Monthly Archives: July 2011

Jul 30

Award-Winning Author Jack Miller Raves About ‘Child Finder: Revelation’

Child Finder: Revelation is one of the best books you can read and wholesome enough to share with your own children.

Intrigue starts in Chapter One with an explosive (pun intended) beginning. Enter Pat O’Donnell a military Special Agent with an exceptional gift from God. A gift greatly appreciated by O’Donnell and one which helps him through his own life and the lives of the children he is asked to save.

—Jack Miller, Award-Winning Author of: Cold War Warrior, Operation Switch, The Medal, Cold War Defector, and The Master Cheat Read More

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Jul 29

Marilyn Meredith, Prolific Mystery Writer, Pens Glowing Review of Mike Angley’s Latest Novel, ‘Child Finder: Revelation’


A fan of Mike’s writing, I read the first two books in the series, though it is not necessary to have done so to enjoy this final one in the trilogy.

There are some resemblances to the DaVinci Code in Revelation–and some very big differences.

The resemblance is that the story does center around a secret that has to do with the Catholic Church.

The difference is the hero, Patrick O’Donnell, an Air Force Special Agent, is a devout Catholic and a true believer. His faith is an important part of his life. He also has a gift that makes him the one who is chosen to go on a special and most dangerous mission to rescue kidnapped twin girls who were taken to North Korea.

Another difference is the danger Patrick finds himself in is believable as are all the action filled events described in the story.

I’m not going to give away anything, but the ending is mind-boggling and will definitely make you think.

This is a thriller that is written by someone who knows what he’s writing about and it shows. A definite page turner unlike anything you’ve read before.

—Marilyn Meredith, author of the Deputy Tempe Crabtree mystery series as well as the Rocky Bluff P.D. series. Read More

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Jul 29

Australian Author Diana Hockley Visits with Mike Angley

MA: I am pleased to have visit with me today, Australian author Diana Hockley. Diana lives in a southeast Queensland country town, surrounded by her husband, Andrew, two 19 year old cats and four pet rats. She is a dedicated reader, community volunteer, and presenter of a weekly classical program on community radio. She and her husband once owned and operated the famous Mouse Circus which travelled and performed for ten years throughout Queensland and northern New South Wales. Now that the circus is sold, she is the mouse judge for the Queensland Fancy Rat and Mouse club shows!

Diana and Andrew also bred Scottish Highland cattle. Prior to 1995, her last occupation was medical transcriptionist specializing in Radiology at a major Brisbane hospital.

They have three adult children and three grandchildren.

Diana has had articles and short stories accepted and published in a variety of magazines, among them, Mezzo Magazine USA, Honestly Woman (Australia) the Highlander, Austin Times and Austin UK, Australian Women’s Weekly, It’s A Rats World, Solaris UK, Literary Journal of University of Michigan USA, Foliate Oak, children’s website Billabong. She was awarded Scenic Rim Art Festival prizes for poetry and fiction. Since that time she has published two crime novels, The Naked Room and The Celibate Mouse.

Now, that’s one of the most diverse – and interesting – backgrounds I’ve ever seen. How did you go from the circus to novels?

DH: I wrote a novel in 1971 which was rejected but deemed “worthy of merit.” After this, I didn’t write anything more until I attended university when I was in my 30s. Raising children was a fulltime occupation for a widow, so I didn’t write anything more until 2005, by which time I was living on a small farm in rural Australia, married again and on my own a great deal in the show season. I started off with articles about our animals – always a rich source of amusement for city magazines, then ventured some short stories and had some success there as well. It was a short step to novel writing after that.

MA: Did your professional career inspire your writing? Are any of your characters based upon real-life people with whom you’ve interacted?

No, my professional life – from which I retired in 1993 – didn’t inspire my writing, but I think some of my characters couldn’t help being heavily disguised as some people I know!

MA: I won’t ask which of them resemble rats! Tell us about your stories.

DH: My debut novel, The Naked Room, fits into the crime genre, the idea for which came to me one night when I was in the studio at the radio station. What would happen if the pianist didn’t turn up for the big concert? There would have to be a very good reason why not. So I set about creating one!

MA: How did you develop your protagonist?

