I want to extend a hearty welcome to thriller writer Mary Deal, my guest blogger today! Mary is a native of Walnut Grove in California’s Sacramento River Delta, has lived in England, the Caribbean, and now resides in Kapaa, Hawaii. (I’m insanely jealous). She has published three novels: The Tropics: Child of a Storm – Caught in a Rip – Hurricane Secret, an adventure suspense; The Ka, a paranormal Egyptian suspense; and River Bones, a thriller, which was a winner in the Eric Hoffer Book Awards competition. A sequel is being written. Down to the Needle, her next thriller, is due out early 2010. Mary is also a Pushcart Prize nominee. Read More
Tag Archives: car
When you write your first draft, perhaps you simply write whatever comes out just to get the ideas onto the page. You know you’ll go back time and time again to get it polished just right. Maybe you polish your sentences or paragraphs before going onto the next one. Then, after all your editing, you feel something is still lacking. Maybe it’s the way you phrase the action. Maybe it’s a simple matter like your choice of words.
To help you make your prose as descriptive as possible without sounding flowery, read your composition again and look for specific words that could be replaced with descriptive VERBS that zero in on the exact action taking place.
I’m no stranger to getting the first word out that comes to mind and then needing to go back and clean up my grammar. Here are some samples from the novel I’m presently writing. I first wrote this:
Afterward, she went on her way.
If you write a sentence like this, ask yourself, How did she go? Instead of went describe her movements or gait:
Afterward, she sauntered away.
Afterward, she slipped away
Read this phrase:
Danced across the floor
Danced is a descriptive word, but it’s also a little common and could refer to many, many ways of dancing. How about…
Did a two-step across the floor
Waltzed across the floor
She felt around the floor of the car, trying to find the cell phone
Felt is also quite common.
She groped around the seat and on the floor of the car…
She slid her hand between the seats
Although a lot of emotion can be stirred just reading certain words they, too, can be made more descriptive. Replace this:
The thought of dying came to mind.
…with something like this:
The thought of bleeding to death came to mind
The thought of succumbing to coma, never to wake again, came to mind.
The above has two words to watch. We could have used:
The thought of slipping into a coma… instead, succumbing is more dramatic than gently slipping into a coma. Slipping hints at the character gently fading. Succumbing tells us she would put up a gallant fight to stay alive until, perhaps, more powerful forces overtook her. It’s more dramatic.
Here’s another sentence with two words:
The fireman holding up her head managed to get his upper body through the open windshield space.
The fireman supporting her head managed to squeeze his upper body through the open windshield space.
All of the words replaced above, and many, many more, are common words. The actions need to be exactly defined, made more exciting with better, more descriptive verbs and adverbs if your grammar is to stand out.
Your prose must sing and dance off the page. Anytime you describe what a character does, always check to see if a more descriptive word might apply. Using words that better show the exact actions that your character performs helps your reader become the character. That’s exactly what great prose does.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More
MA: I’m real excited to have as my guest today, Ronnie Dauber. Ronnie is a published author and freelance writer. Her young adult adventure book, Mudslide, is the first in the Survival Series, and was published in September of 2009. She is currently writing the second book in the series called Fire Storm and hopes to have it published by the summer of 2011. She wrote her first adult suspense/thriller called Web Secrets and it was published in January of 2011, and has a second thriller started that she will finish when her series is completed. As well, she has written and published over 1,000 articles on line for several well-known information sites. Ronnie holds college diplomas in Business Administration and Common Law, and in Children’s and Adults’ literature, and is a certified court reporter.
Tell me about your journey into writing.
RD: I’ve had a passion to write poetry and stories since I was a child. In fact, I earned my first poetry award at age 12 in a regional contest about President Kennedy, and since then I’ve just kept on writing. After raising my seven kids, I returned to college for two years and then enjoyed a legal career as a court reporter for several years until I was forced to retire early to due injuries sustained in a car accident. That’s when I decided it was perhaps time to master my writing skills, so I returned to college and earned diplomas in literature. And it was through these courses that I regained my desire to do what I’ve always wanted to do, and that is to write books.
MA: I can see the passion has been there for a long time! What brought you to writing novels?
RD: I write novels for three reasons. The first is because I believe that people, and especially children, need to learn the value of reading books. It develops their comprehension skills, exercises their brain, encourages their own imagination and allows them to live outside of technology, and so I want to help encourage them to read. The second reason is that I love to live the adventures that I write about. My y/a series does have some of my own experiences as well as those of my children, along with a lot of imagination. I like to write stories that keep the reader glued to the book. The third reason is because I realize that there are a lot of bad-influence books on the market today and that includes young adult books that are loaded with profanity and sexual content and void of morality and respect. I believe that books can be interesting and exciting and can captivate the reader without lowering the moral standards to what teens today feel is the norm. I want them to read books that will hold their interest, that involve things they are familiar with and yet at the same time, will help raise their own standards of life.
MA: Those are all great reasons. Tell us about your most recent novel.
RD: My latest novel is an adult suspense/thriller called Web Secrets. It’s about Madison Richards who is a young woman, insecure and dependent on her husband and friends to carry her through life’s many hurdles. When a personal issue causes her to investigate the circumstances, she begins to lose her family members and friends one at a time and finds herself being slowly drawn into a web of lies and deceit. She’s left with only one friend in cyberspace for moral support and friendship, and then as things seem as though they can’t get any worse, she discovers that she’s the target of a psychopath killer.
MA: Wow! That sounds pretty intense. Where did you come up with the idea for Madison?
RD: I got the idea for the character of Madison from the character qualities of a nurse on the television series, ER. Her actions and reactions and dependency on others made the ideal characteristics for my protagonist, and so I created Madison.
MA: She sounds like an intriguing heroine. Tell us more about her.
RD: My heroine’s most notable strength is her desire to take charge of her life, but fear has always kept her from trying. And it’s this desire in her that gives her the strength and the innocence to do the things she does to get to the bottom of her issues when there is no one to turn to for help. Her weakness is that she too easily falls into the guilt mode instead of accepting that things aren’t always her fault, and this is what has kept her from making positive decisions throughout her life.
MA: And what about the antagonist? I assume you have a pretty sinister one with a plotline like you described.
RD: There is an unknown antagonist that challenges Madison’s life and as things go from bad to worse, she must find out who this antagonist is and why this person is stalking her. Names are not revealed and the reader learns along with Madison as the story unwinds.
MA: I almost hate to find out of you’ve had any real life experiences that influenced your writing!
RD: I would have to say that this entire book comes from my imagination and that I never experienced any of the events that my protagonist experienced. However, my y/a adventure series does include some of my personal experiences.
MA: That’s good to hear! So what are you working on now?
RD: I have published the first book, Mudslide, to my y/a adventure series, and I’m currently finishing the second book to the series called Fire Storm. I have three other books to this series in my head waiting to get onto paper so I’m hoping to have them all finished by next year. As well, I have another adult thriller, Providence, that I’ve written the first four chapters to and that I want to get finished sometime next year.
MA: Will we find Madison or any other characters from Web Secrets in your future writing?
RD: That’s an interesting question and one that several people have asked me. I won’t give away the story, but some people who have read Web Secrets have given me suggestions of how Madison’s character as well as one other character could continue in future books. There is a possibility that they may have other adventures down the road.
MA: Well, we’ll all just have to wait and see! Anything else you’d like to leave my readers with?
RD: I realize that my books share two genres, that being y/a outdoor adventure and adult suspense/thriller. I enjoy writing both and I get totally caught up in writing both, as well. I’ve heard it said that writers find their particular writing niche once they’ve written in a couple of genres. I’m guess I’m not there yet because I have at least three more stories that I’m excited to write to the y/a Survival Series, and with years of movies and library books filtering through my thoughts, I also have several adult suspense stories just waiting to show themselves.
MA: Ronnie, thanks much for appearing on my blog today. I encourage my readers to learn more about Ronnie Dauber and her books. Be sure to visit her website for more details: Ronnie Dauber.
Those S and ES Endings
These endings have always troubled me until I finally decided to get it right. Compare the versions and see if you can pick out which is the correct usage of these endings.
The Joneses came for dinner.
The Jones’s came for dinner.
The Jones came for dinner.
John Joneses car stalled.
John Jones car stalled.
John Jones’s car stalled.
That Jones’s girl.
That Joneses girl.
That Jones girl.
The correct sentences are:
The Joneses came for dinner.
John Jones’s car stalled.
That Jones girl.
When a name ends with an s, when speaking of the family as a group, ad es – Joneses.
When speaking about something John Jones owned, it is his property and, therefore, an apostrophe and s shows ownership – Jones’s.
When speaking about a person in the singular, use only the name – Jones.
