Tag Archives: colorful life

Apr 29

Eric Hoeffer Award Finalist, Steven Nedelton, Guests with Mike Angley

MA: Help me welcome my newest guest, Steven Nedelton. Steve is a professional engineer, but most of his life he dabbled in arts. For example, he likes to paint in oils. He lived for a while in several countries outside of the U.S. and was born in the Balkans. Steve lived and worked all over the U.S., from the Washington and California coasts to Arizona, Pennsylvania, New Jersey and North Carolina. He started reading when he was ten after beginning to receive books as birthday gifts. Those included Tom Sawyer, then a year later, The Three Musketeers, and so on. At first, it was hard for him to concentrate, in fact, he hated reading. But then, gradually, he began to love good novels. Zane Grey became one of his favorite writers. He still remembers how he got the lunch money from his grandmother and spent it on books about cowboys and Indians, and the Wild West.
That’s a very colorful life and background you’ve had! You mentioned dabbling in the arts and having a love of reading, so it sounds like a natural progression to writing.
SN: Way back in my early teens, together with a few of my school chums, I began writing short stories. There’s no doubt that Tom Sawyer, The Three Musketeers and the various pirate novels were the principal contributors to our writing affliction. Also, the principal cause of all my later accompanying woes. But, aside from those early literary misadventures, and a lot of reading since, my first serious involvement with English Literature happened in my college English 102 and the subsequent course, Advanced Creative Writing. It was a true miracle that I managed to get through those two classes with A’s, and even to this very day, I am convinced that my professor was one crafty yet friendly soul. I guess, my feeble pretenses to understand Shakespeare warned him I wasn’t the material for a future scribbler. Thus my English Literature marks, A or F, were quite inconsequential. And his conclusion was natural, I was studying how to become an engineer, not how to write another War and Peace

From then on, my writing was, one might say, ‘placed on hold.’ A lot of occasional reads, but not much else until a decade ago. It was then that that sordid writing affliction got sort of reawakened within me, and the desire to become a writer was reborn too. And so, finally, after all those years, I chained myself to my laptop, and began writing again. I worked very hard while braving various virus attacks and rejection e-mails from a multitude of publishers and agents.

MA: Given your penchant for writing short stories as a teen, how did you come about writing novels?

SN: That is an interesting question. Early on, in my teens, I dreamed of writing a top short story. Much later, after reading a number of novels, I decided that short stories were not for me. Mostly because avid readers loved novels. I felt it was in my best interest to stay away from short stories and proceed with novels. There I could fit in my interest in thrillers–suspense and crime, the genre that was my true love and I knew I could do it well.

MA: You and I share a few writing things in common. My Child Finder Trilogy is a thriller series with paranormal elements which some of your books have also featured.

SN: I write fiction based on partly true events and characters. My novels deal with infamous criminals, espionage, and extrasensory perception tied together with unusual and extraordinary action. Basically, I write about anything that will make the reader interested in the story. I don’t specialize in any genre; I try to write about life in general. My stories cover local and international events. Also the events I have lived through and been a part of. Mixing fiction with fact makes readers believe in my stories.

For example, Crossroads is a thriller/suspense based on extrasensory and the action takes place in the US, Russia and France. The principal character is a U.S. agent assigned to lead a group of men with very special gifts like claivoyance, remote viewing–the ESP. The inspiration came from a sentence found in a major newspaper in the early 90s. The story is far more than espionage, James Bond like flick. It deals with several countries and characters with their ethnic peculiarities.

The inspiration for The Raven Affair came from the news too. In this case I had already heard quite a lot about one particularly infamous criminal involved in genocide who was finally being prosecuted in California. I thought that I could write a story that would be far more interesting than a description of his hideous exploits alone. I decided to add a number of fictitious characters and a number of fictiotious events. The title of this book was based on its central character, the hit man known as ‘Raven’ who, as a child, witnessed the horrors of genocide and decided to revenge his family. But the stories included in this book are far more interesting than the criminals and, of course, I’ve used my imagination to make them believable.

