Monthly Archives: June 2011

Jun 30

Rick Robinson, Author of “Manifest Destiny,” Praises Mike Angley’s “Child Finder: Revelation”

Rick Robinson, author of the thriller, Manifest Destiny (named the Best Independent Book in America in the 2010 DIY Book Festival) has reviewed Mike Angley’s Child Finder: Revelation. He says:

“Well, the Colonel has done it again. In the third installment of a compelling series, Col. Mike Angley, USAF (ret) has written Special Agent Patrick O’Donnell, USAF (fiction) into a tense situation as current as today’s headlines. Child Finder: Revelation is a read that crosses so many sub-genres that it will be an entertaining read to most thriller fans. If you’ve been thinking of enjoying a good story, this book has read your mind.” Read More

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Jun 29

Major General Paul E. Vallely, Chairman of Stand Up America, Endorses Mike Angley’s “Child Finder: Revelation”

Here’s a new review of Child Finder: Revelation from MG Paul E. Vallely, U.S. Army (ret), Chairman of Stand Up America, and co-author of Endgame, Baghdad Ablaze, Operation Sucker Punch and Warfooting. General Vallely is also a Fox News Military Analyst and a noted radio and television personality.

“Mike Angley has written a must read winner. This is an insider’s view of a frightening and inspiring scenario filled with action and drama. Riveting! A Spellbinder!” Read More

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Jun 29

“Staying in POV” by Mary Deal

Staying in POV
by
Mary Deal

Let’s say your story is being told from Sadie’s point of view. She’s your main character. As the story progresses, you have her friend approach and you write it like this:

Jeremy walked straight toward her. “Great to see you, Sadie.” His words couldn’t express what he was thinking. She had lost all that weight and bordered on having a model’s figure. Now he really wanted to bed her. He decided he’d treat her real sweet this time.

Notice that the above paragraph tells us what Jeremy is thinking. He is not the main character. Sadie is the main character. She cannot possibly know what Jeremy is thinking, so you cannot include it written that way.

You can, however, have Sadie read Jeremy’s facial expression and mannerisms and react to it from her point of view. She can show the reader what Jeremy does that will tell the reader what’s on Jeremy’s mind. What Jeremy may think and feel doesn’t have to be spelled out. It can be interpreted by the main character. Like this:

Sadie watched Jeremy walk toward her. His sauntering gait gave him enough time to notice her new figure and to feel his glands working as he eyed her from head to toe and back again. She knew him. He’d always made innuendoes about wanting to hop in bed again and renewing their sorry relationship.

“Great to see you, Sadie,” Jeremy said. His eyes had that hungry look. He always looked that way, as if sex was the only thing her image triggered in his mind. Maybe it was, but being used and cast aside was no longer part of her new image of self-respect.

Sadie stepped away when he reached for her. “Don’t try to touch me, Jerry. We washed up a long time ago and you’re still trying to own me.”

Jeremy’s expression went hollow. “You got me all wrong,” he said. The corner of his mouth twitched. That always happened when he was faced with the truth.

Staying in the POV character’s head gives you a chance to create a character with some smarts, at least, enough to intuit other characters’ actions and thoughts. It also gives you a greater chance of added detail and some interesting fleshing out of your prose that makes the action come alive. Notice that in the above short paragraphs, Jeremy actually confirms what Sadie has interpreted from him. It’s much more interesting.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Jun 24

“The Light Bringer” Co-Authors Mike Force & Chris DiGiuseppi Guest-Blog with Mike Angley

MA: I am pleased today to welcome co-authors Chris DiGiuseppi and Mike Force. Chris and Mike have penned a wonderful suspense novel, The Light Bringer. Both of these gentlemen are fellow former law enforcement officers, so I have a special place in my heart (and on my blog) for their service.

Chris has over nineteen years in law enforcement at various levels up to and including Assistant Chief of Police. He is a graduate of the FBI National Academy and Northwestern University School of Police Staff Command. He is trained in various aspects of law enforcement and holds degrees in Human Resources and Business Administration. Chris lives with his wife and children in Missouri.

Mike has spent over 30 years in law enforcement, the last 19 as a Police Chief. Mike has numerous certifications in various areas of law, forensics, investigations and criminology. He is a graduate of the FBI National Academy and served 22 years in the U.S. Marines where he retired as a Captain. He oversaw operations for twenty-seven military installations worldwide. He holds degrees in Political Science and Human Resources. Mike lives with his wife in Missouri and has three grown children and a granddaughter.