However, when speaking about a group of girls all named Jones, you would write that sentence: The Jones girls. Notice that the name stays the same but the s is added to the word girl, stating more than one exists with that name. Read More
My guest author today is Keith Smith. Keith is a Vice President with Fiserv, a Fortune 500 technology services company based in Jersey City, New Jersey. He has extensive experience in Capital Markets and Wealth Management, experienced gained from career assignments in Chicago, Dallas, New York, Princeton, London and Zurich.
He was a Vice President with Merrill Lynch Capital Markets, working with institutional investors in the United States and overseas; a Regional Vice President working with Fidelity’s institutional clients in Manhattan; a Senior Financial Advisor with Merrill Lynch Global Private Client Group working with individual investors in Princeton; and a First Vice President with Merrill Lynch Global Wealth Management overseeing Trading Services for more than 16,000 financial advisors worldwide.
He holds the Investment Management Consultants Association’s Certified Investment Management Analyst (CIMA) designation, graduating from the program administered by the Wharton School of the University of Pennsylvania. He received a BA in Political Science from Providence College. He has completed the Advanced Management Program plus the Securities Industry Institute at the Wharton School at the University of Pennsylvania, and holds FINRA Series 7, 24 and 65 licenses.
Active in his community, Smith is a Trustee of a Lawrenceville-based social service agency which provides crisis intervention counseling services to children who are victims of sexual assault.
I know by now most of my readers are wondering why someone with your impressive business credentials chose to write a novel. It doesn’t seem like a logical fit, but I know there is much more about you that inspired your writing. You have a compelling, personal story that is behind your novel. Tell us in your own words.
KS: Men in My Town is my first novel and I needed to write it for a number of reasons. First, it’s a good story worth telling. It’s a gripping suspense novel with a storyline that includes characters based on real people, real places and real events. It’s a glimpse into the street hustle hiding in the peaceful suburbs of Providence, Rhode Island in the 1970’s, complete with gamblers, bookies, car thieves, petty criminals, organized crime, hard-working honest men, a twice-convicted sex offender and a murderer or two.
Secondly, Men in My Town is my personal story. I am the 14-year-old boy in the story and only a few people, very few people, know what really happened to me on that cold winter night in 1974. I wrote Men in My Town to stop keeping this secret from the people closest to me, people I care about, people I love, my long-time friends and my family.
And finally, I wrote the story to raise awareness of male sexual assault, to let other victims know that they’re not alone and to help all victims of rape and violent crime understand that the emotion, fear and memories that may still haunt them are not uncommon to those of us who have shared a similar experience.
MA: Tell us about the story.
KS: Men in My Town is a suspense novel based on the true story of the abduction, beating and sexual assault of a 14-year-old boy in Lincoln, Rhode Island in 1974 and the brutal unsolved murder of his attacker in Providence in 1975.
The story focuses on the young boy’s relationship with a few men in his town, men who are close to the boy and his family, men who watch over him, men that protect him after he’s been assaulted. They’re good men with the capacity to do bad things. It’s a story that causes the reader to revisit their position on the question, “Does the end ever justify the means?” and vividly juxtaposes the good and evil that can exist simultaneously in every man.
MA: Who are the heroes in the novel?
KS: The hero, and other characters in Men in My Town have been described as Runyonesque, after Damon Runyon’s depiction of street life in Brooklyn and midtown Manhattan in the 1930’s and 40’s. Their strengths and weaknesses? They’re moral men with personal flaws, driven by their own sense of right and wrong which at times is at odds with the law.
MA: Obviously your novel is based upon real people and real events. Care to tell us more about how these factors affected the story development?
KS: Absolutely. The plot is based on actual events. I was abducted, beaten and raped by a stranger. It wasn’t a neighbor, a coach, a relative, a family friend or teacher. It was a recidivist pedophile predator who spent time in prison for previous sex crimes; an animal hunting for victims in the quiet suburbs of Providence, Rhode Island.
I was able to identify the guy and the car he was driving. He was arrested and indicted but never went to trial. His trial never took place because he was brutally beaten to death in Providence before his court date. 36 years later, no one has ever been charged with the crime. Someone got away with murder.
Men in My Town is my personal story, a story told from my heart, about the emotion, fear, guilt and horror I experienced, and the silence I’ve maintained since I was abducted, beaten and raped on that dark, cold winter night in 1974.
MA: Yours is such a compelling story. Do you have any writing plans beyond Men in My Town?
