Tag Archives: compilation

Jul 08

Celia A. Andriello Guests with Mike Angley

MA: I am pleased to welcome today’s guest, Celia Andriello. Celia is definitely one of the more colorful authors to guest-blog with me. I will let her tell us more about her.
CA: All of my novels are based on my life experiences be it via my roots in parental abuse beyond anyone’s imagination, teaching publically and privately, building creative businesses, trafficking in various products for the benefit of mankind, providing my gift of motivational speeches to various environmental groups and “rights” movements, travel, building the first dream of microcomputers, or just sharing a war with my endearing Viet Nam survivors. Throughout my journey I have been overwhelmed with the inconsistencies of what is said and what is done. My novels are like any fiction; woven into the thread of truth.
MA: That’s quite a resume! Tell us how you began writing.
CA: It all began with “Betty Butterfly.” (Don’t laugh. It’s all true.) It was a second grade assignment that my teacher sliced and diced with her red pen. Fortunately the winds transported the prose into another teacher’s custody and I was immediately proclaimed “a singular creative writer.” I wasn’t sure what it meant, but her smile indicated that it was certainly better than the assassinating red pen.
One must grow-up, sort of, and come face-to-face with what it was that created this “gift for fiction.” There is nothing like two questionable parents to stimulate the best in their children. Therapy was my greatest teacher.
MA: Why novels?
CA: I stick to the novel format to keep from being sued. It’s as simple as that.
MA: Um, okay.
CA: All of my characters have a thread of real character in them. I have known a multitude and revere them through fiction.
MA: What genre do your write?
CA: This has been a devilish question for I really don’t know which to choose. For the sake of my sanity I have often fallen back on general fiction; but it’s more than that. Hear the Calliope: A sentimental Journey on the Earth Ride (circa 1950 – 1986) lays the foundation of betrayal; family and government, for the latter is a parental construct. Within wounds are exposed and delved into in order for the reader to comprehend the distortions in the adult character after the onslaught(s). At the same time humor is woven into the gore in order to repair the damages for the heroes to develop their own personal “more perfect union with the support of a very unique circle of friends. At the same time all previous dogma is discarded; there is no religion, there is no ethnicity, there is only human.
MA: Tell us about your heroine.
CA: Marinda is a young lady who is neither black nor white, nor does she know her ethnic background. Although she was raised Roman Catholic, she has come to understand that the teachings that she tried desperately to embrace as a child never made much sense to her even though she can recite the verse. Even her name is a misnomer. In order to restructure the world to fit her and her companions’ needs she had to be a compilation of the unknown.
Her weakness is her self-doubt created at home through an abusive life style of her parents and supported by her priest. Through her torturous childhood she has come to believe that she is incapable of being loved because she deserves only pain.
On the other hand her strength is her intelligence that takes her through med studies in conjunction with her psychiatric degree. Through her wisdom she is able to re-connect all that meets because she is able to admit that she’s struggling through her traumas as well and can share with them what she’s learned from being the innocent dupe. Likewise her soul mate, Dale, a survivor of friendly fire learns and enhances her methods with his spiritual knowledge.
Within me is housed the stories of the universe for my experiences have fanned out to touch all directions. It is impossible for me to stop writing. I have tried to not avail. I recently finished KILLER: Is Suicide Painless?

MA: Thanks, Celia for that interesting interview. Folks, visit Celia’s blog for more information about her and her writing: http://hubpages.com/hub/HAUDENOSAUNEE-my-faithful-Indian-companion

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Oct 22

Tree/House Author, Jessica Knauss, Visits with Mike Angley

MA: My guest-blogger today is Jessica Knauss. Born and raised in Northern California, Jessica has become something of a wanderer who hopes to settle down soon. She has worked as a librarian and a Spanish teacher. She lives with her husband Stanley, with whom she plans to open a soft-serve ice cream shop in the future. Jessica has participated in many writer’s groups and workshops, including the International Writers’ Program at the University of Iowa. Her nonfiction has appeared in Medieval History Magazine, Hortulus, LL Journal, and an encyclopedia entitled The World and Its Peoples. To date, she has published fiction in Bewildering Stories, Do Not Look at the Sun, (Short) Fiction Collective, Full of Crow Quarterly Fiction, Sillymess, This Mutant Life and Short, Fast, and Deadly. Her poetry can be found at Haggard & Halloo, Apollo’s Lyre and The Shine Journal. Her novella Tree/House, about a woman’s awakening through sleeping in trees, is available at Amazon. Açedrex Publishing will release her poetry chapbook, Dusk Before Dawn, in September. Get updates on her writing at her Facebook page.

You have been very busy with all your writing projects!

JK: I came out of the womb with a pencil in my hand. In grade school, I could hardly be bothered with math, but let all other experiences influence the stories that just kept coming out of me unbidden. I grew up in Northern California, close to the Redwood forests, near the foggy grey beaches, and gained a sense of awe at nature and a strong isolation from civilization that shows up in all my work. I studied a lot of subjects, mainly Spanish, because my love of Spain sprouted spontaneously one day when I was about 11. I’ve been a librarian (love those books!) and a Spanish teacher in the beautiful cities of Boston and Providence. Somewhere along the way I lost sight of creative writing, but have now taken it up again with complete seriousness. The stories and characters were patient. They knew I had to come back to them some day.

MA: Was your decision to write novels a conscious, formulated one, or did something simply inspire you?

JK: The novels chose me instead of the other way around. For me, being a writer consists of taming the wild muse and making a craft out of a formless mass of creativity I’m re-learning to tap into.

MA: So tell us about Tree/House.

JK: My novella, Tree/House, is a timeless coming-of-age story in which a woman, Emma, has made terrible decisions throughout her life, allowing herself to be led around by anyone with more force of will. When the husband who took her on dies suddenly, she slowly turns her drifting into a direction, learning some shocking truths along the way. She could not go through this process without Geraldine, a vagrant who camps on her property, sleeping not in the barn or the stable, but in the wild old trees. Geraldine is in need of some emotional rehabilitation herself, but with her assertive personality, she helps Emma see the alternatives to the passive life she has lived. The novella has a slightly nineteenth-century feel to it, because the characters write letters, build libraries, and trek through the countryside on foot, but at just 28,000 words, it’s a fast, fun read that will leave you time to read it again! It’s perfect for book clubs and discussion groups or just sharing with friends.

I also have a poetry chapbook that recently released, called Dusk Before Dawn. This is a compilation of most of my poetry from over the years, and I’ve put them together in a trajectory that addresses the nature of language, the search for love, the nostalgia of place, the creative process, and, most importantly, personal identity. Some are like stories, and others a very lyrical. They make a nice companion to Tree/House, as they address many of the same issues.

MA: Emma sounds like an intriguing character. How did you go about developing her in the story?

JK: One of the lines from what ended up being the third chapter came to me in a bolt of sheer inspiration. It’s when one of the servants on the estate is telling Emma some unsavory truths she didn’t know about Geraldine: “Do you know she killed the cat, aimed for the stable boy and slept with her boss?” The protagonist at that point was merely a receptacle for this information. Emma’s character grew out of the way she reacted to Geraldine’s extravagant style. The antagonist, Franklin, grew out of that passivity in a natural way, creating the drama organically.

MA: Would you say Emma is a strong character? Is she flawed at all?

JK: I’m afraid Emma is all weakness: confused, not confident, no direction, no definable talent, and worst of all, led easily astray. She represents any woman who finds herself at a crossroads, and I think her indecisiveness and insecurities make her very sympathetic for readers.

MA: Do you have a definable antagonist, or is Emma challenged by many characters because of her weaknesses?

JK: Franklin, who ends up as Emma’s husband (and then brutally murdered in revenge for past misdeeds) is very dangerous because he knows how to manipulate her, all while she believes she is making her own choices. His praise of Emma seems unfounded and bizarre, just like the rest of him. He seems to have sprung out of nothingness to impose an ancient order on her disorganized life. He is a jailer and a neglecter and represents every thing evil and intransigent, at the same time that he opens a new world of literature up to Emma. His gifts are awkward, beautiful only in a certain light, and I hope the reader feels as weird about him as I do.

MA: Is there any of Jessica’s real life story in Emma?

JK: Absolutely. Because of the organic development of the plot, Emma’s predicament reflects the trapped feeling and self-doubts I was going through at the time. The writing and sending of letters comes directly from my experience, and I think it increases the feeling of isolation as she’s trying to make a decision about what to do with her life. I had a terrible experience with a wrinkled wedding dress that I make Emma go through with a little more naiveté, and I had a friend in college who told me that eating French fries gave her the hiccups, so thanks for that tidbit! (I’m not sure she would want me to broadcast her name, but she knows who she is.) Franklin turned out as a Bluebeard type. He has elements from just about anything I felt stifled me in the past, including, of course, old boyfriends! I think all this leakage between life and fiction, unintentional or otherwise, helps give the story psychological realism the reader can really get into.

MA: Now that Tree/House and your book of poetry, Dusk Before Dawn, are out, what’s next on your writing horizon?

JK: I’m striking out into territory that may seem very different by writing a historical novel set in tenth-century Spain and based on an epic revenge poem. It’s full of battles, glittering armor, and exotic locales. It’s not really a departure for me because I have a PhD in Medieval Spanish, and, continuing the feminine theme of my previous work, the story has female characters who know how to manipulate the society in which they live.

I’m always working on weird short stories, and waiting for that bolt of inspiration for my next longer work.

MA: Will Emma come along in future works?

JK: Tree/House readers have said they would love to spend more time with the characters. I have considered writing the further adventures of Geraldine, or even a prequel showing how she really got to be the fascinating woman she is in Tree/House, but nothing concrete is on the writing schedule. Read More

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