DH: I allowed Ally Carpenter’s character to develop in response to her abduction and the personalities of her kidnappers. I once read that you have to listen to your characters, rather than trying to force them to do what you want (within reason of course) so that is what I tried to do and it seems to have worked.

MA: Is there a hero in addition to a heroine in your story?

DH: It’s hard to say who is the hero in The Naked Room. Is it her boyfriend who takes it upon himself to investigate the crime? Is it her father who holds himself together and works on the ransom money? Or are they both the hero? My heroine’s strength is that she refuses to give in. My hero’s strengths are neither of them are about to give up searching for Ally Carpenter.

MA: I understand you have more than one antagonist in the book. Tell us about them.

DH: Oh yes, there are three bad guys and one bad woman in this – but they too have an agenda other than money.

MA: Any real life experiences that flowed over into your stories?

DH: No, not really. I psyched myself into standing behind each character, listening to them speaking and the reaction of those around them – like reading a newspaper over someone’s shoulder. And I am sure they got a bit cranky with me sometimes (chuckling).

MA: So who migrates over from The Naked Room to your other novels?

DH: I have taken the main female detective from The Naked Room and given her the starring role in The Celibate Mouse. In this novel, the reader finds out what is happening to three of the protagonists from The Naked Room. For After Ariel, my next story, I have taken one of the characters from The Naked Room and made her the character. We find out what is going on with some of the Naked Room characters who were not in Celibate Mouse (some have moved on, it’s two years later) and Susan Prescott turns up again, now an Inspector. I don’t want to over-use the same characters beyond giving continuity to the series.

MA: Any last thoughts?

DH: It’s said that you should always write what you know, so my novels will always be set in small towns/rural/Australian city/UK or Wales and they will feature people whose lifestyles I understand and whose point of view I can put across. My stories will never feature high finance, spies or sophisticated political themes because I have no knowledge of these genres. I do know, however, how people keep secrets!

I tend to write my main characters in first POV and the rest in third, with the exception of The Naked Room which is very different, darker and more violent than The Celibate Mouse.

MA: Thanks, Diana! Please visit Diana Hockley’s website for more information about her writing: Read More

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Jul 27

But What Are They Eating?

Check out Mike Angley’s Guest-blog post with author Shelley Workinger: But What Are They Eating?  

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Jul 27

The Rules of Grammar by Mary Deal

The Rules of Grammar

The rules of grammar are to, first, benefit a reader. Grammar has standard format to which good writers will adhere. Secondly, it provides all writers a standard to follow that makes the written word fluent. Proper grammar is the backbone of all written prose, regardless some be written in colloquialisms, laced with foreign words, slang, or any other variation.

See it this way –

An avid reader picks up a book written according to the rules of grammar. They read through the book quickly and immensely enjoy the story because nothing impeded their reading experience.

Yet another well-read reader opens a book only to find grammar flaws such as poor format, incorrect sentence structure, irregular of incorrect speaker tags and beats, and other jarring errors. It’s difficult for this reader to enjoy the book because the author did not follow the rules of correct grammar that make for a smooth read and which is constant in all good books.

Poor grammar and composition in an otherwise great story deflates the reader’s enthusiasm. The reader may think twice about having to pick their way through a plethora of errors in any new book by this same author. Some will not complete the read of the present book.

Most all authors have finished school and studied English grammar. However, I’ve found that many have forgotten what they learned. Too, it’s erroneous to believe that because we studied grammar in school that we know how to write. Truth is, few remember. Another truth is that most writers have never been told how to write a story of greater length. Writing a story or book length manuscript is different in the real world than it was when composing high school or college papers.

A short cut to learning proper grammar is as I always recommend: Get your hands on a copy of The Chicago Manual of Style and a thesaurus. Any time you have difficulty, for example, composing a sentence or deciding whether to use a colon or semi-colon, or need a more descriptive verb, refer to these thorough and concise research aids.

