The End of Sagging Middles
If you missed the first part of this series, you can read it here: Magnetic Beginnings.
Many books I’ve read start off with great beginnings and even end with surprises. However, their middles left me wondering why I should keep reading. Truth is, the beginning had set up a situation I wanted to see to completion, so I read to the end. But getting through the middle was nearly an arduous task.
You’ve heard the term sagging middles, right? Many books begin and end in a spectacular manner but the middles offer little. In order to keep your story from developing a sagging middle, you must keep the action going.
In a crime investigation, have some clues show up, only to be disproved. Or have the perpetrator almost caught but gets away.
In science fiction, when the hero flies to a distant planet to rescue his love, have him meet with landing bays locked down tight with no other access to the dying star which will eventually explode. He further meets resistance from ships guarding the planet who want it to fail.
In a romance, have two people falling in love, only to have one person come in contact with the person with whom they were previously involved in a obsessive and addictive affair.
The prescription for sagging middles in all genres is to bolster the action by keeping it going. Anything new can happen in the middle of a story as long as it follows the rest of the action and is written in such a manner as to not look contrived to hold the beginning and ending together. Whatever happens must be natural to what was offered in the beginning.
What action is included should serve to keep the conflict and great tension building throughout. By building in intensity, you not only hold interest through your story middle but set up a more dramatic ending.
Next week: Elusive Endings…!
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre.