Get Away From That Story
What writers visualize for a plot, and what they actually write into a story, may be two different versions.
Most writers know their stories by heart, including every single bit of researched information they learn before they write the first draft. With a lengthy manuscript, writers cannot and should not include all of the facts they hold in memory. When the writer re-reads the manuscript some time later, it is normal to wonder if readers will perceive what they, the writer, intended to say, according to the scant details they selectively included in order to write lean.
When writers write as fresh creativity flows, they visualize much more of the story in their minds than makes it to paper or monitor screen. Details crowd their thinking, yet, they actually write only carefully selected scenes and dialog that move the story along.
Writers like to think they have included all of what they have learned about their subject. They hope they are presenting the material in such a way that the reader will understand. To be the best judge of that, time away from the story allows a writer to determine if they got their point across. This is something very difficult to determine after having just completed a first draft. Reading at a later time allows a fresh view of the overall composition. The writer becomes a reader instead of the author, and determines whether the story was told as originally intended. Only then can the areas that need fleshing out, cut or re-written be seen.
Many writers may find that what was in their minds and what they actually wrote are two separate versions of the same story. Remembering all the information gained through research before the writing, and later seeing what’s been included in the story, tighter editing can begin anew.
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