Don’t ask a friend that you feel may know more than you. She or he may not know the answer to your question and then leave you to make an arbitrary decision. Too, if you post your questions on a website and others reply, of the variety of answers, whom do you believe? If you’re sure the friend you ask is a professional with grammar, then go ahead and trust their response if they seem certain. But an inexperienced writer having to relearn grammar all the while writing a book will surely destroy a friendship if that writer constantly expects the friend to advise them all along the way. At some early point, every writer must take responsibility for learning how to make their stories as perfect as they can.

Two other references I always recommend – I could recommend many but will skim the best off the top of the list here – are:

Writing with Clarity and Style by Robert A. Harris

Complete Stylist and Handbook by Sheridan Baker

Should you feel you are knowledgeable enough to write your opus but you encounter problems along the way, then to the list above, I would suggest you refer to my eBook, Write it Right – Tips for Authors. This book is meant for writers who are progressing nicely, but find some problems in composition that should be smoothed out in order to compose fluid prose.

There is no need to maintain an entire library of books to guide you. Many books offer bits of information here and there but no one book will solve all of any writer’s problems.

If you feel you are able to write stunning prose based on your current knowledge or ability, then you don’t need a lot of books. Any questions you have can be researched in reference books or writing reference sites on the Net. Should you feel uncertain about your writing abilities overall, then you may need to take a course or two to give you some sort of foundation or base from which to begin.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Jul 22

Shelley Workinger Guests with Mike Angley

MA: I’m joined today by author Shelley Workinger. Shelley was born in Maine, educated in New Orleans, currently resides in New Jersey, and considers all of them home. She’s here to talk about her latest release, Settling. She has a few websites I want to recommend my readers check out where you can discover more about her and her novel series.

What did you do before jumping into the world of writing?
SW: I graduated magna cum laude from Loyola double-majoring in English and Sociology – majors I initially chose to avoid math, which I detested and thankfully placed out of. However, I ended up running a small real estate office and doing all of the accounting – a job I actually loved. What I love even more is how many people think they know everything about the world, when most of us don’t even know our own selves.
MA: With a degree in English, I imagine you had a burning passion to write someday…was this a path you set out to be on some day?
SW: I would never have chosen this path! For me, writing is all-consuming; I can’t sleep, I lose interest in eating, and I can’t quiet my mind enough to ever relax. But the idea behind the “Solid” series was one I couldn’t let go of, and that, combined with my concern that early teens become so overwhelmed with required reading that many lose the love of leisure entirely, made me sit down and expand my idea into a fun, fast read that would be approachable for reluctant readers.
*In choosing to write to the tween age group, I also committed to keeping “Solid” clean – i.e., no drugs, cursing, sex, or gratuitous violence – and I’ve been commended by sites like Reading Teen and Litland for doing so.
MA: What’s your elevator pitch?
SW: The briefest synopsis is: Teens who discover they were secretly genetically altered before birth are brought together at a classified site where they forge new friendships, find love, develop “super-abilities,” and even unearth a conspiracy.
Many readers have called it an “X-men” for girls, focusing more on the relationships than the superpowers.
MA: Probably a good thing you didn’t call it “X-Girls,” then! How did you go about creating your characters?
SW: I began with a tagline – What if you discovered you were the product of a secret government experiment? – and then looked at my premise through the eyes of a 17-year-old girl to create what I felt would be a natural reaction/path.
The second layer to developing Clio’s character was my concern for her actual character values; as a mother of small children and a product of American society, I had a few “requirements” for a female character I’d introduce to young readers:

1. She had to eat real food. (No dieting, unhealthy body issues.)
2. Her life would not revolve a boy. (There is a romantic interest, but Clio can function without him.)
3. She *gasp* had to have a great relationship with her mother. (Specifically, a mutual respect.)
MA: Those seem like healthy traits, so what are Clio’s strengths and weaknesses?
SW: I believe her biggest strength is her weakness – that she is not worldly and experienced, so her actions and reactions are real and relatable. She makes mistakes, she sometimes trusts too easily, but she learns from them.
MA: And does she have to do battle with any particular bad guys or girls?
SW: There isn’t one antagonist per se; it’s really the unknown that challenges the characters. They’re trying to find answers without even knowing where to begin; the revelation of the experiment done on them before birth not only throws their entire pasts into question, but they can no longer even be sure of their own bodies. There are also “bad guys,” but the self-discovery is the bigger hurdle in book one. (There’s a killer on campus in book two, but that has not been released yet.)
MA: I understand you were a military brat (raising three of my own!). Did that experience inform your writing?
SW: My father was a career Army officer, but not in the traditional sense – we never moved. I absolutely romanticized the life of the constantly-moving Army brat since I didn’t get to experience it, so my characters are “living the dream” in that sense.
MA: So what’s next?
SW: I have two very different ideas (from “Solid” and from each other) – a futuristic dystopian YA novel and a football-related horror for adults – but I can’t put any time into those until “Solid” is complete.
MA: I am currently waiting for the release of my third novel, Child Finder: Revelation, so I know what its’ like to write a series. I assume many of your characters migrate from book to book?
SW: Clio and her circle are the whole basis for the “Solid” series, so all of the books will revolve around them. As their “world” continues to grow, new people do come in and/or take on larger roles – book two brings in four new characters, and book three will add at least that many more. I also initially only planned this to be a trilogy, but as I work through book three, I’m starting to think I may have to write a prequel to tie up some loose ends. I’ve also just decided to re-release a slightly-extended version of “Solid” at the same time “Settling” comes out, so I’m working furiously to put that together!
MA: It sounds like you are busy – a good thing to be! Thanks for stopping by to visit with me today and for telling us all about your stories.
SW: Thank you so much for your interest in “Solid” and giving me the opportunity to speak with your blog followers; I know we all have dozens of books on our TBR lists and I am so appreciative for your consideration of mine!
Read More

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Jul 15

Multi-Published Novelist Louis P. Solomon Guests with Mike Angley Today

MA: I am pleased to welcome to my blog today, Dr. Louis P. Solomon. Louis founded Life Echoes, a Family Legacy Book Publishing Service. In addition he founded Pearl River Publishing (PRP), a publishing house. He spent most of his career in the military-industrial community in government and industry. He continues to be a consultant on business, technical, and financial issues. He is technically trained with a PhD from UCLA in Engineering in 1965.

Louis has written several books including five novels: The Third Legacy, Gotcha!, Unknown Connections, Library of the Sands, and Instrument of Vengeance, and several nonfiction books: Transparent Oceans: Defeat of the Soviet Submarine Force, Teleworking—A Complete Guide for Managers and Teleworkers and the Solomon Haggadah.

You have a fascinating background, especially in the technical realm. Please tell us more.

LS: I have substantial academic technical training. I have had a varied career, covering multiple disciplines, both in government and in the private sector. I received a PhD in Engineering from UCLA in 1965, specializing in Fluid Mechanics, Applied Mathematics, and Electromagnetic Theory.

Prior to entering government service I was one of three founders of a very successful consulting firm, Planning Systems Incorporated (PSI) which grew from three to over 400 people located in several states. PSI primarily supported the United States Navy (USN) during the Cold War. After ten years with PSI I went to work for the Department of the Navy for nine years as a member of the Senior Executive Service (SES). As the Associate Director of Naval Ocean Research and Development Activity (NORDA) for Program Management I was responsible for the Long Range Acoustic Propagation Project (LRAPP).

Subsequently I worked with the DoD National Security Education Program (NSEP) in placing within the federal government over 3,000 NSEP award recipients (graduate and undergraduates in all academic fields) who lived and studied throughout the world and learned less commonly taught languages and cultures. I also served as a subject matter expert in developing The Language Corps for the Department of Defense (DoD) as a national entity to support government agencies in times of national emergencies.

In addition to PSI, I am a founder and chief executive of several firms: LPS Collaborative Group, (a very unusual technical and management consulting firm), Pearl River Publishing (a book publishing firm) and Life Echoes, (a Family Legacy Book Publishing Service). In addition, I sporadically write a blog: The Wisdom of Solomon, which focuses on subjects which are of interest to me.

MA: I can understand the technical writing you’ve done, but how did you end up writing novels?

LS: In a single sentence: My Mother made me.

I wrote many technical reports and refereed technical papers. I eventually lost interest in discussing and writing about detailed technical issues. That is work for people beginning their careers.

I had no interest in writing fiction until my Mother came to me one day and told me that she had a fiction story she wanted me to write, based upon an actual event. Being a dutiful son, I said that I would write the story and promptly did nothing. But she was a tough old lady, and nagged me about it, regularly. I continued to put her off. But I was then invited, as part of a family outing to celebrate the 80th birthday of my mother-in-law, to go on an ocean voyage for a week. I find cruise ships the height of boredom, but as a son-in-law, I was obliged to accept the invitation with good graces. I then realized this was a heaven sent opportunity. I took my Mac Power Book laptop, and spent every day from 0600 to 1800 in the ship’s library. It was a nice little quiet room, which was never visited by another single soul during the entire trip. I wrote all day long, and by the time the cruise was over, I had completed the first draft of the book. My Mother loved it, and I found it a very interesting tale. This story, The Third Legacy, was edited by Linda Jenkins, who has edited not only all my books, but used to edit all my technical documents and refereed journal articles which I wrote while I was associated with NORDA. She is a superb editor, and I always accept follow her suggestions about making changes to the documents I entrust in her editorial care.

MA: Did your professional career inspire your writing? Are any of your characters based upon real-life people with whom you’ve interacted?

LS: My professional career did not inspire my writing. It had an effect on how I write my novels, just as my technical training influenced how I write. I focus on relatively complex stories, which fit together in order and sequence. All parts of my stories hang together. The problem that I have is that I do not focus on the characters of my books. I like them all, and would associate with them in real life, if they, in fact existed. But I don’t emphasize the emotional part of my novels, nor the character interactions. To me the story is one that I tell, in detail, in what I would characterize as a somewhat laconic voice. This is, I believe, the major drawback to all my novels. If I continue to write novels, and I probably will, I will be searching for someone who is very good at constructing characters who are lovable, hate able, etc. My coauthor will probably be sought as a budding playwright.

All my characters are based, to a greater and lesser degree on people I know, or knew. The skills and capabilities of my characters are based upon real people. However, I should add that I do not pay much attention to the human characteristics of real or imaginary people. They are what they are, and that is how I deal with people in real life. I like them, or do not; and friendships develop or not. I assume they think the same about me, but this may be an inaccurate assessment. I have many long term, close friends, in many fields and areas of endeavor, but I never think about them purely in an emotional way. They are wonderful in that sense that they have great enjoyment to me, but I never analyze them.

MA: Tell us more about your novels.

LS: I have already mentioned my first novel: The Third Legacy. This novel, written at my Mother’s request and prodding, was based upon the historical fact that Hermann Goering, Reich Marshall of the Third Reich, was sentenced to death for War Crimes at the Nuremburg War Crimes Trial at the end of World War II. He died a few hours before he was to be hung. How he died, and who helped him was never discovered or explained. This single event allowed me to develop a tale which explained all the facts, and hopefully was interesting as a novel.

The second novel, Gotcha! was based upon the Enron scandal and the terrible effects on the people who worked for Enron. The entire story of the Enron scandal was part of a Pulitzer Prize article from several Washington Post writers. I was infuriated by the way Enron executives handled themselves and decided that I could write a story which would have the characters, originally part of a fictional corporation who underwent the same series of events that Enron encountered. Once I had the idea of wrecking vengeance, the story was easy to develop.

The third novel, Unknown Connections was a little different. I have just finished a nonfiction book: Transparent Oceans: The Defeat of the Soviet Submarine Force. This book was written for a very select professional group of people who were familiar with the issues of naval submarine warfare during the Cold War. But several people suggested that I take the same information and create fictional characters and retell the story as part of a novel, using the same information. I did, and Unknown Connections is the result.

The fourth novel, Library of the Sands, is based upon the factual event of the destruction of the library at Alexandria in the 7th Century by the invading Arab armies. The library was itself about 1,000 years old at that time. It was the largest and most complete library in the Western Hemisphere with collections dating back 1,000 years from many sources. The librarians had a long and wonderful history in developing and protecting the collection. It was, and remains, my contention that the men and women of the 7th Century were emotionally no different than the men and women of the 21st Century; but the technology is different. If I were the Chief Librarian of the Alexandria Library at the time would I let my collection be destroyed by the invading armies? Absolutely not. So, how would I protect the collection which was in my care and my responsibility? The novel, Library of the Sands, is in fact, devoted to telling the imaginary story about how this was actually accomplished.

The most recent novel, Instrument of Vengeance, is due to my enjoyment of the assassin which was told about in the series of novels by Lawrence Block. I enjoyed them, and then, as is my habit, I asked myself how someone becomes an assassin, and how can a business which offers assassination as a service, exist in the modern world? How do you find clients? How do you stay free and not get caught by the law enforcement services? After thinking about it for a little while, and with the technical background I have, it was easy to solve the problem. So, I wrote a novel about how it could be done. All the technical details are correct, and plausible.

MA: How would you characterize the antagonists in your stories?

LS: My bad guys are really not people, but events and organizations.

MA: Will you keep writing fiction, or are you going to concentrate more on your technical writing?

LS: I will continue to write novels as ideas and events appeal to me. I can’t predict what they will be, or when they will occur. But my current focus on my firm, Life Echoes, I expect will have me encounter some interesting historical events and stories which I will use as a basis for a new novel, or series of novels.

MA: Thanks very much, Louis, for being my guest-blogger today. I encourage my readers to learn more about Louis Solomon by visiting his many websites: Read More

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Jul 13

Do You Need a Media Kit? YES! And Mary Deal Gives You the “Skinny” on What It Should Contain

The Media Kit
Mary Deal

The Media Kit for print books as well as eBook are virtually the same. A Media Kit is your best promotional tool, although I have to admit that mine is not up to date because I keep producing writing that needs to be added and information in general changed. Without it, I’m only hurting myself.

Here’s what you’ll need.

Professional pages, including:

~ Story synopsis

~ An attention grabbing sample chapter or two if chapters are short.

~ Author Biography. The length is up to you. I have instructions on my website about how to create Biographies in various lengths.

~ Your best interview

~ Articles you’ve written about writing or another informative piece. Shorts articles are better. They allow you to use more than one, which shows your diversity.

~ Some of the best reviews that your book has thus far garnered. Use only the best lines from each review, along with the reviewers name and title.

And always…

A high resolution of the cook cover. If self-published, you might consider adding high resolution imagines of the book spine and back cover. One exception is that with an eBook, you won’t have a spine. If a print book, a full front, spine and back cover image is good too but not always necessary.

High resolution author photos. I suggest something that at least looks professional. No snapshots in skimpy clothes and only a head shot.

Low resolution copies of the book cover and author photo will be needed when promoting online.

For those who try to get by without a media kit, you are losing a great chance at promotion. In a live interview on radio or TV, (even your local public radio channel), the interviewer will use lots of your information to pose questions to you.

Should you send your media kit to newspaper or magazine editors, they may print some of your information in their publications. You will need to give them something of interest to make them want to promote you a bit.

Put a Media kit together to suit your promotional needs.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Jul 08

Celia A. Andriello Guests with Mike Angley

MA: I am pleased to welcome today’s guest, Celia Andriello. Celia is definitely one of the more colorful authors to guest-blog with me. I will let her tell us more about her.
CA: All of my novels are based on my life experiences be it via my roots in parental abuse beyond anyone’s imagination, teaching publically and privately, building creative businesses, trafficking in various products for the benefit of mankind, providing my gift of motivational speeches to various environmental groups and “rights” movements, travel, building the first dream of microcomputers, or just sharing a war with my endearing Viet Nam survivors. Throughout my journey I have been overwhelmed with the inconsistencies of what is said and what is done. My novels are like any fiction; woven into the thread of truth.
MA: That’s quite a resume! Tell us how you began writing.
CA: It all began with “Betty Butterfly.” (Don’t laugh. It’s all true.) It was a second grade assignment that my teacher sliced and diced with her red pen. Fortunately the winds transported the prose into another teacher’s custody and I was immediately proclaimed “a singular creative writer.” I wasn’t sure what it meant, but her smile indicated that it was certainly better than the assassinating red pen.
One must grow-up, sort of, and come face-to-face with what it was that created this “gift for fiction.” There is nothing like two questionable parents to stimulate the best in their children. Therapy was my greatest teacher.
MA: Why novels?
CA: I stick to the novel format to keep from being sued. It’s as simple as that.
MA: Um, okay.
CA: All of my characters have a thread of real character in them. I have known a multitude and revere them through fiction.
MA: What genre do your write?
CA: This has been a devilish question for I really don’t know which to choose. For the sake of my sanity I have often fallen back on general fiction; but it’s more than that. Hear the Calliope: A sentimental Journey on the Earth Ride (circa 1950 – 1986) lays the foundation of betrayal; family and government, for the latter is a parental construct. Within wounds are exposed and delved into in order for the reader to comprehend the distortions in the adult character after the onslaught(s). At the same time humor is woven into the gore in order to repair the damages for the heroes to develop their own personal “more perfect union with the support of a very unique circle of friends. At the same time all previous dogma is discarded; there is no religion, there is no ethnicity, there is only human.
MA: Tell us about your heroine.
CA: Marinda is a young lady who is neither black nor white, nor does she know her ethnic background. Although she was raised Roman Catholic, she has come to understand that the teachings that she tried desperately to embrace as a child never made much sense to her even though she can recite the verse. Even her name is a misnomer. In order to restructure the world to fit her and her companions’ needs she had to be a compilation of the unknown.
Her weakness is her self-doubt created at home through an abusive life style of her parents and supported by her priest. Through her torturous childhood she has come to believe that she is incapable of being loved because she deserves only pain.
On the other hand her strength is her intelligence that takes her through med studies in conjunction with her psychiatric degree. Through her wisdom she is able to re-connect all that meets because she is able to admit that she’s struggling through her traumas as well and can share with them what she’s learned from being the innocent dupe. Likewise her soul mate, Dale, a survivor of friendly fire learns and enhances her methods with his spiritual knowledge.
Within me is housed the stories of the universe for my experiences have fanned out to touch all directions. It is impossible for me to stop writing. I have tried to not avail. I recently finished KILLER: Is Suicide Painless?

MA: Thanks, Celia for that interesting interview. Folks, visit Celia’s blog for more information about her and her writing:

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Jul 06

Mary Deal Tells Us All About Denouements and Epilogues

Denouements and Epilogues
Mary Deal

Once the mystery of a story or the main plot dilemma is resolved, you wouldn’t simply end the story. You need to show how the resolution affected the characters. That wrap-up is known as the denouement. It can be incorporated into the end of the last chapter after the climax, or can be as long as another one or two short chapters. Only then does the story end.

An Epilogue is a small additional section added after the denouement. It is reserved to show how the characters were affected by the resolution after a period of time has passed. The period of time will depend on how the story ends.

For example, if a couple decides to call off a wedding, an immediate epilogue night show one of them traveling afar to forget. However, if the marriage was doomed from the beginning, the epilogue might show the couple having their first children, a set of twins, and promising one another to make the marriage work.

A good epilogue should be no more than several paragraphs to one brief chapter. It serves as yet an extra clincher to the denouement. You can also use the epilogue to also plant clues to an upcoming sequel.

In my award-winning thriller, River Bones, I have a strong subplot. After Sara solves the primary mystery, I use two short chapters for the denouement, mainly because when people realized who the perpetrator was, so many additional clues turned up to cinch his guilt. Plus, several occurrences couldn’t have happened until the perpetrator was caught. Incredibly, these confirming clues could only be found after the perp is caught. Talk about a story writing itself! Then I use an epilogue to show the protagonist and her love interest cementing their relationship. By moving the story forward several months in the epilogue, I am able to show that the two characters will have a new life together where the main plot and subplot become entwined into one story. That left the lives of the characters open for sequels.

But what if you put the ending at the beginning? Roland Merullo did this in A Little Love Story. It was intriguing because by the end of the book, you’re left wondering what happened – and then you remember that you have known since the first page. Finishes like this are unique and take some good experience to pull off.

If you do this, the transition from the present to telling the backstory must be as smooth as possible. This method negates some of the feelings of jumping into back story. Merullo pulled it off, but I do not like telling my entire story through backstory. Just me. I like moving toward an eventual outcome, not reading the outcome first. It’s akin to a habit some people have of reading the ending of a book first.
Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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