Both books were reviewed by the top country reviewers like the Midwest Book Review, The US Review of books, Apex, etc. I just received a note from the “Eric Hoffer Award” representative advising me that The Raven Affair is “Da Vinci Eye Finalist” and an “Eric Hoffer Award” finalist.” I feel that it is a great achievement for my novels.

Fear! is my next book that I hope to have it released soon. It is a sort of a historical biography. And, I am presently working on my third thriller, Tunnel.
MA: Congratulations on the book award accomplishments! Those are two excellent and prestigious selections. Tell us how you approach the development of your characters.
SN: I develop my characters through events. I let them speak, act, and from their actions and dialogs one can get the feel for the character’s strengths or weaknesses. For example, in The Raven Affair, the hero (the hit man Raven) has the criminal in the gun sights and yet he does not shoot him. He lets him live so that the people’s courts can judge him for his hideous crimes.

MA: A hit man protagonist! Tell us more about him.
SN: Raven is a very determined man. He is ready to sacrifice his life yet, occasionally, he is cold and detached, disinterested in other people feelings.

MA: I take it with these standalone novels that you do not migrate any of the characters over to other novels, or do you?

SN: I don’t have a recurring character in my novels as yet. Each of my novels is a completely different story with different characters, with one exception. I am developing the use of a character from Crossroads. This is still in a developmental stage and I am not yet set on other characters and their interaction. I can assure you that he will be used in the most interesting way.

MA: Given your travels in life, have any of your experiences outside the United States inspired your writing?

SN: Yes, I lived in several countries, England and France for example. I dealt with various people there and although people are pretty similar everywhere, there are ethnic peculiarities that one needs to experience in order to portray a character properly in a story.

MA: Where can people learn more about your stories and purchase your books?

SN: My books are available in print and e-book formats on Amazon, Barnes and Noble, Fictionwise.com, etc. They can be accessed directly from my web site: http://snedelton.com.

MA: Thanks, Steve!
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Feb 04

Steven Jay Griffel, Forty Years Later Author, Joins Mike Angley

MA: My guest today is Steven Jay Griffel. Steven was born in the Bronx, 1952. He tells me he, “met a beautiful blue-eyed art student in my junior year at Queens College (BA, Creative Writing, 1973) and married her in 1976. We’re still holding hands.” Steven studied American Literature at Fordham University, and he and his wife have two beautiful daughters, Sarah and Julia, grown and on their own. He spent his professional life in publishing, and he still works as a publishing consultant, though most of his time is now spent writing novels and talking about them. Steven is a frequent speaker and guest lecturer and especially enjoys leading book club discussions about his novel, Forty Years Later.

You told me you thought writing was a part of your DNA. How did you describe that, again?

SJG: I’m a born storyteller: sired by a father who never met a fact he couldn’t spin into fancy, and by a mother whose bitchin’ neuroses could make a grudge match of any relationship. From my father I learned there is no division between truth and fancy, just a wonderful gray area where imagination and ego could thrive. From my mother I inherited a genius for nursing regrets and grudges, so I’m never at a loss for reasons to rant.

I was raised on the colorful streets of the Bronx, where home plate was a manhole cover; where there was a pizzeria and deli on every other block; where there were always enough kids for a ball game; where it was okay to be Jewish, so long as you didn’t piss off those who weren’t.

MA: Well, that’s a colorful life! How did you decide to write novels? Was it always something you longed to do?

SJG: I wasn’t cut out to be a scientist or movie star or athlete. But I always had lots to say—and a talent for saying it well. In college I considered a career in journalism—until I learned I’d have to stick to the facts. I like facts, but I much prefer the novelist’s god-like sense of entitlement. As a novelist I decide the facts. I decide who rises, who falls. If I need a perfect line I create it, rather than relying on interviews and research for my gold. Thus I prefer fiction, where the music and meaning of words have primacy over facts. . . . I just remembered a pair of wonderfully relevant quotes:

“Journalism is literature in a hurry.” –Matthew Arnold

“Literature is news that stays news.” –Ezra Pound

I like to think that my writing is meant for the long haul.

