Tag Archives: advent

Apr 27

Saturate Yourself by Mary Deal

Saturate Yourself


Mary Deal

Many writers see a piece of prose and feel they can write like that. When they make the attempt to write their own story or piece of poetry, they fail. Why?

We’re all told to read what we wish to write. That is, read the authors we like best. That’s one reason we choose to write in the genre we’ve chosen. But also read instruction books on how to write for a certain genre. With the advent of eReaders, more books can be available at our fingertips for a fraction of the cost. Your local library also has reference books.

Every genre has its requirements.

* A mystery solves a problem
* A romance brings two people together or apart
* Science fiction usually creates other worlds
* Fantasy has elements of imagination beyond the norm
* Literary fiction deals with a moment in time, the human element

And on and on…

One of the best ways to help you gain success with your writing endeavors is to immerse yourself in the form of writing you wish to accomplish. You’ll identify certain rules or formats followed in each type of story you read.

For example in poetry, if you’ve read a heartfelt sonnet that touched you deeply, and wish to write about your feelings but every time you try the words just don’t fall into place. The best thing you can do is to study how to write a sonnet. Read sonnets. Read other poetry so you can learn the different between forms of verse. The latter is a great way to understand the type of poetry you wish to write. Oftentimes, we must learn what it is not, versus what it is.

Read about the format of a sonnet, the grammatical make-up, and the purpose of a sonnet. When you come to understand exactly what makes a perfect sonnet, chances are, your words will tumble out in sonnet format.

Likewise, every writer should have a good grasp of what makes a great story in the genre of their choice. I want to say that you should read only the best books, but that doesn’t give you a well-rounded experience. Saturate yourself. Read some books that do not appeal to you in any way. Ask yourself why they don’t. You may realize that they were not written in proper format for the genre.

When you read books, be aware of what is good writing and plotting as opposed to poor or incomplete work. All of this helps you to know the rights and wrong, the ins and outs, of making your story great.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Mar 02

You! Hey You! You…Are the Book Promoter…Wise Words from Mary Deal

You, the Book Promoter
Mary Deal

One sure fact you hear about the writing industry is that writing the book is 10% of the work while promotion takes the remaining 90%. Knowing this, it’s best to be prepared beforehand, having a clear picture of what’s expected of you, the author, if your book is to sell.

With the advent of print-on-demand, if you do not do any advertising and promotion, you may not end up with the proverbial stack of unsold books in your garage. However, you will notice that your sales figures never climb out of zero and your royalty checks are non-existent.

Something else you may have heard about this business is “Write the book first.” While I agree that you must have the finished product in order to promote, once that book is in its final stages and moving through the publishing process, little time remains to learn even the basics of promotion. So while you write your book, have numerous questions in mind that must be answered:

Which publishing format should I use – print-on-demand, self-publishing, or…?

Should I try to get a literary agent to represent me?

Which publisher should I consider?

What audience do I intend for this story?

How do I reach them?

Do I need a website?

A blog?

Should I join social sites?

Will my close friends and relatives spread with word about my book?

Should I write articles and get them posted on various blogs?

Do I have the funds it takes to make my book a success?

Do I have a list of magazines and newsletters for mailing review copies?

Do I need bookmarks, business cards, post cards, flyers, posters?

How do I set up book signings?

Should I contact various media? Which ones?

Do I know media protocol?

Do I know anyone from the local newspaper?

Many questions will cross your mind as you research all that is necessary and answers will come as you immerse yourself in the writing industry. As you meet people across the Internet, even in your own community, you may learn of one person’s success. Investigate their history and techniques in selling their books. Befriend them, if possible, especially on social sites.

The questions asked above should give the prospective author an idea of what it takes to promote a book and rack up sales. But still, so much more needs be learned. This list is in no particular order because that’s the way the questions will present themselves to you. You will, most likely, know when to handle each one over time.

Many of the topics mentioned in this list are discussed separately in other articles. However, as you write, make notes of things you need to know. Spend some time each day researching just one aspect of book promotion. Over time, you will gain solid knowledge of just what it takes to make your book a success.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Dec 08

“Preparing Your Manuscript for an Agent” by Mary Deal

Preparing Your Manuscript for an Agent


Mary Deal

Being aware of what agents look for will help you prepare the type of manuscript they will read. Keep in mind, these same rules apply once you have an agent and the manuscript is being sent out to publishing house editors.