KS: I’m not writing right now but I am speaking publicly about what happened to me hoping to help others make the transition from ‘victim’ to ‘survivor.’ I’ve done newspaper interviews, talk radio, college campus events and I’m active in the RAINN Speakers Bureau. RAINN, the Rape, Abuse & Incest National Network is the nation’s largest anti-sexual assault organization. RAINN operates the National Sexual Assault Hotline at 1.800.656.HOPE and the National Sexual Assault Online Hotline at rainn.org. RAINN leads national efforts to prevent sexual assault, improve services to victims and ensure that rapists are brought to justice.
MA: Is there anything else you’d like to add?
KS: Despite what happened that night and the constant reminders that continue to haunt me years later, I wouldn’t change what happened. The animal that attacked me was a serial predator, a violent pedophile trolling my neighborhood in Lincoln, Rhode Island looking for young boys. He beat me, raped me, and I stayed alive. I lived to see him arrested, indicted and murdered. It might not have turned out this way if he had grabbed one of my friends or another kid from my neighborhood. Perhaps he’d still be alive. Perhaps there would be dozens of more victims and perhaps he would have progressed to the point of silencing his victims by murdering them.
Out of fear, shame and guilt, I’ve been silent for over three decades, sharing my story with very few people. No more. The silence has to end. What happened to me wasn’t my fault. The fear, the shame, the guilt have to go. It’s time to stop keeping this secret from the people closest to me, people I care about, people I love, my long-time friends and my family. It’s time to speak out to raise public awareness of male sexual assault, to let other survivors know that they’re not alone and to help survivors of rape and violent crime understand that the emotion, fear and memories that may still haunt them are not uncommon to those of us who have shared a similar experience.
MA: Keith, thanks so much for sharing your heartfelt personal story. I wish you the very best with your writing as well as with your advocacy on behalf of victims of sexual assault. My readers can learn more about Keith and Men in My Town at his website: www.MenInMyTown.wordpress.com
Tip #1 – Store Your Notes
Usually when I see great writing tips, I have a file set up in Word called – what else? – “Writing Tips.” I copy and paste the advice into my file to refer to when needed. Any handwritten notes I’ve made as reminders also get posted there.
Tip #2 – Be Prepared to Write
Keep writing materials handy no matter where you go. That one item you forgot to write down, and then forgot completely, could have been the one fragment that made your story memorable.
A true writer makes notes everywhere they go. If we’re without a laptop, as I am, we carry note pads and pens. JK Rowling used paper table napkins because she used to sit in her favorite cafe lamenting on her jobless plight – till a shift happened in her mind and she started penning the notes for her first novel.
Tip #3 – Beginnings
Avoid using empty words to start a story. Some empty words are:
There – refers to a place
They – refers to people
That – refers to a thing
It – refers to almost anything
Without first knowing the content your story, we have no idea to what each refers. For example, one person may write:
There were four of them. Without yet knowing the story, ask yourself: Where were they? Who were they? A better way to bring the action forward would be to say, Four of them appeared. Or get directly into the meat of your story and say, Four men dressed in black mysteriously appeared out of nowhere. You can write much more succinctly if you will use descriptive words, and not empty ones to start a story or sentence.
The Charles Dickens line: It was the best of times. It was the worst of times. I see no way to improve on that – or emulate it.
Also: It was a dark and stormy night, coined by the Victorian writer, Edward Bulwer-Lytton in his 1830 novel Paul Clifford. Surely, you wouldn’t write: A dark and stormy night had overtaken us. Or would you?
Tip #4 – The First Word of a Story
The first word of the first sentence of the first paragraph under the story title must grab attention. The first sentence must sustain the attention, and on through the first paragraph. If the first word or sentence is boring, or says nothing in particular, the readers’ expectations of a good story are killed.
What if you wrote: It was a quiet town with quiet people. Does that give you any idea at all as to what the story might be about?
You can use the word “the” to begin anywhere, but what follows “the” then becomes the attention grabber.
Here’s an example of starting with “the” from my adventure novel, The Tropics: The jagged scar on Pablo’s belly wriggled like a snake when he ran.
Here’s the attention grabber from my Egyptian fantasy, The Ka: “Witch!” Randy Osborne said as he strode around the room wearing a contemptible smirk.
And from my thriller, River Bones: Blood-red letters filled the top of the monitor screen: Serial Killer Victim Identified.
Then from my latest thriller, Down to the Needle: “The perp torched himself…”
Start your stories with words and action that pull the reader in.
Tip #5 – Use of the Passive Voice
Passive voice should be used with serious consideration as to how it affects your story.
A bad example: The house was cleaned by someone else. Here, the object of the action is the subject of the sentence.
A good example: Someone else cleaned the house. “Someone else” did the action. They should be the subject of the sentence. Ask yourself who or what is doing that action. They are the subject of the sentence, not the action.
Passive voice can best be used, and sparingly, when writing in first person. Example: I was hit by the car.
Tip #6 – A Rejection for a Comma
My publishing house editor returned my manuscript again after I made most of the changes suggested in the first edit. The editor referred me to the Chicago Manual of Style and told me to get it right.
What’s wrong with this sentence? He mumbled as if confused, tried the knob, grunted and tried again.
The Chicago Manual of style says (Page 173 of the 14th Edition):
5.57 – In a series consisting of three or more elements, the elements are separated by commas. When a conjunction joins the last two elements in a series, a comma is used before the conjunction.
Therefore the corrected sentence is: He mumbled as if confused, tried the knob, grunted, and tried again.
Did you spot the correction? Can you sense the difference as you read it?
In order to avoid rejections, the grammar in your story must conform to the rules if you know a certain publisher adheres to the Chicago Manual of Style.
Tip #7 – Avoid Splitting Infinitives
Be conscious of any form of “to be.” A great example of a split infinitive is “To boldly go where no man…” Everyone knows that line. It just doesn’t sound right to use: “To go boldly where no man…”
Look at these two:
“To be, or not to be.”
“To be, or to not be.”
Though split infinitives are a matter of style, incorrect usage at the wrong time can ruin a good story.
Tip #8 – Edit and Revise
We MUST edit and revise as many times as necessary to get it right. Otherwise, what could we expect but another rejection? Knowing if a story is right comes with experience of editing our own work as if it were someone else’s.
Once writers think their stories are finished and polished, even though they may have had a great edit, they refuse to go through another rewrite. Then, I ask, what’s the sense of having the piece edited? I edited my entire “Ka” novel manuscript – 885 manuscript pages (410 book pages) – a MINIMUM of 30 times over four years and stopped counting after that. Point is, the story had to be right before anyone other than my personal editors saw it. All of that happened before the publisher’s editor saw it. Then there were two more edits following that person’s sage advice.
Most of us writers are not English majors or PhD’s. No matter how good we believe our writing to be, editing is the only means to perfecting our craft.
Writing prompts and story ideas can be found in numerous lists on the Internet, but the best ones are found right around you.
How many times have you searched to find topics that might serve to shake a story out of your Muse? A list of words or phrases just might jog your Muse into action. Then, when you find such a list, you are not enthused by its offerings and you continue to search for more.
Story starters that encourage descriptive writing abound around you. Everything you see day-to-day is a writing prompt. If you don’t see life that way, I encourage you to take another look.
Take new interest in the things you take for granted. Let your mind wander from the probable to the improbable. Fantasize about things and events. Give them new life.
Here are a few samples of story ideas taken from everyday life that might help you see what’s around you in your world.
Imagine you’re walking down a road. Normally you see rocks and you side step and walk on.
If you’re a fantasy writer…
What would happen if all those rocks lying dormant for eons suddenly came to life? They pop. They explode. Wow! Would they be friendly? Or would they be alien, just waiting for the right moment to change the universe?
Want to write a mystery?
Suppose one of those ordinary rocks had fresh blood on it?
You find an envelope caught under a rock along the road. It’s open and money is sticking out. You want to get the money to its rightful owner so you return it promptly and find yourself looking into the fiery eyes of…
See where I’m going with this? Writing prompts are everywhere.
In my day to day life in Hawaii, just this morning, I saw or heard the following writing prompts out of my window from where I sit composing this bit of descriptive writing at my desk.
~ The man across the street is trimming branches off a tree with a buzz saw. He stops suddenly and tries to see into the window of the house. (Someone from inside that house may have called to him. But as a mystery writer, I can make a real thriller out of that teeny bit of action.)
~ A kid runs down the street, like he’s real scared. Now I hear a siren coming close.
~ A dog limps across my yard. It has a broken leg, or its favoring an injured leg, and hobbling. A moment later, another dog crosses the yard. Looks as though it’s had one leg amputated.
~ A car passes by on the street. The girl looks like she’s gushing all over her guy, the driver. She’s almost in his lap. They look blissfully happy.
~ I hear a strange sound and it doesn’t sound like any of the neighbors using power equipment as they repair their houses and structures. The sound is most curious and I can’t get it out of my mind.