MA: Well said! So tell us about Forty Years Later.

SJG: A middle-aged man (smart, handsome, happy, successful) has a single, gnawing regret: a lost opportunity to make history. He has kept the regret alive for forty years, continually picking at the scab of its memory. A coincidence (Fate, if you believe in such things) reunites this man with a former teen sweetheart who is very much a part of his regret. The man is married with children, the woman is famously and formerly gay, and their reunion results in the kind of sparks that presage trouble. It is a tale of music, movies, murder—and madness too. It is also a story of love and redemption—except for those who are probably going to Hell.

MA: Oh my! So had did you develop your protagonist’s character? Sounds like there may be a little of you in him…

SJG: Until recently, I too had a gnawing, life-long regret. Like a cancer that does not metastasize, it was annoying but not life-threatening. A complicated coincidence reconnected me with someone I hadn’t seen in forty years: a successful screenwriter who is best known for writing about the subject that framed my regret: Woodstock. We met and hit it off—big time. Of course, I was happily married with children and wouldn’t think of getting involved with another woman—but I have a protagonist; an alter-ego; a doppelganger, I suppose, and this fellow (named David Grossman) has been known to explore roads I dare not travel myself.

MA: So, what are David’s strengths and weaknesses?

SJG: Like many people, the novel’s protagonist is a miracle of contradictions. He is clear-seeing despite his blind spots; confident when not suffering from crises of self-esteem. He is a man who misplaces loyalties and manufactures jealousies. He loves and is loved but sometimes loses his way. All of which is to say, he’s flawed enough to get himself into a royal pickle—and brave enough to see his way out.

MA: What about an antagonist … is there a unique “bad guy” or a recurring nemesis of any kind?

SJG: There is a brilliant, formerly famous lesbian screenwriter with a blind lover and hip-hop son, who becomes a vengeful alcoholic with a particular fondness for dangerously sharp objects. Unique enough?

MA: (Smiling) Okay, so did any of your real-life experiences factor into the plot at all?

SJG: I also nurtured a life-long regret tied to someone I had not seen in forty years. We were reunited. Sparks flew. . . . Note: The real-life tale is private and tame and not worth the telling in this space. However, the novel it inspired is rip-roarin’. But it is not a story for the faint of heart or for those of unbending scruples. It is tale signifying: One is never too old to change; Beware what you wish for; There is no greater grace than tried and true love.

MA: Excellent! So what’s next for you?

SJG: I am working on a new novel called The Ex-Convert. It is, loosely speaking, a sequel to Forty Years Later. Though I am now in the enviable position of having a publisher waiting for my next book, I have no guarantee of publication. My publisher believes I hit a home run with Forty Years Later and demands I hit another one with The Ex-Convert. Batter up!

MA: An enviable position to be in…so will any characters from Forty Years Later migrate over?

SJG: David Grossman is the protagonist in each of my novels, and I haven’t sworn off him yet. Having said that, he is not quite the same character in each book. His voice and sensibility are pretty consistent, but his circumstances vary: he has a wife or not; he has a family or not; he lives in New York, or not, etc. Expect to see him again in the Ex-Convert.

MA: How do readers get a copy of your book?

SJG: Forty Years Later is available as an e-book on Amazon.com. The download is incredibly fast and easy. And no special reading device is required. Most people enjoy Forty Years Later on their computer, PC or Mac. But with each passing day more and more people are using e-readers (like the Kindle) or tablets (like the iPad) or screen phones like the Android, Blackberry, or iPhone. In fact, one of my first readers sent me the following text message from his iPhone: “Reading Forty Years later at 40,000 feet—and loving it!” I also encourage readers to friend me on Facebook and share their thoughts. It’s a digital dawn!

MA: Well, thanks, Steven. Folks, please visit these websites for more information about Forty Years Later and Steven Jay Griffel!



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