Thanks for your LEO and military service, and welcome aboard! I’m going to fire questions at you both, so perhaps we’ll go back and forth for equal time. Chris, please tell us a little bit about your professional LE background.

CD: I’ve risen through the ranks from patrol officer up to Assistant Chief of Police for a small community near St. Louis, MO. I’ve experienced many different facets of police work during my tenure since starting in 1991 to include general patrol, public and community relations, support services functions and administrative functions over our Operations Division. Since our agency is smaller, 30 sworn officers and 10 civilian employees, we’ve had the luxury of building a team of professionals centering on good core values that we look for when recruiting people for our organizational family.

More important than my professional background, I’m married with 3 children and 2 step children – and couldn’t be happier.

MA: Excellent, and I could not agree more with your assessment about the role of family. Mike, your turn. Tell us why you chose to write a novel, especially why you and Chris decided to co-author a project.

MF: Chris and I talked about writing a book for many years. The desire to write was sparked from the many tragedies we experienced over the course of our careers and our book relates to those instances. In my opinion, the initial reason that we wrote was basically therapeutic, as our story helped us make some sense of those things that often bothered us involving tragic incidents of death. Helping people through those times of despair and grief pushed us to question the complexity of life and why things happened, that seemed so wrong. The first half of our book is based on real incidents that Chris and I experienced in both our professional and personal lives. The last portion of our book delves into a supernatural explanation that takes the reader beyond life.

MA: Obviously, your professional careers inspired your story, but are any of your characters based upon real-life people with whom you’ve interacted?

CD: Our personal and professional lives definitely formed our writing, and our characters are based on real people and/or personalities we’ve encountered throughout our lives.

MA: Tell us about The Light Bringer.

MF: The Light Bringer is our first novel and is part of a trilogy. Our publisher, HCI Books, has it categorized as Suspense Fiction but it also has a paranormal/supernatural element as well as an inspirational theme.

MA: Who is the hero or heroine in the story?

CD: Our main character is an ex-military man who is now a police sergeant. His personality traits and overall characterization was developed as a mixture of our (myself and co-author Mike Force) background, habits and personal traits.

MA: This may be a tough question considering your protagonist is a composite of you both, but what are his strengths and flaws?

MF: I believe his strengths and weaknesses stem from the same thing. He’s a deep thinker and extremely empathetic where he spends a great deal of time fighting to stick to his core values.

MA: There’s a lot to be said about having strong core values, and I’m afraid not too many real people, let alone fictional characters, embody them. What about a bad guy – any unique antagonist you want to tell us about?

CD: There is one particular character that was developed who portrays a person of poor character and values who is continually doing what’s wrong. His constant dedication to victimize others leads to a much bigger plot and eventually reveals his involvement in something extremely evil and wrong.

MA: I suspected as much based upon your hero’s description. What better antagonist than someone who is the polar opposite? I take it there are some elements of real-life experiences and people in The Light Bringer?

MF: Absolutely – the first portion of the book centers around 16 different people who die – most of those incidents are based on real experiences that we’ve had in our professional and personal lives.

MA: Since The Light Bringer is the first in a trilogy, how close are you to getting the second book out?

CD: We have the second draft written and hope to further it within the next year or so. The second book bridges the first and the third. The third book will offer finality to the overlying plot and message. The main characters will continue through the trilogy with new characters being added as we go.

MA: Given the inspirational nature of The Light Bringer, what do you want your readers to walk away with after reading it?

MF & CD: The Light Bringer focuses on the question “Why do people die.” We’ve received many praises and endorsements from readers via advanced readers’ copies. The book seems to appeal to a diverse crowd from those who like a good paranormal suspense/thriller, to those who like a murder mystery with a supernatural twist or even those who are looking for an inspirational message of hope in dark times. It’s our desire that this book will not only entertain but also help people who struggle with grief and despair because of tragedy. We additionally aspire to challenge the reader to draw their own conclusions pertaining to the concept of how “doing what’s right” in life perhaps follows you after death.

MA: Gentlemen, it was a pleasure having you guest with me today, and thanks again for your public service. I encourage my readers to learn more about Mike Force, Chris DiGiuseppi, and The Light Bringer by visiting their website: http://www.thelightbringerbook.com/ Read More

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Jun 22

ACTION WORDS! An Article by Mary Deal

Action Words
by
Mary Deal

When you write your first draft, perhaps you simply write whatever comes out just to get the ideas onto the page. You know you’ll go back time and time again to get it polished just right. Maybe you polish your sentences or paragraphs before going onto the next one. Then, after all your editing, you feel something is still lacking. Maybe it’s the way you phrase the action. Maybe it’s a simple matter like your choice of words.

To help you make your prose as descriptive as possible without sounding flowery, read your composition again and look for specific words that could be replaced with descriptive VERBS that zero in on the exact action taking place.

I’m no stranger to getting the first word out that comes to mind and then needing to go back and clean up my grammar. Here are some samples from the novel I’m presently writing. I first wrote this:

Afterward, she went on her way.

If you write a sentence like this, ask yourself, How did she go? Instead of went describe her movements or gait:

Afterward, she sauntered away.

Afterward, she slipped away

Read this phrase:

Danced across the floor

Danced is a descriptive word, but it’s also a little common and could refer to many, many ways of dancing. How about…

Did a two-step across the floor

Waltzed across the floor

And this:

She felt around the floor of the car, trying to find the cell phone

Felt is also quite common.

She groped around the seat and on the floor of the car…

She slid her hand between the seats

Although a lot of emotion can be stirred just reading certain words they, too, can be made more descriptive. Replace this:

The thought of dying came to mind.

…with something like this:

The thought of bleeding to death came to mind

The thought of succumbing to coma, never to wake again, came to mind.

The above has two words to watch. We could have used:

The thought of slipping into a coma… instead, succumbing is more dramatic than gently slipping into a coma. Slipping hints at the character gently fading. Succumbing tells us she would put up a gallant fight to stay alive until, perhaps, more powerful forces overtook her. It’s more dramatic.

Here’s another sentence with two words:

The fireman holding up her head managed to get his upper body through the open windshield space.

More exciting:

The fireman supporting her head managed to squeeze his upper body through the open windshield space.

All of the words replaced above, and many, many more, are common words. The actions need to be exactly defined, made more exciting with better, more descriptive verbs and adverbs if your grammar is to stand out.

Your prose must sing and dance off the page. Anytime you describe what a character does, always check to see if a more descriptive word might apply. Using words that better show the exact actions that your character performs helps your reader become the character. That’s exactly what great prose does.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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Jun 20

Bestselling Thriller Author, Karna Small Bodman, LOVED Child Finder: Revelation!

“I loved this riveting book! It’s a stay-up-all-night read that will keep your heart pumping!” —Karna Small Bodman, Former Senior Director of the National Security Council in the Reagan White House and author of bestselling international thrillers, to include her … Read More

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Jun 17

Historical Fiction Writer Ellen Brazer Visits with Mike Angley

MA: I’m joined today by author Ellen Brazer. Before getting published, Ellen did just about everything but write. She was in business. She worked for the State of Israel, and she was involved with the community. She actually did not begin to write seriously until she was in her forties. So tell us, Ellen, with no real writing background, how was it that you came to pen novels?

EB: I was waiting for some medical test results to come back. I was extremely successful in business when I was very young and while waiting for that phone call I asked myself what mountain had I yet to climb. The answer for me was writing a book. I have a dear friend who is a Pulitzer Prize winner. When I wrote my first draft of Hearts of Fire I pressed the Caps Lock key on the computer and wrote the entire first draft in capital letters with almost no punctuation. It was my writing friend who said, there is something here and you must keep going. That first book took me 10 years to write. The manuscript went from under the bed to the closet and then back under the bed again. A doctor friend took it on a ski vacation and he was the one that finally got me to become serious about getting the book published.

MA: I can’t even imagine going more than a full sentence with the Caps Lock Key on! Tell us about what you write.

EB: I write historical fiction. Let me tell you about Clouds Across the Sun. Before the end of WWII, Hitler charged a group of his most trusted and brilliant comrades with a mission—educate your progeny and then elevate them to positions of power throughout the world. Steeped in fact and impeccably researched, Clouds Across the Sun is the story of just one of these children.

From Naples, Florida, New York City, and Washington D.C., to Israel and then the killing grounds of Vilnius, Poland (Lithuania) this story is one of great romance, discovery, redemption, and enlightenment as Jotto Wells unravels the intrigue surrounding a plan to take over the government of the United States.

MA: How did you develop your characters? Was there a great deal of research involved into the lives of people from this era?

EB: I am not sure as writers that we develop our characters. I think they are born to the page and then they develop us. Whenever I have a new character I find myself sitting back and watching their personality emerge. Sometimes I have to rein them in when it feels like they are doing something out of character but most of the time they are in control of me. In Clouds Across the Sun I have more than one protagonist and I was always amazed that they each had their own distinct voice.

MA: More than one protagonist? Tell us about one of them.

EB: I will focus on Jo for this question. She is very independent and self-assured. As the first woman Senator from New York she is intelligent and opinionated. Her greatest weakness is that she falls prey to her family’s influence over her.

MA: Any unique antagonists, other than the obvious?

EB: I think I do bad guys really well and in this book there are some really evil people. When creating an antagonist in the Holocaust time period it is challenging to show all sides of the personality. My antagonist is a Nazi doctor from the Concentration Camps. We see him as a dangerous monster but we also see him as a loving father. The danger is constant when he comes to America after the war with one goal: placing someone under his influence as President of the United States

MA: Do your novels ever fool people into thinking more of the fiction is actual fact?

EB: I write historical fiction that is so based in fact that when people finish my book they tell me that they are chilled and always ask themselves: Could this happen? Is it happening? I talk about IBM, The Red Cross, Hitler and Henry Ford’s close friendship and how the U.S. allowed thousands of known Nazis into the U.S. in exchange for information about our new enemy, Russia.

MA: Interesting…so what’s next?

EB: I am writing an historical novel that takes place in the year 135 of the Common Era. It was a time period when the Jews believed that Shimon Bar Kockba was the Messiah. Following him, they managed to defeat Rome and for a three year period Israel was under the control of the Jews. And So It Was Written is the story of two brothers, one who becomes a famous physician in Rome and the other becomes a commander in the Jewish army. There are some very unique and controversial elements to this book that I am keeping close to the vest so stayed tuned. I am in the process of rewriting and I hope to be finished within the year.

MA: Well thank you, Ellen. I encourage everyone to visit Ellen’s website for more information: http://ellenbrazer.com/Home_Page.html Read More

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Jun 17

“Deadly Focus” Co-Authors Carol and Bob Bridgestock Guest with Mike Angley

MA: Today I will change up my format a bit. Instead of a series of Q & A with my guest authors, I am going to let them tell their story in their own words. All the way from England, please welcome Carol and Bob Bridgestock!.

Carol and Bob Bridgestock have spent almost half a century between them working for the West Yorkshire Police in the North of England. The force is the fourth largest in the Country.

Bob was born in West Yorkshire in 1952. He attended local schools – the last one being Morley Grammar School. He had a weekend and holiday job working at the local butchers, and when the offer of an apprenticeship came he left school and commenced work before the exams. The apprenticeship was for five years after which he became qualified and competent. Bob decided after a while that the career wasn’t the one he wanted to pursue and took up a job in a dye works, only because of the money and he had a young family. This, however, was a complete contrast to what he had done before and over the next two years he considered his future.

The next 30 years he spent as a Police officer, working as a detective at every rank and spending less than three of them thirty years in uniform. During his distinguished and exemplary career he received recognition for his outstanding detective work by way of ‘commendations’ from judges and chief constables. A total of 26 is an unusually high figure. As well as being a senior detective for over 17 years, he was also an on call negotiator for kidnap, hostage and suicide intervention incidents.

He achieved the rank of Detective Superintendent and became one of a very small number of Senior Investigating Officers in the force. As ‘the man in charge’ in his last three years alone he took charge of: 26 murder investigations, 23 major incidents including attempted murder and shootings, over 50 suspicious deaths, and numerous sexual attacks.

Carol was also born in West Yorkshire in 1961 and the majority of her schooling was also in West Yorkshire, although for four years she lived in Milford-on-sea in Hampshire. She ended her school days, however, at Sowerby Bridge Grammar School. On leaving school Carol became a hairdresser and opened her own salon before going on to College to teach the subject. Later she worked in the Police in a number of support roles and was ultimately a supervisor in the administration department. During this time she also was commended for her work with the community, inspiring children to highlight crime prevention work.

When Bob completed his service Carol also retired from the force and they both headed to the south of England where they now live on the Isle of Wight. They had often holidayed on the Island and fell in love with the way of life and the tranquillity of the Island. The Police service behind them, they got on with enjoying life without a pager or a mobile phone. Carol had always told Bob he should write a book, but he had no incentive to do so. Their new group of friends on the island with no police connections also suggested that he write due to the fact he relayed so many stories about his career; some happy, others sad, many macabre. He resisted until a cold damp morning in 2008 he saw an advert in the local paper advertising a college course ‘Write your first novel’. As sudden as it was out of character, he booked them both on it to Carol’s amazement.

Thereafter their new joint career as co-authors took off.

Crime fiction was the answer to Bob’s reluctance to write. This way he could use his real life experience in a way that would not be connected to the original events.

Deadly Focus, the first novel, introduces Yorkshire Detective Inspector Jack Dylan and the clandestine love of his life Jennifer Jones. This is a fast moving story that allows you to travel with Dylan to a series of murders, seeing through his eyes the stark reality of death and its fallout. It allows the reader to feel as he does the highs and lows of an intense murder investigation. The reader through the ‘eyes’ of Jen also gets to know how it feels to be the partner of the ‘man in charge’.

Dylan’s strengths lies with his persistence and experience, but will the pressure have a dire affect on his health? Jen is his ’norm’ a safety net for his turmoil of emotions after the distressing sights he has to endure. Deadly Focus continues to receive 5 star reviews on Amazon, WH Smith etc. In May it was resurrected as the first crime novel in the RC Bridgestock series published by Caffeine Nights Publishers. It is also live on eBooks via Smashwords and Amazon as well as many other e Book outlets.

People often ask the question, ’How do you write together? Does one of you write the odd, the others the even?’

We enjoy working together at last! Our police ‘working life’ often meant spending hours apart. Bob writes the plot and the storyline from start to finish. Carol then takes this first draft and develops the scenes, the story line and importantly the characters. Carol teases out of Bob the true feelings of what it is really like to deal with these gruesome crimes. The novel is then passed back to Bob for the re-write to be checked. Then they both sit down together and go through every word, sentence and chapter to ensure it works. Then and only then is it ready for the publishers to scrutinise the draft.

As we said before, May this year sees the resurrection of the original Deadly Focus and it is also being published this time as an eBook. We have been fortunate to be taken into Caffeine Nights Publishers stable of authors who will also publish book two in the series this summer. We have called this book ‘Consequences.’ The third book in the series is ready for scrutiny by the publishers and book four is ready for the re-write stage. Others in the series are also being penned.

As can be seen, the writing is industrious, as well as being addictive and enjoyable. Both Carol and Bob are members of a local writing group called Wight Fair Writers’s Circle that Carol chairs. This group evolved from the college course and we remain a group who also runs competitions to inspire others to write, especially children. All proceeds go to local charities. Bob and Carol also do talks about Bob’s career for schools and colleges as well as other adult groups to raise money for the local hospice which they support. Certainly exciting times and a new career which they never considered when they retired,

To learn more about Carol and Bob and their writing visit their website. www.rcbridgestock.com. A must is also www.caffeine-nights.com. On both these sites you can download the first two chapters of Deadly Focus FREE! Carol & Bob are also on Facebook – Carol Bridgestock and RC Bridgestock and we Twitter – RC Bridgstock

The support from our readers around the globe is extremely satisfying and spurs us on. Read More

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Jun 15

Need Help with Loglines?

Help with Loglines
by
Mary Deal

When promoting your books, you will need to create a Logline. Specifically, that is 25 – 50 words that describe your story without giving away the ending.

A logline describes the main thread of the story action. It does not include anything happening in the subplots. Your main character carries the main story line; any subplots feed into and enhance the main character and story line.

Depending where you promote, some logline requirements can be as brief a 5 words, or 10 words.

This is great practice for writing lean.

The way to cut the verbiage down to logline potential is to write your description. You may use your brief synopsis instead. When you have a sense of the detail that you convey in that bit of writing, see how much you can cut. Keep in mind the overall meaning of your story. Once cut, anything left should relate to the main story line.

When cutting, keep whittling till you’ve got your descriptions down to several different lengths. You will use different lengths occasionally.

Something to help you is a site I found that will tell you whether you’ve written a statement that delivers impact. Once you have your loglines completed, enter them on this site and see how you fare.

http://www.aminstitute.com/headline/

The words you use are important. You will need words that carry a lot of impact. Once you receive your rating, it may also help you to see how you might improve your logline.

Please visit Mary Deal’s website for more wonderful articles like this one: Write Any Genre. Read More

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