~ I hear a loud bang, like a gunshot. It comes from the next group of homes adjacent to this small neighborhood. I hear another.
~ The woman in the house to the left is standing out in her yard. She never just stands there. She’s always on the go. Her husband comes out. They talk. They hug. She cries. He comforts.
The best writing prompts are right around you. However, if you wish only words or phrases to trigger your Muse, then here are a few samples.
Buried money and valuables in a box
White powder in the kitchen and you don’t bake
Loving a married person, learning he is divorcing
A child who leaves alien footprints
An ugly knot growing on your body
Learning your spouse is a murderer in hiding
A horrific recurring dream that gets closer and closer
Lightning always striking only your house
The neighbors on your left practice swinging with the neighbors on your right
A rock containing clear facial images that seems to pull you in
A grotesque Halloween mask
A drop of acid rain
Unidentified creature footprints
This list is just a sampling. I could go on and on.
When searching for writing prompts, keep in mind that it is said only twenty types of stories exist. All stories have been written. This is true, but every story contains a different setting, unique characters, and unusual occurrences and endings. That is how we’re able to create new stories all the time.
As you seek mental stimulation through prompts, begin by having an idea in which genre you wish to write. Genre is what you need to decide first. Take for example, this prompt listed above:
~ A car passes by on the street. The girl looks like she’s gushing all over her guy, the driver. She’s almost in his lap. They look blissfully happy.
A romance writer will turn that scene into, perhaps, one of a happy couple of kids. Then life pulls them to opposite ends of the world. They meet again years later, only by chance, depending on the circumstances of the plot, and realize that they still love each other.
A mystery writer could turn writing prompts such as this into a thriller where the girl is gah-gah over the guy, but he’s got other plans. He turns out to be a serial rapist!
A science fiction or fantasy writer would have the guy taking the girl out to a deserted field, she thinks for a bit of petting. Instead, he beams her up to a hovering ship and whatever fate waits.
Know your genre and then, as you read prompts, determine what appeals to the type of story line you wish to create.
Begin to make a list of story starters that you notice. They are innocent gestures and occurrences that you might find in any good novel or short story. Make a list of anything that strikes your Muse.
Allow yourself to dwell on story ideas that may come to mind. Loosen your imagination. Do it now. You will need to free your Muse to write any story. Begin with your writing prompts.
Any story starters that you discover can also be used as occurrences and highlights in the story itself. Story starters need not only start a story. Starters can also fill in the story middles and endings.
I have used many instances from my life and ancient family history as writing prompts. You might wish to read “Grandpappy’s Cows” in the Flash Fiction section on my website to see how my Muse hilariously stretched the truth.
Or you may wish to read what my Muse made of seeing a boy out in the dead of night with a scissors in “Boy at the Crossroad.”
Writing prompts, story starters, or story ideas, wherever you find them, can trigger descriptive writing if you will loosen the reins of your Muse and let your mind wander on things sometimes best left alone. But then, after all, it’s only fiction. Right?
Mary’s stories mentioned above are further analyzed in the Flash Fiction section of her website writeanygnere.com.
My guest today is quite an impressive woman! Laura Elvebak is the author of the Niki Alexander mystery series. Laura was born in North Dakota, but raised in Los Angeles and San Francisco. She draws from her nomad kind of existence in various cities throughout Baja California, New York, Florida, New Jersey and Pennsylvania before settling in Houston with her three children, now grown. Along the way, she studied writing at UCLA, USC, Chaffey Community College, and Rice University. Laura optioned three screenplays to a production company and a fourth script placed second in the Empire Screenwriting Contest. Laura also wrote, directed and acted in a play staged in Houston. She is a member of The Final Twist Writers, Sisters-In-Crime and Mystery Writers of America. Whew! That’s quite a list of accomplishments. Read More
I was born in 1966 then unfortunately back in October 1985 I had a serious car accident that left me wheelchair bound. I contemplated then, maybe I should write a book. But in Stoke Mandeville Hospital, I struggled to pick up a pen, never ever thinking I would write or type again.
With the strong support of my family and friends I did manage to get stronger and believe in myself even returning to full time employment. Then in March 2001, I had the best day of my life, when I got married, it gave me the impetus to accomplish things; unfortunately it wasn’t to last and we were divorced in 2006.
In 2005, I retired from full time employment to enjoy life, travel…I even accomplished water skiing, dry slope skiing, even appearing on TV in my favourite cookery show ‘Ready Steady, Cook’ with Ainsley Harriot, the first disabled person they have had on the show! Read More