All agents hope to find that one manuscript that is unique above all the others. It’s been said that all stories have been told. What makes them different is each individual writer’s slant on the topic, providing they have written a solid story.

When an agent begins to read, after years of experience, they are keen to grammar flaws. This is one area that could cause an agent or editor to reject a manuscript without consideration of any of its other merits.

Too, how long is your manuscript? Paper books presently should be 60,000 to 80,000 words. Anything more than that, since it’s the requirement, the agent will believe the writer too verbose, lacking control over their adjectives and adverbs and overall sentence structure.

With the advent of hand-held readers, entire books are now converted to ebooks. There may or may not be word count restrictions. Still, your story must be good to merit the higher-end costs of ebooks as well.

If the agent or editor reads on, they do so with one motivation. They need to decide if this book, when published, will sell enough to make back their commission and any advance royalty paid to the writer. And still, the book must make a profit for the publishing house beyond that point.

The agent or editor will also be judging the writer’s overall presentation. Is it neat? Was the cover letter professional? Did it follow standard form? Did the writer seem to know what he or she talked about. What they look for is how you, the writer will perform after the book is published. Are you going to be difficult to work with? Are you going to go out of your way to make this book a success? Or do you believe that’s the publisher’s duty?

Professionals know immediately if they want to spend the time to read all the way through. They are also concerned if a reader will want to spend hours with the story and author. They scrutinize to see if the writer’s descriptions are fresh and different. What the agent looks for is individual voice. It was once enough to say “the trees had greened up after the last heavy rain;” another to say “the morning sun reflected in the raindrops on the new green leaves and made the trees sparkle.” Your voice shows in how you describe scenes and action. Your description must be different than anything else you’ve read.

An agent is keenly aware whether or not they will turn from the first page to the second. Agents read thousands of stories. They know by the end of the first page if the book will stack up against others in the same genre.

Have you written characters that an agent will appreciate? Your characters must stand out from all the rest. For character development, see my articles Faces and Quirks and Character Sketches. Everyone, from agent, to editor to publisher to avid reader must like your characters. Make them likeable or make them the kind of characters we love to hate, but make them memorable.

The overall plot must be about something the characters need to attain or obtain. They must want it desperately or the reader simply will not care enough to follow the character through whatever conflict arises.

Not only in nonfiction but in fiction as well, your facts must be right. In nonfiction it can be no other way. If you wish to make your fiction true to life, which helps the reader suspend reality and keep reading, get your facts straight too.

Dialogue moves the story. It must be written in such a manner that enhances the character’s personality. Dialogue exchanges between characters must propel the story. Ordinary conversation is never written into books. It is boring and says nothing really. Consider this:

“Good morning, John.”

“Good morning, Jim. What’s on the agenda today?”

“Guess we’re supposed to take the plane out for a test run today.”

They went to leave immediately.

Or this:

“Morning, John,” Jim said, rushing in. He thumbed toward the sky. “Let’s get upstairs before the boss sees the plane still sitting on the tarmac.”

Ordinary conversation has no place in good writing. Dialogue and beats move the action. Oh yes, see my article titled Let the Dialogue Speak.

The above could easily be included in the instruction we’ve all heard: Show, Don’t Tell. Simply, what this means is that the reader must see the action happening. Dialogue promotes action. Any time the writer begins to tell what a person thinks, how they interact with others, that should raise a red flag in the writer’s mind. See the two examples above? The first version contains dead dialogue and stalls the action. The second example not only contains dialogue that moves the story, but shows us what these two people are doing. Shows, doesn’t tell.

* * *

Most of the information in this article applies to both agents and editors. You must find an agent before you can approach a publishing house editor. The agent does that for you. In rare instances I’ve heard about someone submitting directly to an editor, but it usually turns out to be a small start up publishing house. If you wish to approach the big houses, get an agent.

To help you find an agent, try the site which does not charge a fee. In my experience they have been totally reputable:


The agents listed on this site tell you what types of manuscripts they will accept and in which genres. It’s very thorough.


These are the people who publish those real thick volumes about everything you need to know as a writer. The book is expensive. However, if you sign up for their online edition, you get new listings and updates as new information come in all year long.

You can double check the credibility of an agent or editor you wish to contact by finding them on Preditors and Editors at:


Preditors and Editors tell you who is legitimate and who is a scam. Yes, there are scam artists in the writing industry. You knew that, right?

I’m sure other sites have additional information but these are great places to begin your search.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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