired as a Colonel having spent 25 years as a Special Agent with the Air Force Office of Special Investigations, or OSI for short. The OSI is the Air Force version of NCIS, so I had plenty of rich experiences to inspire my writing, from running felony-level criminal investigations, as well as counterintelligence and counterterrorism operations around the world.” Read More

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